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-
Full Concert live from Moscow, Tchaikovsky Concert Hall – Baltic Sea Philharmonic
Conductor: Kristjan Järvi
Soloist: Alexander Toradze, piano
Programme: Baltic Sea Landscapes
Sergei Prokofiev: Symphony No. 1 in D major Classical, Op. 25
Sergei Prokofiev: Piano Concerto No. 3 in C major, Op. 26
Arvo Pärt: Swansong
Gediminas Gelgotas: Mountains. Waters. (Freedom)
Igor Stravinsky: The Firebird (1945)
Encores:
Charles Coleman: Prelude in B minor
Charles Coleman: Drenched
Jean Sibelius: Song of Praise from Swanwhite
Gene Pritsker: Viljandi Suite
Recorded at the Tchaikovsky Concert Hall (Russia) on 23 April 2016.
Join Baltic Sea Philharmonic online:
https://facebook.com/BalticSeaPhilharmonic
https://instagram.com/balticseaphilharmonic
https://open.spotify.com/artist/1PlMcwoF2G03BqB1MDbXVt?si=ezvqcYO5RYyX3MKy8o1IOQ
https://twitter.com/balticseaphil
https://ba...
published: 26 Dec 2016
-
P.Tchaikovsky Suite from the ballet "Swan Lake" Moscow State Symphony Orchestra.D.Filatov conductor
P.Tchaikovsky Suite from the ballet "Swan Lake"
00:08 No. 1 Scene. Moderato
03:02 No. 2 Waltz. Tempo di Valse
10:42 No. 3 Swan Dance. Allegro moderato
12:16 No. 4 Scene. Andante
19:54 No. 5 Hungarian Dance. Czardas. Moderato assai
22:50 No. 6 Spanish dance
25:15 No. 7 Neapolitan dance
27:18 No. 8 Mazurka
31:41 No. 9 Scene No 6 (episode)
34:12 No. 10 Pas de Deux – II. Andante
38:22 No. 11 Russian dance
Moscow State Symphony Orchestra.
Roman Filipov violin solo
Dmitry Filatov conductor
published: 06 Jan 2020
-
Pyotr I. Tchaikovsky - Moscow Cantata (1883)
Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
Please support my channel:
https://ko-fi.com/bartjebartmans
Moscow Cantata (1883)
Librettist: Apollon Maykov (1821–1897)
I. Introduction and Chorus («С мала ключика...»). Andante religioso (0:00)
II. Arioso («То не ...
published: 08 Sep 2020
-
DAVID OISTRAKH. P. Tchaikovsky - Violin Concerto, in D, Op.35 [Moscow PO, G. Rozhdestvensky] 1968
DAVID OISTRAKH / ДАВИД ФЕДОРОВИЧ ОЙСТРАХ
(30.09.1908 - 24.10.1974)
PYOTR TCHAIKOVSKY / ПЁТР ИЛЬИЧ ЧАЙКОВСКИЙ
(7/05/1840 - 6/11/1893)
VIOLIN CONCERTO, Op.35, D Dur
00:00 I. Allegro moderato
19:43 II. Canzonetta: Andante
25:43 III. Finale: Allegro vivacissimo
Симфонический оркестр Московской государственной филармонии
Дирижер ГЕННАДИЙ НИКОЛАЕВИЧ РОЖДЕСТВЕНСКИЙ (04/05/1931 - 16/06/2018)
Moscow Philharmonic Symphony Orchestra
GENNADY ROZHDESTVENSKY
Tchaikovsky Hall, Moscow, / Москва, Зал им. Чайковского
27/09/1968
published: 11 Apr 2021
-
Tchaikovsky - Francesca da Rimini - Igor Manasherov, Moscow Philharmonic Orchestra
Moscow Philharmonic Orchestra,
Tchaikovsky Concert hall,
18 June 2015, Moscow
published: 02 Jul 2015
-
Van Cliburn wins the First International Tchaikovsky Competition in Moscow in 1958
Watch the full documentary "Van Cliburn Concert PIanist" by Peter Rosen here: http://bit.ly/VanCliburnConcertPianist
Victory at the International Tchaikovsky Piano Competition
In 1958, Van Cliburn won the coveted First prize at the inaugural International Tchaikovsky Piano Competition in Moscow, Russia. A huge accomplishment on its own, Mr. Cliburn’s victory was made even more significant by the political climate of the time. Taking place just months after the Russian launch of Sputnik, the first earth-orbiting satellite, the competition was created to shine a spotlight on the country’s cultural and musical icons, and to bring equal attention to great classical music as had been shown to science, math and technology. A decade into the Cold War, the success of an American pianist at Russ...
published: 11 May 2017
-
Perlman Tchaikovsky Concerto Moscow 1990
Canal destinado a Músicas Clássicas de concerto e ligados à mesma.
published: 07 Jul 2016
-
Tchaikovsky: Swan Lake - The Kirov Ballet
Tchaikovsky: Swan Lake - The Kirov Ballet
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon
In this production of the best loved classical ballet 'Swan Lake' the naturally gifted Yulia Makhalina dances the challenging role of Odette/Odile while the part of Prince Siegfried is danced by Igor Zelensky. This classic Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and at dawn is reunited with Odette.
