- published: 17 Nov 2022
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Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.
Freitag aus Licht (Friday from Light), the main body of which is also titled Freitag-Versuchung (Friday Temptation), is the fifth to be composed of the seven operas that comprise Licht (Light), by Karlheinz Stockhausen. It was the last of the operas to receive a staged production with the composer's involvement.
Freitag was commissioned by Udo Zimmermann of the Leipzig Opera, which gave the staged premiere on September 12, 1996. Three subsequent performances were given on September 13, 14, and 15. The musical direction and sound projection was done by the composer. The staging was done by Uwe Wand. Stage, costume, object and lighting designs were from Johannes Conen. Johannes Bönig did the choreography. In addition to the soloists, the choir of the Leipzig Opera, the children's choirs of the Leipzig Opera and Middle German Radio, and the children's orchestra of the Johann Sebastian Bach music school of Leipzig performed in the original production.
The production was filmed for a documentary by WDR. A four-disc recording of the opera is available from the Stockhausen Verlag (CD 50).
Vidéo souvenir de l’aventure Stockhausen : de nombreux mois de travail pour le Chœur d’enfants et le Jeune Ensemble de la Maîtrise Notre-Dame de Paris avec Emilie Fleury, aboutissant à 4 représentations exceptionnelles à l’Opéra de Lille et la Philharmonie de Paris, sous la direction de Maxime Pascal avec l’ensemble Le Balcon. Freitag aus Licht de Karlheinz Stockhausen Maxime Pascal, direction Silvia Costa, mise en scène et scénographie Maîtrise Notre-Dame de Paris, choeur d'enfants Émilie Fleury, chef de choeur Elèves du Conservatoire à Rayonnement Régional de Lille, orchestre d'enfants Ensemble Le Balcon
Karlheinz Stockhausen | SONNTAG aus LICHT Trailer | Ensemble Musikfabrik Gesamturaufführung am 9. und 10. April 2011 Oper Köln | Staatenhaus Deutsche Untertitel über Schaltfläche "cc" in der Abspieleiste abrufbar. Videoschnitt | Valerij Lisac | www.klanghafen.de
Opening section of Donnerstag Aus Licht
Avec un opéra pour chaque jour de la semaine, 𝑭𝒓𝒆𝒊𝒕𝒂𝒈 𝒂𝒖 𝑳𝒊𝒄𝒉𝒕 est le cinquième du cycle Licht composé par Stockhausen, pionnier de la musique électronique et de la spatialisation du son. Un événèment mis en scène par Silvia Costa sous la direction musicale de Maxime PascaL , directeur artistique de la compagnie Le Balcon en résidence à l’Opéra de Lille . 📅 Les 5, 7 et 8 novembre à l'Opéra de Lille le 14 novembre à la Philharmonie de Paris / Festival d'Automne
The Royal Conservatoire The Hague in co-production with the Dutch National Opera, the Holland Festival and the Stockhausen Foundation for music will produce the largest presentation of seven operas of LICHT composed by Karlheinz Stockhausen in June 2019. The Royal Conservatoire The Hague offers a two year Master of Music programme for sound engineers, singers and instrumentalists that will prepare them to perform in the 2019 aus LICHT production as soloist or in ensembles. Students will be coached and taught by the musicians that have worked with Stockhausen on the creation of LICHT and will be offered a programme putting the works of Stockhausen in a broader perspective. They will be performing in the production aus LICHT in 2019 and be the next generation of musicians specialised in bri...
À l'occasion des représentations de l'opéra "Freitag aus Licht" de Stockhausen à l'Opéra de Lille du 5 au 8 novembre 2022, la metteur en scène Silvia Costa nous parle de la place des instrumentistes.
À l'occasion des représentations de l'opéra "Freitag aus Licht" de Stockhausen à l'Opéra de Lille du 5 au 8 novembre 2022, la metteur en scène Silvia Costa nous donne sa vision de la partition.
KARLHEINZ STOCKHAUSEN, "REUE" (vom FREITAG aus LICHT) fϋr Sopran/Flöte/Bassetthorn/Elektronische Musik ______________________ Silvia Pepe, Sopran Antonella Bini, flöte Chiara Carretti, Bassetthorn Kathinka Pasveer, Klangregie ___________________ Auffuhrung vom 16 Juli 2022 im Rahmen der Stockhausen-Kurse Kϋrten (D) ___________________ © Stockhausen Stiftung fϋr Musik, Kϋrten, Germany (www.karlheinzstockhausen.org) The score of REUE by Karlheinz Stockhausen can be ordered directly at the Stockhausen-Verlag (www.stockhausen-verlag.com)
PLEASE SUPPORT THE ARTIST. You can order this music on http://stockhausencds.com/. Thank you! FREITAG aus LICHT Oper in einem Gruß, zwei Akten und Abschied (1991 -- 1994) Freitags-Gruss Elektronische Musik 8-Spur-Projektion in Foyer und Saal. Die ELEKTRONISCHE MUSIK mit TONSZENEN wurde 1992 und 1994 im Studio für Elektronische Musik des WDR Köln realisiert. Karlheinz Stockhausen (Realisation und Baß-Stimme) Simon Stockhausen (Synthesizer, Sampler) Kathinka Pasveer (Sporan-Stimme) Volker Müller (Toningenieur) Getrud Melcher (Tontechnikerin) Die Elektronische Musik ohne Tonszenen kann auch für sich allein durchgehend mit einer Dauer von 145 Min. - oder in zwei Teilen mit einer Pause -- 8-spurig projiziert werden. Sie heißt dann WELTRAUM. Am 17. Juni 1995 wurde WELTRAUM beim Holland Fest...
Full movie : https://philharmoniedeparis.fr/fr/live/concert/1136785-stockhausen-dienstag-aus-licht Karlheinz Stockhausen, Dienstag aus Licht (1978-1991) Dienstags-Gruss Élise Chauvin - Eva Le Balcon Students of the Paris Conservatory (CNSMDP) Le Jeune Chœur de Paris Maxime Pascal – Musical Direction Richard Wilberforce – Choirmaster Philharmonie de Paris Festival d'automne à Paris a film by David Daurier
Karlheinz Stockhausen (German pronunciation: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important (Barrett 1988, 45; Harvey 1975b, 705; Hopkins 1972, 33; Klein 1968, 117) but also controversial (Power 1990, 30) composers of the 20th and early 21st centuries. Another critic calls him "one of the great visionaries of 20th-century music" (Hewett 2007). He is known for his groundbreaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.
He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company.