Don Ellis (July 25, 1934 – December 17, 1978) was an American jazz trumpeter, drummer, composer and bandleader. He is best known for his extensive musical experimentation, particularly in the area of unusual time signatures. Later in his life he worked as a film composer, among other works contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
Biography
Early life
Ellis was born in Los Angeles, California, on July 25, 1934. His father was a Methodist minister and his mother a church organist. He attended West High School in Minneapolis, MN. After attending a Tommy Dorsey Big Band concert, he first became interested in jazz. Other early inspirations were Louis Armstrong and Dizzy Gillespie. He graduated from Boston University in 1956 with a music composition degree.
Early career
Ellis' first job was with the late Glenn Miller's band, then directed by Ray McKinley. He stayed with the band until September 1956, when he joined the U.S. Army's Seventh Army Symphony Orchestra and the Soldiers' Show Company. Ellis was transferred to Frankfurt, Germany for duty. In the Army band, Ellis met pianist Cedar Walton, and saxophonists Eddie Harris and Don Menza. While in that band Ellis had his first opportunity to compose and arrange for a big band.
Turn On the Bright Lights is the debut studio album by the American rock band Interpol, released in August 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through independent record labelMatador Records. Upon release, the record peaked at number 101 on the UK Albums Chart. It reached number 158 on the Billboard 200 in the United States, as well as spending 73 weeks in the Billboard Independent Albums, peaking at number five.
"PDA", "NYC", "Obstacle 1" and "Say Hello to the Angels" were the singles from Turn On the Bright Lights, and a video was shot for each with the exception of "Say Hello to the Angels".
The album was certified Gold by the RIAA on August 29, 2011 for shipments of 500,000 copies.
A remastered version of the album was released in 2012 to commemorate its tenth anniversary. It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos.
The New 52 is a 2011 revamp and relaunch by DC Comics of its entire line of ongoing monthly superhero comic books. Following the conclusion of the "Flashpoint" crossover storyline, DC cancelled all of its existing titles and debuted 52 new series in September 2011 with new first issues. Among the series being renumbered are Action Comics and Detective Comics, which had retained their original numbering since the 1930s.
The relaunch included changes to the publishing format; for example, print and digital comics are now released on the same day. New titles were released to bring the number of ongoing monthly series to fifty-two. Various changes were also made to DC's fictional universe to entice new readers, including to DC's internal continuity to make characters more modern and accessible. As well, characters from the former Wildstorm and Vertigo imprint were absorbed into the DC Universe.
The New 52 branding ended after the completion of the "Convergence" storyline in May 2015, although the continuity of the New 52 continued. In June 2015, 24 new titles were launched, alongside 25 returning titles, with several of those receiving new creative teams.
The New Don Ellis Band Goes Underground is an album by trumpeter/bandleader Don Ellis recorded in 1969 and released on the Columbia label.
Reception
Scott Yanow of Allmusic says the album is "one of trumpeter Don Ellis' lesser efforts". On All About Jazz, Jim Santella said "this big band album from Don Ellis proved inspirational. It gave a contemporary quality to big band music - the kind of force that influenced college and university stage bands around the world. Vocals were added, and Ellis emphasized a smooth, pop quality to his arrangements. Melodies were easy to follow, and the songs caught all the emotion that he pumped in so generously. Nevertheless, the album contains the same kind of musical virtuosity that Ellis had demonstrated on earlier albums".
Goes was founded in the 10th century on the edge of a creek: de Korte Gos (the Short Gos). The village grew fast, and in the early 12th century it had a market square and a church devoted to Mary Magdalene. In 1405 Goes received city rights from William, Duke of Bavaria, by his right as count of Holland, and in 1417 it was allowed to build town walls. The prosperity of the city was based upon the cloth industry and the production of salt. In the 16th century Goes declined. Its connection to the sea silted up and in 1554 a large fire destroyed part of the city.
In Autumn 1572, during the course of the Eighty Years' War, Goes, in the Spanish Netherlands, was besieged by Dutch forces with the support of English troops. The siege was relieved in October 1572 by Spanish Tercios, who waded across the Scheldt to attack the besieging forces. In 1577 the Spanish soldiers who occupied Goes were driven out by Prince Maurits of Nassau. The prince built a defence wall around Goes, which is still partly standing. From the 17th century Goes did not play an important role, except as an agricultural centre. In 1868 a railway was constructed through it, but this did not lead to industrialisation. Agriculture remains the most important economic activity.
GOES-L was launched aboard an International Launch ServicesAtlas IIA rocket, flying from Space Launch Complex 36A at the Cape Canaveral Air Force Station. The launch occurred at 07:07 GMT on 3 May. The launch was originally scheduled for 15 March 1999, however it was delayed to allow the Eutelsat W3 satellite to be launched first. Following this, it was rescheduled for 15 May. On 30 April, the Centaur upper stage of a Titan IV(401)B failed during the launch of USA-143. Since a version of the Centaur was also used on the Atlas II, the launch of GOES-L was delayed a week to ensure that the same problem would not affect its launch. Less than five days after the Titan failure, a Delta III failed to launch Orion 3. The failure occurred during the second stage restart, and as the Delta III and Atlas II both used RL10 engines on their second stages, this resulted in a further delay.
Soaring es un álbum del trompetista Don Ellis grabado en 1973 y lanzado en la etiqueta de MPS (Producido por Don Ellis).
Tracklist:
00:00 - Whiplash
04:27 - Sladka Pitka
11:08 - The Devil Made Me Write This Piece
17:03 - Go Back Home
20:24 - Invincible
27:06 - Image of Maria
30:11 - Sidonie
36:50 - Nicole
Personnel
Don Ellis – trumpet, flugelhorn, drums, arranger
Fred Selden – alto saxophone, flute, soprano saxophone, piccolo, alto flute
Vince Denham – alto saxophone, tenor saxophone, soprano saxophone, flute, piccolo,
Sam Falzone – tenor saxophone, clarinet, flute, arranger
Gary Herbig – baritone saxophone, soprano saxophone, clarinet, flute, oboe
Jack Caudill, Bruce Mackay, Gil Rathel – trumpet, flugelhorn
Sidney Muldrow – French horn
Mike Jamieson – trombone
Ken Sawhill – bass tro...
published: 15 Nov 2016
Don Ellis 1977 (01) Open Wide
from his appearance at the Montreux Jazz Festival on July 8, 1977.
Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, Jim Snodgrass
Trumpets - Glenn Stuart, Gil Rather, Jack Coan
French Horn - Sidney Muldrow
Trombone - Alan Kaplan
Bass Trombone - Richard Bullock
Tuba - Jim Self
Keyboards - Randy Kerber
Bass - Leon Gaer, Darrell Clayborn
Drums - David Crigger
Congas - Chino Valdes
Percussion, Drums and Mallets - Michael Englander
Percussion, Mallets and Timpani - Ruth Ritchie
Violins - Pam Tompkins, Lori Badessa
Viola - Jimbo Ross
Cello - Paula Hochhalter
published: 29 Jul 2011
Don Ellis - Bulgarian Bulge (1971)
From the 1971 album Tears of Joy; gotta love Don Ellis!
published: 21 Aug 2010
Don Ellis - Live at Belgian Jazz Festival 1968
[email protected] - contact to order this and many more high quality jazz DVDs
published: 07 Jan 2021
Don Ellis: Music from Other Galaxies and Planets (Full Album)
I do not own copyright of any of the songs.
Copyright belongs to the artist and company.