Act I, Scene 1 - A park near Prince Siegfried's castle
0:00 Introduction: Moderato assai - Allegro non troppo - Tempo I
2:35 1. Scène: Allegro giusto
5:47 2. Waltz: Tempo di valse
11:37 3. Scène: Allegro moderato
15:23 4. Pas de trois
22:27 6. Pas d'action: Andantino quasi moderato - Allegro
...
published: 07 Mar 2012
-
1812 OVERTURE, P. I. Tchaikovsky (Canons i campanar) - Banda Simfònica d'Algemesí
La Banda Simfònica d'Algemesí interpreta "1812 OVERTURE, de Piotr Ilich Tchaikovsky" al concert de la Nit de l'Retorn celebrat el 6 de setembre de 2016 a la plaça Major d'Algemesí.
00:00 Intro
12:30 Cannons start to play
13:31 God Save the Tsar (churchbell & goosebumps)
L'Obertura Solemne de l'Any 1812, Op. 49, coneguda popularment com l'Obertura de 1812, és una obertura de concert en mi major escrita en 1880 pel compositor rus Pyotr Ilyich Tchaikovsky per commemorar l'exitosa defensa russa contra la invasió de la Gran Armée de Napoleó en 1812.
El 1974, els Boston Pops van agregar canons, campanes d'església i focs artificials per atreure multituds al seu concert de el 4 de juliol, Dia de la Independència. Va tenir tant èxit que la inclusió de la "Obertura de 1812" es va convertir en u...
published: 03 Dec 2016
-
Horowitz in Moscow - State Tchaikovsky Conservatory 1986 - REMASTERED
00:00:53 Scarlatti - Piano Sonata in B Minor, L.33
00:05:08 Scarlatti - Piano Sonata in E Major, L.23
00:09:02 Scarlatti - Piano Sonata in E Major, L.224
00:12:21 Mozart - Piano Sonata No.10 in C Major, K330
00:30:32 Rachmaninoff - Prelude in G Major, Op.32, No.5
00:33:24 Rachmaninoff - Prelude in G sharp minor, op.32, No.12
00:36:34 Scriabin - Etude in C-sharp minor, op.2 No.1
00:39:14 Scriabin - Etude in D-sharp minor, op.8 No.12
00:43:54 Schubert - Impromptu in B-flat Major, op.142, No.3
00:53:43 Schubert / Liszt - Valse caprice No.6 from Soirées de Vienne
01:00:16 Liszt - "Sonetto del Petrarca" No. 104
01:06:31 Chopin - Mazurka in C-sharp minor, op.30, No.4
01:13:05 Chopin - Polonaise in A-flat Major, op.53
01:23:05 Moszkowski - "Etincelles"
Vladimir Horowitz returns to Moscow for...
published: 21 Jun 2022
2:12:54
Full Concert live from Moscow, Tchaikovsky Concert Hall – Baltic Sea Philharmonic
Conductor: Kristjan Järvi
Soloist: Alexander Toradze, piano
Programme: Baltic Sea Landscapes
Sergei Prokofiev: Symphony No. 1 in D major Classical, Op. 25
Se...
Conductor: Kristjan Järvi
Soloist: Alexander Toradze, piano
Programme: Baltic Sea Landscapes
Sergei Prokofiev: Symphony No. 1 in D major Classical, Op. 25
Sergei Prokofiev: Piano Concerto No. 3 in C major, Op. 26
Arvo Pärt: Swansong
Gediminas Gelgotas: Mountains. Waters. (Freedom)
Igor Stravinsky: The Firebird (1945)
Encores:
Charles Coleman: Prelude in B minor
Charles Coleman: Drenched
Jean Sibelius: Song of Praise from Swanwhite
Gene Pritsker: Viljandi Suite
Recorded at the Tchaikovsky Concert Hall (Russia) on 23 April 2016.
Join Baltic Sea Philharmonic online:
https://facebook.com/BalticSeaPhilharmonic
https://instagram.com/balticseaphilharmonic
https://open.spotify.com/artist/1PlMcwoF2G03BqB1MDbXVt?si=ezvqcYO5RYyX3MKy8o1IOQ
https://twitter.com/balticseaphil
https://baltic-sea-philharmonic.eu
https://wn.com/Full_Concert_Live_From_Moscow,_Tchaikovsky_Concert_Hall_–_Baltic_Sea_Philharmonic
Conductor: Kristjan Järvi
Soloist: Alexander Toradze, piano
Programme: Baltic Sea Landscapes
Sergei Prokofiev: Symphony No. 1 in D major Classical, Op. 25
Sergei Prokofiev: Piano Concerto No. 3 in C major, Op. 26
Arvo Pärt: Swansong
Gediminas Gelgotas: Mountains. Waters. (Freedom)
Igor Stravinsky: The Firebird (1945)
Encores:
Charles Coleman: Prelude in B minor
Charles Coleman: Drenched
Jean Sibelius: Song of Praise from Swanwhite
Gene Pritsker: Viljandi Suite
Recorded at the Tchaikovsky Concert Hall (Russia) on 23 April 2016.
