Top of the Line
Back from the Dead
Costume designer Linda Muir tells IndieWire about creating a costume arc for Lily-Rose Depp's Ellen and Skarsgård's undead, decadent nobleman.
Wheels Within Dolly Wheels
Cinematographer Pierre Gill understood what a Dune story needs — after all, he worked on Denis Villeneuve's "Dune."
No Hacks Here
Hannah Einbinder and cinematographer Adam Bricker tell IndieWire about making the camera part of the act in Einbinder's comedy special.
Are You Entertained?
Russell Crowe's OG costume gets pride of place at one point, but the costumes in Ridley Scott's sequel are telling a different story this time around.
Look closely at the sets of Michael Schur's new comedy series and unspoken details start to emerge, thanks to production designer Ian Phillips and set decorator Kimberly Wannop.
Filmmaker Toolkit
Directors Ken Burns, Sarah Burns, and David McMahon tell IndieWire about the visual tricks that opened up the mind of Leonardo Da Vinci in their two-part PBS documentary series.
Return to Oz
Production designer Nathan Crowley discusses his architectural world building and keeping the library in motion for Jonathan Bailey's "Dancing Through Life."
Cinematographer John Mathieson tells IndieWire about returning to the world of "Gladiator" and why shooting with multiple cameras is the right choice, even when it compromises his lighting.
Maximus Indeed
Production designer Arthur Max tells IndieWire about making the epic world of "Gladiator" even more expansive for its sequel and exchanging sand for water.
Exclusive
Exclusive: In an epic Q&A perfectly suited to Scott's epic film, the director and 16 of his collaborators talk about how they "super-sized" "Gladiator" for its sequel.
Craft Considerations
Watch how "The Lord of the Rings: The Rings of Power" team brought the terror of Sauron to the second season of the Prime Video series.
Hair stylist Kristin Chaar and makeup artist Madelaine Hermans discuss their approaches to the supporting characters of Osgood Perkins' unsettling horror hit.
