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Nothing is more clear than that ever plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.
ï¼The Philosophy of Composition, The Works of the Late Edgar Allan Poe II. Poems and Tales, Redfield, 1857, p. 259ï¼
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