Synopsis
The story that won't go away.
Follows the investigation into the assassination of President John F. Kennedy led by New Orleans district attorney Jim Garrison.
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JFK
Cast
Kevin Costner Tommy Lee Jones Gary Oldman Kevin Bacon Michael Rooker Jack Lemmon Laurie Metcalf Sissy Spacek Joe Pesci John Candy Pruitt Taylor Vince Jay O. Sanders Walter Matthau Sally Kirkland Donald Sutherland Ed Asner Brian Doyle-Murray Ray LePere Vincent D'Onofrio Tom Howard Lolita Davidovich Jim Garrison Wayne Knight Gary Grubbs Beata Pozniak Tony Plana John William Galt Ron Jackson Sean Stone Show All…
Director
Producers
Writers
Original Writers
Casting
Editors
Cinematography
Assistant Directors
Additional Directing
Executive Producer
Lighting
Camera Operators
Additional Photography
Production Design
Art Direction
Set Decoration
Special Effects
Visual Effects
Stunts
Composer
Sound
Bill Daly Scott Martin Gershin Mark A. Lanza Michael D. Wilhoit Wylie Stateman Jay B. Richardson Joseph A. Brennan Joseph Holsen Mark 'Frito' Long Gregg Landaker Tod A. Maitland Sandy Berman Dan O'Connell Greg Orloff
Costume Design
Makeup
Hairstyling
Studios
Countries
Primary Language
Spoken Languages
Alternative Titles
JFK - Affaire non classée, JFK - avoin tapaus, JFK, i istoria pou harahtike sti mnimi mas, John F. Kennedy - Tatort Dallas, JFK: Dzonas F. Kenedis. Suviai Dalase, JFK - saken fortsetter, JFK: Kapanmayan Dosya, J.F.K.: Caso abierto, JFK：1991, JFK - Un caso ancora aperto, JFK - Tatort Dallas, JFK - A nyitott dosszié, 刺杀肯尼迪, JFK: Caso abierto, Џ.Ф.К., Джон Ф. Кеннеди: Выстрелы в Далласе, ג'יי.אף.קיי: תיק פתוח, JFK: A Pergunta Que Não Quer Calar, JFK, Η Ιστορία που Χαράχτηκε στη Μνήμη μας, Джей Еф Кей, Джон Ф. Кеннеді: Постріли в Далласі, รอยเลือดฝังปฐพี, JKF: Caso abierto, Džonas F. Kenedis: Šūviai Dalase, 誰殺了甘迺迪, 驚天大刺殺, J.F.K.
Genres
Themes
Releases by Date
Premiere
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USAR
Dallas, Texas
01 Oct 1993
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China
Shanghai International Film Festival
Theatrical
20 Dec 1991
-
Brazil14
-
Canada14A
-
USAR
10 Jan 1992
-
Italy
23 Jan 1992
-
AustraliaM
-
Germany12
24 Jan 1992
-
Denmark15
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Switzerland
-
UK15
25 Jan 1992
-
Switzerland
29 Jan 1992
-
FranceTP
30 Jan 1992
-
Argentina
31 Jan 1992
-
FinlandK-12
-
Israel
-
Norway15
-
Sweden11
07 Feb 1992
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El Salvador
-
Uruguay
13 Feb 1992
-
Spain12
14 Feb 1992
-
PortugalM/12
28 Feb 1992
-
Ireland15
-
Netherlands12
01 Mar 1992
-
Poland16
21 Mar 1992
-
JapanPG12
27 Mar 1992
-
Turkey
02 May 1992
-
South Korea15
15 May 1992
-
Hungary16
Physical
25 Oct 1994
-
Russia
08 Apr 1997
-
Mexico
03 Sep 1999
-
France
22 Sep 1999
-
Greece
01 Jul 2002
-
Russia
07 Nov 2012
-
Italy
-
Netherlands12
30 Apr 2013
-
Singapore
04 Nov 2013
-
Netherlands12
06 Nov 2013
-
United Arab Emirates
24 May 2018
-
Ecuador
04 Apr 2023
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France
TV
30 Dec 2001
-
Netherlands12
Releases by Country
Argentina
30 Jan 1992
- Theatrical
Australia
23 Jan 1992
- TheatricalM
Brazil
20 Dec 1991
- Theatrical14
Canada
20 Dec 1991
- Theatrical14A
China
01 Oct 1993
- Premiere Shanghai International Film Festival
Denmark
24 Jan 1992
- Theatrical15
Ecuador
24 May 2018
- Physical DVD
El Salvador
07 Feb 1992
- Theatrical
Finland
31 Jan 1992
- TheatricalK-12
France
29 Jan 1992
- TheatricalTP
03 Sep 1999
- Physical DVD
04 Apr 2023
- Physical Blu-Ray
Germany
23 Jan 1992
- Theatrical12
Greece
22 Sep 1999
- Physical DVD
Hungary
15 May 1992
- Theatrical16
Ireland
28 Feb 1992
- Theatrical15
Israel
31 Jan 1992
- Theatrical
Italy
10 Jan 1992
- Theatrical
07 Nov 2012
- Physical Blu-ray
Japan
21 Mar 1992
- TheatricalPG12
Mexico
08 Apr 1997
- Physical DVD
Netherlands
28 Feb 1992
- Theatrical12
30 Dec 2001
- TV12 Net 5
07 Nov 2012
- Physical12 DVD
04 Nov 2013
- Physical12 Blu ray
Norway
31 Jan 1992
- Theatrical15
Poland
01 Mar 1992
- Theatrical16
Portugal
14 Feb 1992
- TheatricalM/12
Russia
25 Oct 1994
- Physical VHS
01 Jul 2002
- Physical DVD
Singapore
30 Apr 2013
- Physical DVD
South Korea
02 May 1992
- Theatrical15
Spain
13 Feb 1992
- Theatrical12
Sweden
31 Jan 1992
- Theatrical11
Switzerland
24 Jan 1992
- Theatrical
25 Jan 1992
- Theatrical
Turkey
27 Mar 1992
- Theatrical
UK
24 Jan 1992
- Theatrical15
USA
19 Dec 1991
- PremiereR Dallas, Texas
20 Dec 1991
- TheatricalR
United Arab Emirates
06 Nov 2013
- Physical Blu-Ray
Uruguay
07 Feb 1992
- Theatrical
Popular reviews
More-
