- published: 13 Aug 2016
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Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of an album. Coleman's timbre was easily recognized: his keening, crying sound drew heavily on blues music. He was awarded a MacArthur Fellowship in 1994. His album Sound Grammar received the 2007 Pulitzer Prize for music.
Coleman was born in 1930 in Fort Worth, Texas, where he was also raised. He attended I.M. Terrell High School, where he participated in band until he was dismissed for improvising during "The Washington Post." He began performing R&B and bebop initially on tenor saxophone, and started a band, the Jam Jivers, with some fellow students including Prince Lasha and Charles Moffett. Seeking a way to work his way out of his home town, he took a job in 1949 with a Silas Green from New Orleans traveling show and then with touring rhythm and blues shows. After a show in Baton Rouge, Louisiana, he was assaulted and his saxophone was destroyed.
Rocco Scott LaFaro (April 3, 1936 – July 6, 1961) was an influential American jazz double bassist, perhaps best known for his seminal work with the Bill Evans Trio.
Born in Irvington, New Jersey, LaFaro grew up in a musical family (his father played in many big bands). His family moved to his parents' hometown of Geneva, New York when Scott was five years old. He started on piano while in elementary school, began on the bass clarinet in junior high school, changing to tenor saxophone when he entered high school. He took up the double bass at 18, in the summer before he entered college, when he learned a string instrument was required for music education majors. About three months into his studies at Ithaca College in Ithaca, New York, LaFaro decided to concentrate on bass. He often played in groups at the College Spa and Joe's Restaurant on State Street in downtown Ithaca.
LaFaro entered college to study music but left during the early weeks of his sophomore year, when he joined Buddy Morrow and his big band. He left that organization in Los Angeles after a cross-country tour and decided to try his luck in the Los Angeles music scene. There, he quickly found work and became known as one of the best of the young bassists. LaFaro was vigorously disciplined, spending most of his days practicing his instrument. He practiced using a clarinet book to improve his facility. Bassist Red Mitchell also taught LaFaro how to pluck the strings with both the index and middle fingers independently, which also furthered his development. LaFaro spent much of 1958 in pianist/percussionist Victor Feldman's band.
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 Ornette Coleman - The Shape of Jazz to Come (1959) 00:00 Lonely Woman (1959) 04:56 Eventually (1959) 09:14 Peace (1959) 18:11 Focus On Sanity (1959) 24:58 Congeniality (Nomad) (1959) 31:40 Chronology (Step In) (1959) Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of an album. Coleman's timbre was easily recognized: his keening, crying sound drew heavily on blues music. He was awarded a MacArthur Fellowship in 1994. His album Sound Gramma...
Alto Saxophone – Ornette Coleman Bass – Charlie Haden, Scott LaFaro Bass Clarinet – Eric Dolphy Design (Album Design) – Loring Eutemy Drums – Billy Higgins, Ed Blackwell Trumpet – Freddie Hubbard Trumpet (Pocket) – Donald Cherry Engineer (Recording) – Tom Dowd Painting (White Light) – Jackson Pollock Recording Supervisor – Nesuhi Ertegun A1 Free Jazz (Part 1) B1 Free Jazz (Part 2) FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighte...
1978 Germany. Ornette Coleman - sax, violin; Ben Nix - guitar; James Blood Ulmer - guitar; Fred Williams - bass; Shannon Jackson - drums; Denardo Coleman - drums
Dancing in Your Head es un álbum de estudio del artista de jazz Ornette Coleman, lanzado en 1977 por Horizon Records. Fue donde por primera vez presento su banda eléctrica, que más tarde se conoció como Prime Time. 1. Theme from a Symphony (variation one) - 00:00 2. Theme from a Symphony (variation two) - 15:43 3. Midnight Sunrise - 26:50 _Ornette Coleman - Saxo _Bern Nix - 1era Guitarra _Charlie Ellerbee - 2da Guitarra _Rudy McDaniel - Bajo _Shannon Jackson - Bateria _Robert Palmer - Clarinete en "Midnight Sunrise" _Master Musicians of Jajouka en "Midnight Sunrise"
Ornette Coleman "Lonely Woman" Album: The Shape Of Jazz To Come Released: 1959 Length: 5'02" Wikipedia: http://en.wikipedia.org/wiki/The_Shape_of_Jazz_to_Come
Alto Saxophone, Written-By – Ornette Coleman Bass – Scott LaFaro Drums – Ed Blackwell Trumpet (Pocket) – Don Cherry Recorded - January 31, 1961 Cover – John Jagel Engineer (Recording) – Tom Dowd Supervised By – Nesuhi Ertegun A1 W.R.U. 0:00 A2 T. & T. 16:23 B1 C. & D. 20:58 B2 R.P.D.D. 34:06 FAIR USE DISCLAIMER: I do not own copyright for this copyrighted artwork, but under Section 107 United States Copyright Law as noted by the United States Copyright Office (Copyright Act 1976), allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. I state here in a good faith that I have made and uploaded here this copy of this copyrighted artwork completely for the purposes of teaching and research, that my action - i....
