- published: 16 Mar 2014
- views: 2604
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Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
Jean Francaix: Divertissement for bassoon and strings Václav Vonášek - bassoon Barocco sempre giovane Live from the Concertus Moraviae festival, Moravský Krumlov, 5th June 2011
A sappy old piece I wrote in the eighth grade
Provided to YouTube by NAXOS of America Quartet for Bassoon & String Trio, Op. 73 No. 3: III. Rondo. Allegretto poco moderato · Piccolo Concerto Wien Bréval & Devienne: Chamber Music ℗ 2020 Pan Classics Released on: 2020-07-03 Ensemble: Piccolo Concerto Wien Composer: François Devienne Auto-generated by YouTube.
George Sakakeeny, bassoon Noemie Raymond-Friset & Daniel Ketter cello Recorded live on January 27, 2018 Kilborn Hall of the Eastman School of Music Augusta Reed Thomas' Pilgrim Soul was originally written for English horn and two violins in 2011. It was transcribed by the composer for bassoon and two cellos at the request of George Sakakeeny. The title of the work comes from the poem "When you are old" by William Butler Yeats: When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And...
Provided to YouTube by Warner Classics Mecanic Song for Wind Quintet & Piano · Les Vents Français Moderniste ℗ 2019 Les Vents Francais under exclusive licence to Parlophone Records Limited, a Warner Music Group Company Flute: Emmanuel Pahud Piano: Eric Le Sage Oboe: Francois Leleux Bassoon: Gilbert Audin Clarinet: Paul Meyer Horn: Radovan Vlatković Composer: Thierry Escaich Auto-generated by YouTube.
Composer's note: Compostela for solo bassoon work tells the story of the pilgrimage along The Camino Francés. It is the most popular of the pilgrimage routes through Spain that lead to Santiago de Compostela, or the church where the bones of St. James the Apostle are said to be buried. The title of this work has two meanings. “Compostela” is translated by some to mean “field of a star”. This comes from the legend of the discovery of St. James the apostle – his body was said to be revealed by a star to Theodomir, Bishop of Ira Flavia in 813. The Compostela is also the certificate that is given to pilgrims at the completion of their journey, or when they reach the grand church in Santiago de Compostela which holds the remains of St. James. To me, the title touches on both the ethereal...
Live Recording from the concert on 18.04.2009 Ender Sakpınar Conductor Eskişehir Symphony Orchestra
A DRUNKEN POEM UNDER THE MOONLIGHT for Bassoon & Piano| “달빛 아래 취한 시” Composed by WanSoo Wayne Chai|채완수 http://wansoochai.com Piano by WonHoo Park Bassoon by Jung-Ho Chang https://www.facebook.com/jungho.chang.5 Click ✔ https://www.youtube.com/watch?v=dJ5k66Uo99w Music by Wayne CHAI https://www.ypbooks.co.kr/book.yp?bookcd=2272800164... 1993년 당대 바순의 마에스토로였던 신현길 선생이 세계 목관악기 축제등에 참가할때 유럽인등 다른 나라의 연주자들이 한국의 버수운곡을 궁금해 했으나, 소개할 곡이 없다는 것이다. 그런 연유로 그에게 목관악기 곡을 위촉받았다. 그때 다른 바순 콘첼드 유럽곡들의 독창적인 자기 카텐짜들도 만들어 달라고 많은 악보들을 받았지만 별관심이 없었다. 바순 한국 곡이라? 음~잠시 골몰한 척 한후, 단소/대금을 위한 “청성자진한잎”의 숨어있는 Musical Idiom을 https://www.youtube.com/watch?v=z7nBDDCghh4 몰래 끄집어 내어, 모노톤 3+1 음과 1/4 Microtone으로 하는 내 멜로디 음열로 잠재화 했다. 어플리케이션은 유럽 애들에게 쪽이 안 팔리게 절대 수학이어야 하므로 바로크와 쉔버그가 일단 태클 못걸게 했다. 한국 판소리가 북을 치는 고수 한 사람과 창을 하는 한 사...
Wolfgang Amadeus Mozart - Bassoon Concerto in B Flat Major, K. 191 - I. Allegro performer : Skidmore College Orchestra License : Public Domain
Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
I am lost in the crowd
I'm standing in line
I'm feeling so down
And i am full of doubt
He's not the one
Take notice,hear me out
I want him, need him
And you, always will pull me through
I'm tired
This games so dumb
He never played,
His race is won
IÂ'm tired,
Can't smile no more
i'll sure cave in, just like before
I want him, need him
And you always will pull me through
And i want him, need him
And you always will pull me through
I want him, need him
And you always will pull me through
And i want him, need him
And you always will pull me through
And i...want him, need him
And i...want him, need him
And i...want him, need him