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Succeeds entirely as an exercise in style and sustained tension, anchored by two dynamite performances from Maika Monroe and Nicolas Cage. The screenplay is *fine* but you've got two top-notches actors giving it their absolute all. I think I straight-up held my breath every time Cage was on-screen - visceral would be an understatement. His character is conceived as an embodiment of my flight-or-flight mechanism, I wanted to run as far from him in the opposite direction as possible.
I find it really curious that we're getting two high-profile Satanic Panic adjacent movies in, like, a year's span, between this and Zach Cregger's upcoming WEAPONS, his follow-up to BARBARIAN. Is it just a renewed aesthetic interest in that period or is it a moral panic cycling back around a couple decades later?
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