All compositions by Don Ellis except as indicated:
Side A
0:00 Star Wars (John Williams)
3:25 Arcturas
9:14 Princess Leia's Theme (Williams)
13:06 Orion's Sword
16:55 Pegasus
Side B
19:43 Crypton
23:18 Lyra
29:13 Eros
33:28 Ursa
36:20 Vulcan
Personnel:
Don Ellis- trumpet, super-trumpet (firebird trumpet), flugelhorn, super-bone, arranger
Ann Patterson – alto saxophone, soprano saxophone, oboe, piccolo, alto flute
Ted Nash - alto saxophone, flute, clarinet
James Coile - tenor saxophone, clarinet, flute
Jim Snodgrass - baritone saxophone, bass clarinet, piccolo, flute, oboe
Glenn Stuart, Gil Rathel, Jack Coan – trumpet
Sidney Muldrew – French Horn
Alan Kaplan – trombone
Richard Bullock – bass trombon...
published: 07 Dec 2020
Chain Reaction by Hank Levy - Don Ellis Orchestra
Normally I wouldn't be posting something on this channel that was commercially available. But this recording was inexplicably not already available on YouTube, so here it is.
One of Hank's best charts. It was originally (I believe) written for the Don Ellis orchestra--the incarnation that included the string quartet as well as a few other orchestral winds. It's in 13, mostly divided 3, 3, 2, 2, 3.
Hank made a standard big band instrumentation of this as well. In the process, he changed some things a little here and there. From those that knew and worked with him, apparently that was a rather common practice of his, thus making "definitive" versions elusive.
Don solos on flügel and Milcho Leviev is on keyboards. Enjoy.
Soaring es un álbum del trompetista Don Ellis grabado en 1973 y lanzado en la etiqueta de MPS (Producido por Don Ellis).
Tracklist:
00:00 - Whiplash
04:27 - S...
Soaring es un álbum del trompetista Don Ellis grabado en 1973 y lanzado en la etiqueta de MPS (Producido por Don Ellis).
Tracklist:
00:00 - Whiplash
04:27 - Sladka Pitka
11:08 - The Devil Made Me Write This Piece
17:03 - Go Back Home
20:24 - Invincible
27:06 - Image of Maria
30:11 - Sidonie
36:50 - Nicole
Personnel
Don Ellis – trumpet, flugelhorn, drums, arranger
Fred Selden – alto saxophone, flute, soprano saxophone, piccolo, alto flute
Vince Denham – alto saxophone, tenor saxophone, soprano saxophone, flute, piccolo,
Sam Falzone – tenor saxophone, clarinet, flute, arranger
Gary Herbig – baritone saxophone, soprano saxophone, clarinet, flute, oboe
Jack Caudill, Bruce Mackay, Gil Rathel – trumpet, flugelhorn
Sidney Muldrow – French horn
Mike Jamieson – trombone
Ken Sawhill – bass trombone
Doug Bixby – tuba
Jay Graydon – guitar, bag
Milcho Leviev – piano, electric piano, organ, clavinet, arranger
Dave McDaniel – bass
Ralph Humphrey – drums
Ron Dunn – drums, percussion
Lee Pastora – congas
Earle Corry, Joel Quivey – electric violin
Renita Koven – electric viola
Pat Kudzia – electric cello
Alexej Fried, Hank Levy – arranger
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"
Soaring es un álbum del trompetista Don Ellis grabado en 1973 y lanzado en la etiqueta de MPS (Producido por Don Ellis).
Tracklist:
00:00 - Whiplash
04:27 - Sladka Pitka
11:08 - The Devil Made Me Write This Piece
17:03 - Go Back Home
20:24 - Invincible
27:06 - Image of Maria
30:11 - Sidonie
36:50 - Nicole
Personnel
Don Ellis – trumpet, flugelhorn, drums, arranger
Fred Selden – alto saxophone, flute, soprano saxophone, piccolo, alto flute
Vince Denham – alto saxophone, tenor saxophone, soprano saxophone, flute, piccolo,
Sam Falzone – tenor saxophone, clarinet, flute, arranger
Gary Herbig – baritone saxophone, soprano saxophone, clarinet, flute, oboe
Jack Caudill, Bruce Mackay, Gil Rathel – trumpet, flugelhorn
Sidney Muldrow – French horn
Mike Jamieson – trombone
Ken Sawhill – bass trombone
Doug Bixby – tuba
Jay Graydon – guitar, bag
Milcho Leviev – piano, electric piano, organ, clavinet, arranger
Dave McDaniel – bass
Ralph Humphrey – drums
Ron Dunn – drums, percussion
Lee Pastora – congas
Earle Corry, Joel Quivey – electric violin
Renita Koven – electric viola
Pat Kudzia – electric cello
Alexej Fried, Hank Levy – arranger
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"
from his appearance at the Montreux Jazz Festival on July 8, 1977.
Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, ...
from his appearance at the Montreux Jazz Festival on July 8, 1977.
Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, Jim Snodgrass
Trumpets - Glenn Stuart, Gil Rather, Jack Coan
French Horn - Sidney Muldrow
Trombone - Alan Kaplan
Bass Trombone - Richard Bullock
Tuba - Jim Self
Keyboards - Randy Kerber
Bass - Leon Gaer, Darrell Clayborn
Drums - David Crigger
Congas - Chino Valdes
Percussion, Drums and Mallets - Michael Englander
Percussion, Mallets and Timpani - Ruth Ritchie
Violins - Pam Tompkins, Lori Badessa
Viola - Jimbo Ross
Cello - Paula Hochhalter
from his appearance at the Montreux Jazz Festival on July 8, 1977.
Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, Jim Snodgrass
Trumpets - Glenn Stuart, Gil Rather, Jack Coan
French Horn - Sidney Muldrow
Trombone - Alan Kaplan
Bass Trombone - Richard Bullock
Tuba - Jim Self
Keyboards - Randy Kerber
Bass - Leon Gaer, Darrell Clayborn
Drums - David Crigger
Congas - Chino Valdes
Percussion, Drums and Mallets - Michael Englander
Percussion, Mallets and Timpani - Ruth Ritchie
Violins - Pam Tompkins, Lori Badessa
Viola - Jimbo Ross
Cello - Paula Hochhalter
I do not own copyright of any of the songs.
Copyright belongs to the artist and company.
All compositions by Don Ellis except as indicated:
Side A
0:00 Star Wa...
I do not own copyright of any of the songs.
Copyright belongs to the artist and company.
All compositions by Don Ellis except as indicated:
Side A
0:00 Star Wars (John Williams)
3:25 Arcturas
9:14 Princess Leia's Theme (Williams)
13:06 Orion's Sword
16:55 Pegasus
Side B
19:43 Crypton
23:18 Lyra
29:13 Eros
33:28 Ursa
36:20 Vulcan
Personnel:
Don Ellis- trumpet, super-trumpet (firebird trumpet), flugelhorn, super-bone, arranger
Ann Patterson – alto saxophone, soprano saxophone, oboe, piccolo, alto flute
Ted Nash - alto saxophone, flute, clarinet
James Coile - tenor saxophone, clarinet, flute
Jim Snodgrass - baritone saxophone, bass clarinet, piccolo, flute, oboe
Glenn Stuart, Gil Rathel, Jack Coan – trumpet
Sidney Muldrew – French Horn
Alan Kaplan – trombone
Richard Bullock – bass trombone
Jim Self – tuba
Randy Kerber – synthesizer, piano, electric piano, clavinet
Darrel Clayborn - double bass
Dave Crigger, Mike Englander - drums
Chino Valdes, Ruth Richie - percussion
Pam Tompkins, Laurie Badessa - violin
Jimbo Ross - viola
Paula Hochhalter - cello
I do not own copyright of any of the songs.
Copyright belongs to the artist and company.
