- published: 30 Jan 2013
- views: 10640
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George Frideric (or Frederick) Handel (/ˈhændəl/; born Georg Friedrich Händel,German pronunciation: [ˈhɛndəl]; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that "Handel was not only a great composer; he was a dramatic genius of the first order." As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London.
Mai (c.1751-1780), mistakenly known as Omai in Britain, was a young Ra'iatean man who became the second Pacific Islander to visit Europe, after Ahu-toru who was brought to Paris by Bougainville in 1768.
In August 1773 he embarked from Huahine on the British ship HMS Adventure, commanded by Commander Tobias Furneaux, which had touched at Tahiti as part of James Cook's second voyage of discovery in the Pacific. Omai travelled to Europe on Adventure, arriving at London in October 1774 where he was introduced into society by the naturalist Sir Joseph Banks.
During his two-year stay in England, Omai became much admired within London high society. Renowned for his charm, quick wit and exotic good looks, he quickly became a favourite of the aristocratic elite. Banks regularly invited Omai to dine with the Royal Society and arranged meetings with notable celebrities of the time, including Lord Sandwich, Dr Samuel Johnson, Frances Burney, and Anna Seward, among others.Richard Holmes remarks that Omai's idiosyncratic behaviour and distinctive bow were widely celebrated. Indeed, during one famed meeting with King George III at Kew, Omai is said to have delivered his bow then grasped the King's hand, declaring, "How do, King Tosh!"
Omai is a 1785 pantomime written by John O'Keeffe with music by William Shield. It depicts the voyage of Omai, a Tahitian royal, to marry Londina the fictional daughter of Britannia. It was loosely inspired by the real visit of Omai to Europe in the 1770s and the final voyage of the explorer Captain James Cook leading up to his dramatic death in 1779. Its full name is Omai: or, a trip round the world
The sets were designed by Philip James de Loutherbourg who took great care to try and make his depictions as authentic as possible by studying sketches made on all three of Cook's voyages and consulting with John Webber an artist who had sailed with Cook.
The play was produced a year and a half after official Admiralty records of Cook’s final voyage were released and played a major part in the hero-isation of Cook. Although much of its material was intentionally whimsical and inaccurate, it helped shape Western views of the Pacific Ocean and its inhabitants. It was first performed at Covent Garden Theatre in December 1785.
Omai is a Creator deity (god) mentioned by Davi Kopenawa Yanomami, a shaman and Portuguese-speaking spokesperson of the Yanomami índios of Brazil.
In his own words translated from Portuguese:
I want to speak giving the message from Omai. Omai is the creator of the Yanomami who also has created all the shaboris that are the shamans. The shaboris are the ones that have the knowledge, and they sent two of us to deliver their message.
As Davi Kopenawa learned Portuguese from a Christian mission run by New Tribes Mission, an American evangelical organization specializing in the proselytization of isolated peoples, it may be that Omai is regarded as synonymous with God the Father as revered in Christian belief via syncretism.
'Presti omai l'Egizia terra' (Cesare) Aria in D major for alto, 2 oboes, 2 violins, viola and basso continuo From the opera 'Giulio Cesare in Egitto', HWV 17 (No. 2) Libretto: Nicola Francesco Haym, after Giacomo Francesco Bussani's 'Giulio Cesare in Egitto' (music by Antonio Sartorio, 1676) Music: Georg Friedrich Händel (1685-1759) First performance: 20 February 1724, in London (King's Theatre, Haymarket) ___ Cesare: Eser, contralto Bass realisation and programming: Marc D. Recording: June 2012 Pitch: A = 440 Hz ___ Presti omai l'Egizia terra le sue palme al vincitor! ___ Translation (by Marc D.): Land of Egypt, now present your laurels to the victor! ___ There was a wrong note in the 1875 Chrysander edition that I used for this video: on the picture that can be seen at 0:50,...
Direction : René Jacobs Concerto Köln Paris, Cité de la musique, 24 février 1998. Jennifer Larmore (Cesare) Maria Bayo(Cleopatra) Iris Vermillion (Sesto) Bernarda Fink (Cornelia)) Graham Pushee (Tolomeo)
Presti omai l'Egizia Terra - da GIULIO CESARE Festival di Beaune - Christhophe Dumaux Ensamble Les Dominos Direction Florence Malgoire Realisation Claude Fleouter Una production de Telescope Audiovisuel
Aria: ‘Presti Omai’ Opera: Giulio Cesare in Egitto HWV 17 Composer: Georg Friedrich Händel (1685 - 1759) Emiliano Géant: Coloratura baritone & harpsichord. Album name: Händel Insólito. Recorded in Valencia 4 / 2013 Yanko Tsvetkov: Executive producer, art direction, design, photography and project's description. Available on: iTunes, Apple Music, Amazon Music, YouTube Music, Spotify, Napster and Rhapsody. Project description: A bold baroque recital by a coloratura baritone, Händel Insólito re-imagines the legacy of the ancestral operatic arias and revives their essence with refreshing energy and spontaneity. Emiliano Géant mischievously hijacks the repertoire of the most emblematic voices like castrati, soprano, mezzo-soprano, alto, and basses. Departing from the virility that t...
George Frideric (or Frederick) Handel (/ˈhændəl/; born Georg Friedrich Händel,German pronunciation: [ˈhɛndəl]; 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Born in a family indifferent to music, Handel received critical training in Halle, Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that "Handel was not only a great composer; he was a dramatic genius of the first order." As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London.