Blue Tears was a hard rock band from Jackson, Tennessee that enjoyed some short-lived fame in the late-80s. However, the band was then basically ignored due to the wave of alternative/grunge music and the members got involved in other projects. However, the band resurfaced in 2006 with a new album. Lead singer Gregg Fulkerson died on April 14, 2009, and the band was put to rest.
History
Frontman Gregg Fulkerson formed Sahara in 1983 when he was just 17 years old, with some childhood friends. The band started playing covers and doing small gigs around their hometown, Henderson, Tennessee, but quickly progressed to playing their original music with steady shows with audiences peaking at 1,000 people.
The band recorded several demo tapes in Fulkerson's bedroom, and radio stations played them constantly. One of those tapes reached a Los Angeles-based record company. They signed a recording contract with MCA Records soon after. The band also changed their name to Blue Tears just 2 months prior to releasing their debut album.
Blue Tears is the debut album of the band of the same name. The album was released in 1990 by MCA Records. It spawned several singles and videos like "Innocent Kiss" and "Rockin' with the Radio".
The name Judith (Hebrew: יְהוּדִית, ModernYehudit, TiberianYəhûḏîṯ; "Praised" or "Jewess") is the feminine form of Judah.
Historical context
Original language
It is not clear whether the Book of Judith was originally written in Hebrew or in Greek. The oldest extant version is the Septuagint and might either be a translation from Hebrew or composed in Greek. Details of vocabulary and phrasing point to a Greek text written in a language modeled on the Greek developed through translating the other books in the Septuagint. The extant Hebrew language versions, whether identical to the Greek, or in the shorter Hebrew version, are medieval. The Hebrew versions name important figures directly such as the Seleucid king Antiochus Epiphanes, thus placing the events in the Hellenistic period when the Maccabees battled the Seleucid monarchs. The Greek version uses deliberately cryptic and anachronistic references such as "Nebuchadnezzar", a "King of Assyria," who "reigns in Nineveh," for the same king. The adoption of that name, though unhistorical, has been sometimes explained either as a copyist's addition, or an arbitrary name assigned to the ruler of Babylon.
Judith is a feminine given name derived from the Hebrew name יְהוּדִית or Yehudit, meaning "She will be praised" or "woman of Judea". Judith appeared in the Old Testament as the wife of Esau and in the Apocryphal Book of Judith.
The name was among the top 50 most popular given names for girls born in the United States between 1936 and 1956. Its popularity has since declined. It was the 893rd most popular name for baby girls born in the United States in 2012, down from 74th place in 1960.
Clip van 'Cold' van het album Blue tears van Judith Jobse.
published: 11 May 2009
Judith - Willow
published: 23 Jan 2011
Puddle of Tears (Judith's Song)
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
Recorded/Mixed by Samuel Villatoro
Microphone:
MXL Genesis II Tube Microphone
Software: Garageband
All real instruments and vocals except nature sounds.
published: 23 Jun 2014
Judith Jobse - Howlin' at the moon
Clip van het album Blue Tears van Judith Jobse
(helaas niet meer in de winkel verkrijgbaar)
published: 16 Jul 2010
My Blue Tears
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfield-Vernon
published: 16 Dec 2018
Blue Bayou -Judith
published: 25 Sep 2014
"Bluebeard's Castle, Op.11" by Béla Bartók (Audio + Full Score)
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sandor Elès
0:00 - Prologue and Opening
16:29 - First Door / The Torture Chamber
20:37 - Second Door / The Armory
25:09 - Third Door / The Treasury
27:35 - Fourth Door / The Secret Garden
32:34 - Fifth Door / Bluebeard's Kingdom
39:16 - Sixth Door / Lake of Tears
52:43 - Seventh Door / Bluebeard's Former Wives
Bluebeard's Castle (Hungarian: A kékszakállú herceg vára; literally: The Blue-Bearded Duke's Castle) is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault....
published: 02 Mar 2017
Judge Judy Cracks Up When a Man Loses His Case in 26 Seconds Flat!