All compositions by Don Ellis except as indicated:
Side A
0:00 Star Wars (John Williams)
3:25 Arcturas
9:14 Princess Leia's Theme (Williams)
13:06 Orion's Sword
16:55 Pegasus
Side B
19:43 Crypton
23:18 Lyra
29:13 Eros
33:28 Ursa
36:20 Vulcan
Personnel:
Don Ellis- trumpet, super-trumpet (firebird trumpet), flugelhorn, super-bone, arranger
Ann Patterson – alto saxophone, soprano saxophone, oboe, piccolo, alto flute
Ted Nash - alto saxophone, flute, clarinet
James Coile - tenor saxophone, clarinet, flute
Jim Snodgrass - baritone saxophone, bass clarinet, piccolo, flute, oboe
Glenn Stuart, Gil Rathel, Jack Coan – trumpet
Sidney Muldrew – French Horn
Alan Kaplan – trombone
Richard Bullock – bass trombone
Jim Self – tuba
Randy Kerber – synthesizer, piano, electric piano, clavinet
Darrel Clayborn - double bass
Dave Crigger, Mike Englander - drums
Chino Valdes, Ruth Richie - percussion
Pam Tompkins, Laurie Badessa - violin
Jimbo Ross - viola
Paula Hochhalter - cello
Normally I wouldn't be posting something on this channel that was commercially available. But this recording was inexplicably not already available on YouTube, ...
Normally I wouldn't be posting something on this channel that was commercially available. But this recording was inexplicably not already available on YouTube, so here it is.
One of Hank's best charts. It was originally (I believe) written for the Don Ellis orchestra--the incarnation that included the string quartet as well as a few other orchestral winds. It's in 13, mostly divided 3, 3, 2, 2, 3.
Hank made a standard big band instrumentation of this as well. In the process, he changed some things a little here and there. From those that knew and worked with him, apparently that was a rather common practice of his, thus making "definitive" versions elusive.
Don solos on flügel and Milcho Leviev is on keyboards. Enjoy.
Normally I wouldn't be posting something on this channel that was commercially available. But this recording was inexplicably not already available on YouTube, so here it is.
One of Hank's best charts. It was originally (I believe) written for the Don Ellis orchestra--the incarnation that included the string quartet as well as a few other orchestral winds. It's in 13, mostly divided 3, 3, 2, 2, 3.
Hank made a standard big band instrumentation of this as well. In the process, he changed some things a little here and there. From those that knew and worked with him, apparently that was a rather common practice of his, thus making "definitive" versions elusive.
Don solos on flügel and Milcho Leviev is on keyboards. Enjoy.
Provided to YouTube by Beggars Group Digital Ltd.
Untitled (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: Copyright Control (BMI)
Music Publisher: Kobalt Music Publishing
Music Publisher: CMRRA
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
published: 07 Aug 2015
Deftones' Chino Moreno on why he loves Interpol's 'Turn On The Bright Lights
Deftones' frontman Chino Moreno tells us why he loves Interpol's debut album 'Turn On The Bright Lights
published: 16 May 2017
The Killers - Bright Lights (Official Music Video)
Listen to “Bright Lights” here: https://thekillers.lnk.to/BrightLights
Director: Micah Bickham
EP: Jordy Wax
Producer: Cole Brian
Cinematographer: Chase Smith
Producer: Contrast Films
Choreographer: Ryan Spencer
Backing Vocalists:
Erica Canales
Miranda Joan
Nicky Egan
Melany Watson
Follow The Killers:
Instagram: https://www.instagram.com/thekillers/
Facebook: https://www.facebook.com/Thekillers/
Twitter: https://x.com/thekillers/
TikTok: https://www.tiktok.com/@thekillers/
Website: https://www.thekillersmusic.com/
LYRICS:
Standing in darkness
With empty hands
I still know how to use them but the miles made other plans
Running out of highway
Shorter on time
Feel the dead weight deepen and the devil coming down the line
The dashboard’s shaking
I steady the wheel
And I make ev...
published: 09 Aug 2024
Interpol's Turn on the Bright Lights in 5 Minutes
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-regarded EPs that honed Interpol’s sonic and sartorial sense, it’s possible no album captured this moment as vividly as their debut album Turn on the Bright Lights
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Interpol's Turn on the Bright Lights in 5 Minutes
published: 17 May 2017
Interpol - Obstacle 1
'Obstacle 1' is taken from Interpol's debut album 'Turn On The Bright Lights' out on Matador Records.
Follow Interpol:
Facebook - https://www.facebook.com/interpol/
Instagram - https://www.instagram.com/interpol/
Twitter - https://twitter.com/Interpol
https://www.interpolnyc.com
http://vevo.ly/VmJ3cu
published: 06 Jun 2018
Interpol - "Turn on the Bright Lights" (2002 Documentary)
To mark the 20th anniversary of Interpol's debut album 'Turn on the Bright Lights,' watch the recently unearthed documentary short originally released as an EPK in 2002 before the album's release. Stream / purchase 'Turn on the Bright Lights' now: https://interpol.ffm.to/totbl
#interpol #TOTBL
published: 18 Aug 2022
David Lynch just now discovering Turn On the Bright Lights
Okay, so maybe they worked together back in 2011 but I didn't know that until after I made this video... and yeah, I also wanted to try out the new tracking feature in FCPX.
published: 27 Oct 2021
Interpol - Turn on the Bright Lights XV
Turn on the Bright Lights XV
http://mat-r.co/Interpol
Recorded live in Mexico City.
Find Interpol on
Facebook: http://facebook.com/interpol
Instagram: http://instagram.com/interpol
Twitter: http://twitter.com/Interpol
Spotify: https://tinyurl.com/y98bylop
Credits:
Director – Daniel Ryan
Production Company – 71 Degrees North
Producer – Michael Nowicki
Executive Producers – Neha Datt Schultz and Martin Rodahl
Director of Photography – O’Connor Hartnett
Editor – Laurence Bird
Audio Production and Mix – Steve Ciliak and Ryan Aylward at Clinical Sound
Sound Design and Re-Recording Mix – Dustin Camilleri at Pulse Train, LLC
Animation and Colour – The Mill
Post Producer – Jack Williams
Executive Producer Colour – Laurie Adrianopoli
Colourist – Luke Morrison
Colour Assist – Lindsey Mazur
...
published: 11 May 2018
Saturday night Lights - Dance Party Anthem for Good Vibes & City Nights
"Saturday Night Lights" is an upbeat, feel-good song about living in the moment and enjoying the magic of city nights with friends. With catchy verses that celebrate the joy of music, dancing, and good vibes, this party anthem is perfect for your Saturday night playlist. Whether you're out in the city or vibing at home, this track will get you moving and feeling alive under the bright lights.
Turn up the volume and let the beat carry you through the night!
#SaturdayNightLights #PartyAnthem #DanceSong #GoodVibes #NightOut #CityVibes #OriginalSong #FeelGoodMusic #WeekendParty #SaturdayVibes
published: 14 Sep 2024
NYC (2012 Remaster)
Provided to YouTube by Beggars Group Digital Ltd.
NYC (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: CMRRA
Music Publisher: Kobalt Music Publishing
Music Publisher: Copyright Control (BMI)
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Provided to YouTube by Beggars Group Digital Ltd.
Untitled (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-...
Provided to YouTube by Beggars Group Digital Ltd.
Untitled (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: Copyright Control (BMI)
Music Publisher: Kobalt Music Publishing
Music Publisher: CMRRA
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Provided to YouTube by Beggars Group Digital Ltd.
Untitled (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: Copyright Control (BMI)
Music Publisher: Kobalt Music Publishing
Music Publisher: CMRRA
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Listen to “Bright Lights” here: https://thekillers.lnk.to/BrightLights
Director: Micah Bickham
EP: Jordy Wax
Producer: Cole Brian
Cinematographer: Chase Smit...
