The Unraveling of Space-Time | Quanta Magazine
This special in-depth edition of Quanta is fascinating and very nicely put together.
This special in-depth edition of Quanta is fascinating and very nicely put together.
James describes his process for designing fluid grid layouts, which very much involves working with the grain of the web but against the grain of our design tools:
In 2022 our design tools are still based around fixed-size artboards, while we’re trying to design products which scale gracefully to suit any screen.
The common way to talk about happiness is as a single scale: unhappy at one end, neutral in the middle, happy at the other end.
I think that model is wrong.
Instead, happiness and unhappiness are two separate, independent scales.
This is kind of a Utopia lite: pop in your minimum and maximum font sizes along with a modular scale and it spits out some custom properties for clamp()
declarations.
James and Trys have made this terrific explanatory video about Utopia. They pack a lot into less than twenty minutes but it’s all very clearly and methodically explained.
Yes, I’m a sucker for pace layers, but I think Rich is onto something here, mapping a profession onto a pace layer diagram.
A fascinating four-part series by Lisa Charlotte Muth on colour in data visualisations:
I like this mashup of two diagrams: Stewart Brand’s pace layers and Stephanie DiRusso’s typology of design thinking.
I must admit I’ve been wincing a little every time I see a graph with a logarithmic scale in a news article about COVID-19. It takes quite a bit of cognitive work to translate to a linear scale and get the real story.
Andy takes Utopia for a spin—it very much matches his approach.
This is the project that Trys and James have been working on at Clearleft. It’s a way of approaching modular scales in web typography that uses CSS locks and custom properties to fantastic effect.
Utopia is not a product, a plugin, or a framework. It’s a memorable/pretentious word we use to refer to a way of thinking about fluid responsive design.
If, in the final 7,000 years of their reign, dinosaurs became hyperintelligent, built a civilization, started asteroid mining, and did so for centuries before forgetting to carry the one on an orbital calculation, thereby sending that famous valedictory six-mile space rock hurtling senselessly toward the Earth themselves—it would be virtually impossible to tell.
A nice steaming cup of perspective.
If there were a nuclear holocaust in the Triassic, among warring prosauropods, we wouldn’t know about it.
Chris has made sonic sparklines on his site too, but they’re far more musical than mine. Here’s his explanation of how he did it.
I don’t really understand what this colour tool is doing or what it’s for, but I like it.