Ramblin' Album: Change of the Century (1960) Written by: Ornette Coleman Personnel: Ornette Coleman — alto saxophone Don Cherry — pocket trumpet Charlie Haden — bass Billy Higgins — drums
Watch this video ad-free on Nebula: https://nebula.app/videos/polyphonic-how-ornette-coleman-shaped-jazz If you think this video was worth $3 - https://ko-fi.com/polyphonic - Merchandise: https://standard.tv/collections/polyphonic TikTok: https://tiktok.com/@watchpolyphonic Twitter: https://twitter.com/watchpolyphonic Join the Polyphonic Discord: https://discord.gg/TQUTp9r Theme Music by Pracs: https://soundcloud.com/pracs Sound Design by Graham Haerther 00:00 Intro 01:05 Title Card 01:13 Radical Musical Ideas 04:41 Musicians Just as Radical 06:22 Instrumentation and Structure 08:13 Music as Ideas 08:59 Lonely Woman 10:41 The Shape of Jazz to Come (Conclusion)
''Change of the Century'' is the fourth studio album by jazz saxophonist Ornette Coleman, released on Atlantic Records in 1960, his second for the label. Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter, and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of a 1961 album (Free Jazz: A Collective Improvisation). He was awarded a MacArthur Fellowship in 1994. His album ''Sound Grammar'' received the 2007 Pulitzer Prize for music. _______________________________________________________________________________________________ Ramblin' is basically a blues,but it has a modern, more independent melodic line that older blues have,of course. I do not feel so...
The only known live footage of jazz legend Scott LaFaro, performing with the Richie Kamuca Quintet on the KABC TV Show "Stars of Jazz," April 7 1958. This footage includes significantly improved audio compared to other publicly available clips. "The things LaFaro did in-between piano phrases and across the time were phenomenal and made a deep impression on me. It was a conceptual thing; he served as a melodic counter-voice to everything else that was happening. He wasn’t walking all the time in 4/4, yet he had a real groove with Bill and Paul Motian. When they played ballads, the groove would go from first gear to second gear and back to first gear with an implication of double-time and other meters. He played with ideas that went over the bar line and obfuscated the one. His approach w...
A1 Making Whoopee 0:00 A2 In Your Own Sweet Way 5:32 A3 Onilisor 10:40 A4 Come Rain Or Shine 14:55 B1 Blackeyed Peas 20:37 B2 I Could Have Danced All Night 24:10 B3 Yesterdays 27:43 B4 Blues 32:18. A1 Making Whoopee 0:00 A2 In Your Own Sweet Way 5:32 A3 Onilisor 10:40 A4 Come Rain Or Shine 14:55 B1 Blackeyed Peas 20:37 B2 I Could Have Danced . The recordings on this CD precede. jazz. Scott Lafaro Doublebass Sasa Top.
Thanks to the International Society of Bassists for lending me Scott LaFaro's bass and making this video possible. Additional s/o to Kolstein in Manhattan, NY for providing a home for this instrument. In this video, I break down my favorite 3 examples of Scott LaFaro's bass playing, and his impact on the history of jazz bass. 01:08 Solar 10:20 Nardis 16:58 I Love You https://www.patreon.com/coledavismusic
Bill Evans Trio at the Village Vanguard - My Man's Gone Now Scott LaFaro (April 3, 1936 – July 6, 1961) was the bass player in Bill Evans's first great trio. He died in an automobile accident just ten days after making this recording with the Bill Evans Trio at the Village Vanguard.
Bill Evans Trio - Waltz For Debby My Foolish Heart Bill Evans – piano Scott LaFaro – bass Paul Motian – drums モリタカ雪 https://www.mori-takayuki.com/general-5 Pick up Mic - MSP Strings - Daddario Helicore zyex Line Recording
Commemorating 59 years since the death of Scott LaFaro. Bass: Scott LaFaro Piano: Bill Evans Drums: Paul Motian Composer: Scott LaFaro Problems in the audio 1:07-1:08. I highly recommend you to listen to the second take: https://www.youtube.com/watch?v=rARGPAkIcw4&feature=share
A real rarity: Bill & Scott rehearsing probably Autumn 1960. Playing & talking through some changes. Bill Evans: piano Scott LaFaro: bass Also here's Scott playing at 400 BMP with Victor Feldman & Stan Levey: https://youtu.be/Ih0QHvS1YoQ Mind bogglingly BURNIN" !!!!
Full Chorus Transcription HIP / Hampton Hawes from album For Real! (1961) Personnel Hampton Hawes - piano Harold Land - tenor saxophone Scott LaFaro - bass Frank Butler - drums Recorded in 1958 PDF file https://www.iidamasaharu.com/wp-content/uploads/2021/05/HIPBlues_Bb_ScottLaFaro.pdf
Provided to YouTube by Xelon Entertainment On Green Dolphin Street · Scott LaFaro 1961 ℗ 2020 Down Home Released on: 2020-11-20 Auto-generated by YouTube.
George Clabin interviews Bill Evans about Scott LaFaro in 1966
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, violinist, trumpeter and composer. He was one of the major innovators of the free jazz movement of the 1960s, a term he invented with the name of an album. Coleman's timbre was easily recognized: his keening, crying sound drew heavily on blues music. He was awarded a MacArthur Fellowship in 1994. His album Sound Grammar received the 2007 Pulitzer Prize for music.
Coleman was born in 1930 in Fort Worth, Texas, where he was also raised. He attended I.M. Terrell High School, where he participated in band until he was dismissed for improvising during "The Washington Post." He began performing R&B and bebop initially on tenor saxophone, and started a band, the Jam Jivers, with some fellow students including Prince Lasha and Charles Moffett. Seeking a way to work his way out of his home town, he took a job in 1949 with a Silas Green from New Orleans traveling show and then with touring rhythm and blues shows. After a show in Baton Rouge, Louisiana, he was assaulted and his saxophone was destroyed.