Listen to “Bright Lights” here: https://thekillers.lnk.to/BrightLights
Director: Micah Bickham
EP: Jordy Wax
Producer: Cole Brian
Cinematographer: Chase Smith
Producer: Contrast Films
Choreographer: Ryan Spencer
Backing Vocalists:
Erica Canales
Miranda Joan
Nicky Egan
Melany Watson
Follow The Killers:
Instagram: https://www.instagram.com/thekillers/
Facebook: https://www.facebook.com/Thekillers/
Twitter: https://x.com/thekillers/
TikTok: https://www.tiktok.com/@thekillers/
Website: https://www.thekillersmusic.com/
LYRICS:
Standing in darkness
With empty hands
I still know how to use them but the miles made other plans
Running out of highway
Shorter on time
Feel the dead weight deepen and the devil coming down the line
The dashboard’s shaking
I steady the wheel
And I make every turn by memory, by feel
Towards a black horizon
An unbroken dawn
Will this endless stretch of desert road get me back where I belong
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me, here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
I carry my own weight
And then some too
There are things I would change but it ain’t worth going through
Maybe I’m tapped out
Or just plain old tired
Tonight the charge is rewrote
But I’m still hardwired
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn, we turn, we turn the bright lights on
We turn, we turn the bright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Tonight, tonight, tonight yeah
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Just hang back and let me sing my song
Turn the bright lights on
Turn the bright lights on
Turn the bright lights on
Listen to “Bright Lights” here: https://thekillers.lnk.to/BrightLights
Director: Micah Bickham
EP: Jordy Wax
Producer: Cole Brian
Cinematographer: Chase Smith
Producer: Contrast Films
Choreographer: Ryan Spencer
Backing Vocalists:
Erica Canales
Miranda Joan
Nicky Egan
Melany Watson
Follow The Killers:
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LYRICS:
Standing in darkness
With empty hands
I still know how to use them but the miles made other plans
Running out of highway
Shorter on time
Feel the dead weight deepen and the devil coming down the line
The dashboard’s shaking
I steady the wheel
And I make every turn by memory, by feel
Towards a black horizon
An unbroken dawn
Will this endless stretch of desert road get me back where I belong
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me, here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
I carry my own weight
And then some too
There are things I would change but it ain’t worth going through
Maybe I’m tapped out
Or just plain old tired
Tonight the charge is rewrote
But I’m still hardwired
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn, we turn, we turn the bright lights on
We turn, we turn the bright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Tonight, tonight, tonight yeah
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Just hang back and let me sing my song
Turn the bright lights on
Turn the bright lights on
Turn the bright lights on
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-re...
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-regarded EPs that honed Interpol’s sonic and sartorial sense, it’s possible no album captured this moment as vividly as their debut album Turn on the Bright Lights
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Interpol's Turn on the Bright Lights in 5 Minutes
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-regarded EPs that honed Interpol’s sonic and sartorial sense, it’s possible no album captured this moment as vividly as their debut album Turn on the Bright Lights
------
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Interpol's Turn on the Bright Lights in 5 Minutes
'Obstacle 1' is taken from Interpol's debut album 'Turn On The Bright Lights' out on Matador Records.
Follow Interpol:
Facebook - https://www.facebook.com/inte...
'Obstacle 1' is taken from Interpol's debut album 'Turn On The Bright Lights' out on Matador Records.
Follow Interpol:
Facebook - https://www.facebook.com/interpol/
Instagram - https://www.instagram.com/interpol/
Twitter - https://twitter.com/Interpol
https://www.interpolnyc.com
http://vevo.ly/VmJ3cu
'Obstacle 1' is taken from Interpol's debut album 'Turn On The Bright Lights' out on Matador Records.
Follow Interpol:
Facebook - https://www.facebook.com/interpol/
Instagram - https://www.instagram.com/interpol/
Twitter - https://twitter.com/Interpol
https://www.interpolnyc.com
http://vevo.ly/VmJ3cu
To mark the 20th anniversary of Interpol's debut album 'Turn on the Bright Lights,' watch the recently unearthed documentary short originally released as an EPK...
To mark the 20th anniversary of Interpol's debut album 'Turn on the Bright Lights,' watch the recently unearthed documentary short originally released as an EPK in 2002 before the album's release. Stream / purchase 'Turn on the Bright Lights' now: https://interpol.ffm.to/totbl
#interpol #TOTBL
To mark the 20th anniversary of Interpol's debut album 'Turn on the Bright Lights,' watch the recently unearthed documentary short originally released as an EPK in 2002 before the album's release. Stream / purchase 'Turn on the Bright Lights' now: https://interpol.ffm.to/totbl
#interpol #TOTBL
Okay, so maybe they worked together back in 2011 but I didn't know that until after I made this video... and yeah, I also wanted to try out the new tracking fea...
Okay, so maybe they worked together back in 2011 but I didn't know that until after I made this video... and yeah, I also wanted to try out the new tracking feature in FCPX.
Okay, so maybe they worked together back in 2011 but I didn't know that until after I made this video... and yeah, I also wanted to try out the new tracking feature in FCPX.
Turn on the Bright Lights XV
http://mat-r.co/Interpol
Recorded live in Mexico City.
Find Interpol on
Facebook: http://facebook.com/interpol
Instagram: http:/...
Turn on the Bright Lights XV
http://mat-r.co/Interpol
Recorded live in Mexico City.
Find Interpol on
Facebook: http://facebook.com/interpol
Instagram: http://instagram.com/interpol
Twitter: http://twitter.com/Interpol
Spotify: https://tinyurl.com/y98bylop
Credits:
Director – Daniel Ryan
Production Company – 71 Degrees North
Producer – Michael Nowicki
Executive Producers – Neha Datt Schultz and Martin Rodahl
Director of Photography – O’Connor Hartnett
Editor – Laurence Bird
Audio Production and Mix – Steve Ciliak and Ryan Aylward at Clinical Sound
Sound Design and Re-Recording Mix – Dustin Camilleri at Pulse Train, LLC
Animation and Colour – The Mill
Post Producer – Jack Williams
Executive Producer Colour – Laurie Adrianopoli
Colourist – Luke Morrison
Colour Assist – Lindsey Mazur
2D Creative Director – Donnie Bauer
2D Designer – Anzie Lee
Flame Artist – Jeanette Eiternes
Camera Operators – Daniel Ryan and O’Connor Hartnett
Movi Techs – Juan Pablo Flores
Ruben “Wally” Arellano Camera Manager – Jesus Adonay Meza
Camera Rental Agent – Mario Hernandez Araiza at EFD International
Additional Equipment Manager – Alex Roa at De Milagro Films
Tour Manager – Brian Orloff
Live Audio Engineer – Harley Zinker
Live Lighting Designer – Mark Powell
Turn on the Bright Lights XV
http://mat-r.co/Interpol
Recorded live in Mexico City.