Join Baltic Sea Philharmonic online:
https://facebook.com/BalticSeaPhilharmonic
https://instagram.com/balticseaphilharmonic
https://open.spotify.com/artist/1PlMcwoF2G03BqB1MDbXVt?si=ezvqcYO5RYyX3MKy8o1IOQ
https://twitter.com/balticseaphil
https://baltic-sea-philharmonic.eu
- published: 26 Dec 2016
- views: 432300
44:54
P.Tchaikovsky Suite from the ballet "Swan Lake" Moscow State Symphony Orchestra.D.Filatov conductor
P.Tchaikovsky Suite from the ballet "Swan Lake"
00:08 No. 1 Scene. Moderato
03:02 No. 2 Waltz. Tempo di Valse
10:42 No. 3 Swan Dance. Allegro moderato
12:16 No....
P.Tchaikovsky Suite from the ballet "Swan Lake"
00:08 No. 1 Scene. Moderato
03:02 No. 2 Waltz. Tempo di Valse
10:42 No. 3 Swan Dance. Allegro moderato
12:16 No. 4 Scene. Andante
19:54 No. 5 Hungarian Dance. Czardas. Moderato assai
22:50 No. 6 Spanish dance
25:15 No. 7 Neapolitan dance
27:18 No. 8 Mazurka
31:41 No. 9 Scene No 6 (episode)
34:12 No. 10 Pas de Deux – II. Andante
38:22 No. 11 Russian dance
Moscow State Symphony Orchestra.
Roman Filipov violin solo
Dmitry Filatov conductor
https://wn.com/P.Tchaikovsky_Suite_From_The_Ballet_Swan_Lake_Moscow_State_Symphony_Orchestra.D.Filatov_Conductor
P.Tchaikovsky Suite from the ballet "Swan Lake"
00:08 No. 1 Scene. Moderato
03:02 No. 2 Waltz. Tempo di Valse
10:42 No. 3 Swan Dance. Allegro moderato
12:16 No. 4 Scene. Andante
19:54 No. 5 Hungarian Dance. Czardas. Moderato assai
22:50 No. 6 Spanish dance
25:15 No. 7 Neapolitan dance
27:18 No. 8 Mazurka
31:41 No. 9 Scene No 6 (episode)
34:12 No. 10 Pas de Deux – II. Andante
38:22 No. 11 Russian dance
Moscow State Symphony Orchestra.
Roman Filipov violin solo
Dmitry Filatov conductor
- published: 06 Jan 2020
- views: 654813
23:11
Pyotr I. Tchaikovsky - Moscow Cantata (1883)
Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as P...
Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
Please support my channel:
https://ko-fi.com/bartjebartmans
Moscow Cantata (1883)
Librettist: Apollon Maykov (1821–1897)
I. Introduction and Chorus («С мала ключика...»). Andante religioso (0:00)
II. Arioso («То не звездочка...»). Moderato con moto (5:32)
III. Chorus («Час ударил жданный...»). Allegro (7:40)
IV. Monologue and Chorus («Уж как из лесу...»). Moderato—Largo (9:34)
V. Arioso («Мне ли, господи...»). Andante molto sostenuto (15:00)
VI. Finale («По Руси пошёл сиук и гром большой...»). Moderato con moto (18:20)
Valery Polyansky, Glinka State Academic Chapel of Leningrad
The Russian text was specially written for the cantata by Apollon Maykov (1821-1897). Soviet editions of the score used a revised version of the text by Aleksey Mashistov.
As early as December 1882, one of the members of the Moscow City Coronation Committee—a certain Korganov—had discussions with Tchaikovsky about commissioning him to write a cantata. Tchaikovsky agreed in principle, and suggested the poets Yakov Polonsky or Apollon Maykov as possible authors of the text. But then no official commission followed.
In February 1883, while staying in Paris, Tchaikovsky received an inquiry from the director Anton Bartsal as to whether the cantata was ready. Concerned by this question, Tchaikovsky asked Pyotr Jurgenson to find out more about this, and just in case, to send him the manuscript of the Cantata for the Opening of the Polytechnic Exhibition: "If the worst comes to the worst I might fall back on that for the music, but—words, words? And when should all this be ready? Is it already too late?"
It was only in early/mid March that Tchaikovsky received the official commission to compose the cantata from the coronation committee. With the letter came the text by Apollon Maykov. The explanation given for the delay was that the committee members had initially approached Anton Rubinstein with the commission, and he "declined, in view of the short time-scale, and suggested my name", Tchaikovsky told Nadezhda von Meck. The time available was exceptionally short—by 17/29 April the completed manuscript would have to be in Saint Petersburg. Completing the commission would be a formidable task, since at the same time the composer was also writing a march to be performed at the coronation. The urgency with which both works were required meant that Tchaikovsky had to interrupt the composition of his opera Mazepa, which displeased him greatly.
