Hylo Brown (April 20, 1922 – January 17, 2003) was a bluegrass and country music singer, guitarist and bass player.
Biography
Frank "Hylo" Brown, Jr. was born in River, Johnson County, Kentucky and began his career as a performer on radio station WCMI in Ashland, Kentucky in 1939. Soon, he moved to WLOG in Logan, West Virginia and their "Saturday Jamboree". Six months later, he moved with his family to Springfield, Ohio. He began composing songs and performing on local radio stations in Ohio. During an appearance at WPFB in Middletown, Ohio he received his nickname "Hylo" because Smoky Ward, who was on the show, couldn't remember his name and started calling him "Hi-Lo". That nickname was a humorous indication of Brown's presumed vocal range. In 1950, he recorded with Bradley Kincaid at WWSO studio in Springfield. Four years later, Brown wrote a song, Lost To A Stranger, that was sent to Ken Nelson, the A & R man of Capitol Records. The song was meant to be recorded by Kitty Wells but instead, Nelson offered Brown a recording contract if he recorded it himself. On November 7, 1954, he cut his first recordings for Capitol Records. Lost To A Stranger became his first hit. In early 1955, he formed the "Buckskin Boys" performing on the WWVA Jamboree in Wheeling, West Virginia. In 1957, he joined Flatt & Scruggs on their "Martha White Mills" shows, and he was regularly featured in solo performances as well as with the Foggy Mountain Boys. He renamed the "Buckskin Boys" calling them "The Timberliners". The Timberliners consisted of Brown on guitar, Red Rector on mandolin, Jim Smoak on banjo, Clarence "Tater" Tate on fiddle and Joe "Flap Jack" Phillips on bass. After his Capitol contract had expired, Brown signed with Starday Records in 1961. He retired in 1991 and moved to Mechanicsburg, Ohio. Hylo Brown died on January 17, 2003. He is interred in Rose Hill Burial Park, Springfield,
Clark County, Ohio.
"Old-fashioned" is a science fictionshort story by Isaac Asimov. The story was written at the request of Kim Armstrong, editor of Bell Telephone Magazine, with the stipulation that it be 3,000 words and center on a problem in communications. The author claimed that he had thought up a plotline before lunch while the editor was over. The story was duly written and published in February 1976. It was illustrated by Gerald McConnell in comic book style.
Plot summary
Two astro-miners in the asteroid belt, Estes and Funarelli, are badly injured when their spaceship is damaged by the tidal effects of an uncharted black hole. Their drive and communications systems are beyond repair and they have a finite supply of food and air.
In desperation, Estes hits on the idea of going outside the ship and throwing small rocks at the black hole. This will generate bursts of x-rays which, he hopes, will be detected by radio-astronomers on Earth.
He does this several times, attempting to time the bursts so that they spell out S-O-S in Morse code. The attempt works and within days, an unmanned drone ship with supplies arrives from Earth.
In massage parlor parlance, the giving of a handjob by a masseuse, whether as part of the massage itself or directly after it, is called a "happy ending".
According to a 1975 study by A. J. Velarde, in an unnamed AmericanWest Coast city, provision of a "hand job", where the woman gave the client a handjob, was one of the services masseuses were employed to give. Subsequent newspaper publicity for this practice caused local councils to impose licensing requirements on masseuses similar to the ones imposed on prostitutes. This licensing led to increased expectations in massage parlor clients, who expected that more than a handjob would be available, that is, sexual intercourse. Because the masseuses themselves considered that they had nothing to lose by acting as prostitutes, and because the local council treated them as prostitutes anyway, masseuses often complied, and thus attracted more prostitution to the city.
Hylo Brown sings The Needle which my dad wrote. Please visit & "Like our Facebook page : Save Country Music. www.facebook.com/SaveCountryMusic
published: 17 Jan 2013
I've Waited Just As Long As I Can - Foggy Mountain Boys
recorded in May 1962, featuring Frank 'Hylo' Brown on the "Flatt & Scruggs Grand Ole Opry Show'.
published: 18 May 2015
Truck Drivin' Man , HyLo Brown , 1963
Written by Terry Fell. From the 1963 album "Sing Me a Bluegrass Song".
