- published: 18 Jun 2020
- views: 68557
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Thomas Alan Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musicals and has acted in supporting roles in films, including Paradise Alley and Bram Stoker's Dracula. He also starred in Jim Jarmusch's 1986 film Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Waits' lyrics frequently present atmospheric portraits of grotesque, often seedy characters and places—although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known through cover versions by more commercial artists: "Jersey Girl", performed by Bruce Springsteen, "Ol' '55", by the Eagles, and "Downtown Train", by Rod Stewart. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations. In 2011, Waits was inducted into the Rock and Roll Hall of Fame. He is also included among the 2010 list of Rolling Stone's 100 Greatest Singers. and the 2015 list of Rolling Stone's 100 Greatest Songwriters of All Time.
The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada, and the American English-language premiere at the New York International Fringe Festival in 1999. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated, the songs were performed in English.
The Black Rider is a 1954 British low budget thriller film directed by Wolf Rilla and starring Jimmy Hanley, Rona Anderson and Leslie Dwyer.
Young reporter and amateur biker Jerry Marsh investigates sightings of a hooded black figure on a motorbike. It turns out a gang of smugglers use a haunted castle as their base, deterring curious locals by pretending to be ghosts.
Britmovie wrote, "(the) plot is seemingly lifted almost intact from the pages of a Boys' Own adventure or the writings of children’s author Enid Blyton...Of particular note here is Lionel Jeffries (The Revenge of Frankenstein 1958) as the villain of the piece. Although only in his late 20s, Jeffries already looks much older than his years and effortlessly brings to the role the gravitas it requires...Jeffries also succeeds in making A.R. Rawlinson’s mediocre dialogue sound far better than it actually is...This is a surprisingly stylish piece of filmmaking overall. Most importantly, (Wolf) Rilla succeeds in keeping the narrative moving at a brisk pace. At a time when low-budget British productions remained resolutely studio-bound, The Black Rider features a refreshing amount of exterior footage. Among the lengthiest sequences occurring outdoors an obstacle course at fete that takes on an almost newsreel-like quality" ; while TV Guide wrote, "the only thing discomfiting about this film is the poor direction and inept acting."
The Black Rider is an album by Tom Waits, released in 1993 on Island Records, featuring studio versions of songs Waits wrote for the play The Black Rider, directed by Robert Wilson and co-written by William S. Burroughs. The play is based on the German folktale Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. The play premiered on March 31, 1990, at the Thalia Theater in Hamburg, Germany. Its world English-language premiere occurred in 1998 at the Edmonton International Fringe Festival.
Waits would later collaborate with Wilson on the plays Alice (1992) and Woyzeck (2000), the music to which were released on the albums Alice and Blood Money, respectively.
All songs written by Tom Waits, except where noted. Recorded in 1989 by Gerd Bessler at his Music Factory in Hamburg, Germany (2, 3, 6–9, 14–16, 19, 20), and in 1993 by Tchad Blake at the Prairie Sun Recording Studios in Cotati, California (1, 4, 5, 10–13, 17, 18). Musical Director Greg Cohen. All songs mixed by Biff Dawes At Sunset Sound Factory, Hollywood, CA.
Listen to the full album: https://bit.ly/2MwGpGp "The Black Rider" by Tom Waits from the album 'The Black Rider' Official Site: http://www.tomwaits.com/ Official Store: http://tomwaitsstore.com/ Facebook: https://www.facebook.com/tomwaits/ Twitter: https://twitter.com/tomwaits #tomwaits #theblackrider
http://www.imdb.com/title/tt0466363/ http://www.lasplash.com/publish/Los_Angeles_Performances_116/Black_Rider_at_the_Ahmanson_Theatre_Shakespeare_on_Acid.php
From The Black Rider Play documentary filmed in Hamburg in 1990.
