Pueblo museum excises Mine Workers Union from Ludlow Massacre exhibit!


PUEBLO, COLORADO- 2014 marks one hundred years since the Ludlow Massacre of 1914. A variety of commemorations are planned before the formal anniversary on April 20. I attended one such event on Wednesday, a lecture by a CSU professor to footnote the “Children of Ludlow” exhibit at El Pueblo History Museum. I’m always excitied when attention is paid to Ludlow, a subject regularly left out of American schoolbooks, but I was disappointed to find key elements of labor history excised from the museum’s narrative. Literally. The United Mine Workers of America, the organization central to the strike, which supplied the tent city, and which even today maintains the memorial site, was mentioned only once, IN FINE PRINT! The Ludlow miners voted to strike because the mining companies refused to recognize the UMWA. Unmentioned. The horrors of the atrocity were not tempered, in their explicitness perhaps we think them enough, but there was also the apologist suggestion that some culpability belonged to the miners. I questioned one curator who admitted they were at pains to keep the story “balanced” and that the squeakiest wheel thus far has been the National Guard. Apparently the Guard is offended that its role will be misconstrued. What balance do they want, I wondered. Had they lost children in the “battlezone” too?

Children are at the heart of commemorating Ludlow and at the heart of this preversion of the massacre’s memory. Were they recklessly endangered by their parents and union organizers? Were they dragged into a battlezone? The museum seems to suggest as much, highlighting the beligerence of the miners, mischaracterizing the soldiers, and leaving the union actions largely unexplained.

First I’d like to declare how I tire of the objective irrelevance which results when academics seek the approval of government technocrats. I am also disturbed by educators who pretend blindness to subtle inferences which shape a political takeaway. To them, “remembering” Ludlow seems sufficient in itself. I can hardly see the point to remembering Ludlow unless we have discerned its lessons. Until we are remembering the LESSONS OF LUDLOW, our educators’ self-proclaimed raison d’etre will be self-fulfilling: “history will repeat itself.” This Pueblo exhibit suggests no lesson other than the exploitation of tragedy, and leaves me fearful about the Ludlow commemorations to follow. The anti-union, pro-military climate which prevails these hundred years since the massacre will make for a travesty of a remembrance unless someone with a worker’s perspective speaks up.

NOT BROUGHT TO YOU BY…
Let’s start with this exhibit, which alas has already escaped critique since September. Its full title, as evidenced in the photo above: “Black Hills Energy presents: Children of Ludlow, Life in a Battlezone, 1913-1914.”

I’ll bet curators thought it a measure of truth and reconciliation that the Ludlow presentation was sponsored by a local extraction industry business. Black Hills Energy trades not in coal but natural gas. In fact they’re among the frackers tearing up Southeastern Colorado. I think the irony more likely suggests how the UMWA’s starring role was left on the cutting room floor. There are generic mentions of “the union”, as at right, keeping a ledger of which families were assigned tents, but only in the fine print is the UMWA named as owning the ledger.

BATTLEZONES
More troubling is the skewed framing of the museum’s narrative. It begins with the subtitle, “life in a battlezone.” That’s taking a rather curious liberty don’t you think? The event we accept now as “Ludlow” became a battlezone on April 20, and the regional Coal Field War which followed was a battlezone to which both revenge-seekers and militia thronged, but the tent colonies in which 12,000 lived, 9,000 of whom were the children of the title role, were camps full of families. That they were straffed regularly by the guards makes them shooting galleries not battlegrounds.

Calling Ludlow a battlezone is like calling Sand Creek a “collision” or calling the Middle East a “conflict”. All of these mask the role of the aggressor.

I will credit the curators for offering a candid detail of horrific import. In a description of the day before the massacre, when the Greeks among the immigrants were celebrating Greek Easter, mention is made of the mounted National Guards offered this taunt: “You enjoy your roast today; we will have ours tomorrow.” No one should deny today that the events of April 20, which culminated in the torching of the tents and asphyxiation of women and children, was a premeditated act.

THE CHILDREN
Should the miners have put their children in harm’s way by defying the mining companies? How could they not? As immigrants they didn’t have nearby relatives to foster their children away from the random bullets. Also left unsaid by the display: many of the children had already been working in the mines and counted among those on strike. This was before child labor reforms.

Curiously, the exhibit did include a famous photograph of the notorious activist Mother Jones leading a childrens’ march through Trinidad. The caption explained that Jones wasn’t above using real children to advance the cause of Colorado’s coal miners.” Emphasis mine. While technically true in a modern context, it’s probably disingenuous to imply someone is using the children when a key issue of the demonstration is CHILD LABOR.