published: 19 Sep 2015
Original Radio Recording ~ Hylo Brown and The Timberliners (1976) (Full LP digitally restored)
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
published: 02 Jun 2022
Hylo Brown The Girl in the Blue Velvet Band with The Foggy Mountain Boys
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
published: 30 Sep 2020
Hylo Brown - Danged If I Do - King's Music City Records
published: 04 Jan 2023
Hylo Brown - Cocaine Blues
From 1963 London/Starday LP HA-B 8094 "Bluegrass Goes To College". Originally released as Starday SLP 204.
published: 21 Mar 2017
Hylo Brown- Lost To A Stranger
Hylo Brown sings a bluegrass classic and his best known song
published: 30 Apr 2013
Hylo Brown It's All Over Now But The Cryin' 1962 Flatt & Scruggs Grand Ole Opry Show
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
published: 30 Sep 2020
Hylo Brown - Sad Prison Song
Twisted Tales From The Vinyl Wastelands Vol. 3 "Beatin' On The Bars" (2006)
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
...
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Le...
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Le...
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Artist: #HyloBrown
Label: #GrassoundRecords GRS 103
Year: #1976
Genre: #Bluegrass #Gospel
Restored from the original album
Please consider supporting my work:
PayPal: paypal.me/HankfanHankfan
CashApp: $rgr1973
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Flatt & Scruggs appeared on various country music variety TV shows, but they received their own 30-minute syndicated television show through WSM in 1955. The Lester Flatt and Earl Scruggs Grand Ole Opry Show featured guests such as Maybelle Carter and many famous singers of the era, and this new form of broadcast media widely increased their fame and influence. The episodes captured a dynamic that couldn’t be translated over airwaves alone.
While Flatt called the shots and directed much of the banter onstage, Scruggs leaned on his technical ability more than flare. The show ran until 1969, when the two disbanded.
Hylo Brown (April 20, 1922 – January 17, 2003) was a bluegrass and country music singer, guitarist and bass player.
Biography
Frank "Hylo" Brown, Jr. was born in River, Johnson County, Kentucky and began his career as a performer on radio station WCMI in Ashland, Kentucky in 1939. Soon, he moved to WLOG in Logan, West Virginia and their "Saturday Jamboree". Six months later, he moved with his family to Springfield, Ohio. He began composing songs and performing on local radio stations in Ohio. During an appearance at WPFB in Middletown, Ohio he received his nickname "Hylo" because Smoky Ward, who was on the show, couldn't remember his name and started calling him "Hi-Lo". That nickname was a humorous indication of Brown's presumed vocal range. In 1950, he recorded with Bradley Kincaid at WWSO studio in Springfield. Four years later, Brown wrote a song, Lost To A Stranger, that was sent to Ken Nelson, the A & R man of Capitol Records. The song was meant to be recorded by Kitty Wells but instead, Nelson offered Brown a recording contract if he recorded it himself. On November 7, 1954, he cut his first recordings for Capitol Records. Lost To A Stranger became his first hit. In early 1955, he formed the "Buckskin Boys" performing on the WWVA Jamboree in Wheeling, West Virginia. In 1957, he joined Flatt & Scruggs on their "Martha White Mills" shows, and he was regularly featured in solo performances as well as with the Foggy Mountain Boys. He renamed the "Buckskin Boys" calling them "The Timberliners". The Timberliners consisted of Brown on guitar, Red Rector on mandolin, Jim Smoak on banjo, Clarence "Tater" Tate on fiddle and Joe "Flap Jack" Phillips on bass. After his Capitol contract had expired, Brown signed with Starday Records in 1961. He retired in 1991 and moved to Mechanicsburg, Ohio. Hylo Brown died on January 17, 2003. He is interred in Rose Hill Burial Park, Springfield,
Clark County, Ohio.
My loves' old fashioned But it still works Just the way it is This love is classic And not just simply because I say it is It's right on time (right on time) And it's timeless (timeless) And it'll be right here, for always My loves' old fashioned So be it, I'm set in my ways Hush child, just listen Don't it sound just like the good old days Well it's right on time (right on time) And it's timeless (timeless) And it'll be right here, for always (always) My love's right one time (right on time) And it's timeless (timeless) I'll be right here for always Oooo... people they gather round, and they wonder how Are we in love right here and now I just smile cause true love doesn't go out of style Ooh... right on time, Ooh, yes, Ooh... on time, ooh timeless