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Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A p...
published: 02 Mar 2018
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Mozart - Requiem in D minor (Complete/Full) [HD]
Like,subscribe and share for more :)
published: 10 Oct 2015
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Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine ...
published: 05 Mar 2009
-
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Cho...
published: 07 Apr 2020
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MOZART: Requiem / Karajan / Wiener Philharmoniker Orchestra
1986 - Anna Tomowa-Sintow & Helga Müller Molinari & Vinson Cole & Paata Burchuladze
published: 10 Jan 2019
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Mozart REQUIEM KV 626 Leonard Bernstein 1988
published: 06 Nov 2014
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Mozart Requiem in D minor John Eliot Gardiner
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
published: 05 May 2016
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Mozart - Requiem KV 626 / NEW MASTERING (ref.record.: Hermann Scherchen, Wiener Staatsoper 1953)
Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
**Listen to our latest mastering update (2023)** : https://bit.ly/3q2Bxjq
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🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
*Click to activate the English subtitles for the presentation* (00:00-01:22)
00:00 Introitus: Requiem Aeternam
06:28 I. Kyrie
09:44 II. Dies Irae
11:26 III. Sequentia _ Tuba Mirum
16:21 IV. Sequentia _ Rex Tremendae
18:08 V. Sequentia _ Recordare
25:27 VI. Sequentia _ Confutatis
27:55 VII. Sequentia _ Lacrimosa
30:41 VIII. Offertorium _ Do...
published: 08 Jul 2021
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Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu p...
published: 26 Oct 2015
50:49
Mozart : Requiem (Orchestre national de France / James Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano...
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Pour aller plus loin : https://www.youtube.com/watch?v=pnRWtHCk-n0
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
-----------------------
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https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
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► Espace Concerts - https://www.radiofrance.fr/concerts
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https://wn.com/Mozart_Requiem_(Orchestre_National_De_France_James_Gaffigan)
James Gaffigan dirige l'Orchestre national de France et le Choeur de Radio France dans le Requiem en ré mineur K.626 de Wolfgang Amadeus Mozart, avec la soprano Marita Solberg, la mezzo-soprano Karine Deshayes, le ténor Joseph Kaiser, et la basse Alexander Vinogradov. Concert enregistré le 29 juin 2017 en direct de la basilique de Saint-Denis dans le cadre du Festival de Saint-Denis.
#Mozart #MozartRequiem #OrchestreNationalDeFrance
00:00 - Début du concert
01:19 - I. Introïtus
02:00 - Requiem
05:46 - II. Kyrie
08:13 - III. Sequentia. Dies Irae
10:09 - Tuba mirum
13:29 - Rex tremendae
15:31 - Recordare
20:27 - Confutatis
22:49 - Lacrimosa
25:52 - IV. Offertorium Domine Jesu Hostias
32:52 - V. Sanctus
34:30 - VI. Benedictus
38:52 - VII. Agnus Dei
41:45 - VIII. Communio - Lux Aeterna
A propos de l’œuvre :
Mozart croule sous les problèmes quand il entreprend l’écriture de son Requiem en 1791. Accablé par les dettes, le maestro viennois est aussi gravement malade. Pour ajouter à son malheur, sa musique ne séduit plus, la fréquentation de ses concerts diminue.
On ne compte plus les légendes qui entourent le contexte de création de l’œuvre. Mais parmi elles, une vérité se dessine. Le commanditaire de l’œuvre serait le comte von Walsegg, désireux d’obtenir une messe des morts pour célébrer le souvenir de son épouse, tout juste disparue. La demande est faite à Mozart de manière anonyme. Le comte souhaitait en effet se faire passer pour l'auteur de l’œuvre, une supercherie dont il était familier !
Épuisé, Mozart s’éteint le 5 décembre 1791 à l'âge de 35 ans. S’il a probablement composé entièrement les deux premières parties de l’œuvre, l’Introïtus et le Kyrie, le reste a été repris en main par l’un de ses élèves, Franz-Xaver Süssmayr, à partir d’esquisses plus ou moins détaillées.
