- published: 08 Aug 2015
- views: 5742
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Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
PLEASE SUPPORT THE ARTIST. You can order this music on http://stockhausencds.com/. Thank you! Karlheinz Stockhausen – SPIRAL für einen Solisten (1968) Harald Boje - Elektronium und Kurzwellenempfänger SPIRAL für einen Solisten ist eine Prozesskomposition von Karlheinz Stockhausen. In dem Werk, das im Stockhausen-Verzeichnis die Nummer 27 trägt, imitiert, transformiert oder transzendiert der Interpret Ereignisse, die er mit einem Kurzwellenempfänger empfängt. Komposition Die Komposition entstand im Jahr 1968 im Madison, Connecticut und war zunächst für den Gitarristen Michael Lorimer geplant. Diese Idee wurde jedoch vom Komponisten aufgrund des fehlenden „Enthusiasmus […] bei jedem Akkord, bei jeder Passage die Fingerstellung auszuprobieren“[wieder verworfen. Dem Interpreten steht es dah...
Spiral, for soloist with shortwave receiver (1968) Eberhard Blum, flute, voice, shortwave receiver This 1968 composition by German spaceman Karlheinz Stockhausen is one of his least musical and most interesting. Written for a single performer and shortwave radio receiver (at least two microphones and loudspeakers are necessary for execution and playback respectively), Spiral consists of a series of "events," recorded in four "realizations." All but the first can contain any combination of lack thereof of instruments, voice, and shortwave receiver. The first "event" must feature all elements involved so there is a text for the others to build on as the short-wave receiver transmits almost simultaneously what is being received into it. The others are all based on "alternations" where dynam...
Spiral - Karlheinz Stockhausen Guitar Arturo Tallini. Arturo Tallini plays Spiral by Karlheinz Stockhausen Arturo Tallini is also on Spotify https://spoti.fi/33g7ib6 For online master lessons via Jamulus software: https://www.arturotallini.com #ArturoTallini #KarlheinzStockhausen #Spiral #500subs #thankyou
Provided to YouTube by Universal Music Group Stockhausen: Spiral für einen Solisten (Pt. 1) · Heinz Holliger Holliger: Siebengesang / Stockhausen: Spiral ℗ 1971 Deutsche Grammophon GmbH, Berlin Released on: 2018-01-01 Producer: Karl Faust Studio Personnel, Balance Engineer: Otto Ernst Wohlert Musical Director: Karlheinz Stockhausen Composer: Karlheinz Stockhausen Auto-generated by YouTube.
Karlheinz Stockhausen -- Spiral (1968), per un solista con radio ad onde corte Giovanni Nardi, sassofoni TEMPO REALE, regia del suono e live electronics (Francesco Canavese, Damiano Meacci) Nicola Torpei, sistemi interattivi
Spiral, for soloist with shortwave receiver (1968) Eberhard Blum, flute, voice, shortwave receiver This 1968 composition by German spaceman Karlheinz Stockhausen is one of his least musical and most interesting. Written for a single performer and shortwave radio receiver (at least two microphones and loudspeakers are necessary for execution and playback respectively), Spiral consists of a series of "events," recorded in four "realizations." All but the first can contain any combination of lack thereof of instruments, voice, and shortwave receiver. The first "event" must feature all elements involved so there is a text for the others to build on as the short-wave receiver transmits almost simultaneously what is being received into it. The others are all based on "alternations" where dynam...
soloist Giovanni Nardi soprano and alto saxophone New Album: Stockhausen "Spiral" (Integral version) and "Tierkreis" on Spotify: https://open.spotify.com/artist/4e2LuS8iC5CxNF8YCydls5?si=nMJZihqFTN2pLmr6YQ3HBw Apple Music: https://music.apple.com/us/artist/giovanni-nardi/286580853 INSTAGRAM follow: https://www.instagram.com/giovanninardisax/ https://www.giovanninardi.com/en/home-english/ http://www.temporeale.it Giovanni Nardi for download iTunes or Qobuz (HiRes 24 bit 48 khz) available also in YouTube Music, Amazon Music, Tidal, deezer and all other stores Centro TEMPO REALE (founded by Luciano Berio) with Damiano Meacci Francesco Canavese live electronics Nicola Torpei interactive system project by Francesco Giomi http://www.giovanninardi.com http://www.temporeale.it
Karlheinz Stockhausen "Spiral - version Electronium" Spiral / Wach / Japan / Pole 1973
Karlheinz Stockhausen "Spiral - version Electronium" Spiral / Wach / Japan / Pole 1973
Karlheinz Stockhausen "Pole - Version Elektronium Und Elektrochord" Spiral / Wach / Japan / Pole 1973
Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.