More from Entertainment Tonight: http://bit.ly/1xTQtvw
Judge Judy's handled some pretty ridiculous defendants -- but this one takes the cake!
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
...
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
Recorded/Mixed by Samuel Villatoro
Microphone:
MXL Genesis II Tube Microphone
Software: Garageband
All real instruments and vocals except nature sounds.
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
Recorded/Mixed by Samuel Villatoro
Microphone:
MXL Genesis II Tube Microphone
Software: Garageband
All real instruments and vocals except nature sounds.
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfi...
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfield-Vernon
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfield-Vernon
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sando...
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sandor Elès
0:00 - Prologue and Opening
16:29 - First Door / The Torture Chamber
20:37 - Second Door / The Armory
25:09 - Third Door / The Treasury
27:35 - Fourth Door / The Secret Garden
32:34 - Fifth Door / Bluebeard's Kingdom
39:16 - Sixth Door / Lake of Tears
52:43 - Seventh Door / Bluebeard's Former Wives
Bluebeard's Castle (Hungarian: A kékszakállú herceg vára; literally: The Blue-Bearded Duke's Castle) is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard (Kékszakállú), and his new wife Judith (Judit ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
SYNOPSIS:
A short spoken prologue (by the Storyteller) tells the audience that they are entering a world of myth which may reveal something of the inner self.
Bluebeard and his new wife Judith enter Bluebeard's castle. The latter has just married Bluebeard despite her family's opposition. She is still in her wedding dress. She finds Bluebeard's castle "icy, dark and gloomy" and vows to brighten it up.
Judith notices seven mysterious doors and asks for the keys so that the doors can be unlocked. Bluebeard is reluctant to do give them to her, hints at unhappy events in his past, but finally does hand the keys to her.
Behind the first door she finds Bluebeard's torture chamber, complete with racks, branding irons and daggers. The chamber is bathed in a blood-red light.
Behind the second door she finds Bluebeard's armoury with bloodstained spears. The armoury is lit by a yellow-red light.
Behind the third door she finds Bluebeard's treasury, replete with gold, pearls and diamonds. These are all stained with spots of red.
Behind the fourth door she finds Bluebeard's garden. It is fragrant and contains white roses, but even these beautiful flowers are splattered in blood. Her husband refuses to explain the meaning of what she is seeing.
Behind the fifth door Judith discovers a vast and sunny kingdom. But here again the the clouds and the lands are colored blood red. Bluebeard warns Judith not to open any more doors. She has brightened the castle by opening the first five doors, but, he warns, to open more would just invite darkness.
Judith insists on continuing and behind the sixth door she finds a white-colored lake, a huge white sheet of water. "Tears, my Judith, tears, tears," he says. Judith asks him about his former wives and when he refuses to answer, she says that she thinks he killed them all.
Behind the seventh door are three beautiful women dressed in fine clothing. The women walk slowly out and, Bluebeard introduces them as his former wives. The first he met in morning, the second at midday, and the third in the evening, he relates. They return to their room. Bluebeard dresses Judith in fine clothing and crowns her "bride of the night". Terrified and pleading for her life, Judith passes through the seventh door. Bluebeard is left alone and in darkness.
LIBRETTO (English translation): http://www.powell-pressburger.org/Reviews/64_Bluebeard/Words.html
PROLOGUE (English translation/analysis): http://www.bartokrecords.com/articles/bluebeards-castle/
The 1963 Michael Powell film based on the opera can be viewed here: https://www.youtube.com/watch?v=FSFFR9lSVJc
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sandor Elès
0:00 - Prologue and Opening
16:29 - First Door / The Torture Chamber
20:37 - Second Door / The Armory
25:09 - Third Door / The Treasury
27:35 - Fourth Door / The Secret Garden
32:34 - Fifth Door / Bluebeard's Kingdom
39:16 - Sixth Door / Lake of Tears
52:43 - Seventh Door / Bluebeard's Former Wives
Bluebeard's Castle (Hungarian: A kékszakállú herceg vára; literally: The Blue-Bearded Duke's Castle) is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard (Kékszakállú), and his new wife Judith (Judit ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
SYNOPSIS:
A short spoken prologue (by the Storyteller) tells the audience that they are entering a world of myth which may reveal something of the inner self.