No really. Mother Jones was leading a march of children, many of them workers of the mines, for the reform of labor practices which abused children. This and subsequent campaigns eventually led to child labor laws. Is saying “Mother Jones wasn’t above using children” in any way an accurate characterization?

Compounding the inference that the Children of Ludlow were jeopardized for the cause, was the implication that the miners were combatants who contributed to the battlezone. As the displays progressed in chronological order, the first weapon on display was a rifle used by the miners. Immediately behind it was an enlarged photograph vividly depicting miners posed with two identical specimens.

Moving along the exhibit chronologically, anticipating the rising violence, the museum goers is apparently supposed to register that the strikers were firing too, if not first. Recent historical accounts have deliberated about who fired first. I think the motive is suspiciously revisionist in view of today’s dogma of nonviolence absolutism: if your protest devolves into violence, you deserve every bit of the beating you get.

Whenever it was that the miners began firing, the single militia and three guard casualties were not recorded until after the massacre took place, belying the narrative that the miners invited the massacre. Witnesses conflict about when the three union leaders were executed. I’ll give the museum credit for defying the National Guard in summarizing that among the casualties, three of the miners were “executed”.

PARITY OF WEAPONS
Students of the Ludlow accounts know that many of the miners were better riflemen than the soldiers. Many were immigrants who’d served in Bulkan wars and outmatched Colorado’s green guardsmen. That is not to suggest that the miners and their harrassers were equally armed, yet…

The only other weapon on display is a rifle of vintage used by the national guard. It shares a case with a uniform and sabre, lending it official authority. Also, the rifle is not presented as having been used at Ludlow, so it doesn’t project an aura of culpability. Missing is the machine gun depicted in the photograph of the machine gun nest which fired down upon the camp. It’s depicted with a caption about the Guard being a welcome presence. Missing too is the armored car dubbed the “Death Special”. Obviously the armor protected its operators from being hit by striking-miner bullets as it drove through the canvas encampment, straffing the tents with its mounted machine gun.

HUMANIZING THE PERP
Right after the photo of armed miners was the display at right, with a very contrived bit of spin catering to today’s military families. Although the photo shows soldiers actively aiming their gun at the camp, the caption assures us that the “Ludlow families feel relief with the arrival of National Guard”. This supposition is based on the fact that when the soldiers first arrived they were serenaded with the “Battle Cry of Freedom” and greeted with American flags. Most of the miners being immigrants, they were eager to show their patriotism, but the conclusion drawn here is a terrible mendacity. The miners and union organizers knew full well the purpose of the National Guard. They knew the strikebreaking role it played in famous strikes of the past. The miners feted the soldiers hoping to sway them from their eventual task. Protesters of all eras hold out this hope every time they face riot police.

A following paragraph suggested that by the time the massacre was committed, most of the soldiers had been mustered out and replaced with militia members and company guards. This is slight of hand. After the official inquiry, which was prompted by the public outcry, twenty National Guard soldiers were court martialed. All were acquitted. Is the Guard wanting us to believe they were acquitted because they weren’t there?

This attempt to put a friendly face on the National Guard, coupled with an abdication of effort to give the union its due, seems engineered to appeal to the average Pueblan of today, many probably related to an active-duty soldier and long since indoctrinated against evil unions. When I asked the lecturer about the omission of the UMWA, she prefaced her answer for the audience, explaining that unions of old were not like those despised today. I told her I thought failing to describe the hows and whys of the strike was a real teaching opportunity missed.

HISTORY COLORADO
It’s probably important to point out that the Ludlow presentation at the History Museum was developed with the assistance of History Colorado, which finally shuttered a contested display: a Sand Creek Massacre exhibit with a similar flavor of whitewash. Like labeling Ludlow a battlezone, History Colorado tried to typify Sand Creek as a “collision.”

Also typical of History Colorado is the propensity to address their exhibits to children. Programming for school bus visits invariably dumbs down what can be presented and I hardly think the compromise is worth it. If children ran the world, maybe Disney versions of history would suffice.

I’d like to have seen it highlighted that the Ludlow miners were mainly immigrants who were looked down upon by the residents of Colorado. If the museum audience were the “Children of Ludlow” in the extended sense, as a few descendants probably were, more of us were the children of the soldiers of Ludlow, or the citizens who cheered them on, or joined the militia or built the armored car at Rockefeller’s Pueblo factory. If we’re going to remember Ludlow, we ought to remember our role in it so we don’t do that again. It’s easy to pretend we were the martyrs. In all probability that’s who we will be if the lessons of Ludlow are discarded.

Falling onto the sky….

jewelry4
Hairy Christmas and a Hippie New Year.

jewelry

jewelry2

jewelry3

People popping off fireworks and the occasional firearm, making the poor stupid little dog next door bark insanely.

