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Synopsis
Yes or yes?
Ex-safecracker Gal Dove has served his time behind bars and is blissfully retired to a Spanish villa paradise with a wife he adores. The idyll is shattered by the arrival of his nemesis Don Logan, intent on persuading Gal to return to London for one last big job.
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Director
Director
Producers
Producers
Writers
Writers
Casting
Casting
Editors
Editors
Cinematography
Cinematography
Assistant Director
Asst. Director
Lighting
Lighting
Camera Operators
Camera Operators
Production Design
Production Design
Art Direction
Art Direction
Set Decoration
Set Decoration
Special Effects
Special Effects
Visual Effects
Visual Effects
Stunts
Stunts
Composer
Composer
Sound
Sound
Costume Design
Costume Design
Studios
Countries
Primary Language
Spoken Languages
Alternative Titles
La bestia salvaje, Retour au passé, Erotiko ktinos, Ερωτικό Κτήνος, Sexy Beast - L'ultimo colpo della bestia, Bestia salvaje, Seksi zver, Sexy Beast - Bankraub wider Willen, 性感野兽, Сексуальная тварь, Szexi dög, לצאת נקי, Sexy bestie, Секси звяр, 섹시 비스트, Quái Thú Gợi Cảm, セクシー・ビースト, Сексуальна бестія, 性感野獸
Premiere
13 Sep 2000
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Canada
Toronto International Film Festival
27 Jan 2001
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Sweden15
Gothenburg Film Festival
08 Apr 2001
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Hong Kong
Hong Kong International Film Festival
10 Jul 2001
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Czechia
Karlovy Vary International Film Festival
21 Oct 2001
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Norway15
Bergen International Film Festival
Theatrical limited
15 Jun 2001
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USAR
Theatrical
12 Jan 2001
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Hungary18
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UK18
17 Jan 2001
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FranceTP
18 May 2001
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Italy
13 Jun 2001
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Belgium
22 Jun 2001
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Greece
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Poland
13 Jul 2001
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USAR
16 Aug 2001
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AustraliaMA 15+
06 Sep 2001
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Czechia15+
12 Apr 2002
-
Norway15
27 Jun 2002
-
Germany16
Australia
Belgium
Canada
13 Sep 2000
-
Premiere
Toronto International Film Festival
Czechia
10 Jul 2001
-
Premiere
Karlovy Vary International Film Festival
France
Germany
Greece
Hong Kong
08 Apr 2001
-
Premiere
Hong Kong International Film Festival
Hungary
Italy
Norway
21 Oct 2001
-
Premiere15
Bergen International Film Festival
Poland
Sweden
27 Jan 2001
-
Premiere15
Gothenburg Film Festival
UK
USA
More
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This movie taught me that you can order calamari for dinner. It’s not just an appetizer
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barry before barry
(but weirder and darker and sillier)
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Oh, bloody hell. Fockin' lunacy. Fockin' sexy.
Angry blokes swearin'.
cursin'
yellin'
boilin'
roastin'
swelterin'
Some crazy cunt in a stupid bunny suit, some in stupid man suits. Oh, bloody hell. Ghandi swears like a God. Ohhhh. Ridiculous. Tremendous. Fantastic. Fan-dabby-dozy ---- tastic.
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a crime thriller where the characters commit the worst crime of all: being british
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"Shut up, cunt. You louse. You got some fuckin' neck ain't you. Retired? Fuck off, you're revolting. Look at your suntan, it's leather, it's like leather man, your skin. We could make a fucking suitcase out of you. Holdall. Like a crocodile, fat crocodile, fat bastard. You look like fucking Idi Amin, you know what I mean? Stay here? You should be ashamed of yourself. Who do you think you are? King of the castle? Cock of the walk? What you think this is the Wheel of Fortune? You think you can make your dough and fuck off? Leave the table? Thanks Don, see you Don, off to sunny Spain now Don, fuck off Don. Lying in your pool like…
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Retirement as an act of simply caging the animal. A British gangster/heist film plot with all the ultra-violence, obscene "cunts" and unhinged British actors that's been formally fractured and made into something uniquely strange and sensual and disturbing. It's obviously operating at a much more extreme, vulgar register than his particular brand of idiosyncratic tranquillity but imo this is closer to Takeshi Kitano's abstracted, expressive thinking on this genre (that this lifestyle is an extremely suffocating/primal example of work vs. leisure leading to bizarre contradictions and situations) than it is, say, Guy Ritchie's.
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This movie is about Ken and Lisa Vanderpump.
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Sexy Beast’s symbolic boulder walked so Parasite’s metaphorical ornamental rock could run
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Of all the inviolable rules of crime films, one never gets broken: No one ever successfully pulls off “one last job.” What I like about Sexy Beast is that it is set several years after “one last job” must have already taken place, then proves this rule to be true anyway. Even when you survive one last job, there is always one more. And likely another after that.
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Brit gangster posturing as a shelter from repressed homosexuality.
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The boulder falling is one of my favorite uses of foreshadowing ever. Gal tries very, very hard to stray from the life by putting hundreds of miles and multiple countries between himself and his criminal past, but the funny thing about crimes and those who perpetuate them is how far they can stretch their arms and pull you back into an underworld you believed you crawled your way out of. And let us not forget, we’re taking about an inferno comprised of men, and their view of women is, shall we say, less than Dworkinian.
In a way, masculinity is this very underworld—a hell one can’t escape—and no one has more of a macho-madman streak than Don “Ya Fucking Cunt-Ya Fucking…