Find Interpol on
Facebook: http://facebook.com/interpol
Instagram: http://instagram.com/interpol
Twitter: http://twitter.com/Interpol
Spotify: https://tinyurl.com/y98bylop
Credits:
Director – Daniel Ryan
Production Company – 71 Degrees North
Producer – Michael Nowicki
Executive Producers – Neha Datt Schultz and Martin Rodahl
Director of Photography – O’Connor Hartnett
Editor – Laurence Bird
Audio Production and Mix – Steve Ciliak and Ryan Aylward at Clinical Sound
Sound Design and Re-Recording Mix – Dustin Camilleri at Pulse Train, LLC
Animation and Colour – The Mill
Post Producer – Jack Williams
Executive Producer Colour – Laurie Adrianopoli
Colourist – Luke Morrison
Colour Assist – Lindsey Mazur
2D Creative Director – Donnie Bauer
2D Designer – Anzie Lee
Flame Artist – Jeanette Eiternes
Camera Operators – Daniel Ryan and O’Connor Hartnett
Movi Techs – Juan Pablo Flores
Ruben “Wally” Arellano Camera Manager – Jesus Adonay Meza
Camera Rental Agent – Mario Hernandez Araiza at EFD International
Additional Equipment Manager – Alex Roa at De Milagro Films
Tour Manager – Brian Orloff
Live Audio Engineer – Harley Zinker
Live Lighting Designer – Mark Powell
"Saturday Night Lights" is an upbeat, feel-good song about living in the moment and enjoying the magic of city nights with friends. With catchy verses that cele...
"Saturday Night Lights" is an upbeat, feel-good song about living in the moment and enjoying the magic of city nights with friends. With catchy verses that celebrate the joy of music, dancing, and good vibes, this party anthem is perfect for your Saturday night playlist. Whether you're out in the city or vibing at home, this track will get you moving and feeling alive under the bright lights.
Turn up the volume and let the beat carry you through the night!
#SaturdayNightLights #PartyAnthem #DanceSong #GoodVibes #NightOut #CityVibes #OriginalSong #FeelGoodMusic #WeekendParty #SaturdayVibes
"Saturday Night Lights" is an upbeat, feel-good song about living in the moment and enjoying the magic of city nights with friends. With catchy verses that celebrate the joy of music, dancing, and good vibes, this party anthem is perfect for your Saturday night playlist. Whether you're out in the city or vibing at home, this track will get you moving and feeling alive under the bright lights.
Turn up the volume and let the beat carry you through the night!
#SaturdayNightLights #PartyAnthem #DanceSong #GoodVibes #NightOut #CityVibes #OriginalSong #FeelGoodMusic #WeekendParty #SaturdayVibes
Provided to YouTube by Beggars Group Digital Ltd.
NYC (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
A...
Provided to YouTube by Beggars Group Digital Ltd.
NYC (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: CMRRA
Music Publisher: Kobalt Music Publishing
Music Publisher: Copyright Control (BMI)
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Provided to YouTube by Beggars Group Digital Ltd.
NYC (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: CMRRA
Music Publisher: Kobalt Music Publishing
Music Publisher: Copyright Control (BMI)
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Attempting To Explain The New 52
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With the recent DCEU news that the Snyderverse will be rebooted into the DCU we thought we'd take a look at one of DC's most infamous reboots in the comics. Today on Top Ten Nerd, we bring you our latest comic breakdown where Adam will be Attempting To Explain The New 52
#top10 #marvel #mcu #marvelcomics #dccomics #dcu #dceu #superheroes #villains #comics #comicbooks #nerd #top10nerd
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For business inquir...
published: 11 Jan 2023
Did DC's New 52 Fail?
Image of Jim Lee and Geoff Johns at 7:56 by Luigi Novi.
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►Polygon's oral history of the New 52: https://www.polygon.com/comics/22679756/dc-comics-reboot-new-52-writers-oral-history
►Multiversity's New 52 Interviews: http://www.multiversitycomics.com/tag/520-weeks/
In 2011, DC Comics rebooted their comic books with a line-wide initiative they branded as The New 52. Five years later, they undid it all. This video discusses why the initiative took place and why it did not work, lookin...
published: 23 Nov 2022
The Rise and Fall of The New 52 - What Went Wrong?
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In 2011, DC Comics embarked on their biggest company-wide reset since the release of Crisis on Infinite Earths back in 1985, as the comic giants set about scrapping their long-established status quo and continuity, and starting completely afresh. The DC Universe would be rebooted. Much like Crisis did back in ‘85, DC hoped that this new initiative would revitalise the company in a mainstream standpoint, giving non-comic readers a perfect time to begin reading DC ...
published: 26 Sep 2019
DC Comics - The New 52 Trailer
DC Comics The New 52 kicks off August 31 with Justice League #1. Get a preview of what's in store.
#DC #DCComics #DCUniverse
published: 26 Aug 2011
Batman "Origin to Death of Batman New 52" - Full Story | Comicstorian
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published: 05 Nov 2018
DC Comics' Reboots Explained!
DC Comics is infamous for rebooting their universe, but I'm here to break them down.
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Special thanks to our Patrons for helping make this possible!
Doc's Comics & Games, Bonnie Davies, Senita Mahoney, David Adler, Ralph Braganzan, Ethan Dannen, Yoav Haimovitz, Skylar Lewis-Shirley, LookWhosFhtagn, Red Deity, Andrew Shaffer, Talentless Hack, Vydal
Tags: #DCComics #ComicBooks #Comics
published: 01 Oct 2020
What Is the New 52 - Know Your Universe | Comicstorian
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PO Bo...
published: 17 Jul 2014
What were the problems in the New 52?
What created the downfall of the New 52?
Follow Perch at...
✅ Substack: https://perch.substack.com
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published: 02 Dec 2022
🌟EL CLUB DE LOS NEW 52🌟 - " NACIMIENTO Y CAIDA DE ECC SUDAMERICA - Episodio 1
comics #new52 #dccomics #podcast #ovnipress #ecc
PROGRAMA 1
Antes de arrancar con los new 52, tenemos que hacer una parada importante... hay que hablar del nacimiento y la caída de la editorial que trajo la etapa mas polémica de DC en Argentina.
HISTORIA DE ECC SUDAMERICA: https://eluniversodccomics.blogspot.com/2016/04/informe-ecc-y-el-desastre-argentino.html
▶SPOTIFY DEL PODCAST :
https://open.spotify.com/show/0DORybA0zpepIYAYZw0Mc9?si=c74b036fe4dc4e21
--------------------------------------------------------------------------------------------------------------------------
▶Canal de METRO COMICS: https://www.youtube.com/@MetroComics98
--------------------------------------------------------------------------------------------------------------------------
☕MI CAFECITO☕: http...
published: 10 Nov 2023
Flash "Origins to Reverse Flash" - Full Story New 52 | Comicstorian
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Attempting To Explain The New 52
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Attempting To Explain The New 52
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With the recent DCEU news that the Snyderverse will be rebooted into the DCU we thought we'd take a look at one of DC's most infamous reboots in the comics. Today on Top Ten Nerd, we bring you our latest comic breakdown where Adam will be Attempting To Explain The New 52
#top10 #marvel #mcu #marvelcomics #dccomics #dcu #dceu #superheroes #villains #comics #comicbooks #nerd #top10nerd
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Hosted By:
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Pronto
Attempting To Explain The New 52
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With the recent DCEU news that the Snyderverse will be rebooted into the DCU we thought we'd take a look at one of DC's most infamous reboots in the comics. Today on Top Ten Nerd, we bring you our latest comic breakdown where Adam will be Attempting To Explain The New 52
#top10 #marvel #mcu #marvelcomics #dccomics #dcu #dceu #superheroes #villains #comics #comicbooks #nerd #top10nerd
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Hosted By:
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Edited By:
Pronto
Image of Jim Lee and Geoff Johns at 7:56 by Luigi Novi.
►Support this channel on Patreon: https://www.patreon.com/ComicTropes
►Support this channel by becoming...
Image of Jim Lee and Geoff Johns at 7:56 by Luigi Novi.
