Commentary
Matlock
Many networks have made the old new again, tapping into nostalgia for the olden days when there were just a handful of networks.
Callas Maybe
Pablo LarraÃn's biographical drama at times echoes Maximilian Schell's unforgettably tense and riveting Marlene Dietrich documentary.
The low-budget, independent "The Visitors" should have marked a new beginning for the Hollywood director, but it turned out to be the beginning of the end.
Exclusive
Exclusive: Director Uberto Pasolini writes about how his lead actor delivered one of the most moving turns in recent memory as a dying father looking for a new family to adopt his son.
Commentary
This isn't a matter of taste, but a failure to understand why the NBA works so well as visual dramatic storytelling on our TVs.
The Peacock series starring Kaley Cuoco and Chris Messina expanded on the story of a couple who befriends a serial killer.
In Review
IndieWire's chief critic unexpectedly detested Jon M. Chu's new musical, but found himself less interested in panning it than he was in reflecting on why he didn't want to.
Musicals Week
Musicals have always been a cornerstone of the Hollywood machine, but recently, studio and marketing executives seem terrified of promoting them as such.
Musicals Week
The 1955 post-war musical played with darker themes than "An American in Paris" or "Singin' in the Rain" and ended up being one of the final dance-focused MGM musicals of the era.
Friday Night Greenlights
I've only recently been able to forget how the 2007 writers strike — and Jesse Plemons killing a guy — marred one of the best TV shows of the century.
Still Buffering
One of them was NFL Commissioner Roger Goodell, who has entrusted Netflix with Christmas Day NFL games.
Musicals Week
Bob Fosse's self-critical and self-aggrandizing musical remains one of the most fascinating and entertaining autobiographies ever put on film.
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