- published: 07 Apr 2008
- views: 25235949
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Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
Barber was born in West Chester, Pennsylvania, the son of Marguerite McLeod (née Beatty) and Samuel Le Roy Barber. He was born into a comfortable, educated, social, and distinguished American family. His father was a physician; his mother, called Daisy, was a pianist of English-Scottish-Irish descent whose family had lived in the United States since the time of the Revolutionary War. His aunt, Louise Homer, was a leading contralto at the Metropolitan Opera; his uncle, Sidney Homer, was a composer of American art songs. Louise Homer is known to have influenced Barber's interest in voice. Through his aunt, Barber had access to many great singers and songs.
Samuel Barber (1738?–1811), was an Irish Presbyterian minister.
Barber was a native of Co. Antrim. He was the younger son of John Barber, a farmer near Killead. He entered Glasgow College in 1757, was licensed 1761 (on second trials 28 August at Larne) by Templepatrick presbytery, and ordained by Dromore presbytery, 3 May 1763, at Rathfriland, Co. Down, where he ministered till his death. He was a good Latinist, Tacitus being his favourite author; his Greek was thin; he was somewhat given to rabbinical studies, having collected a small store of learned books on this subject. He is best known for the public spirit with which he threw himself into the political and ecclesiastical struggles of his time. Teeling considers him "one of the first and boldest advocates of the emancipation of his country and the union of all her sons."
When Lord Glerawley disarmed the Rathfriland regiment of volunteers in 1782, the officers and men chose Barber as their colonel in his stead. In this double capacity he preached (in regimentals) a sermon to the volunteers, in the Third Presbyterian Congregation, Belfast. He sat in the three volunteer conventions of 1782, 1783, and 1793, as a strong advocate of parliamentary reform, catholic emancipation, and a revision of the tithe system, the revenue laws, and the Irish pension list. Lord Kilwarlin, being asked to contribute to the rebuilding of his meeting-house, said he would rather pay to pull it down (broadsheet of August 1783). In 1786 Richard Woodward, Bishop of Cloyne, published his Present State of the Church of Ireland, to prove that none but Episcopalians could be loyal to the constitution. Barber's Remarks in reply showed him a master of satire, and embodied the most trenchant pleas for disestablishment that any dissenter had yet put forth ("Must seven-eighths of the nation for ever crouch to the eighth?"). Woodward made no response.
Symphony No. 2, op. 19 is a three-movement work for orchestra by American composer Samuel Barber. The 25-minute work was originally written in 1944. The work underwent many revisions and was finally published in 1950. The original manuscript was withdrawn by Barber in 1964. He ordered that G. Schirmer destroy the original manuscript and all scores in their library. The work remained unpublished for many years until 1984 when a set of parts turned up in a warehouse in England. Renewed interest in Barber's work led to a 1990 reprint of the 1950 edition.
Samuel Barber began his composition career at the age of seven. He was accepted in the prestigious Curtis Institute of Music at age 14. He received critical acclaim for his early compositions including The School for Scandal and Adagio for Strings. His early success led to a commission from the United States Air Force in 1943 to write a "symphonic work about flyers". The request came soon after he joined the United States Army in 1942. Barber spent time at a U.S. Air Force base so that he could take part in flight training and battle simulations. He was given four months to write the piece with the understanding that the army would receive all of the royalties forever.
The Symphony No. 2, Op 40 by Malcolm Arnold is a symphony dating from 1953. Arnold composed the symphony on commission from the Bournemouth Winter Garden's Society. He dedicated the score to the Bournemouth Symphony Orchestra and conductor Charles Groves, who premiered the work on 25 May 1953.
The work is in four movements:
Commentators such as Donald Mitchell and Christopher Stasiak have noted Arnold's use of what they characterise as "Mahlerian clichés", or Mahlerian style and construction, in this symphony.
The Symphony No. 2 by the Polish composer Witold Lutosławski is an orchestral composition in two movements written between 1965 and 1967. The work exhibits Lutosławski's technique of "limited aleatoricism", where the individual instrumental parts are notated exactly, but their precise co-ordination is organised using controlled elements of chance.