►Support this channel on Patreon: https://www.patreon.com/ComicTropes
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►Check out my weekly live show: https://youtube.com/c/ProsAndConsLive
►Polygon's oral history of the New 52: https://www.polygon.com/comics/22679756/dc-comics-reboot-new-52-writers-oral-history
►Multiversity's New 52 Interviews: http://www.multiversitycomics.com/tag/520-weeks/
In 2011, DC Comics rebooted their comic books with a line-wide initiative they branded as The New 52. Five years later, they undid it all. This video discusses why the initiative took place and why it did not work, looking at the key people involved: Diane Nelson, Dan DiDio, Jim Lee, Geoff Johns and more.
Image of Jim Lee and Geoff Johns at 7:56 by Luigi Novi.
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►Multiversity's New 52 Interviews: http://www.multiversitycomics.com/tag/520-weeks/
In 2011, DC Comics rebooted their comic books with a line-wide initiative they branded as The New 52. Five years later, they undid it all. This video discusses why the initiative took place and why it did not work, looking at the key people involved: Diane Nelson, Dan DiDio, Jim Lee, Geoff Johns and more.
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In 2011, DC Comics embarked on their biggest company-wide reset since the release of Crisis on Infinite Earths back in 1985, as the comic giants set about scrapping their long-established status quo and continuity, and starting completely afresh. The DC Universe would be rebooted. Much like Crisis did back in ‘85, DC hoped that this new initiative would revitalise the company in a mainstream standpoint, giving non-comic readers a perfect time to begin reading DC Comics, and start fresh, free from decades of continuity and (at times) confusing storytelling. The end result was The New 52. Beginning with the conclusion of the company’s crossover mini-series, Flashpoint, The New 52 saw all the various titles and series’ set within the DC Universe be cancelled, relaunched with new #1 issues; wiping the slate clean for an all new and exciting, rebooted DC Universe. But… did it work? We’re now close to a decade after the launch of The New 52, so it feels an appropriate time to go back and analyse the success of this initiative. So in this video, we’re going to discuss the factors that led up to The New 52’s creation, the ways in how it aimed to shake up the long-established DC status quo, the factors that led to its slow dissolvement over the past number of years, and the modern day rebirth of DC Comics.
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▶ Sources/Further Reading:
https://www.cbr.com/george-perez-couldnt-wait-to-get-off-superman
http://www.hadenblackman.com/archives/696
https://twitter.com/robertliefeld/status/238344842546122752
http://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/237?articleID=134435
http://www.comichron.com/monthlycomicssales/2014/2014-01.html
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DC Videos: https://www.youtube.com/playlist?list=PLK-UuVTE1uAcgNX1tplCukF6DydNDwu1R
▶ Music Used:
https://soundcloud.com/aricogle/soul-vibe
https://www.beatport.com/track/cypress-original-mix/12537103
http://freemusicarchive.org/music/Lee_Rosevere/Music_for_Podcasts_4/Lee_Rosevere_-_Music_for_Podcasts_4_-_09_Southside
https://www.beatport.com/track/aires-original-mix/12537111
https://soundcloud.com/chillhopdotcom/aso-caught-in-the-rain
https://soundcloud.com/chillhopdotcom/philanthrope-x-yasper-slopes
https://soundcloud.com/ianewingmke/seltzy
#TheNew52 #DC #DCComics
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In 2011, DC Comics embarked on their biggest company-wide reset since the release of Crisis on Infinite Earths back in 1985, as the comic giants set about scrapping their long-established status quo and continuity, and starting completely afresh. The DC Universe would be rebooted. Much like Crisis did back in ‘85, DC hoped that this new initiative would revitalise the company in a mainstream standpoint, giving non-comic readers a perfect time to begin reading DC Comics, and start fresh, free from decades of continuity and (at times) confusing storytelling. The end result was The New 52. Beginning with the conclusion of the company’s crossover mini-series, Flashpoint, The New 52 saw all the various titles and series’ set within the DC Universe be cancelled, relaunched with new #1 issues; wiping the slate clean for an all new and exciting, rebooted DC Universe. But… did it work? We’re now close to a decade after the launch of The New 52, so it feels an appropriate time to go back and analyse the success of this initiative. So in this video, we’re going to discuss the factors that led up to The New 52’s creation, the ways in how it aimed to shake up the long-established DC status quo, the factors that led to its slow dissolvement over the past number of years, and the modern day rebirth of DC Comics.
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▶ Sources/Further Reading:
https://www.cbr.com/george-perez-couldnt-wait-to-get-off-superman
http://www.hadenblackman.com/archives/696
https://twitter.com/robertliefeld/status/238344842546122752
http://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/237?articleID=134435
http://www.comichron.com/monthlycomicssales/2014/2014-01.html
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Comic Case Studies: https://www.youtube.com/playlist?list=PLK-UuVTE1uAei1DiWA_45gfMs8sVSEKWh
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Marvel Videos: https://www.youtube.com/playlist?list=PLK-UuVTE1uAcNnIjGsrSYHhueLEBK5_sA
DC Videos: https://www.youtube.com/playlist?list=PLK-UuVTE1uAcgNX1tplCukF6DydNDwu1R
▶ Music Used:
https://soundcloud.com/aricogle/soul-vibe
https://www.beatport.com/track/cypress-original-mix/12537103
http://freemusicarchive.org/music/Lee_Rosevere/Music_for_Podcasts_4/Lee_Rosevere_-_Music_for_Podcasts_4_-_09_Southside
https://www.beatport.com/track/aires-original-mix/12537111
https://soundcloud.com/chillhopdotcom/aso-caught-in-the-rain
https://soundcloud.com/chillhopdotcom/philanthrope-x-yasper-slopes
https://soundcloud.com/ianewingmke/seltzy
#TheNew52 #DC #DCComics
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Batman "Origin to Death of Batman New 52" - Full Story | Comicstorian
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Batman "Origin to Death of Batman New 52" - Full Story | Comicstorian
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Comicstorian
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DC Comics is infamous for rebooting their universe, but I'm here to break them down.
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DC Comics is infamous for rebooting their universe, but I'm here to break them down.
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Tags: #DCComics #ComicBooks #Comics
DC Comics is infamous for rebooting their universe, but I'm here to break them down.
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Special thanks to our Patrons for helping make this possible!
Doc's Comics & Games, Bonnie Davies, Senita Mahoney, David Adler, Ralph Braganzan, Ethan Dannen, Yoav Haimovitz, Skylar Lewis-Shirley, LookWhosFhtagn, Red Deity, Andrew Shaffer, Talentless Hack, Vydal
Tags: #DCComics #ComicBooks #Comics
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What Is the New 52 - Know Your Universe | Comicstorian
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Comicstorian
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What created the downfall of the New 52?
Follow Perch at...
✅ Substack: https://perch.substack.com
✅ Twitter: https://twitter.com/ComicPerch
✅ Facebook: https:...
What created the downfall of the New 52?
Follow Perch at...
✅ Substack: https://perch.substack.com
✅ Twitter: https://twitter.com/ComicPerch
✅ Facebook: https://www.facebook.com/perch.comments
✅ Email at: [email protected]
🎙️ iTunes Podcast: https://podcasts.apple.com/us/podcast/comics-by-perch/id1554376336
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#ComicBooks #TopComics #GraphicNovels
comics #new52 #dccomics #podcast #ovnipress #ecc
PROGRAMA 1
Antes de arrancar con los new 52, tenemos que hacer una parada importante... hay que hablar del n...
comics #new52 #dccomics #podcast #ovnipress #ecc
PROGRAMA 1
Antes de arrancar con los new 52, tenemos que hacer una parada importante... hay que hablar del nacimiento y la caída de la editorial que trajo la etapa mas polémica de DC en Argentina.