Ok, headphones on, music, relaxing ahhhh…

Anyhow, these are some of the jewelry pictures.

So, how they evolved, when I was recycling some computer parts, I had the magneto from a floppy drive and was trying to visualize how best to take it apart, strip the copper wire from it efficiently.

One of my nieces and her friend were there, the little girl said “Oh, that would make a really pretty necklace.”

And she was right.

So I started making them like that, there’s about a hundred dfferent kinds of these magnetoes in various disk drives. Plenty of creative room using circle patterns.

Me likey muchly.

And then, I moved up here.

People told me about the Medicine Wheel, which I had never seen.

So I looked it up.

There’s one up near Sturgis which has been a prayer site for centuries, best guess is just before the Spanish came up from Mexico, and the Anasazi had just faded into the desert pueblos.

The tradition is, when you go there, you’re in the center of the Heart of the Earth.

Meaning the Black Hills.

The Sioux and the other northern nations say that it’s alive, this heart.

And, when you look down on the Black Hills, from high enough up, and can see the whole thing, it DOES look a whole lot like a human heart.

Some of the prophets, like Black Elk, say and said that this land could be killed. Maybe they’re right.

The name Bad Lands only means that it’s not any good for farming, you can’t grow much there, it’s “bad land”.

The blood-soaking and general rape of this Heart of the World didn’t really start until the early 1800s.

First it was over the Fur Trade.

Indians took what furs they needed to survive, leave the rest.

The French and especially the English had a huge market for it back in Europe, so Money reared it’s ugly head.

Then gold was discovered there.

Standing Bear Butte, where the Great Medicine Wheel is, was suddenly the center of a raging war.

For centuries, 500 years at least, people had gone there to experience the strongest of Medicine.

Medicine is a catch all translation of a huge number of Indian words, spirit and magic and life and it’s all woven together, no part is separate from the rest, it’s the Great Circle.

One of the translated words is manitou.

Another is the garden of the Gods.

See, most of this I only learned once I came here.

The kokapelli, for instance, it’s a bizarre coincidence like the medicine wheels I put together….

But when I was crippled up, recovering from the first surgeries like 16 years ago, sitting in a wheelchair, at my sister’s apartment, feeling sorry for myself… and one of my nieces had gotten a bag of toys from her school… and one of the toys was a Recorder. Ein Zauber-Flut. La Flauta Inglesa.(the English Flute) La Flauta Dulce – sweet flute.

The kids were running around blowing it like a whistle, really annoying in a cute way, but I had a sudden idea, I said “Gimme that, I’ll learn how to play it right” and the next day I checked out a book from the library on How To Play The Recorder and started in.

Flash forward, and I come up here, to Manitou, and started learning the Indian ways.

Finding out that the Flute Player, Kokapelli, is kind of the local hero. And what the medicine wheel means.

A lot of medicine is what you feel, that’s how you “know” and “learn”it.

English doesn’t do it justice.

Meditation comes close. Intuition, which means you learn from within.

A line from one of the hymns based on Ode am die Freude, “Spirit, in our spirit speaking, makes us sons of God, indeed.”

I can get really mystical and misty eyed describing it.

A lot of the stuff you experience up here, how do you put it to where people would believe it? That you could be walking a path and have somebody, a stranger, join you, talking to you and walking along with you, a cloud-shadow passes over and you’re standing alone, no tracks beside yours…

A dream from long ago, perhaps.

In the Indian conscious state, and this varies from person to person how you experience it, live it… but the Dreamtime is just as real as something you can touch.

I saw a picture of the Great Medicine Wheel, taken from the air, and that’s the only way you can see the whole thing.

For centuries when somebody goes there to pray-make medicine-commune-learning spirit…

he puts a stone at the end of each spoke of the wheel.

The wheel is now about a mile across.

It takes hours to walk around the edge of it.

And, it looks just like the medicine wheels shown in the pictures, the ones a little child told me “that would make a pretty necklace”

It’s not something you grab intellectually, you just feel and see and hear and ARE the medicine.

The other side of these, they’re recycled. Something that would, if left in a landfill somewhere, the first thing they would do is run a bulldozer over it, breaking it up just enough to let the toxic parts ooze out…

To kill the mountains, and kill the waters.

We would follow, everything we know as Human would set its feet upon the rainbow, One way of putting it is “falling onto the sky”.

Following the sun every evening into the Dreamtime of the west, only, without the life of Earth or man, the Dreamtime, too, would die away.

One of Black Elk’s sayings is we would live long enough to know what we had done… and pass away in great sadness.

