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A performer dressed in a green reptilian costume with tail and horns crouches on a lit wooden floor near railing, surrounded by people and colorful lighting.
Around Art Basel Hong Kong 2025
Ngoc Nau, Virtual Reverie: Echoes of a Forgotten Utopia (2023)
Virtual Reverie: Echoes of a Forgotten Utopia, 2023
AI-generated image of a melting banana against a white backdrop, date unknown. Photo: Freepix.
On Generative AI’s Structure of Feeling
Hiroshi Sugimoto in Artforum's studio.
Under the Influence
On Mozart, Duchamp, Rothko and more
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Current Issue
Christine Sun Kim, How Do You Hold Your Debt, 2022, charcoal on paper, 44 × 44".
Christine Sun Kim, How Do You Hold Your Debt, 2022, charcoal on paper, 44 × 44″.
Videos
Lynn Hershman Leeson in Artforum's studio.
On how her work intertwines art, science, and technology
Richard Meyer sitting in Artforum's studio for the February 2025 episode of "Under the Cover".
Under the Cover
On Andy Warhol and queer aesthetics
Columns
Two dance performers in white shirts posed under dramatic blue lighting, one positioned behind the other, with visible arm gestures.
At the 2025 Asia TOPA—Asia-Pacific Triennial of Performing Arts
View of Jilet Sebahat on stage holding a microphone stand during a performance of Above the Clouds, Underground at Koma Sahnesi.
İrem Aydın and Seçil Epik’s ode to Istanbul’s queer community
Ceramic work by Davide Monaldi.
Around 2025 Venice Gallery Weekend
From the archive
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February 2015
At Dia Beacon, Renée Green’s first institutional solo show in New York, “The Equator Has Moved,” demonstrates the multidisciplinary artist’s manifold engagements with history, memory, and narrative. Organized by Jordan Carter, the exhibition brings together a group of old and newly commissioned work, including “Space Poems,” a new collection of vibrant, text-based banners, and the 1990s series “Bichos” and “Color,” 1990, the latter reunited here in its entirety.
 
Integral to Green’s artistic output is her varied and prolific writing practice, which encompasses formats ranging from film scripts and works of fiction to open letters, essays, and reviews. In a nod to the Dia show, Artforum here turns to the 2014 anthology of Green’s writings, Other Planes of There. Selected Writings (Duke University Press, 2014), reviewed by critic André Rottmann in the magazine’s February 2015 issue.
 
“While the texts collected here evidently present a valuable guide to the varied and shifting affiliations, references, influences, and contexts that make up the complex terrain of Green’s work, they hardly function as mere explanations of her artistic project,” Rottmann writes. “Instead, the concentration of these writings expands our understanding of contemporary art and culture far beyond the limits of a singular oeuvre.” —The editors
Dossier
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“In this Artforum Dossier, we have gathered texts that focus on artistic practices that reflexively engage with the specific materiality of celluloid—the transparent plastic that served as the most common substrate for moving images before the advent of analog and digital video. These practices typically focus less on storytelling than on the aesthetic possibilities of directly manipulating celluloid film stock, creating sequences of celluloid film frames, or running celluloid film strips through projectors. The results usually emphasize our perceptual experience of light, color, sound, pattern, movement, and space—that is, those elements that provide the language of all moving-image experiences.”
—Tina Rivers Ryan