Hello, John, To Like, Nice, Is Anybody Home? What Do You Mean? and One Fine Morning (They All Die) (The Last Phrase From Fitzgerald's "Great Gatsby")
Hello, John, To Like, Nice, Is Anybody Home? What Do You Mean? and One Fine Morning (They All Die) (The Last Phrase From Fitzgerald's "Great Gatsby")
Hello, John, To Like, Nice, Is Anybody Home? What Do You Mean? and One Fine Morning (They All Die) (The Last Phrase From Fitzgerald's "Great Gatsby")
to develop and perfect your ability to analyze and interpret any piece of art, especially
literary
to enable you to express yourselves orally or in writing clearly, coherently and effectively
SEMINAR 1.
1. Definitions of style.
2. Foregrounding and its levels. Convergence.
3. Denotation and connotation. Types of connotation.
4. Sources of connotation.
Task 1.
Study the following definitions of style and supply your own interpretations. Single out the
key-words in each definition:
Style is a trend.
Style is deviations. (отклонения)
Style is a product of individual choices and patterns of choices among linguistic
possibilities
Task 2.
a) Explain how the given linguistic elements can be foregrounded on different levels of the
language:
hello, John, to like, nice, Is anybody home?; What do you mean?; And one fine morning…(they
all die) (the last phrase from Fitzgerald’s “Great Gatsby”)
b) Provide your own examples of foregrounding on various levels.
Phonetic level – change how the word sounds
Lexical level – say “hello” to your boss (it is unpredictable, because not polite) – I like apples. –
I appreciate them too!
Morphological level –
Graphical level – make the word italic or bold to pay attention to it.
I’m home.
What do you mean?
MY EXAMPLES
I like oranges but I hate them.
c) Enumerate the main types, mechanisms and functions of foregrounding. Can we speak
of occasional accentuation in literature (prose, poetry, drama)? In what way does
foregrounding differ from stylistic devices?
Task 3.
Study the given information and illustrate your understanding with suitable examples.
Task 4.
Task 5.
a) You are given the neutral element of a synonymic line. Reconstruct the line,
supplying the missing elements.
Meet; insane; talk; еда; food; to have a sexual intercourse; false; strong drinks; квартира;
закрыть глаза; медленно…
b) Be ready with your own examples.
4. Restriction.
a) study the statements and account for their stylistic effect.
His new CD is a bomb!
He is not bald, he is hair-disadvantaged.
My mother had a propensity to spoil him. (a girl, aged 13, speaking of her little brother;
Salinger’s “For Esme, with Love and Squalor”)
b) Be ready with your own examples.
Task 6.
Here is a text to ponder over (about Sally). After a careful examination make the necessary
changes in its vocabulary and structure regarding the target audience:
a) a bosom friend of yours;
b) an elderly person whom you highly respect;
c) other.
Sally had missed the last bus home because she had had a lot of work to do and she
had to take a taxi. She got into the first one that came along and immediately
regretted it. The driver seemed a bit crazy. After he had gone through the third red
light at high speed she said: “You are driving a bit too fast. Please, slow down. I have
been in two car accidents already in my life”. “That’s nothing,” replied the driver. “I
have been in over a hundred!”
Reference materials:
Galperin I. R. “Stylistics” pp. 57-69
Arnold I. V. “Стилистика современного английского языка” pp. 6-50, 102-130
Kuznetz M. D., Skrebnev Y. M. “Стилистика английского языка” pp. Introduction
Collins V. H. “The Choice of Words”