- published: 12 Jul 2023
- views: 54525610
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. Load timeline page with ajax here } } else if(tab.match(/^playlist\d+$/)){ var playerId = parseInt(tab.substring(8)); var vp = videoplayers[playerId]; window.descriptionsholder = $('.descriptionsplace'); if(!vp) return; // why? no player? if(replayMode){ $('.replaycurrent'+playerId).attr('checked', true); vp.setReplayCurrent(true); } var playQueue = []; window.playQueue = playQueue; var playQueuePosition = 0; var playShouldStart = null; var playShouldStop = null; var parseList = function(x){ var items = x.split(/;|,/g); var results = []; for (i in items){ try{ var action = parseAction(vp, items[i]); if(!action.video){ if(window.console && console.log) console.log("Warning: No video for queued entry: " + items[i]); }else{ results.push(action); } }catch(e){ if(window.console && console.log) console.log("Warning: Can''t parse queue entry: " + items[i]); } } return results; }; var scrollToPlaylistPosition = function(vp){ var ppos = vp.getPlaylistPosition(); var el = vp.playlistContainer.find('>li').eq(ppos); 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playShouldStart = null; } }; function loadMoreVideos(playerId, vp, start, finish, callback){ var playlistInfo = playlists[playerId-1]; if(playlistInfo.loading >= finish) return; playlistInfo.loading = finish; $.ajax({ url: '/api/upge/cheetah-photo-search/query_videos2', dataType: 'json', data: { query: playlistInfo.query, orderby: playlistInfo.orderby, start: start, count: finish-start }, success: function(response){ var pl = vp.getPlaylist().slice(0); pl.push.apply(pl, response); vp.setPlaylist(pl); callback(); } }); } if(parts.length == 1 && matchDash(parts[0])){ var pl = vp.getActualPlaylist(); var vids = parseDash(parts[0]); parts = []; for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': null }) } if(vids.length){ if(vids[vids.length-1]-1>=pl.length){ loadMoreVideos(playerId, vp, pl.length, vids[vids.length-1], function(){ if(fsonload){ activateTabArea(tab, parts[0]+'/fs'); }else{ activateTabArea(tab, parts[0]); } var pls = vp.getPlaylist(); vp.playFromPlaylist(pls[pls.length-1]); vp.playVideo(); scrollToPlaylistPosition(vp); }); return true; } } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; playShouldStart = 0; } } if(previewMode){ var vids = []; var dur = 0; var pl = vp.getActualPlaylist(); area = parts[0]; if(parts.length == 1 && matchPosition(parts[0])){ vids = parseDash('1-'+pl.length); dur = parsePosition(parts[0]); parts = []; }else if(parts.length == 1 && matchDash(parts[0])){ vids = parseDash(parts[0]); dur = parsePosition("999:59"); parts = []; } if(parts.length == 2 && matchDash(parts[0]) && matchPosition(parts[1])){ vids = parseDash(parts[0]); dur = parsePosition(parts[1]); parts = []; } for(var i = 0; i < vids.length; i++){ playQueue.push({ 'video': pl[vids[i]-1], 'start': 0, 'stop': dur }) } if(playQueue){ playQueueUpdate(); vp.playVideo(); parsed = true; } } if(parts.length>1){ for(var i = 0; i < parts.length; i++){ var sel = findMatchingVideo(vp, parts[i]); if(sel){ playQueue.push({ 'video': sel, 'start': 0, 'stop': null }) } } if(playQueue){ playQueueUpdate(); 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The Normal is the recording artist name used by English music producer Daniel Miller, a film editor at the time, who is best known as the founder of the record label Mute Records.
In 1977, Miller had split up with his girlfriend. A friend suggested that he read a book he himself had just finished. The book was Crash (1973) by J.G. Ballard. He felt that Ballard's writing took him five minutes into the future; the novel was to be a major influence in the music he would produce as The Normal. Miller was disillusioned by the fact you needed to learn three chords to be in a punk band, so he decided to purchase a synthesiser. His thinking was that you only needed to learn to press one key on a synthesiser. After buying a Korg 700s synthesiser from Macari's music shop in London, Miller recorded and released a single under the name The Normal. This was "T.V.O.D."/"Warm Leatherette". Both tracks were minimalist electronic songs influenced by the Crash novel. He wanted the sound of the recordings to be visual, like driving along a highway between large buildings then going through a tunnel. The single was recorded in Daniel Miller's house using a TEAC four track tape recorder and the Korg mini700s synthesiser.
