Hylo Brown (April 20, 1922 – January 17, 2003) was a bluegrass and country music singer, guitarist and bass player.
Biography
Frank "Hylo" Brown, Jr. was born in River, Johnson County, Kentucky and began his career as a performer on radio station WCMI in Ashland, Kentucky in 1939. Soon, he moved to WLOG in Logan, West Virginia and their "Saturday Jamboree". Six months later, he moved with his family to Springfield, Ohio. He began composing songs and performing on local radio stations in Ohio. During an appearance at WPFB in Middletown, Ohio he received his nickname "Hylo" because Smoky Ward, who was on the show, couldn't remember his name and started calling him "Hi-Lo". That nickname was a humorous indication of Brown's presumed vocal range. In 1950, he recorded with Bradley Kincaid at WWSO studio in Springfield. Four years later, Brown wrote a song, Lost To A Stranger, that was sent to Ken Nelson, the A & R man of Capitol Records. The song was meant to be recorded by Kitty Wells but instead, Nelson offered Brown a recording contract if he recorded it himself. On November 7, 1954, he cut his first recordings for Capitol Records. Lost To A Stranger became his first hit. In early 1955, he formed the "Buckskin Boys" performing on the WWVA Jamboree in Wheeling, West Virginia. In 1957, he joined Flatt & Scruggs on their "Martha White Mills" shows, and he was regularly featured in solo performances as well as with the Foggy Mountain Boys. He renamed the "Buckskin Boys" calling them "The Timberliners". The Timberliners consisted of Brown on guitar, Red Rector on mandolin, Jim Smoak on banjo, Clarence "Tater" Tate on fiddle and Joe "Flap Jack" Phillips on bass. After his Capitol contract had expired, Brown signed with Starday Records in 1961. He retired in 1991 and moved to Mechanicsburg, Ohio. Hylo Brown died on January 17, 2003. He is interred in Rose Hill Burial Park, Springfield,
Clark County, Ohio.
It features KQED's mobile film unit following author and activist James Baldwin in the spring of 1963, as he's driven around San Francisco to meet with members of the local African American community. He is escorted by Youth For Service's Executive Director Orville Luster and trying to establish: "The real situation of Negroes in the city, as opposed to the image San Francisco would like to present." He declares: "There is no moral distance ... between the facts of life in San Francisco and the facts of life in Birmingham. Someone's got to tell it like it is. And that's where it's at." Baldwin has frank exchanges with local people on the street and meets with community leaders in the Bayview and Western Addition neighborhoods. He also reflects on the racial inequality that African Americans are forced to confront and at one point tries to lift the morale of a young man, by expressing his conviction that: "There will be a Negro president of this country but it will not be the country that we are sitting in now."
"Take This Hammer" (Roud 4299, AFS 745B1) is a prison, logging, and railroad work song, which has the same Roud number as another song, "Nine Pound Hammer", with which it shares verses. "Swannanoa Tunnel" and "Ashville Junction" are similar. Together, this group of songs are referred to as "hammer songs" or "roll songs" (after a group of wheelbarrow-hauling songs with much the same structure, though not mentioning hammers). Numerous bluegrass bands and singers like Scott McGill and Mississippi John Hurt also recorded commercial versions of this song, nearly all of them containing verses about the legendary spike driver, John Henry; and even when they do not, writes folklorist Kip Lornell, "one feels his strong and valorous presence in the song".
Background
For almost a hundred years after the abolition of slavery, convicts, mostly African American, were leased to work as forced labor in the mines, railroad camps, brickyards, turpentine farms, and then on road gangs of the American South. Forced labor on chain gangs, levees, and huge, plantation-like prison farms continued well into the twentieth century. It was not unusual for work songs like "Take this Hammer" and its "floating verses" to drift between occupations along with the itinerant laborers who sang them. The elements of both the ballad of "John Henry" and the "Take This Hammer" complex appear to date from the late nineteenth century, probably the 1870s.