Bluebeard and his new wife Judith enter Bluebeard's castle. The latter has just married Bluebeard despite her family's opposition. She is still in her wedding dress. She finds Bluebeard's castle "icy, dark and gloomy" and vows to brighten it up.
Judith notices seven mysterious doors and asks for the keys so that the doors can be unlocked. Bluebeard is reluctant to do give them to her, hints at unhappy events in his past, but finally does hand the keys to her.
Behind the first door she finds Bluebeard's torture chamber, complete with racks, branding irons and daggers. The chamber is bathed in a blood-red light.
Behind the second door she finds Bluebeard's armoury with bloodstained spears. The armoury is lit by a yellow-red light.
Behind the third door she finds Bluebeard's treasury, replete with gold, pearls and diamonds. These are all stained with spots of red.
Behind the fourth door she finds Bluebeard's garden. It is fragrant and contains white roses, but even these beautiful flowers are splattered in blood. Her husband refuses to explain the meaning of what she is seeing.
Behind the fifth door Judith discovers a vast and sunny kingdom. But here again the the clouds and the lands are colored blood red. Bluebeard warns Judith not to open any more doors. She has brightened the castle by opening the first five doors, but, he warns, to open more would just invite darkness.
Judith insists on continuing and behind the sixth door she finds a white-colored lake, a huge white sheet of water. "Tears, my Judith, tears, tears," he says. Judith asks him about his former wives and when he refuses to answer, she says that she thinks he killed them all.
Behind the seventh door are three beautiful women dressed in fine clothing. The women walk slowly out and, Bluebeard introduces them as his former wives. The first he met in morning, the second at midday, and the third in the evening, he relates. They return to their room. Bluebeard dresses Judith in fine clothing and crowns her "bride of the night". Terrified and pleading for her life, Judith passes through the seventh door. Bluebeard is left alone and in darkness.
LIBRETTO (English translation): http://www.powell-pressburger.org/Reviews/64_Bluebeard/Words.html
PROLOGUE (English translation/analysis): http://www.bartokrecords.com/articles/bluebeards-castle/
The 1963 Michael Powell film based on the opera can be viewed here: https://www.youtube.com/watch?v=FSFFR9lSVJc
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
Recorded/Mixed by Samuel Villatoro
Microphone:
MXL Genesis II Tube Microphone
Software: Garageband
All real instruments and vocals except nature sounds.
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfield-Vernon
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sandor Elès
0:00 - Prologue and Opening
16:29 - First Door / The Torture Chamber
20:37 - Second Door / The Armory
25:09 - Third Door / The Treasury
27:35 - Fourth Door / The Secret Garden
32:34 - Fifth Door / Bluebeard's Kingdom
39:16 - Sixth Door / Lake of Tears
52:43 - Seventh Door / Bluebeard's Former Wives
Bluebeard's Castle (Hungarian: A kékszakállú herceg vára; literally: The Blue-Bearded Duke's Castle) is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard (Kékszakállú), and his new wife Judith (Judit ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
SYNOPSIS:
A short spoken prologue (by the Storyteller) tells the audience that they are entering a world of myth which may reveal something of the inner self.
Bluebeard and his new wife Judith enter Bluebeard's castle. The latter has just married Bluebeard despite her family's opposition. She is still in her wedding dress. She finds Bluebeard's castle "icy, dark and gloomy" and vows to brighten it up.
Judith notices seven mysterious doors and asks for the keys so that the doors can be unlocked. Bluebeard is reluctant to do give them to her, hints at unhappy events in his past, but finally does hand the keys to her.
