- published: 08 Jul 2016
- views: 334432
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Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
Karlheinz Stockhausen Gruppen, pour trois orchestres Orchestre du Conservatoire de Paris Ensemble intercontemporain Matthias Pintscher, direction Paul Fitzsimon, direction Bruno Mantovani, direction Enregistré en direct à la Cité de la musique le 30.01.2016.
stockhausen interview. Rare to find...
Karlheinz Stockhausen (1928-2007): Telemusik, per nastro magnetico (1966). Realizzazione: Karlheinz Stockhausen presso lo Studio per la Musica Elettronica NHK di Tokyo. Cover image: City of Tokyo, photo by Stephanie Jung. *** The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly. Your collaboration will be appreciated.
A little bit longer and higher quality version (than present here) of one of the freakest inventions of contemporary music legend. Downloadable at http://www.oenm.at/stadlerweb/images/mp3/Heli4tett.avi
NRK TV Stockhausen "Es" Aus den sieben Tagen (From the Seven Days) 13. Es (It), for ensemble Introduction, explanations and performance of the piece "Es", from "Aus den Sieben Tage", by Karlheinz Stockhausen and his ensemble. Aus den sieben Tagen (From the Seven Days) is a collection of 15 text compositions by Karlheinz Stockhausen, composed in May 1968, in reaction to a personal crisis, and characterized as "Intuitive music"—music produced primarily from the intuition rather than the intellect of the performer(s). It is Work Number 26 in the composer's catalog of works. The first of the pieces to be officially premiered was Es, performed in Brussels on 15 December 1968 on a concert of the Rencontre de Musique Contemporaine, by the Stockhausen Group, joined by Michel Portal, Jean-Pier...
Duration: 55'19" http://tomasolano.com.ar Given at the Oxford Union on May 6th 1972. The title of the work "refers both to contacts between instrumental and electronic sound groups and to contacts between self-sufficient, strongly characterized moments. In the case of four-channel loudspeaker reproduction, it also refers to contacts between various forms of spatial movement".
Karlheinz Stockhausen – Kontakte (1958-1960) for electronic sounds, piano and percussion Benjamin Kobler, piano Dirk Rothbrust, percussion Kathinka Pasveer, sound direction Wolfgang Ellers, recording producer/editing video by WARPED TYPE Andreas Huck, Roland Nebe Follow us on ►Facebook: https://www.facebook.com/Musikfabrik/ ►Twitter: https://twitter.com/Musikfabrik ►Instagram: https://www.instagram.com/ensemble_musikfabrik/ www.musikfabrik.eu
1956 Elektronische Musik für Tonband
Inspired by Stars Of The Lid, Basic Channel, Aphex Twin, Brian Eno, Cabaret Voltaire, Throbbing Gristle, SPK, The KLF, Boards Of Canada, Autechre, Tim Hecker, Fennesz, Labradford, Karlheinz Stockhausen, John Cage, Cluster, Conrad Schnitzler, Pan Sonic, Jan Jelinek, Four Tet, The Black Dog, Global Communication, Gramm, Oval.
Extrait de "Aus den Sieben Tagen" de Karlheinz Stockhausen (1968) enregistré en concert le 3 février 2011 à Tours. Ensemble PTYX : Géraldine Bisi + Pierre Malle (violons), Anthony Chéneau (alto), Anne-Laure Py (violoncelle), Mathieu Nantois (contrebasse), Alice Diéval (piano), Philippe Carrillo (harpe), Anne Rossignol (percussion), Guillaume Coussy (flûte), Antoine Moulin (clarinette). à suivre sur www.chimeriens.com
Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.