Chaank Armaments is experimenting with the ultimate fighting machine which is part human - part machine. So far, the Hardman project has been unreliable and has killed a number of innocent people. The genius behind this project is Jack who lives in a world of models, toys and magazines. When he is fired by Cale for killing a few corporate officers, he unleashes the ultimate killing machine called the 'Warbeast' against Cale and those who would help her.
Jenny Lee Wright Otto Snel Patrick M. Griffith Kevin Tayler Michael A. Carter Chris Kelly Pauline Griffiths Nainita Desai Mike Wood Rudi Buckle Mark Allen
Death Machine - Monster aus Stahl, Máquina letal, Smrtící stroj, Машина смерти, Maszyna Śmierci, Gyilkológép, Ölüm Makinesi, 데스 머신, デスマシーン, 杀神十号, A Máquina da Morte, La màquina de la mort
Sweden
Stockholm International Film Festival
Germany18
UK18
Japan
Germany
Japan
Sweden
UK
Hooptober X: Now With 20% More Horror!
“Holy Donuts!”
I’m convinced that everyone’s uneasiness and fear towards Brad Dourif in this was 100% genuine.
It’s a 90’s cyberpunk slasher with a truly unhinged Brad Dourif and a giant murder robot. Of course I was going to love it! This is prime 90’s cheesiness with all the focus on the power of computers and hackers! This era of sci-fi film is so charming for some reason. I dunno, I just love it.
I’m a sucker for plots that have typical enemies forced to join together to survive. The tension and gradual respect that grows between the characters is a lot of fun. You’ve got the corrupt corporate folks and the super…
![nathaxnne [hiatus]](https://a.ltrbxd.com/resized/avatar/upload/1/9/5/2/4/3/shard/avtr-0-80-0-80-crop.jpg?v=2d9f35eba8){kind=small}
From a 1994 that is all soft-focus dispersed lighting, Death Machine has to do with the day-to-day travails of the CHAANK Corporation, a high-tech weapons manufacturer whose mindwiped heavy-armor supersoldiers don't work so good, but their Darkside Mark Pauline division, run by a greasy-locked, emotionally halted, industrial grunge Brad Dourif who makes Psycho Death Bots cause they are wicked awesome, is doing so great they are like literally eating the corporation from the inside out. This is a corporation mostly headed by men with names like Dante, Carpenter, Scott Ridley, etc, but Brad Dourif calls everyone dude except for his new boss, who is a woman he cannot relate to except in the grossest sexual terms because what is a…
how much of my politics comes from watching robocop ripoffs...."hard tech for a hard world"
English Version below
Horroroktober die Sechzehnte (16/4) feat. DuBFal-Horrorweeks - 3rd Round - Film Nr. 16
Bis vor einigen glücklichen Tagen, ich liegend am Strand mit den aus dem Sand lugenden Zehn, meine natürliche Bräune sich wandelnd von Ahorn- zu Eschen- zu Eichen- und schließlich zu Krischbraun, mein erlesenes, wahnsinnig kreatives und originelles Haupt unter dem über mir ragenden Palmenblatt und dessen Schatten liegend, meine Rechte nach rechts greifend zu meinem frischgepressten, weil heute Morgen selbst gepflückten Orangen zu meinem Orangensaft, meine Linke lose vom Liegestuhl baumelnd der Vergegenwärtigung meines Umfeld bei Sonnenschein, Sand unter meinen Füßen, frischgepressten Orangensaft, die Augen über den Strand zum Wasser schweifend und dort an den zuckersüßen Eingeborenenmädchen verharrend sich sammelnder Speichel, verknüpfte ich so…
Robocop by way of Hardware, meshing Verhoeven’s deft corporate and war satire with a more scrappy, hard edged, cyber thriller that revels in an, admittedly goofy, misanthropy while offering a gloomy hyper stylized vision of the aughts that envisions what may have happened if Gregg Araki made Nemesis instead of Albert Pyun — Brad Douriff is obviously the MVP here but Norrington makes clear why he was offered Blade off of what he does here, showing no restraint for violence and a flair for the outrageous; “go fax yourself”
Last week a friend and I started chatting on DM via Twitter because we were both super bored, talking about things like confinement, movies and the Hoptober era.
In the chat, he mentions to me "you know Death Machine, the 90s movie, have you seen it?’’ I told him, no, but I went to check my closet and found a DVD of it, he won't even remember that it had it for over 10 years.
The biggest problem has is that it's too old-fashioned to start knowing that it's a 1994 film and the story is set in 2003! The FXs, the locations feel very old and the narrative is too worn out because like this one they have been…
A new executive (Ely Pouget) at a dastardly weapons manufacturer fires the company's lead designer (Brad Dourif) - so he sicks his new murderous robot on her. Now, she has to escape the building or get chomped in some razor-sharp jaws!
I love myself Brad Dourif and the giant killer dog robot has a charmingly clunky design, but woo-boy, it does not need to be TWO HOURS LONG. There's are moments that work (The gleeful Sogo Ishii style sped-up attack scenes), but there are such long gaps between them, and Writer/Director Steven Norrington's inspirations are so obvious (BLADE RUNNER, ALIENS, ROBOCOP), that it all gets a little grating.
I'm glad this led to Norrington's much-better BLADE.
Waiting for this to get going was actually similar to how it feels waiting for my dumber parts to be replaced with AWESOME robot parts
Before I think that yeah, they probably WOULD just give those parts to cops, STUPID humanity!!
At some point, she hits Brad Dourif so hard, you can see all the artfully (I suspect pre) distressed holes in his jeans as he flies through the air
She hit him so far into the future those are actually fashionable again!!
What will always sell these to me is how goofy but also uncanny valley the thing looks running and there are at least two really good shots of that in this movie.
Though its first hour is an uninvolving slog, Stephen Norrington's "Death Machine" eventually warms up into a thrilling, future-set genre piece. It takes too long to get there, however, forcing the rough-hewn science fiction film to languish as a dull but watchable genre entry.
Taking place in a gritty, tech-driven near future, "Death Machine" revolves around the developers of a fighting machine that is eventually unleashed to deadly results. There are character-based beats that misfire early on, but, once the titular machine is on the loose, the story compels.
Norrington's production is competent and awash in future grit and future grays. Speed is steady, but the quick pace is meaningless until it bears narrative importance toward the film's end. The…
This is 100% Sega-CD: the Movie and precisely the reason everyone on this stupid earth should fucking love it.