The cantata was written, in his own words, expediently: "My obligations for the impending coronation festivities are coming along so successfully, that soon I will be completely free of them. My circumstances were certainly helped by the fact that the words of the cantata, written by Maykov, are very beautiful and poetic... the whole piece is so deeply profound and so originally written, and there is a freshness and sincerity of tone that made it possible for me not merely to dash off something stolid and formal, but to invest in my music something of the warmth of Maykov's wonderful verses". Tchaikovsky also wrote to Pyotr Jurgenson that he was very pleased with the cantata, and while he hoped that it might be performed in the next season of Russian Musical Society concerts, he did not recommend that it should be published.
In 1890, in a letter to the Grand Duke Konstantin Konstantinovich, Tchaikovsky wrote: "Regarding Maykov, I remember how it fell to me to write a Coronation Cantata on his text. At the time I was staying in Paris... Suddenly I received a proposal, already declined by A. G. Rubinstein, to write a Coronation Cantata in two weeks... I considered that to carry out such a proposition was impossible within such an outrageously short time scale, and gave vent to my feelings to my brother Modest, who at that time happened to have to hand a book of Maykov's verses; my admiration for these was such that they involuntarily stirred my inspiration, and so that I would not forget, I wrote on the book in pencil the musical ideas that had come into my head. Had this not happened then there probably have been no Coronation Cantata, but under the spell of this magic the cantata was ready and dispatched in time, and I consider it to be among the best of my compositions".
https://wn.com/Pyotr_I._Tchaikovsky_Moscow_Cantata_(1883)
Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский; tr. Pëtr Il'ič Čajkovskij; 25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
Please support my channel:
https://ko-fi.com/bartjebartmans
Moscow Cantata (1883)
Librettist: Apollon Maykov (1821–1897)
I. Introduction and Chorus («С мала ключика...»). Andante religioso (0:00)
II. Arioso («То не звездочка...»). Moderato con moto (5:32)
III. Chorus («Час ударил жданный...»). Allegro (7:40)
IV. Monologue and Chorus («Уж как из лесу...»). Moderato—Largo (9:34)
V. Arioso («Мне ли, господи...»). Andante molto sostenuto (15:00)
VI. Finale («По Руси пошёл сиук и гром большой...»). Moderato con moto (18:20)
Valery Polyansky, Glinka State Academic Chapel of Leningrad
The Russian text was specially written for the cantata by Apollon Maykov (1821-1897). Soviet editions of the score used a revised version of the text by Aleksey Mashistov.
As early as December 1882, one of the members of the Moscow City Coronation Committee—a certain Korganov—had discussions with Tchaikovsky about commissioning him to write a cantata. Tchaikovsky agreed in principle, and suggested the poets Yakov Polonsky or Apollon Maykov as possible authors of the text. But then no official commission followed.
In February 1883, while staying in Paris, Tchaikovsky received an inquiry from the director Anton Bartsal as to whether the cantata was ready. Concerned by this question, Tchaikovsky asked Pyotr Jurgenson to find out more about this, and just in case, to send him the manuscript of the Cantata for the Opening of the Polytechnic Exhibition: "If the worst comes to the worst I might fall back on that for the music, but—words, words? And when should all this be ready? Is it already too late?"
It was only in early/mid March that Tchaikovsky received the official commission to compose the cantata from the coronation committee. With the letter came the text by Apollon Maykov. The explanation given for the delay was that the committee members had initially approached Anton Rubinstein with the commission, and he "declined, in view of the short time-scale, and suggested my name", Tchaikovsky told Nadezhda von Meck. The time available was exceptionally short—by 17/29 April the completed manuscript would have to be in Saint Petersburg. Completing the commission would be a formidable task, since at the same time the composer was also writing a march to be performed at the coronation. The urgency with which both works were required meant that Tchaikovsky had to interrupt the composition of his opera Mazepa, which displeased him greatly.
The cantata was written, in his own words, expediently: "My obligations for the impending coronation festivities are coming along so successfully, that soon I will be completely free of them. My circumstances were certainly helped by the fact that the words of the cantata, written by Maykov, are very beautiful and poetic... the whole piece is so deeply profound and so originally written, and there is a freshness and sincerity of tone that made it possible for me not merely to dash off something stolid and formal, but to invest in my music something of the warmth of Maykov's wonderful verses". Tchaikovsky also wrote to Pyotr Jurgenson that he was very pleased with the cantata, and while he hoped that it might be performed in the next season of Russian Musical Society concerts, he did not recommend that it should be published.