Pour aller plus loin : https://www.youtube.com/watch?v=pnRWtHCk-n0
Distribution :
Marita Solberg, soprano
Karine Deshayes, mezzo-soprano
Joseph Kaiser, ténor
Alexander Vinogradov, basse
Chœur de Radio France,
Nicolas Fink, chef de chœur
Orchestre National de France,
James Gaffigan, direction
A propos du compositeur Wolfgang Amadeus Mozart (1756 - 1791) :
Wolfgang Amadeus Mozart est l’un des compositeurs les plus importants de l’histoire de la musique occidentale, et la figure majeure de la période du classicisme. Il fait partie avec Haydn et Beethoven de la « triade classique viennoise », incarnant l’un des trois maîtres dont l’influence a été la plus considérable sur les générations suivantes de compositeurs. Virtuose du clavecin et du violon, il connaît un succès précoce et une carrière fulgurante, en portant toutes les formes musicales existantes à un état d’accomplissement inégalé.
-----------------------
⭐ NOUVEAU ⭐ comprendre et explorer la musique avec la nouvelle chaîne YouTube de France Musique : https://www.youtube.com/@francemusique
🔔 Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 02 Mar 2018
- views: 13517930
8:54
Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the...
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
https://wn.com/Mozart_Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 114232996
52:57
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), ...
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
https://wn.com/Mozart_–_Requiem_(With_Subtitles_In_20_Languages_–_English,_Español,_Português,_Türkçe,_中文_..._)
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
- published: 07 Apr 2020
- views: 5261252
56:34
MOZART: Requiem / Karajan / Wiener Philharmoniker Orchestra
1986 - Anna Tomowa-Sintow & Helga Müller Molinari & Vinson Cole & Paata Burchuladze
1986 - Anna Tomowa-Sintow & Helga Müller Molinari & Vinson Cole & Paata Burchuladze
https://wn.com/Mozart_Requiem_Karajan_Wiener_Philharmoniker_Orchestra
1986 - Anna Tomowa-Sintow & Helga Müller Molinari & Vinson Cole & Paata Burchuladze
- published: 10 Jan 2019
- views: 212163
49:20
Mozart Requiem in D minor John Eliot Gardiner
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Mont...
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
https://wn.com/Mozart_Requiem_In_D_Minor_John_Eliot_Gardiner
Requiem of Mozart - John Eliot Gardiner
Barbara Bonney, Soprano.
Anne Sofie von Otter, Mezzo-soprano.
Anthony Rolfe Johnson, Tenor.
Alastair Miles, Bass.
Monteverdi Choir
English Baroque Soloists
Filmed at the Palau de la Música Catalana, Barcelona, in December 1991.
- published: 05 May 2016
- views: 185048
59:35
Mozart - Requiem KV 626 / NEW MASTERING (ref.record.: Hermann Scherchen, Wiener Staatsoper 1953)
Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
**Listen to our latest mastering update (2023)** : https://bit.ly/3q2Bxjq
🎧 Qobuz https://bit.ly/2WosE4J A...
Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
**Listen to our latest mastering update (2023)** : https://bit.ly/3q2Bxjq
🎧 Qobuz https://bit.ly/2WosE4J Apple Music https://apple.co/3AxBSKJ
🎧 Amazon Music https://amzn.to/3MnQP9J Tidal https://bit.ly/3f6pB7X
🎧 Deezer https://bit.ly/2WutdtZ Spotify https://spoti.fi/2TDKP5s
🎧 Youtube Music https://bit.ly/3MW6uil SoundCloud https://bit.ly/3bKIL12
🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
*Click to activate the English subtitles for the presentation* (00:00-01:22)
00:00 Introitus: Requiem Aeternam
06:28 I. Kyrie
09:44 II. Dies Irae
11:26 III. Sequentia _ Tuba Mirum
16:21 IV. Sequentia _ Rex Tremendae
18:08 V. Sequentia _ Recordare
25:27 VI. Sequentia _ Confutatis
27:55 VII. Sequentia _ Lacrimosa
30:41 VIII. Offertorium _ Domine Jesu Christe
35:11 IX. Offertorium _ Dominehostias
39:22 X. Sanctus
40:50 XI. Benedictus
46:46 XII. Agnus Dei, Lux Aeterna
Sopran : Magda László
Alt : Hilde Rössl-Majdan
Tenor : Petre Munteanu
Bass : Richard Standen
Wiener Akademie Kammerchor
Wiener Staatsoper
Conductor: Hermann Scherchen
Recorded in 1953
New mastering in 2021 by AB for CM//RR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) https://www.patreon.com/cmrr
Everything was thought out so that the work would be like death itself: at once pathetic and terrifying, calm and terrible. Written for four soloists (soprano, alto, tenor and bass), a choir and a symphony orchestra, Mozart removed all the high-pitched wind instruments (flute and oboe), judged too joyful, and kept only the basset horn, ancestor of the clarinet, with a more subdued tone. Grave and solemn, the orchestra is perfectly suited to a mass for the dead, and Mozart's writing is itself sober, even austere: no brilliant effects or great virtuoso solos.