Hylo Brown sings The Needle which my dad wrote. Please visit & "Like our Facebook page : Save Country Music. www.facebook.com/SaveCountryMusic
published: 17 Jan 2013
I've Waited Just As Long As I Can - Foggy Mountain Boys
recorded in May 1962, featuring Frank 'Hylo' Brown on the "Flatt & Scruggs Grand Ole Opry Show'.
published: 18 May 2015
Truck Drivin' Man , HyLo Brown , 1963
Written by Terry Fell. From the 1963 album "Sing Me a Bluegrass Song".
published: 19 Sep 2015
Original Radio Recording ~ Hylo Brown and The Timberliners (1976) (Full LP digitally restored)
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
published: 02 Jun 2022
Hylo Brown The Girl in the Blue Velvet Band with The Foggy Mountain Boys
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
published: 30 Sep 2020
Hylo Brown - Danged If I Do - King's Music City Records
published: 04 Jan 2023
Hylo Brown - Cocaine Blues
From 1963 London/Starday LP HA-B 8094 "Bluegrass Goes To College". Originally released as Starday SLP 204.
published: 21 Mar 2017
Hylo Brown- Lost To A Stranger
Hylo Brown sings a bluegrass classic and his best known song
published: 30 Apr 2013
Hylo Brown It's All Over Now But The Cryin' 1962 Flatt & Scruggs Grand Ole Opry Show
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
published: 30 Sep 2020
Hylo Brown - Sad Prison Song
Twisted Tales From The Vinyl Wastelands Vol. 3 "Beatin' On The Bars" (2006)
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
...
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Le...
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Le...
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Hylo Brown (April 20, 1922 – January 17, 2003) was a bluegrass and country music singer, guitarist and bass player.
Biography
Frank "Hylo" Brown, Jr. was born in River, Johnson County, Kentucky and began his career as a performer on radio station WCMI in Ashland, Kentucky in 1939. Soon, he moved to WLOG in Logan, West Virginia and their "Saturday Jamboree". Six months later, he moved with his family to Springfield, Ohio. He began composing songs and performing on local radio stations in Ohio. During an appearance at WPFB in Middletown, Ohio he received his nickname "Hylo" because Smoky Ward, who was on the show, couldn't remember his name and started calling him "Hi-Lo". That nickname was a humorous indication of Brown's presumed vocal range. In 1950, he recorded with Bradley Kincaid at WWSO studio in Springfield. Four years later, Brown wrote a song, Lost To A Stranger, that was sent to Ken Nelson, the A & R man of Capitol Records. The song was meant to be recorded by Kitty Wells but instead, Nelson offered Brown a recording contract if he recorded it himself. On November 7, 1954, he cut his first recordings for Capitol Records. Lost To A Stranger became his first hit. In early 1955, he formed the "Buckskin Boys" performing on the WWVA Jamboree in Wheeling, West Virginia. In 1957, he joined Flatt & Scruggs on their "Martha White Mills" shows, and he was regularly featured in solo performances as well as with the Foggy Mountain Boys. He renamed the "Buckskin Boys" calling them "The Timberliners". The Timberliners consisted of Brown on guitar, Red Rector on mandolin, Jim Smoak on banjo, Clarence "Tater" Tate on fiddle and Joe "Flap Jack" Phillips on bass. After his Capitol contract had expired, Brown signed with Starday Records in 1961. He retired in 1991 and moved to Mechanicsburg, Ohio. Hylo Brown died on January 17, 2003. He is interred in Rose Hill Burial Park, Springfield,
Clark County, Ohio.
Take this hammer take it to the captain take this hammer take it to the captain Take this hammer take it to the captain tell him I'm gone tell him I'm gone If he asks you was I runnin' if he asks you was I runnin' If he asks you was I runnin' tell him I's flyin' tell him I's flyin' Tell the captain I was headed for the river tell the captain I was headed for the river Tell the captain I was headed for the river tell him I swim tell him I swim Take this hammer take it to the captain take this hammer take it to the captain Take this hammer take it to the captain tell him I'm gone gone gone tell him I'm gone When that steamboat comes down the river when that steamboat comes down the river When that steamboat comes down the river I'm a gonna swim when it comes by Twenty-five miles in Mississippi twenty-five miles in Mississippi Twenty-five miles in Mississippi tell him I'm gone gone gone tell him I'm gone Take this hammer take it to the captain take this hammer take it to the captain