HISTORIA DE ECC SUDAMERICA: https://eluniversodccomics.blogspot.com/2016/04/informe-ecc-y-el-desastre-argentino.html
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comics #new52 #dccomics #podcast #ovnipress #ecc
PROGRAMA 1
Antes de arrancar con los new 52, tenemos que hacer una parada importante... hay que hablar del nacimiento y la caída de la editorial que trajo la etapa mas polémica de DC en Argentina.
HISTORIA DE ECC SUDAMERICA: https://eluniversodccomics.blogspot.com/2016/04/informe-ecc-y-el-desastre-argentino.html
▶SPOTIFY DEL PODCAST :
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Soaring es un álbum del trompetista Don Ellis grabado en 1973 y lanzado en la etiqueta de MPS (Producido por Don Ellis).
Tracklist:
00:00 - Whiplash
04:27 - Sladka Pitka
11:08 - The Devil Made Me Write This Piece
17:03 - Go Back Home
20:24 - Invincible
27:06 - Image of Maria
30:11 - Sidonie
36:50 - Nicole
Personnel
Don Ellis – trumpet, flugelhorn, drums, arranger
Fred Selden – alto saxophone, flute, soprano saxophone, piccolo, alto flute
Vince Denham – alto saxophone, tenor saxophone, soprano saxophone, flute, piccolo,
Sam Falzone – tenor saxophone, clarinet, flute, arranger
Gary Herbig – baritone saxophone, soprano saxophone, clarinet, flute, oboe
Jack Caudill, Bruce Mackay, Gil Rathel – trumpet, flugelhorn
Sidney Muldrow – French horn
Mike Jamieson – trombone
Ken Sawhill – bass trombone
Doug Bixby – tuba
Jay Graydon – guitar, bag
Milcho Leviev – piano, electric piano, organ, clavinet, arranger
Dave McDaniel – bass
Ralph Humphrey – drums
Ron Dunn – drums, percussion
Lee Pastora – congas
Earle Corry, Joel Quivey – electric violin
Renita Koven – electric viola
Pat Kudzia – electric cello
Alexej Fried, Hank Levy – arranger
"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use"
from his appearance at the Montreux Jazz Festival on July 8, 1977.
Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, Jim Snodgrass
Trumpets - Glenn Stuart, Gil Rather, Jack Coan
French Horn - Sidney Muldrow
Trombone - Alan Kaplan
Bass Trombone - Richard Bullock
Tuba - Jim Self
Keyboards - Randy Kerber
Bass - Leon Gaer, Darrell Clayborn
Drums - David Crigger
Congas - Chino Valdes
Percussion, Drums and Mallets - Michael Englander
Percussion, Mallets and Timpani - Ruth Ritchie
Violins - Pam Tompkins, Lori Badessa
Viola - Jimbo Ross
Cello - Paula Hochhalter
I do not own copyright of any of the songs.
Copyright belongs to the artist and company.
All compositions by Don Ellis except as indicated:
Side A
0:00 Star Wars (John Williams)
3:25 Arcturas
9:14 Princess Leia's Theme (Williams)
13:06 Orion's Sword
16:55 Pegasus
Side B
19:43 Crypton
23:18 Lyra
29:13 Eros
33:28 Ursa
36:20 Vulcan
Personnel:
Don Ellis- trumpet, super-trumpet (firebird trumpet), flugelhorn, super-bone, arranger
Ann Patterson – alto saxophone, soprano saxophone, oboe, piccolo, alto flute
Ted Nash - alto saxophone, flute, clarinet
James Coile - tenor saxophone, clarinet, flute
Jim Snodgrass - baritone saxophone, bass clarinet, piccolo, flute, oboe
Glenn Stuart, Gil Rathel, Jack Coan – trumpet
Sidney Muldrew – French Horn
Alan Kaplan – trombone
Richard Bullock – bass trombone
Jim Self – tuba
Randy Kerber – synthesizer, piano, electric piano, clavinet
Darrel Clayborn - double bass
Dave Crigger, Mike Englander - drums
Chino Valdes, Ruth Richie - percussion
Pam Tompkins, Laurie Badessa - violin
Jimbo Ross - viola
Paula Hochhalter - cello
Normally I wouldn't be posting something on this channel that was commercially available. But this recording was inexplicably not already available on YouTube, so here it is.
One of Hank's best charts. It was originally (I believe) written for the Don Ellis orchestra--the incarnation that included the string quartet as well as a few other orchestral winds. It's in 13, mostly divided 3, 3, 2, 2, 3.
Hank made a standard big band instrumentation of this as well. In the process, he changed some things a little here and there. From those that knew and worked with him, apparently that was a rather common practice of his, thus making "definitive" versions elusive.
Don solos on flügel and Milcho Leviev is on keyboards. Enjoy.
Don Ellis (July 25, 1934 – December 17, 1978) was an American jazz trumpeter, drummer, composer and bandleader. He is best known for his extensive musical experimentation, particularly in the area of unusual time signatures. Later in his life he worked as a film composer, among other works contributing a score to 1971's The French Connection and 1973's The Seven-Ups.
Biography
Early life
Ellis was born in Los Angeles, California, on July 25, 1934. His father was a Methodist minister and his mother a church organist. He attended West High School in Minneapolis, MN. After attending a Tommy Dorsey Big Band concert, he first became interested in jazz. Other early inspirations were Louis Armstrong and Dizzy Gillespie. He graduated from Boston University in 1956 with a music composition degree.
Early career
Ellis' first job was with the late Glenn Miller's band, then directed by Ray McKinley. He stayed with the band until September 1956, when he joined the U.S. Army's Seventh Army Symphony Orchestra and the Soldiers' Show Company. Ellis was transferred to Frankfurt, Germany for duty. In the Army band, Ellis met pianist Cedar Walton, and saxophonists Eddie Harris and Don Menza. While in that band Ellis had his first opportunity to compose and arrange for a big band.
Provided to YouTube by Beggars Group Digital Ltd.
Untitled (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: Copyright Control (BMI)
Music Publisher: Kobalt Music Publishing
Music Publisher: CMRRA
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Listen to “Bright Lights” here: https://thekillers.lnk.to/BrightLights
Director: Micah Bickham
EP: Jordy Wax
Producer: Cole Brian
Cinematographer: Chase Smith
Producer: Contrast Films
Choreographer: Ryan Spencer
Backing Vocalists:
Erica Canales
Miranda Joan
Nicky Egan
Melany Watson
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LYRICS:
Standing in darkness
With empty hands
I still know how to use them but the miles made other plans
Running out of highway
Shorter on time
Feel the dead weight deepen and the devil coming down the line
The dashboard’s shaking
I steady the wheel
And I make every turn by memory, by feel
Towards a black horizon
An unbroken dawn
Will this endless stretch of desert road get me back where I belong
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me, here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
I carry my own weight
And then some too
There are things I would change but it ain’t worth going through
Maybe I’m tapped out
Or just plain old tired
Tonight the charge is rewrote
But I’m still hardwired
Will you turn the bright lights on
Baby turn the bright lights on
Cuz I haven’t forgotten where it is I’m from
Look out your window for me here I come
Will you turn the bright lights on
Baby turn the bright lights on
Put me back on the corner and I’ll sing my song
I’m a shoo-in tonight, turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn the bright lights on
We turn, we turn, we turn the bright lights on
We turn, we turn the bright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Tonight, tonight, tonight yeah
You know I think it’s gonna be alright
You know I think it’s gonna be alright
Just hang back and let me sing my song
Turn the bright lights on
Turn the bright lights on
Turn the bright lights on
New York City was in transition in 2002, with dozens of bands reanimating a faded glory that had come to define the Giuliani era. Arriving after several well-regarded EPs that honed Interpol’s sonic and sartorial sense, it’s possible no album captured this moment as vividly as their debut album Turn on the Bright Lights
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Interpol's Turn on the Bright Lights in 5 Minutes
'Obstacle 1' is taken from Interpol's debut album 'Turn On The Bright Lights' out on Matador Records.