The spectacular is elsewhere: the choir takes center stage and lets its power burst forth. In the Dies Irae, the moment of the Last Judgment, a formidable storm arises: the terrible calls of the choir represent sometimes the divine anger that falls on men, sometimes attempts to soften this anger, sometimes cries of terror... Everything trembles with anguish, fever and impatience. Mozart's ultimate composition touches the sublime.
Bach - Musical Offering / Das Musikalische Opfer / L’Offrande Musicale (Ct.rec.: Hermann Scherchen): https://youtu.be/ObS53DQchq8
Wolfgang Amadeus Mozart PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
https://wn.com/Mozart_Requiem_Kv_626_New_Mastering_(Ref.Record._Hermann_Scherchen,_Wiener_Staatsoper_1953)
Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
**Listen to our latest mastering update (2023)** : https://bit.ly/3q2Bxjq
🎧 Qobuz https://bit.ly/2WosE4J Apple Music https://apple.co/3AxBSKJ
🎧 Amazon Music https://amzn.to/3MnQP9J Tidal https://bit.ly/3f6pB7X
🎧 Deezer https://bit.ly/2WutdtZ Spotify https://spoti.fi/2TDKP5s
🎧 Youtube Music https://bit.ly/3MW6uil SoundCloud https://bit.ly/3bKIL12
🎧 Naspter, Pandora, Anghami, QQ音乐, LineMusic日本, Awa日本...
*Click to activate the English subtitles for the presentation* (00:00-01:22)
00:00 Introitus: Requiem Aeternam
06:28 I. Kyrie
09:44 II. Dies Irae
11:26 III. Sequentia _ Tuba Mirum
16:21 IV. Sequentia _ Rex Tremendae
18:08 V. Sequentia _ Recordare
25:27 VI. Sequentia _ Confutatis
27:55 VII. Sequentia _ Lacrimosa
30:41 VIII. Offertorium _ Domine Jesu Christe
35:11 IX. Offertorium _ Dominehostias
39:22 X. Sanctus
40:50 XI. Benedictus
46:46 XII. Agnus Dei, Lux Aeterna
Sopran : Magda László
Alt : Hilde Rössl-Majdan
Tenor : Petre Munteanu
Bass : Richard Standen
Wiener Akademie Kammerchor
Wiener Staatsoper
Conductor: Hermann Scherchen
Recorded in 1953
New mastering in 2021 by AB for CM//RR
🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : https://spoti.fi/3016eVr
🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : https://bit.ly/2M1Eop2
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) https://www.patreon.com/cmrr
Everything was thought out so that the work would be like death itself: at once pathetic and terrifying, calm and terrible. Written for four soloists (soprano, alto, tenor and bass), a choir and a symphony orchestra, Mozart removed all the high-pitched wind instruments (flute and oboe), judged too joyful, and kept only the basset horn, ancestor of the clarinet, with a more subdued tone. Grave and solemn, the orchestra is perfectly suited to a mass for the dead, and Mozart's writing is itself sober, even austere: no brilliant effects or great virtuoso solos.
