- published: 18 Aug 2018
- views: 21283324
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? 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The Normal is the recording artist name used by English music producer Daniel Miller, a film editor at the time, who is best known as the founder of the record label Mute Records.
In 1977, Miller had split up with his girlfriend. A friend suggested that he read a book he himself had just finished. The book was Crash (1973) by J.G. Ballard. He felt that Ballard's writing took him five minutes into the future; the novel was to be a major influence in the music he would produce as The Normal. Miller was disillusioned by the fact you needed to learn three chords to be in a punk band, so he decided to purchase a synthesiser. His thinking was that you only needed to learn to press one key on a synthesiser. After buying a Korg 700s synthesiser from Macari's music shop in London, Miller recorded and released a single under the name The Normal. This was "T.V.O.D."/"Warm Leatherette". Both tracks were minimalist electronic songs influenced by the Crash novel. He wanted the sound of the recordings to be visual, like driving along a highway between large buildings then going through a tunnel. The single was recorded in Daniel Miller's house using a TEAC four track tape recorder and the Korg mini700s synthesiser.
Song to the Siren may refer to:
"Song to the Siren" is a song written by Tim Buckley and his writing partner Larry Beckett and was first released on Buckley's 1970 album Starsailor. It was also later released on Morning Glory: The Tim Buckley Anthology, the album featuring a performance of the song taken from the final episode of The Monkees TV show which aired on March 25, 1968.
Pat Boone was the first to release a version of the song when it was featured on his 1969 album Departure, predating Buckley's Starsailor release. However, the song has become perhaps Buckley's most famous due to a number of artists covering the song after his death in 1975, notably This Mortal Coil.
The song was written in 1967, but Buckley was dissatisfied with the early attempts at recording it. It would finally appear on Starsailor three years later.The Monkees TV show version featured the song in its original folk song style, with Buckley playing solo with a 12 string guitar. This stands in contrast to the lusher, reverb-filled version present on the Starsailor album. The Monkees television spot features the song in the key of E while the later album version is played in Bb. The album version also features heavy reverb on the electric guitar and high pitched background vocals. In comparison, the live version is more lo-fi, with no effects, and Buckley's voice is accompanied only by his guitar. The 1968 performance also features different lyrics with the phrase "I am puzzled as the oyster" later being changed to "I'm as puzzled as the newborn child" in the album version. This was reportedly because when Buckley played the song to Judy Henske, wife of then producer Jerry Yester, she responded to the line with laughter.
"Song to the Siren" is the first The Chemical Brothers single released under the name The Dust Brothers. It was originally released under the "green label" for Diamond Records and was later released under the Junior Boys Own label. The song uses a sample of This Mortal Coil's version of Tim Buckley's Song to the Siren and a reversed voice sample from the Dead Can Dance's song "Song of Sophia" from their album The Serpent's Egg.
The Chemical Brothers, Tom Rowlands and Ed Simons, started to DJ in 1992 playing hip hop, techno, and house. Rowlands and Simons called themselves The Dust Brothers, after the US production duo famous for their work with the Beastie Boys. After a while, they began to run out of suitable instrumental hip hop tracks to use, so they started to make their own. Using a Hitachi hi-fi system, a computer, a sampler, and a keyboard, they recorded "Song to the Siren", which sampled This Mortal Coil's version. "Song to the Siren" was released on their own record label, called "Diamond Records" (after Ed's nickname). In October 1992, they pressed 500 white label copies and took them to various dance record shops around London, but none would play it, saying that it was too slow (the track played at 111 BPM). They sent a copy to London DJ Andrew Weatherall, who made it a permanent fixture in his DJ sets. Weatherall also signed the band to his Junior Boy's Own label.
The Sirens have invaded Equestria again! Their hypnotic song has haunted my channel since 2015 (When I orginally created this parody) but with the animation talent of Steve Blue Sky and the post editing prowess of myself, a whole new generation of pony subjects are susceptible to their dark magic! Song parodied from: "Snow White Queen" by Evanescence Performed by: Magpiepony as Adagio Mica as Sonata Raechel Anderson as Aria Song Edited by: PegasusPitchVA Original Animation by Steve Blue Sky, be sure and shower him with love too! https://www.youtube.com/channel/UC69o1nebqFLUdcHKSB1RBwQ Post-Animation Edits by Me Puppets: https://www.deviantart.com/mintyroot Backgrounds: https://www.deviantart.com/boneswolbach Run cycle: https://www.deviantart.com/mindstorm-production/art/MLP-Stallion-...
Hi, this is my first video! Hope you enjoy it! App used: -Gacha life (duh) -PowerDirector (editing) -ibispaint x (drawing thumbnail, Tails ecc...) -thumbnail maker (for editing thumbnail) Music / sounds in the video: -waves and seagulls sound https://youtu.be/Mrpd1XtAxZ4 -Daylight | ChilledCow (i can't find the video on YouTube ) -Siren https://youtu.be/eJqzm-_Hu1I Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
The lesser known version of a perfect song. This is the most "normal" song on Buckley's "Starsailor", a highly experimental album. I do not own the music or animation in this video. Credit to the original creators
Sirens are female creatures from greek mythology, who attract sailors with their chants. They are discribed in many different ways - sometimes as beautiful women with single attributes of birds or fish, sometimes as winged creatures with a womans head and sometimes they just look like normal women. There also exist many different interpretations of their character: evil spirits, who seek only the misfortune of men, bringers of death or symbols of harmony and beauty (especially in music). In modern versions they are often seen as mermaids. Among their older mythological roots are also connections to the idea of harpys and the sphinx to find.
The Normal is the recording artist name used by English music producer Daniel Miller, a film editor at the time, who is best known as the founder of the record label Mute Records.
In 1977, Miller had split up with his girlfriend. A friend suggested that he read a book he himself had just finished. The book was Crash (1973) by J.G. Ballard. He felt that Ballard's writing took him five minutes into the future; the novel was to be a major influence in the music he would produce as The Normal. Miller was disillusioned by the fact you needed to learn three chords to be in a punk band, so he decided to purchase a synthesiser. His thinking was that you only needed to learn to press one key on a synthesiser. After buying a Korg 700s synthesiser from Macari's music shop in London, Miller recorded and released a single under the name The Normal. This was "T.V.O.D."/"Warm Leatherette". Both tracks were minimalist electronic songs influenced by the Crash novel. He wanted the sound of the recordings to be visual, like driving along a highway between large buildings then going through a tunnel. The single was recorded in Daniel Miller's house using a TEAC four track tape recorder and the Korg mini700s synthesiser.
I've tried and tried to run and hide
To find a life that's new
But wherever I go I always know
I can't escape from you
A jug of wine to numb my mind
But what good does it do?
The jug runs dry and still I cry
I can't escape from you
These wasted years are souvenirs
Of love I thought was true
Your memory is chained to me
I can't escape from you
There is no end, I can't pretend
That dreams will soon come true
A slave too long to a heart of stone
I can't escape from you