- published: 04 Aug 2011
- views: 710
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Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Johann Pachelbel (1653-1706): Wir glauben all an einen Gott (Choralbearbeitung) Frederik Kranemann, Orgel von Georg Christoph Sterzing, 1702, restauriert 2002 durch Orgelbau Alexander Schuke, Potsdam, St. Petrikirche Erfurt-Büßleben
Jasmine Asatryan, Organ Jasmine Asatryan plays Johann Pachelbel`s "Wir glauben all an einen Gott" on the Kuhn organ of the Stiftskirche St. Leodegar in Schönenwerd. Christmas concert in December 2010
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Provided to YouTube by Supraphon Choral Ouvertures - Wir glauben all´ an einen Gott · Johann Pachelbel · Jiří Reinberger České a moravské varhany II. ℗ 1974 SUPRAPHON a.s. Released on: 2017-10-12 Auto-generated by YouTube.
Provided to YouTube by NAXOS of America Wir glauben all' an einen Gott · Antoine Bouchard Pachelbel, J.: Organ Music (Complete), Vol. 5 ℗ 1999 Sono Luminus Released on: 1999-01-01 Artist: Antoine Bouchard Composer: Johann Pachelbel Auto-generated by YouTube.
"Wir glauben all an einen Gott" (We all believe in one God) is a Lutheran hymn, a paraphrase of the creed, by Martin Luther and first published in Johann Walter's chorale hymnal Eyn geystlich Gesangk Buchleyn. The hymn was used in several musical settings, including this one by Pachelbel. It is his only chorale prelude in which he decorates the cantus firmus, placed in the right hand, the melody falling on beats 1 and 3.
Johann Pachelbel (1653 - 1706), Choral 'Wir Glauben all'an einen Gott', T. 8 José Carlos Araújo, órgão histórico da Capela do Palácio da Bemposta, Lisboa (Machado e Cerveira, 1793) 27.X.2007 - José Carlos Araújo, at the historic organ of the Bemposta Palace Chapel, Lisbon (Machado e Cerveira, 1793) - José Carlos Araújo, à l'orgue historique de la Chapelle du Palais de Bemposta, Lisbonne (Machado e Cerveira, 1793)
Johann Pachelbel (1653-1706): Wir glauben all an einen Gott
Provided to YouTube by NAXOS of America Wir glauben all' an einen Gott · Joseph Payne Pachelbel, J.: Organ Music (Complete), Vol. 1 ℗ 1996 Centaur Records, Inc. Released on: 1996-01-01 Artist: Joseph Payne Composer: Johann Pachelbel Auto-generated by YouTube.
Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.