In 1890, in a letter to the Grand Duke Konstantin Konstantinovich, Tchaikovsky wrote: "Regarding Maykov, I remember how it fell to me to write a Coronation Cantata on his text. At the time I was staying in Paris... Suddenly I received a proposal, already declined by A. G. Rubinstein, to write a Coronation Cantata in two weeks... I considered that to carry out such a proposition was impossible within such an outrageously short time scale, and gave vent to my feelings to my brother Modest, who at that time happened to have to hand a book of Maykov's verses; my admiration for these was such that they involuntarily stirred my inspiration, and so that I would not forget, I wrote on the book in pencil the musical ideas that had come into my head. Had this not happened then there probably have been no Coronation Cantata, but under the spell of this magic the cantata was ready and dispatched in time, and I consider it to be among the best of my compositions".
- published: 08 Sep 2020
- views: 12730
36:05
DAVID OISTRAKH. P. Tchaikovsky - Violin Concerto, in D, Op.35 [Moscow PO, G. Rozhdestvensky] 1968
DAVID OISTRAKH / ДАВИД ФЕДОРОВИЧ ОЙСТРАХ
(30.09.1908 - 24.10.1974)
PYOTR TCHAIKOVSKY / ПЁТР ИЛЬИЧ ЧАЙКОВСКИЙ
(7/05/1840 - 6/11/1893)
VIOLIN CONCERTO, Op.35,...
DAVID OISTRAKH / ДАВИД ФЕДОРОВИЧ ОЙСТРАХ
(30.09.1908 - 24.10.1974)
PYOTR TCHAIKOVSKY / ПЁТР ИЛЬИЧ ЧАЙКОВСКИЙ
(7/05/1840 - 6/11/1893)
VIOLIN CONCERTO, Op.35, D Dur
00:00 I. Allegro moderato
19:43 II. Canzonetta: Andante
25:43 III. Finale: Allegro vivacissimo
Симфонический оркестр Московской государственной филармонии
Дирижер ГЕННАДИЙ НИКОЛАЕВИЧ РОЖДЕСТВЕНСКИЙ (04/05/1931 - 16/06/2018)
Moscow Philharmonic Symphony Orchestra
GENNADY ROZHDESTVENSKY
Tchaikovsky Hall, Moscow, / Москва, Зал им. Чайковского
27/09/1968
https://wn.com/David_Oistrakh._P._Tchaikovsky_Violin_Concerto,_In_D,_Op.35_Moscow_Po,_G._Rozhdestvensky_1968
DAVID OISTRAKH / ДАВИД ФЕДОРОВИЧ ОЙСТРАХ
(30.09.1908 - 24.10.1974)
PYOTR TCHAIKOVSKY / ПЁТР ИЛЬИЧ ЧАЙКОВСКИЙ
(7/05/1840 - 6/11/1893)
VIOLIN CONCERTO, Op.35, D Dur
00:00 I. Allegro moderato
19:43 II. Canzonetta: Andante
25:43 III. Finale: Allegro vivacissimo
Симфонический оркестр Московской государственной филармонии
Дирижер ГЕННАДИЙ НИКОЛАЕВИЧ РОЖДЕСТВЕНСКИЙ (04/05/1931 - 16/06/2018)
Moscow Philharmonic Symphony Orchestra
GENNADY ROZHDESTVENSKY
Tchaikovsky Hall, Moscow, / Москва, Зал им. Чайковского
27/09/1968
- published: 11 Apr 2021
- views: 84258
26:01
Tchaikovsky - Francesca da Rimini - Igor Manasherov, Moscow Philharmonic Orchestra
Moscow Philharmonic Orchestra,
Tchaikovsky Concert hall,
18 June 2015, Moscow
Moscow Philharmonic Orchestra,
Tchaikovsky Concert hall,
18 June 2015, Moscow
https://wn.com/Tchaikovsky_Francesca_Da_Rimini_Igor_Manasherov,_Moscow_Philharmonic_Orchestra
Moscow Philharmonic Orchestra,
Tchaikovsky Concert hall,
18 June 2015, Moscow
- published: 02 Jul 2015
- views: 50742
1:03
Van Cliburn wins the First International Tchaikovsky Competition in Moscow in 1958
Watch the full documentary "Van Cliburn Concert PIanist" by Peter Rosen here: http://bit.ly/VanCliburnConcertPianist
Victory at the International Tchaikovsky...
Watch the full documentary "Van Cliburn Concert PIanist" by Peter Rosen here: http://bit.ly/VanCliburnConcertPianist
Victory at the International Tchaikovsky Piano Competition
In 1958, Van Cliburn won the coveted First prize at the inaugural International Tchaikovsky Piano Competition in Moscow, Russia. A huge accomplishment on its own, Mr. Cliburn’s victory was made even more significant by the political climate of the time. Taking place just months after the Russian launch of Sputnik, the first earth-orbiting satellite, the competition was created to shine a spotlight on the country’s cultural and musical icons, and to bring equal attention to great classical music as had been shown to science, math and technology. A decade into the Cold War, the success of an American pianist at Russia’s most prestigious musical competition was a ray of hope and mutual understanding as the two countries built a connection around a shared love of classical music.
