- published: 21 May 2015
- views: 117
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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'/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Provided to YouTube by Sony Music Entertainment Jauchzet Gott alle Lande · Cantus Cölln · Johann Pachelbel Pachelbel/Bach: Motets ℗ 1993 BMG Entertainment Released on: 1994-02-25 Executive Producer: Jan Höfermann Producer: Barbara Schwendowius Misc. Prod.: Thomas Gallia Lyricist: Traditional Conductor: Konrad Junghänel Auto-generated by YouTube.
Tempe Shrenker sings Jauchzet Gott, alle Lande in June 2013
Wynton Marsalis & Kathleen Battle perform the Aria 'Jauchzet Gott in Allen Landen' ('Praise Ye God in All Lands'), BWV 51, from Johann Sebastian Bach's Cantata #51. 'Praise the Lord, all you Gentiles! Laud Him, all you peoples! For His merciful kindness is great toward us, and the truth of the Lord endures forever.' (Psalm 117) Baroque Duet, 1992. John Nelson, conductor Anthony Newman, harpsichord, organ Orchestra of St. Luke's Check Hakan Hardenberger & Noemi Nadelmann performing 'Jauchzet Gott in Allen Landen': https://youtu.be/aPIRdPkD22w Check Guy Touvron and Elizabeth Norberg-Schulz interpreting 'Jauchzet Gott in Allen Landen' (1991): https://youtu.be/fcgN9Jb-ewY?si=VmxCZ91_ZEpMWxcG
Provided to YouTube by Deutsche Harmonia Mundi Jauchzet dem Herrn, P. 213 · Cantus Cölln · Konrad Junghänel · Johann Pachelbel Pachelbel/Bach: Motets ℗ 1993 BMG Entertainment Released on: 1994-02-28 Lyricist: Traditional Executive Producer: Jan Höfermann Producer: Barbara Schwendowius Unknown: Thomas Gallia Auto-generated by YouTube.
Lenneke Ruiten, Soprano Javier Simó, Trumpet Anka Smeu, Violin, Grigori Nedobora, Violin Real Filharmonia de Galicia, Helmuth Rilling Auditoruo de Galicia, Santiago de Compostela, Spain. 24.02.20211
J.S. Bach Cantata Jauchzet Gott in allen Landen, BWV 51 https://www.facebook.com/groups/118906131604894 Cantata for the 15th Sunday after Trinity 1. Aria S (Tr, Vl I/II, Va, Bc): Jauchzet Gott in allen Landen 0:00 2. Recitativo S (Vl I/II, Va, Bc): Wir beten zu dem Tempel an 4:42 3. Aria S (Bc): Höchster, mache deine Güte 7:06 4. Choral S (Vl I/II, Bc): Sei Lob und Preis mit Ehren 11:34 5. Aria S (Tr, Vl I/II, Va, Bc): Alleluja 15:23
Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.