Landmarks in memoriam

Mount Rushmore public cafeteria
A past love of mine spent a couple summers working at Mt Rushmore at the visitor’s center. She longed for me to see it and eventually she took me there. I had already formed a vivid image of her youthful days there, serving food to plaid-clad tourists, taking her breaks sunning on the rocks between the ponderosa, chasing boys with her friends, away from home at this summer camp for Dakota high-schoolers off soon to college and new autonomous lives.

Her farm country heritage was a mystery to me, but her descriptions of the Black Hills and Mt Rushmore I could see clearly. When we finally made it there, the atmosphere was as charming as I had envisioned, aided too by preconceptions of the familiar dark wood trimmings of a US National Park with Yogi Bear. The restaurant really was a cafeteria, the workers dressed in white like nurses and the food was like they served in school. Except that visitors would carry their fiberglass trays to tables beneath huge plate glass windows with a view of the granite presidential face of Mt Rushmore.

Years later I would recognize the unchanged lunch room and viewing deck as filmed in Alfred Hitchcock’s North by Nothwest. I could watch that scene and recollect our visit, especially the tour Kim gave me through the staff-only area, climbing paths around the workers’ dormitories which led us to the swimming hole. We watched squirrels and bears -I mean birds- and recalled her earlier days. She might have been thinking of earlier beaus, what would it have mattered? Now my recollections are of recollections.

Now many years later, another love asks me if revisiting the site of a cherished memory would diminish it. I said no, and I still believe it, but I have to add one caveat. It’s not that you erase one memory with another, you jeopardize the memory tape itself.

I thus revisited Mt Rushmore, without of course my making any todo about a past significance, and I came away changed and less happy because the visitors center is gone.

Well, it’s changed, the wooden building is replaced by a bigger, improved center of granite, very attractive and swarming with more people, the grounds are now entirely covered in cement, comprising amphitheater, museum, Grecian monument and vast parking structures. No amount of smooching with a new love would have effaced my earlier nostalgia, but the physical anchor of my memory is broken away. It’s like the difference of a grandparent passed on, being cremated versus interred. You can visit your loved one in a cemetery, even if only in your mind, because you know where you can find them, still there.

My Mt Rushmore in not “there” anymore. I retain my memories, themselves of memories, but they have become intangible.

The same was done to our Garden of the Gods. We used to be able to goof off on its roads and paths, now they are paved and redirected into an uncompromising giant roundabout. And there’s now the giant visitors center, with its big window and stepped-back view, replacing the Hidden Inn which used to nestle right against the rocks.

In fact, I took a favorite photograph of a girl I liked very much on the weathered railing of the Hidden Inn looking out on the upended rock formation extending along the Front Range. But the historic inn is no more, just a few cuts into the red stone, now just a point-of-interest on a marker. At least the original foundation was meticulously removed, not buried under concrete. I lament never having kissed that girl, and I guess now the opportunity seems all the more gone.

Gold in them thar hills

Darfur has undiscovered water! Water you say? In The Treasure of the Sierra Madre, Humphrey Bogart discovered that no fortune in gold could buy what he really needed in the desert, water!

Precipitating a gold rush has been a traditional underhanded mechanism to conquer and settle new lands, for America’s westward expansion especially, at the tricky impasse of land already deeded to the Indians.

Facing troops and lawmakers showing a moral reluctance to annihilate his red-skinned foes, George Custer played up claims of gold in the Black Hills and the land grab was on, poor white opportunists scrambling to invade Indian lands without anyone being able, if they wanted, to stop them. The betrayed Sioux were all but goaded into war and were soon displaced.

Now someone’s rallying the carpetbaggers to mine the water of Sudan. True, the circumstances are more complex. It’s not our greed they’re preying upon, but our eagerness to see a humanitarian solution. It’s been all to easy to feel there’s nothing to be done to help the Sudan because Africa’s troubles appear perpetual. But with water of course salvation is at hand, even though it’s a panacea.

The march to drill wells in the Sudan may not seem to be for our immediate gain, but let’s not forget that the real fortunes made in gold discoveries weren’t made by miners, but by those who sold them the pick axes and shovels. The drive to Drill 1,000 Wells For Darfur will reap a lot of pick axes and shovels.

Plus we’ll need to protect those projects, to make sure the new water supplies don’t fall into the schemes of evil warlords, so we’ll be authorizing troops to protect, not the black people, but our wells. And amid the militarized destabilization, the west will be able to wrestle China for Sudan’s proven reserves, oil.

Is there water in Darfur? Of course there is. Is there a subterranean reservoir the size of Lake Erie? Five thousand years ago. Experts are skeptical as to what remains. Professor Farouk El-Baz’s previous water divinations in the 80’s yielded 350 wells drilled in Egypt, but no accounts mention finding a rush of water.