© Peter Rosen Productions Inc./medici.tv
Subscribe to our channel for more videos http://ow.ly/ugONZ
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
https://wn.com/Van_Cliburn_Wins_The_First_International_Tchaikovsky_Competition_In_Moscow_In_1958
Watch the full documentary "Van Cliburn Concert PIanist" by Peter Rosen here: http://bit.ly/VanCliburnConcertPianist
Victory at the International Tchaikovsky Piano Competition
In 1958, Van Cliburn won the coveted First prize at the inaugural International Tchaikovsky Piano Competition in Moscow, Russia. A huge accomplishment on its own, Mr. Cliburn’s victory was made even more significant by the political climate of the time. Taking place just months after the Russian launch of Sputnik, the first earth-orbiting satellite, the competition was created to shine a spotlight on the country’s cultural and musical icons, and to bring equal attention to great classical music as had been shown to science, math and technology. A decade into the Cold War, the success of an American pianist at Russia’s most prestigious musical competition was a ray of hope and mutual understanding as the two countries built a connection around a shared love of classical music.
© Peter Rosen Productions Inc./medici.tv
Subscribe to our channel for more videos http://ow.ly/ugONZ
| Like us on Facebook : https://www.facebook.com/medicitv
| Follow us on Twitter : https://twitter.com/medicitv
Medici.tv is the first classical music digital channel, offering a catalogue of over 1 500 concerts, operas, ballets and documentaries in VOD, as well as 100 live concerts each year.
- published: 11 May 2017
- views: 38840
38:40
Perlman Tchaikovsky Concerto Moscow 1990
Canal destinado a Músicas Clássicas de concerto e ligados à mesma.
Canal destinado a Músicas Clássicas de concerto e ligados à mesma.
https://wn.com/Perlman_Tchaikovsky_Concerto_Moscow_1990
Canal destinado a Músicas Clássicas de concerto e ligados à mesma.
- published: 07 Jul 2016
- views: 46288
1:55:42
Tchaikovsky: Swan Lake - The Kirov Ballet
Tchaikovsky: Swan Lake - The Kirov Ballet
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon
In this production of the best loved classical ballet 'Swan L...
Tchaikovsky: Swan Lake - The Kirov Ballet
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon
In this production of the best loved classical ballet 'Swan Lake' the naturally gifted Yulia Makhalina dances the challenging role of Odette/Odile while the part of Prince Siegfried is danced by Igor Zelensky. This classic Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and at dawn is reunited with Odette.
Act I, Scene 1 - A park near Prince Siegfried's castle
0:00 Introduction: Moderato assai - Allegro non troppo - Tempo I
2:35 1. Scène: Allegro giusto
5:47 2. Waltz: Tempo di valse
11:37 3. Scène: Allegro moderato
15:23 4. Pas de trois
22:27 6. Pas d'action: Andantino quasi moderato - Allegro
24:00 8. Dance with Goblets: Tempo di polacca
Act I, Scene 2 - Beside a lake
27:15 10. Scene: Moderato
29:51 11. Scene: Allegro moderato, Moderato, Allegro vivo
34:26 12. Scene: Allegro, Moderato assai quasi andante
38:22 13. Dances of the Swans
50:15 IV. Dance of the Little Swans
58:06 14. Scene: Moderato
Act II - The ballroom in Siegfried's palace
59:55 15. Scene: March - Allegro giusto
1:02:39 16. Ballabile: Dance of the Corps de Ballet and the Dwarves: Moderato assai, Allegro vivo
1:04:14 17. Entrance of the Guests and Waltz: Allegro, Tempo di valse
1:08:22 18. Scene: Allegro, Allegro giusto
1:10:07 21. Spanish Dance: Allegro non troppo (Tempo di bolero)
1:12:05 22. Neapolitan Dance: Allegro moderato, Andantino quasi moderato, Presto
1:13:56 20. Hungarian Dance: Czardas – Moderato assai, Allegro moderato, Vivace
1:16:37 23. Mazurka: Tempo di mazurka
1:19:32 05. Grand Pas d'action (The Black Swan Pas de Deux)
1:30:47 24. Scene: Allegro, Tempo di valse, Allegro vivo
Act III - Beside the lake
1:32:40 25. Entr'acte: Moderato
1:35:15 Valse des Cygnes (a.k.a. Waltz for White and Black Swans, orch. by Drigo from Tchaikovsky's Op.72 for Piano -No.11 "Valse Bluette")
1:40:29 28. Scene: Allegro agitato, Molto meno mosso, Allegro vivace
1:43:57 29. Scene finale: Andante
1:45:04 Scene Dansante (orch. by Drigo from Tchaikovsky's Op.72 for Piano -No.15 "Un poco di Chopin")
1:49:03 29. Scene finale: Allegro, Alla breve, Moderato e maestoso, Moderato
1:53:20 Credits
__________
Warner Classics
► Website: http://www.warnerclassics.com
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Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
https://wn.com/Tchaikovsky_Swan_Lake_The_Kirov_Ballet
Tchaikovsky: Swan Lake - The Kirov Ballet
Buy from Amazon: http://smarturl.it/KirovSwanLakeAmazon
In this production of the best loved classical ballet 'Swan Lake' the naturally gifted Yulia Makhalina dances the challenging role of Odette/Odile while the part of Prince Siegfried is danced by Igor Zelensky. This classic Kirov production includes the familiar happy ending in the final act where Siegfried fights and ultimately defeats the evil magician von Rothbart and at dawn is reunited with Odette.