Follow Interpol:
Facebook - https://www.facebook.com/interpol/
Instagram - https://www.instagram.com/interpol/
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https://www.interpolnyc.com
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To mark the 20th anniversary of Interpol's debut album 'Turn on the Bright Lights,' watch the recently unearthed documentary short originally released as an EPK in 2002 before the album's release. Stream / purchase 'Turn on the Bright Lights' now: https://interpol.ffm.to/totbl
#interpol #TOTBL
Okay, so maybe they worked together back in 2011 but I didn't know that until after I made this video... and yeah, I also wanted to try out the new tracking feature in FCPX.
Turn on the Bright Lights XV
http://mat-r.co/Interpol
Recorded live in Mexico City.
Find Interpol on
Facebook: http://facebook.com/interpol
Instagram: http://instagram.com/interpol
Twitter: http://twitter.com/Interpol
Spotify: https://tinyurl.com/y98bylop
Credits:
Director – Daniel Ryan
Production Company – 71 Degrees North
Producer – Michael Nowicki
Executive Producers – Neha Datt Schultz and Martin Rodahl
Director of Photography – O’Connor Hartnett
Editor – Laurence Bird
Audio Production and Mix – Steve Ciliak and Ryan Aylward at Clinical Sound
Sound Design and Re-Recording Mix – Dustin Camilleri at Pulse Train, LLC
Animation and Colour – The Mill
Post Producer – Jack Williams
Executive Producer Colour – Laurie Adrianopoli
Colourist – Luke Morrison
Colour Assist – Lindsey Mazur
2D Creative Director – Donnie Bauer
2D Designer – Anzie Lee
Flame Artist – Jeanette Eiternes
Camera Operators – Daniel Ryan and O’Connor Hartnett
Movi Techs – Juan Pablo Flores
Ruben “Wally” Arellano Camera Manager – Jesus Adonay Meza
Camera Rental Agent – Mario Hernandez Araiza at EFD International
Additional Equipment Manager – Alex Roa at De Milagro Films
Tour Manager – Brian Orloff
Live Audio Engineer – Harley Zinker
Live Lighting Designer – Mark Powell
"Saturday Night Lights" is an upbeat, feel-good song about living in the moment and enjoying the magic of city nights with friends. With catchy verses that celebrate the joy of music, dancing, and good vibes, this party anthem is perfect for your Saturday night playlist. Whether you're out in the city or vibing at home, this track will get you moving and feeling alive under the bright lights.
Turn up the volume and let the beat carry you through the night!
#SaturdayNightLights #PartyAnthem #DanceSong #GoodVibes #NightOut #CityVibes #OriginalSong #FeelGoodMusic #WeekendParty #SaturdayVibes
Provided to YouTube by Beggars Group Digital Ltd.
NYC (2012 Remaster) · Interpol
Turn On The Bright Lights
℗ 2002 Matador Records
Released on: 2012-12-03
Associated Performer: Carlos Dengler
Associated Performer: Daniel Kessler
Associated Performer: Paul Banks
Associated Performer: Samuel Fogarino
Music Publisher: CMRRA
Music Publisher: Kobalt Music Publishing
Music Publisher: Copyright Control (BMI)
Composer: Carlos Dengler
Composer: Daniel Kessler
Composer Lyricist: Paul Banks
Composer: Samuel Fogarino
Auto-generated by YouTube.
Attempting To Explain The New 52
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With the recent DCEU news that the Snyderverse will be rebooted into the DCU we thought we'd take a look at one of DC's most infamous reboots in the comics. Today on Top Ten Nerd, we bring you our latest comic breakdown where Adam will be Attempting To Explain The New 52
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Image of Jim Lee and Geoff Johns at 7:56 by Luigi Novi.
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In 2011, DC Comics rebooted their comic books with a line-wide initiative they branded as The New 52. Five years later, they undid it all. This video discusses why the initiative took place and why it did not work, looking at the key people involved: Diane Nelson, Dan DiDio, Jim Lee, Geoff Johns and more.
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In 2011, DC Comics embarked on their biggest company-wide reset since the release of Crisis on Infinite Earths back in 1985, as the comic giants set about scrapping their long-established status quo and continuity, and starting completely afresh. The DC Universe would be rebooted. Much like Crisis did back in ‘85, DC hoped that this new initiative would revitalise the company in a mainstream standpoint, giving non-comic readers a perfect time to begin reading DC Comics, and start fresh, free from decades of continuity and (at times) confusing storytelling. The end result was The New 52. Beginning with the conclusion of the company’s crossover mini-series, Flashpoint, The New 52 saw all the various titles and series’ set within the DC Universe be cancelled, relaunched with new #1 issues; wiping the slate clean for an all new and exciting, rebooted DC Universe. But… did it work? We’re now close to a decade after the launch of The New 52, so it feels an appropriate time to go back and analyse the success of this initiative. So in this video, we’re going to discuss the factors that led up to The New 52’s creation, the ways in how it aimed to shake up the long-established DC status quo, the factors that led to its slow dissolvement over the past number of years, and the modern day rebirth of DC Comics.
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▶ Sources/Further Reading:
https://www.cbr.com/george-perez-couldnt-wait-to-get-off-superman
http://www.hadenblackman.com/archives/696
https://twitter.com/robertliefeld/status/238344842546122752
http://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/597?articleID=116973
https://www.diamondcomics.com/Home/1/1/3/237?articleID=134435
http://www.comichron.com/monthlycomicssales/2014/2014-01.html
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▶ Music Used:
https://soundcloud.com/aricogle/soul-vibe
https://www.beatport.com/track/cypress-original-mix/12537103
http://freemusicarchive.org/music/Lee_Rosevere/Music_for_Podcasts_4/Lee_Rosevere_-_Music_for_Podcasts_4_-_09_Southside
https://www.beatport.com/track/aires-original-mix/12537111
https://soundcloud.com/chillhopdotcom/aso-caught-in-the-rain
https://soundcloud.com/chillhopdotcom/philanthrope-x-yasper-slopes
https://soundcloud.com/ianewingmke/seltzy
#TheNew52 #DC #DCComics
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Batman "Origin to Death of Batman New 52" - Full Story | Comicstorian
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DC Comics is infamous for rebooting their universe, but I'm here to break them down.
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What Is the New 52 - Know Your Universe | Comicstorian
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comics #new52 #dccomics #podcast #ovnipress #ecc
PROGRAMA 1
Antes de arrancar con los new 52, tenemos que hacer una parada importante... hay que hablar del nacimiento y la caída de la editorial que trajo la etapa mas polémica de DC en Argentina.
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Flash "Beginnings to Evil Barry Allen & Reverse Flash" - Full Story | Comicstorian
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Welcome You're under control And buried like a mole A thousand feet below Waiting We're all that we've got Our reputation's shot A ninety-story fall No one here can make a sound We're all ghosts in this town We are standing in the trenches Of the new underground Pipe down Stay under control It's getting so absurd Soon everything will turn It's our time To see the Sun There'll be a crack And our day will come Maybe then we'll be the ones You never can be sure The shot heard 'round the world No one here can make a sound We're just ghosts in this town We are standing in the trenches Of the new underground No one here can make a sound We're just ghosts in this town We are standing in the trenches Of the new underground All the walls are coming down We're still hanging around We are digging in the trenches Of the new underground (All right, yeah, all right, uh-huh) (All right, yeah, all right, uh-huh) (Yeah, I got it, uh-huh, all right) (Uh-huh, all right, yeah, uh-huh) (Uh huh, I got it, morning, I know you are)