Behind the first door she finds Bluebeard's torture chamber, complete with racks, branding irons and daggers. The chamber is bathed in a blood-red light.
Behind the second door she finds Bluebeard's armoury with bloodstained spears. The armoury is lit by a yellow-red light.
Behind the third door she finds Bluebeard's treasury, replete with gold, pearls and diamonds. These are all stained with spots of red.
Behind the fourth door she finds Bluebeard's garden. It is fragrant and contains white roses, but even these beautiful flowers are splattered in blood. Her husband refuses to explain the meaning of what she is seeing.
Behind the fifth door Judith discovers a vast and sunny kingdom. But here again the the clouds and the lands are colored blood red. Bluebeard warns Judith not to open any more doors. She has brightened the castle by opening the first five doors, but, he warns, to open more would just invite darkness.
Judith insists on continuing and behind the sixth door she finds a white-colored lake, a huge white sheet of water. "Tears, my Judith, tears, tears," he says. Judith asks him about his former wives and when he refuses to answer, she says that she thinks he killed them all.
Behind the seventh door are three beautiful women dressed in fine clothing. The women walk slowly out and, Bluebeard introduces them as his former wives. The first he met in morning, the second at midday, and the third in the evening, he relates. They return to their room. Bluebeard dresses Judith in fine clothing and crowns her "bride of the night". Terrified and pleading for her life, Judith passes through the seventh door. Bluebeard is left alone and in darkness.
LIBRETTO (English translation): http://www.powell-pressburger.org/Reviews/64_Bluebeard/Words.html
PROLOGUE (English translation/analysis): http://www.bartokrecords.com/articles/bluebeards-castle/
The 1963 Michael Powell film based on the opera can be viewed here: https://www.youtube.com/watch?v=FSFFR9lSVJc
First song in a very long time! Just needed a bit of inspiration. Cheesy song as meant to be, but she loved it. So it's all good.
Performed by Carlos Hernandez
Recorded/Mixed by Samuel Villatoro
Microphone:
MXL Genesis II Tube Microphone
Software: Garageband
All real instruments and vocals except nature sounds.
Hannowl Montanowl - Final Concert Spring 2018
Song: My Blue Tears
opb: Dolly Parton
The Seniors: Bailey Kenny, Chiara Mannarino, Imani Russell, and Lily Kitfield-Vernon
pf: Bernard Haitink cond/ Berlin Philharmonic
Duke Bluebeard.....John Tomlinson
Judith.....................Anne Sofie von Otter
Narrator..................Sandor Elès
0:00 - Prologue and Opening
16:29 - First Door / The Torture Chamber
20:37 - Second Door / The Armory
25:09 - Third Door / The Treasury
27:35 - Fourth Door / The Secret Garden
32:34 - Fifth Door / Bluebeard's Kingdom
39:16 - Sixth Door / Lake of Tears
52:43 - Seventh Door / Bluebeard's Former Wives
Bluebeard's Castle (Hungarian: A kékszakállú herceg vára; literally: The Blue-Bearded Duke's Castle) is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale "La Barbe bleue" by Charles Perrault. The opera lasts only a little over an hour and there are only two singing characters onstage: Bluebeard (Kékszakállú), and his new wife Judith (Judit ); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
SYNOPSIS:
A short spoken prologue (by the Storyteller) tells the audience that they are entering a world of myth which may reveal something of the inner self.
Bluebeard and his new wife Judith enter Bluebeard's castle. The latter has just married Bluebeard despite her family's opposition. She is still in her wedding dress. She finds Bluebeard's castle "icy, dark and gloomy" and vows to brighten it up.
Judith notices seven mysterious doors and asks for the keys so that the doors can be unlocked. Bluebeard is reluctant to do give them to her, hints at unhappy events in his past, but finally does hand the keys to her.
Behind the first door she finds Bluebeard's torture chamber, complete with racks, branding irons and daggers. The chamber is bathed in a blood-red light.
