The document discusses the art of ancient Near Eastern and Asian cultures from 7000 BC to the 6th century AD. It covers the ziggurats of ancient Mesopotamia, artifacts from the Indus Valley civilization, Hindu and Buddhist art in India that emerged around 500 BC, Chinese art from the Neolithic period to the Zhou dynasty, and the three periods of Japanese prehistory - Jomon, Yayoi, and Kofun - that spanned 11,000 BC to 552 AD. The styles of art included pottery, sculpture, architecture like ziggurats, and religious iconography in paintings and statues.
The document discusses the art of ancient Near Eastern and Asian cultures from 7000 BC to the 6th century AD. It covers the ziggurats of ancient Mesopotamia, artifacts from the Indus Valley civilization, Hindu and Buddhist art in India that emerged around 500 BC, Chinese art from the Neolithic period to the Zhou dynasty, and the three periods of Japanese prehistory - Jomon, Yayoi, and Kofun - that spanned 11,000 BC to 552 AD. The styles of art included pottery, sculpture, architecture like ziggurats, and religious iconography in paintings and statues.
The document discusses the art of ancient Near Eastern and Asian cultures from 7000 BC to the 6th century AD. It covers the ziggurats of ancient Mesopotamia, artifacts from the Indus Valley civilization, Hindu and Buddhist art in India that emerged around 500 BC, Chinese art from the Neolithic period to the Zhou dynasty, and the three periods of Japanese prehistory - Jomon, Yayoi, and Kofun - that spanned 11,000 BC to 552 AD. The styles of art included pottery, sculpture, architecture like ziggurats, and religious iconography in paintings and statues.
The document discusses the art of ancient Near Eastern and Asian cultures from 7000 BC to the 6th century AD. It covers the ziggurats of ancient Mesopotamia, artifacts from the Indus Valley civilization, Hindu and Buddhist art in India that emerged around 500 BC, Chinese art from the Neolithic period to the Zhou dynasty, and the three periods of Japanese prehistory - Jomon, Yayoi, and Kofun - that spanned 11,000 BC to 552 AD. The styles of art included pottery, sculpture, architecture like ziggurats, and religious iconography in paintings and statues.
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CHAPTER 6
ASIAN ART ANCIENT NEAR- EASTERN and Islamic Art
During ancient period, Artist crafted fine objects &
architects design movements w/ distinctive & political associations. Among the ancient art objects found in the Near-East are the plaster- covered skulls from Jericho, Jordan. Dated 7000 BC. Oldest monumental building in the Near-East are the Ziggurats of the Sumerians (3500-2340 BC). ZIGGURATS ZIGGURATS
It was built by Sumerian's, Babylonians,
Elamintes, Akkadians & Assyrians. It is a pyramidal structure with a flat top. It is a ten story-stepped pyramidal office building. There are 32 ziggurats known at and near Mesopotamia, 28 them are in Iraq & 4 of them are in Iran. The Holy Book of the Islam (KORAN) condemns the work ship of idols and refers to Allah (The Arabian Word of God) as the single creator of all. INDIAN ART o The art of the Indian subcontinent can be traced back as early as the Indus Valley civilization (3000-500 BC), o An Urban culture that grew up around Harappa (Pakistan) and other sites in Western India. o The Aryans do not seem to have produced images of gods or living creatures. Only few artifacts survived since the time of their dominance, the Vedic Period (1200-500 BC). HINDU ART A religious tradition that came to be known as Hinduism was associated with the Vedic texts and Brahmanic practitioners. Although the Hindu pantheon is large, many worshipper tend o focus their prayers either on Vishnu, the preserver or Shiva, the destroyer. Elements associated with fertility are frequently emphasized in Hindu figural sculpture, whose sexual anatomical features are the exclusive focus of other artworks. BUDDHIST ART Buddhism is the second major religion in India that antedates Hindu Art, at least in terms of what survives. (3 )Basic forms of Buddhism architecture
• Stupa (burial mound)
• Chaityn hall (naïve with a stupa in the apse) • Vihara (monastic cell & refectory) Under the Kushan Dynasty (50-320 AD), artist began to depict divinity in human form. Perhaps to reveal the figures in Hindu Art. Standard iconography emerged in early Buddhist imagery. Scared signs of Buddha include the urna (a third eye on the forehead), The wheel (chakra) or lotus symbols on the feet, The webbed fingers, and the elongated earlobes. The Buddha is often shown seated in the meditation or preaching the First Sermon, or standing. The gesture of his hand (mudra) conveys particular meaning. The most important repository of early Buddhist paintings is Ajanta, a pilgrimage site with 29 cave temples in central India. During the Qin dynasty (221-207 BC), The great wall was contracted including a tomb for the emperor. The culmination Buddhism art occurred early in many classical forms, notably figure painting. Producing vital but elegant images. The leading landscape painter was Wang Wer. CHINA ART During the Neolithic phase (5000-1766) BC, much Pottery was made. Bronze ritual vessel are the most impressive ancient Chinese art form. In the Zhou dynasty (1045-236 BC) Zhou Bronzes ritual wares. Late Zhou art is imaginative and refined. Bronze are usually simple in shape and Inlaid with gold, silver and semi-precious stone to form abstract curvilinear patterns of scenes or figures in landscape. KOREA AND JAPAN JAPANESE ART JAPANESE ART
Japanese art covers a wide range of art styles and media,
including ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e woodblock prints, kirie, kirigami, origami, and more recently manga - modern Japanese cartoons - along with a myriad of other types of works of art. It also has a long history, ranging from the beginnings of human habitation in Japan, sometime in the 10th millennium BC, to the present.
Started with simple pottery and involving into Japanese
anime drawings and cartoons JAPANESE PREHISTORY IS DIVIDED INTO (3) Jōmon art (11000?–c 300 BC) YAYOI (350-300 AD) KOFUN (300-352) Jōmon art Jōmon artThe first settlers of Japan, the Jōmon people (c 11000?–c 300 BC), named for the cord markings that decorated the surfaces of their clay vessels, were nomadic hunter-gatherers who later practiced organized farming and built cities with populations of hundreds if not thousands. They built simple houses of wood and thatch set into shallow earthen pits to provide warmth from the soil. They crafted lavishly decorated pottery storage vessels, clay figurines called dogū, and crystal jewels. Yayoi Art
The next wave of immigrants was the Yayoi
people, named for the district in Tokyo where remnants of their settlements first were found. These people, arriving in Japan about 350 BC, brought their knowledge of wetland rice cultivation, the manufacture of copper weapons and bronze bells (dōtaku), and wheel-thrown, kiln-fired ceramics. KOFUN ART The third stage in Japanese prehistory, the Kofun, or Tumulus, period (c. AD 250– 552), represents a modification of Yayoi culture, attributable either to internal development or external force. The period is named for the large amounts kofun created during this period. In this period, diverse groups of people formed political alliances and coalesced into a nation. Typical artifacts are bronze mirrors, symbols of political alliances, and clay sculptures called haniwa which were erected outside KOREAN ART KOREAN ART Korean arts during the Neolithic phase (4000- I000 BC) consists mainly of “comb pattern” pottery. Bronze Age (600-I00 BC) objects include bells, mirrors, and other ceremonial objects found in tomb. the painting, calligraphy, pottery, sculpture, lacquerware, and other fine or decorative visual arts produced by the peoples of Korea over the centuries. (Although Korean architecture is touched on here, it is also the subject of a separate article.) That's all …