Act I, Scene 1 - A park near Prince Siegfried's castle
0:00 Introduction: Moderato assai - Allegro non troppo - Tempo I
2:35 1. Scène: Allegro giusto
5:47 2. Waltz: Tempo di valse
11:37 3. Scène: Allegro moderato
15:23 4. Pas de trois
22:27 6. Pas d'action: Andantino quasi moderato - Allegro
24:00 8. Dance with Goblets: Tempo di polacca
Act I, Scene 2 - Beside a lake
27:15 10. Scene: Moderato
29:51 11. Scene: Allegro moderato, Moderato, Allegro vivo
34:26 12. Scene: Allegro, Moderato assai quasi andante
38:22 13. Dances of the Swans
50:15 IV. Dance of the Little Swans
58:06 14. Scene: Moderato
Act II - The ballroom in Siegfried's palace
59:55 15. Scene: March - Allegro giusto
1:02:39 16. Ballabile: Dance of the Corps de Ballet and the Dwarves: Moderato assai, Allegro vivo
1:04:14 17. Entrance of the Guests and Waltz: Allegro, Tempo di valse
1:08:22 18. Scene: Allegro, Allegro giusto
1:10:07 21. Spanish Dance: Allegro non troppo (Tempo di bolero)
1:12:05 22. Neapolitan Dance: Allegro moderato, Andantino quasi moderato, Presto
1:13:56 20. Hungarian Dance: Czardas – Moderato assai, Allegro moderato, Vivace
1:16:37 23. Mazurka: Tempo di mazurka
1:19:32 05. Grand Pas d'action (The Black Swan Pas de Deux)
1:30:47 24. Scene: Allegro, Tempo di valse, Allegro vivo
Act III - Beside the lake
1:32:40 25. Entr'acte: Moderato
1:35:15 Valse des Cygnes (a.k.a. Waltz for White and Black Swans, orch. by Drigo from Tchaikovsky's Op.72 for Piano -No.11 "Valse Bluette")
1:40:29 28. Scene: Allegro agitato, Molto meno mosso, Allegro vivace
1:43:57 29. Scene finale: Andante
1:45:04 Scene Dansante (orch. by Drigo from Tchaikovsky's Op.72 for Piano -No.15 "Un poco di Chopin")
1:49:03 29. Scene finale: Allegro, Alla breve, Moderato e maestoso, Moderato
1:53:20 Credits
__________
Warner Classics
► Website: http://www.warnerclassics.com
Subscribe to our:
► YT- Channel: https://wnrcl.me/subscribeYT
► Newsletter https://wnrcl.me/subscribeNL
Follow us on:
► Facebook: http://www.fb.com/WarnerClassicsErato
► Instagram: http://www.instagram.com/warner_classics
► Twitter: http://twitter.com/WarnerClassics
► YouTube: https://www.youtube.com/warnerclassics
Listen to us on:
► Spotify: http://open.spotify.com/user/warnerclassics
► Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571
► Deezer https://www.deezer.com/profile/321050935
Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.
Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pré, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.
Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuçon.
Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. Check back regularly for more music from your favourite composers including Bach, Mozart, Chopin, Debussy, Satie, Beethoven, Vivaldi, Handel and more.
- published: 07 Mar 2012
- views: 55941972
16:04
1812 OVERTURE, P. I. Tchaikovsky (Canons i campanar) - Banda Simfònica d'Algemesí
La Banda Simfònica d'Algemesí interpreta "1812 OVERTURE, de Piotr Ilich Tchaikovsky" al concert de la Nit de l'Retorn celebrat el 6 de setembre de 2016 a la pla...
La Banda Simfònica d'Algemesí interpreta "1812 OVERTURE, de Piotr Ilich Tchaikovsky" al concert de la Nit de l'Retorn celebrat el 6 de setembre de 2016 a la plaça Major d'Algemesí.
00:00 Intro
12:30 Cannons start to play
13:31 God Save the Tsar (churchbell & goosebumps)
L'Obertura Solemne de l'Any 1812, Op. 49, coneguda popularment com l'Obertura de 1812, és una obertura de concert en mi major escrita en 1880 pel compositor rus Pyotr Ilyich Tchaikovsky per commemorar l'exitosa defensa russa contra la invasió de la Gran Armée de Napoleó en 1812.
El 1974, els Boston Pops van agregar canons, campanes d'església i focs artificials per atreure multituds al seu concert de el 4 de juliol, Dia de la Independència. Va tenir tant èxit que la inclusió de la "Obertura de 1812" es va convertir en un element bàsic.