Utwór Toma Waitsa w musicalu "The Black Rider" There is a light in the forest There is a face in the tree I'll pull you out of the chorus And the first one's always free You can never go a-hunting With just a flintlock and a hound You won't go home with a bunting If you blow a hundred round It takes much more than wild courage Or you'll hit the tattered clouds You must have just the right bullets And the first one's always free You must be careful in the forest Broken glass and rusty nails If you're to bring back something for us I have bullets for sale Why be a fool when you can chase away Your blind and your gloom I have blessed each one of these bullets And they shine just like a spoon To have sixty silver wishes Is a small price to pay They'll be your...
Tom Waits - live - Stockholm - '99 Come on along with the Black Rider We'll have a gay old time Lay down in the web of the black spider I'll drink your blood like wine So come on in it ain't no sin take off your skin and dance around in your bones So come on along with the Black Rider We'll have a gay old time Anchors away with the Black Rider I'll drink your blood like wine I'll drop you off in Harlem with the Black Rider Out where the bullets shine And when you're done you cock your gun the blood will run like ribbons through your hair So come on along with the Black Rider We'll have a gay old time
Side 1 Track 5 from The Black Rider... 1993
Side 1 Track 1 from The Black Rider... 1993...
Side 1 Track 7 from The Black Rider
German teleplay from 1990 the only release of the Robert Wilson, Tom Waits, William S. Burroughs collaboration opera. For more information on the production, there is an IMBD link below. Special thanks to DeviantArt user woschaebedip for translating the bulk of the production. Their profile can be found below. You can buy the selected music from this opera from the album below, and finaly Robert Wilsons website. http://www.imdb.com/title/tt0466363/ http://woschaebedip.deviantart.com/ https://www.amazon.com/Black-Rider-Tom-Waits/dp/B000W29AXO/ref=sr_1_2?ie=UTF8&qid=1485464964&sr=8-2&keywords=The+Black+Rider http://www.robertwilson.com/ All rights to their respective owners, This presentation contains copyrighted material under the educational fair use exemption to the U.S. copyright law....
Thomas Alan Waits (born December 7, 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding like "it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock music styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musicals and has acted in supporting roles in films, including Paradise Alley and Bram Stoker's Dracula. He also starred in Jim Jarmusch's 1986 film Down by Law. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Waits' lyrics frequently present atmospheric portraits of grotesque, often seedy characters and places—although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known through cover versions by more commercial artists: "Jersey Girl", performed by Bruce Springsteen, "Ol' '55", by the Eagles, and "Downtown Train", by Rod Stewart. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations. In 2011, Waits was inducted into the Rock and Roll Hall of Fame. He is also included among the 2010 list of Rolling Stone's 100 Greatest Singers. and the 2015 list of Rolling Stone's 100 Greatest Songwriters of All Time.
Good mornin mr. snip snip snip witchur haircut jus as short as mine
Bay rum lucky tiger butch wax cracker jacks shoe shine jaw breaker
Magazine racks hangin round the barber shop a side burnin close crop
Mornin mr. furgeson what's the good word witcha been
Stayin outa trouble like a good boy should i see you're still cuttin hair
Well i'm still cuttin classes i just couldn't hep myself
I got a couple of passes to the ringle bros. barn bail circus afternoon
I see you lost a little round the middle and your lookin reel good
Sittin on the wagon stead of under the hood
What's the low down mr. brown heard you boy's leavin town
I just bought myself a struggle buggy suckers powder blue
Throw me over sports page cincinnati's lookin' good
Always been for pittsburgh lay you 10 to 1
That the pirates get the pennant and the series for their done
You know the hair's gettin longer and the skirts gettin shorter
You can get a cheaper haircut if you wanna cross the border
Now if your mama saw you smokin why she'd kick your ass
Put it out you little juvenile and put it out fast
Oh if i had a million dollars well what would i do
Probly be a barber not a bum like you
Still gotchur paper route now that's just fine
Now you can pay me double cause you gypped me last time
You be keepin little circus money and spend it on a girl