Behind the second door she finds Bluebeard's armoury with bloodstained spears. The armoury is lit by a yellow-red light.
Behind the third door she finds Bluebeard's treasury, replete with gold, pearls and diamonds. These are all stained with spots of red.
Behind the fourth door she finds Bluebeard's garden. It is fragrant and contains white roses, but even these beautiful flowers are splattered in blood. Her husband refuses to explain the meaning of what she is seeing.
Behind the fifth door Judith discovers a vast and sunny kingdom. But here again the the clouds and the lands are colored blood red. Bluebeard warns Judith not to open any more doors. She has brightened the castle by opening the first five doors, but, he warns, to open more would just invite darkness.
Judith insists on continuing and behind the sixth door she finds a white-colored lake, a huge white sheet of water. "Tears, my Judith, tears, tears," he says. Judith asks him about his former wives and when he refuses to answer, she says that she thinks he killed them all.
Behind the seventh door are three beautiful women dressed in fine clothing. The women walk slowly out and, Bluebeard introduces them as his former wives. The first he met in morning, the second at midday, and the third in the evening, he relates. They return to their room. Bluebeard dresses Judith in fine clothing and crowns her "bride of the night". Terrified and pleading for her life, Judith passes through the seventh door. Bluebeard is left alone and in darkness.
LIBRETTO (English translation): http://www.powell-pressburger.org/Reviews/64_Bluebeard/Words.html
PROLOGUE (English translation/analysis): http://www.bartokrecords.com/articles/bluebeards-castle/
The 1963 Michael Powell film based on the opera can be viewed here: https://www.youtube.com/watch?v=FSFFR9lSVJc
Blue Tears was a hard rock band from Jackson, Tennessee that enjoyed some short-lived fame in the late-80s. However, the band was then basically ignored due to the wave of alternative/grunge music and the members got involved in other projects. However, the band resurfaced in 2006 with a new album. Lead singer Gregg Fulkerson died on April 14, 2009, and the band was put to rest.
History
Frontman Gregg Fulkerson formed Sahara in 1983 when he was just 17 years old, with some childhood friends. The band started playing covers and doing small gigs around their hometown, Henderson, Tennessee, but quickly progressed to playing their original music with steady shows with audiences peaking at 1,000 people.
The band recorded several demo tapes in Fulkerson's bedroom, and radio stations played them constantly. One of those tapes reached a Los Angeles-based record company. They signed a recording contract with MCA Records soon after. The band also changed their name to Blue Tears just 2 months prior to releasing their debut album.
Oh, lost in the crush! Crush! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Wild, innocent, seventeen, Castaway of love. You gotta be a beauty queen To give me such a crush. It's a dream, it's magical, Catch you in a spell. Chip away a heart of stone, Melt away the man of steel. It's thunderous, flash of light, Roller coaster ride. Oh oh, mystery girl, Won't you step inside? Lost in the crush, Reckless emotion. Saved by the power of love. Caught in the rush, Tears like an ocean. Lost in the crush of love. Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Sister, sister, you shoot to thrill. Set your sights on me. Spin around like a ferris wheel. I'll get to you, if you just believe. Now, baby, baby, get lost in me. Crazy over you. It's earth-shakin', body-quakin', Heartbreakin'. It's dangerous, flash of light, Roller coaster ride. Oh oh, mystery girl, Won't you step inside? Lost in the crush, Reckless emotion. Saved by the power of love. Caught in the rush, Tears like an ocean. Lost in the crush of love. (Guitar solo) It's dangerous, flash of light, Roller coaster ride. Oh oh, mystery girl, Step inside. Lost in the crush. Crush! Reckless emotion. Saved by the power of love. Caught in the rush, Tears like an ocean. Lost in the crush of love. Lost in the crush, Reckless emotion. Saved by the power of love. Caught in the rush, Tears like an ocean. Lost in the crush of love. Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Crush! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na! Na-na-na! Na-na! Na-na! Na-na! Na-na! Na-na!