The spectacular is elsewhere: the choir takes center stage and lets its power burst forth. In the Dies Irae, the moment of the Last Judgment, a formidable storm arises: the terrible calls of the choir represent sometimes the divine anger that falls on men, sometimes attempts to soften this anger, sometimes cries of terror... Everything trembles with anguish, fever and impatience. Mozart's ultimate composition touches the sublime.
Bach - Musical Offering / Das Musikalische Opfer / L’Offrande Musicale (Ct.rec.: Hermann Scherchen): https://youtu.be/ObS53DQchq8
Wolfgang Amadeus Mozart PLAYLIST (reference recordings): https://www.youtube.com/playlist?list=PL3UZpQL9LIxMe6H3Sfn2lvPVFzrvhhPO7
- published: 08 Jul 2021
- views: 60047
46:55
Wolfgang Amadeus Mozart - Requiem in D minor, K. 626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot...
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
https://wn.com/Wolfgang_Amadeus_Mozart_Requiem_In_D_Minor,_K._626
- Composer: Wolfgang Amadeus Mozart (27 January 1756 -- 5 December 1791)
- Orchestra: English Baroque Soloists
- Choir: Monteverdi Choir
- Conductor: John Eliot Gardiner
- Soloists: Barbara Bonney (soprano), Anne Sofie von Otter (contralto), Hans Peter Blochwitz (tenor), Willard White (bass)
- Year of recording: 1990
Requiem in D minor for soloists, chorus & orchestra, K. 626, written in 1791.
This version is the Süssmayr completion of the Requiem, with the following structure:
00:00 - I. Introitus: Requiem aeternam (choir and soprano solo)
04:44 - II. Kyrie eleison (choir)
----- III. Sequentia: (text based on sections of the Dies Irae)
07:15 - Dies irae (choir)
09:01 - Tuba mirum (soprano, contralto, tenor and bass solo)
12:09 - Rex tremendae majestatis (choir)
14:20 - Recordare, Jesu pie (soprano, contralto, tenor and bass solo)
19:02 - Confutatis maledictis (choir)
21:17 - Lacrimosa dies illa (choir)
----- IV. Offertorium:
24:05 - Domine Jesu Christe (choir with solo quartet)
27:38 - Versus: Hostias et preces (choir)
----- V. Sanctus:
31:35 - Sanctus Dominus Deus Sabaoth (choir)
32:58 - Benedictus (solo quartet, then choir)
38:12 - VI. Agnus Dei (choir)
----- VII. Communio:
41:25 - Lux aeterna (soprano solo and choir)
The Requiem was composed in Vienna in 1791 and left unfinished at the composer's death on the 5th of December. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem mass to commemorate the 14th of February anniversary of his wife's death.
The autograph manuscript shows the finished and orchestrated introit in Mozart's hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of "Lacrimosa", and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, the bulk of this copy derives from the hand of Franz Süssmayr.
The Requiem contains five sections, each capped by a fugue: Requiem/Kyrie, Sequence ("Dies Irae"), Offertory, Sanctus, and Agnus Dei. Throughout, choral writing drives Mozart's music; even the four soloists rarely sing alone. The darkly colored orchestra supports the choir with often vivid motives. This pictorial aspect is most evident in the Sequence: "Tuba mirum" (solo trombone), "Rex tremendae" (regal dotted-rhythms), "Confutatis" (fiery accompaniment), and "Lachrymosa" (sighing strings). Not only do individual movements display an extraordinary level of motivic unity, Mozart carefully creates motivic relationships across the entire Requiem. The very first melody sung by the basses ("Requiem aeternam"), for instance, is repeated at the very end and also echoes throughout the work; the opening melody of "Dies irae" translates into major mode to open the "Sanctus." Mozart is never afraid, however, of acknowledging his debt to earlier traditions of church music. His fugues deliberately reference Bach, and in the first movement alone he quotes from Michael Haydn's Requiem, Handel's funeral anthem for Queen Caroline, Messiah, and the Gregorian chant known as the "Pilgrim's Tone."
- published: 26 Oct 2015
- views: 1184352