- published: 23 Dec 2017
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Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Johann Pachelbel (1653-1706): Chorale Prelude, "Wie schon leuchtet der Morgenstern" (How Brightly Shines the Morning Star) Performance: Jean Ferrard on the album "Die Orgeln von Gottfried Silbermann Vol. 1 - Freiberg, Tiefenau, Niederschöna, Grohartmannsdorf"
Wie schön leuchtet der Morgenstern • Johann Pachelbel Ruben Valenzuela, Director of Music & Organist Organ: Fritts & Richards, Op. 5
Organ solo with pictures by Albrecht Altdorfer.
コラール「たえなる明星」和文讃美歌+パッヘルベル変奏曲:ミク&PipeOrgan Choral "Wie schön leuchtet der Morgenstern" (Japanische Hymne/Pachelbel Praeludium) Chorale "How beautifully shines the morning star" (Japanese Hymn/Pachelbel Prelude) 聖誕と公現節(1月6日)にまつわる伝説「ベツレヘムの星」を題材にしたコラールに基づく2曲を詰め合わせです。 前半は、独語詞とバッハ編の4声コラールを元に、和文讃美歌風に独自和訳。 後半は、パッヘルベルによるオルガン曲を再録。コラールの基本メロディ「定旋律」をバス声部として、その上に多彩な変奏の技巧を展開させます。 mylist/7369168 http://kapelle.triona.jp 合唱:初音ミクAppend Soft(S,A)/Solid(T,B) Chorus: Hatsune Miku Append Soft(S,A)/Solid(T,B) Virtual Pipe Organ Hauptwerk A.ジルバーマン音律(A462) ボカロ調律に「はちゅ~ん」使用 Andreas Silbermann's Temperament (A462) たえなる明星(あかぼし) 主の恵みに満ち 甘きエサイの根よ 尊き御裔(みすえ)の わが君、わが夫(せ)よ わが心捉う いとしく 輝く御稜威(みいつ)と恵み満ち 気高くうるわし (訳詞:Triona Klee) Wie schön leuchtet der Morgenstern Voll Gnad und Wahrheit von dem Herrn, Die süße Wurzel Jesse! Du ...
"Wie Schön leuchtet der Morgenstern" by Johann Pachelbel - played as background music the Tavistock Christmas Tree Festival 2014.
Score available here: http://partitura.org/index.php/andreas-armsdorf-wie-schon-leuchtet-der-morgenstern/ Andreas Armsdorf (1670 – 1699) was a German composer and organist. He worked as organist in various churches in Erfurt: Reglerkirche, Andreaskirche, and Kaufmannskirche. Possibly he studied with Johann Pachelbel, but that’s not certain. Armsdorf’s chorale prelude on “Wie schön leuchtet der Morgenstern” shows a striking similarity woth Pachelbelk’s work on the same chorale. Both have the melody in the pedals, accompanied in rapid flowing figures in the hands. It’s very likely Armsdorf knew Pachelbel’s piece and modelled his own piece after it. But that’s not proof he studied with Pachebel. It was just common practice in those days to learn from others by copying thair music and compose...
Tennessee Valley Unita Mark Pace, Organ
Wochenlied Epiphanias Wie schön leuchtet der Morgenstern voll Gnad und Wahrheit von dem Herrn, die süße Wurzel Jesse! Du Sohn Davids aus Jakobs Stamm, mein König und mein Bräutigam, hast mir mein Herz besessen, lieblich, freundlich, schön und herrlich, groß und ehrlich, reich von Gaben, hoch und sehr prächtig erhaben! Philipp Nicolai war lutherischer Hofprediger und Pfarrer in Alt-Wildungen, Unna, Hamburg und Herdecke sowie Texter dieses Liedes. Infos zur Kirchenmusik an der Marktkirche Hannover: http://www.kirche-hannover.de/marktkirche/kirchenmusik/ Der Organist: Ulfert Smidt, geboren in Bremerhaven, aufgewachsen in Bremen. Erster Orgelunterricht bei Uwe Gronostay, Cornelius Schneider-Pungs und LKMD Erich Ehlers Kirchenmusik-A-Studium in Hannover (Ulrich Bremsteller...
Johann Pachelbel (German: [ˈjoːhan paˈxɛlbɛl]; baptised September 1, 1653 – buried March 9, 1706) was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.