INTRODUCTION åä½ãè²åï¼ï¼¤ããã5å¹´å¾ãèå°ãä¸éã§ã¯è¬ã®çªç¶æ»ãå¤çºãã¦ãããæ°ç¨®ã®ã¦ã£ã«ã¹ã«ãããã®ããããã¨ãæå³çãªãããªã®ãï¼ææ»ãé²ããã¡ãæ°å¹´åã®âåªãã®åç»âäºä»¶ãé¢ä¿ãã¦ãããã¨ãå¤æããã大å¦é¢ã§è¨åºå¿çå¦ãå¦ã¶å®è¤æ¥åãããã¦å ±ã«æ®ãã姪ã®äºäººã«ãè¬ã®ææãè¿ã¥ãã¤ã¤ãã£ãã»ã»ã»ã é´æ¨å å¸ã®ææ°æãä¸ããåä½ã«ããâææã®ã¢ãã©ã¯ã·ã§ã³ã»ãã©ã¼â第2ç« ãã¤ãã«å§åï¼ï¼
DIRECTORS STATEMENT It was like waking from a dream: my producer showed me a suggestion for a poster. âWhat is that?â I ask. âItâs a film youâve made!â she replies. âI hope not,â I stammer. Trailers are shown ... stills ... it looks like shit. Iâm shaken. Donât get me wrong ... Iâve worked on the film for two years. With great pleasure. But perhaps Iâve deceived myself. Let myself be tempted. Not
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