Volume Four, Volume 4, or Volume IV may refer to:
Vol. 4 is the fourth studio album by English heavy metal band Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal at best.
In June 1972, Black Sabbath reconvened in Los Angeles to begin work on their fourth album at the Record Plant Studios. The recording process was plagued with problems, many due to substance abuse issues. In the studio, the band regularly had large speaker boxes full of cocaine delivered. While struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs",Bill Ward feared that he was about to be fired from the band. "I hated the song, there were some patterns that were just horrible", Ward said. "I nailed it in the end, but the reaction I got was the cold shoulder from everybody. It was like 'Well, just go home, you're not being of any use right now.' I felt like I'd blown it, I was about to get fired". According to the book How Black Was Our Sabbath, Bill Ward "was always a drinker, but rarely appeared drunk. Retrospectively, that might have been a danger sign. Now, his self-control was clearly slipping." Iommi claims in his autobiography that Ward almost died after a prank-gone-wrong during recording of the album. The Bel Air mansion the band was renting belonged to John DuPont of the DuPont chemical company and the band found several spray cans of gold DuPont paint in a room of the house; finding Ward naked and unconscious after drinking heavily, they proceeded to cover the drummer in gold paint from head to toe.
Volume 4 was an album released in 2003 by British musician Joe Jackson. It was the first album to feature the Joe Jackson Band since the 1980 release, Beat Crazy, and it was Jackson's first rock 'n' roll album since Laughter and Lust, which was released in 1991. As before, the Joe Jackson Band consisted of Jackson, Graham Maby, David Houghton and Gary Sanford. It was released to moderately positive reviews. Rolling Stone rated it 3/5, stating that it was less visceral than his early-1980s music, but that "when it comes to edgy, sensitive-guy rock, he proves on Volume 4 that he still is the man."AllMusic rated it 3.5/5, stating that "Volume 4 isn't as lively or vital as his first five albums, but it's also more satisfying as a pop record than anything he's done since Body & Soul, which is more than enough to make it a worthy comeback." The album was followed by a lengthy tour.
All songs composed by Jackson.
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The Normal is the recording artist name used by English music producer Daniel Miller, a film editor at the time, who is best known as the founder of the record label Mute Records.
In 1977, Miller had split up with his girlfriend. A friend suggested that he read a book he himself had just finished. The book was Crash (1973) by J.G. Ballard. He felt that Ballard's writing took him five minutes into the future; the novel was to be a major influence in the music he would produce as The Normal. Miller was disillusioned by the fact you needed to learn three chords to be in a punk band, so he decided to purchase a synthesiser. His thinking was that you only needed to learn to press one key on a synthesiser. After buying a Korg 700s synthesiser from Macari's music shop in London, Miller recorded and released a single under the name The Normal. This was "T.V.O.D."/"Warm Leatherette". Both tracks were minimalist electronic songs influenced by the Crash novel. He wanted the sound of the recordings to be visual, like driving along a highway between large buildings then going through a tunnel. The single was recorded in Daniel Miller's house using a TEAC four track tape recorder and the Korg mini700s synthesiser.
I spend time, searching my mind, walking blindly
I'm a live but I don't know why my thoughts threat me
Paranoia, fear and guilt, I hope I don't explode
I'm a bomb that ya can't diffuse,
a gun that ya can't unload.
I don't listen, I don't know, man: I don't care!
You're talking 'bout all the hell you've seen...
Man: I live there!
Talk to me and it goes right through
I never heard a word you said.
Save your breath 'coz it's no use:
You're talking to the living dead!
Ooh.bullet driven eyes... yeah, what can you tell me?
Ooh.I'm living in a nightmare, yeah!
I'm on the edge, shrinking back from the ledge
Looking out my window, down upon my heritage
Strip malls, thin walls, people paralyzed beneath the sun
Why me, why now?
I see the dirty millions and I try to survive somehow...
Got no reasons, got no needs
I hear gunshots, I hear screams
What can you do to me, what can you say?
I used to be alive but I threw it all away
I used to have problems, I used to live a lie
I've seen the sidewalk bleed
And I watched the mother cry
I used to have a mind, I used to wonder why
But now I go from day to day and wait around to die...