Catacombes de Paris, Guts & Blackpowder music scene. Talk to Jean.
Director: Alberto Ferrer i Martínez
www.societatmusicalalgemesi.com
Edited by: Vicent Girbés Trull
© Societat Musical d'Algemesí, 2016
https://wn.com/1812_Overture,_P._I._Tchaikovsky_(Canons_I_Campanar)_Banda_Simfònica_D'Algemesí
La Banda Simfònica d'Algemesí interpreta "1812 OVERTURE, de Piotr Ilich Tchaikovsky" al concert de la Nit de l'Retorn celebrat el 6 de setembre de 2016 a la plaça Major d'Algemesí.
00:00 Intro
12:30 Cannons start to play
13:31 God Save the Tsar (churchbell & goosebumps)
L'Obertura Solemne de l'Any 1812, Op. 49, coneguda popularment com l'Obertura de 1812, és una obertura de concert en mi major escrita en 1880 pel compositor rus Pyotr Ilyich Tchaikovsky per commemorar l'exitosa defensa russa contra la invasió de la Gran Armée de Napoleó en 1812.
El 1974, els Boston Pops van agregar canons, campanes d'església i focs artificials per atreure multituds al seu concert de el 4 de juliol, Dia de la Independència. Va tenir tant èxit que la inclusió de la "Obertura de 1812" es va convertir en un element bàsic.
Catacombes de Paris, Guts & Blackpowder music scene. Talk to Jean.
Director: Alberto Ferrer i Martínez
www.societatmusicalalgemesi.com
Edited by: Vicent Girbés Trull
© Societat Musical d'Algemesí, 2016
- published: 03 Dec 2016
- views: 4243577
1:28:34
Horowitz in Moscow - State Tchaikovsky Conservatory 1986 - REMASTERED
00:00:53 Scarlatti - Piano Sonata in B Minor, L.33
00:05:08 Scarlatti - Piano Sonata in E Major, L.23
00:09:02 Scarlatti - Piano Sonata in E Major, L.224
00:1...
00:00:53 Scarlatti - Piano Sonata in B Minor, L.33
00:05:08 Scarlatti - Piano Sonata in E Major, L.23
00:09:02 Scarlatti - Piano Sonata in E Major, L.224
00:12:21 Mozart - Piano Sonata No.10 in C Major, K330
00:30:32 Rachmaninoff - Prelude in G Major, Op.32, No.5
00:33:24 Rachmaninoff - Prelude in G sharp minor, op.32, No.12
00:36:34 Scriabin - Etude in C-sharp minor, op.2 No.1
00:39:14 Scriabin - Etude in D-sharp minor, op.8 No.12
00:43:54 Schubert - Impromptu in B-flat Major, op.142, No.3
00:53:43 Schubert / Liszt - Valse caprice No.6 from Soirées de Vienne
01:00:16 Liszt - "Sonetto del Petrarca" No. 104
01:06:31 Chopin - Mazurka in C-sharp minor, op.30, No.4
01:13:05 Chopin - Polonaise in A-flat Major, op.53
01:23:05 Moszkowski - "Etincelles"
Vladimir Horowitz returns to Moscow for the first time in 61 years.
On April 20, 1986 he gave his legendary concert in the Moscow Conservatory.
Director: Brian Large
mail:
[email protected]
home: https://Komponist-Reimeir.at
facebook: https://www.facebook.com/Komponist.Reimeir
#horowitz #moscow #conservatory #remastered
https://wn.com/Horowitz_In_Moscow_State_Tchaikovsky_Conservatory_1986_Remastered
00:00:53 Scarlatti - Piano Sonata in B Minor, L.33
00:05:08 Scarlatti - Piano Sonata in E Major, L.23
00:09:02 Scarlatti - Piano Sonata in E Major, L.224
00:12:21 Mozart - Piano Sonata No.10 in C Major, K330
00:30:32 Rachmaninoff - Prelude in G Major, Op.32, No.5
00:33:24 Rachmaninoff - Prelude in G sharp minor, op.32, No.12
00:36:34 Scriabin - Etude in C-sharp minor, op.2 No.1
00:39:14 Scriabin - Etude in D-sharp minor, op.8 No.12
00:43:54 Schubert - Impromptu in B-flat Major, op.142, No.3
00:53:43 Schubert / Liszt - Valse caprice No.6 from Soirées de Vienne
01:00:16 Liszt - "Sonetto del Petrarca" No. 104
01:06:31 Chopin - Mazurka in C-sharp minor, op.30, No.4
01:13:05 Chopin - Polonaise in A-flat Major, op.53
01:23:05 Moszkowski - "Etincelles"
Vladimir Horowitz returns to Moscow for the first time in 61 years.
On April 20, 1986 he gave his legendary concert in the Moscow Conservatory.
Director: Brian Large
mail:
[email protected]
home: https://Komponist-Reimeir.at
facebook: https://www.facebook.com/Komponist.Reimeir
#horowitz #moscow #conservatory #remastered
- published: 21 Jun 2022
- views: 255768