Enough of this Letterboxd bullshit I gotta figure out who killed the goddamn president
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100/100
"It's a mystery wrapped in a riddle inside an enigma! The fuckin' shooters don't even know! Don't you get it?"
An addled paranoia epic crossed with a Frank Capra movie; a quest for truth and justice in a disorganized society. Witnesses, testimonials, recreations, and original footage are thrown into a blender, emerging as a historical essay told through feelings and images, bloodcurdling screams and gunshots. I'm in awe of every facet of the production, so much so that even after two viewings in close succession, I believe I still haven't fully taken in its furry of scrambled emotions. JFK has a capacity for hope which probably doesn't even exist anymore, but by the moment in the film where Jim…
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STUDY THE PAST
Blown away that a movie that cost this much money and with this many huge stars firing on all cylinders (and with hair and accent work this hilarious) was basically "what if Atticus Finch was around to witness MK ultra or Operation Gladio/Mongoose and it caused his brain to leak from his ears." An experience that Stone and Richardson capture via a masterwork in bombastic, run-on sentence formal construction that merges frantic layers of perspective with breathless, dazzling momentum and a truly disorienting hysteria of information dumps, flashbacks, documents, archival footage, recreations (and fantasy versions of events), aural storytelling monologues from experts and unreliable witnesses in equal measure wrapped together in slo-mo, step-printing, shifting formats, zooms, fancy Steadicam tracking,…
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100
Maybe one too many scenes of Kevin Costner and Sissy Spacek's characters arguing in front of their kids, but when the rest of this 3 hour rabbit-hole is comprised of Oliver Stone in total MKUltra rage mode, with every 90s character actor donning hilariously bad wigs, you simply must submit to its greatness. Enthralling from the first frame to the last.
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Joe Pesci being not only good but outstanding as a gay southerner is proof that when it comes to casting, accuracy cannot hold a candle to vibes
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This was one of the first movies where I can remember being aware of some kind of bigger stakes around watching it; my mom and dad disagreed on it pretty strongly, and as they rarely fought about movies - mostly because my dad didn’t care one way or the other - my ears perked right up. Basically, my dad’s issue, as a career broadcast journalist, was that Stone’s truth-to-power theatrics were irrelevant when so much of the information in the movie was simply made up; my mom - not exactly a formalist but someone who was always cognizant of style, and who loves watching certain actors doing their thing - simply exalted in the sheer entertainment value of all that…
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the definitive american film, as far as i'm concerned; they tell you to fix your nation by voting, then they kill the guy you voted for. at some point you have to realize that the mechanism of the corporate-state has little use for its individual parts -- kennedy was killed because he believed he was bigger than the machine which built him, you're not allowed to do anything without the system's approval. there's millions of invisible boundaries that limit your precious 'freedoms' -- you have the right to be murdered by cops, to have your labor exploited, to be lied to. god bless this beautiful country.
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"No other object as been misidentified as a flying saucer more often than the planet Venus. Even the former leader of your United States of America, James Earl Carter, Jr., thought he saw a UFO once, but it's been proven that he only saw the planet Venus." -- Jesse "The Body" Ventura, episode 3X20 of The X-Files, "Jose Chung's From Outer Space"
"You got the right ta-ta but the wrong ho-ho." -- John Candy, this movie
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is there a bigger cinematic flex than oliver stone making a film this crazily ambitious at the height of his career and having it be 100% perfect?
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more convinced than ever that this movie — which is absolutely terrific — is basically responsible for qanon.
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