Lutosławski wrote his Symphony No. 2 between 1965 and 1967. The preceding years had been a time of transition for him and for Poland. The Soviet Union under Joseph Stalin had seized control of the country in the aftermath of World War II, and the iron-fisted cultural dictation of the Communist government severely limited both the output of Polish composers and their exposure to musical developments in the outside world between the 1949 and 1954. Many pieces, including Lutosławski's first symphony, were condemned as formalist (focused on esoteric considerations of form rather than on speaking directly to the proletariat) and banned from public performance. In 1956 the Poles took advantage of Stalin's death to reform their government. The national ruling communist ideology became more liberal, especially regarding the arts.
The Symphony No. 2 by Robert Simpson was completed in 1956 and dedicated to Anthony Bernard, conductor of the London Chamber Orchestra, though the first performance was in fact given by the Hallé Orchestra conducted by Sir John Barbirolli on 16 July 1957 at the Cheltenham Festival.
This is one of Simpson's most accessible works. He used similar orchestration to that used by Ludwig van Beethoven in his early symphonies, with the exception of high D trumpets being used instead of the standard B flat trumpets.
The work is in three movements:
The first movement opens with mysterious muted string lines in simple triple time which gracefully develops in a similar way to classical form. The tonal conflict in this Symphony centers on B and the tonalities a major third above and below it (G and E-flat).
The second movement is remarkable in the way that it is a palindrome (the same backwards as forwards) if one removes the last few bars. In all there are thirteen variations on the viola theme which opens the movement, and many of the motives within the movement are palindromic to ensure formal cohesion.
Mike & Molly is a sitcom which premiered in September 2010. The show revolves around the lives of Mike Biggs, a police officer, and Molly Flynn, a schoolteacher, who meet at an Overeaters Anonymous meeting and fall in love. The series follows their relationship with each other and their two families.
Officer Michael "Mike" Biggs (Billy Gardell), is the lead male protagonist of the series. He is introduced in the first episode as a Chicago police officer with weight issues who attends a meeting of Overeaters Anonymous. It is here that he meets Molly Flynn. After Molly asks Mike to come and speak to her class at the school where she works, they begin dating in the second episode. Mike is regularly accompanied by his best friend, Carl McMillan, his partner on the police force, whom he joins for breakfast to chat about the state of their lives at a cafe where their waiter is always Samuel, an African immigrant who likes to make fun of Mike's weight. Mike and Molly got engaged in the season 1 finale, are married in the season 2 finale, and are still trying to conceive their first child as of the Season 4 premiere. In Season 5, though, Mike finds out that Molly went back on birth control without telling him due to the pain and frustration of two years when she was unable to conceive a child, and they resolve to pursue avenues like adoption as they still love each other and want to raise kids.
Adagio for Strings by Samuel Barber.
Sony Classical is proud to release Samuel Barber’s Adagio for Strings, Op. 11 from the Summer Night Concert 2019. The Vienna Philharmonic is conducted by Gustavo Dudamel with pianist Yuja Wang as soloist. Listen & purchase the album here: https://SonyClassical.lnk.to/SNC_2019LY The Summer Night Concert was performed on June 20th, 2019. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert, which is free of charge for all residents and visitors of the city. Central to the programme of the Vienna Philharmonic’s 2019 Summer Night Concert was a musical history of the United States of America: the works that were heard in the 2019 set are composed in or for the USA, while also constituting links ...
Vlaams Radiokoor (Flemish Radio Choir) Marcus Creed, conductor Recorded at Studio 4, Flagey (Brussels) in 2015 Available now on Spotify: https://open.spotify.com/track/5bMyN3AEGrmJLpfnPuxXQv
Please avoid posting comments about Samuel Barber's sexuality and enjoy the music! Any hateful comments will be removed. Composer: Samuel Barber (1910-1981) Performed here by: The Dale Warland Singers _________________ About this song: Samuel Barber rejected many arrangements, of Adagio for Strings, published by G. Schirmer, such as the organ arrangement by William Strickland. However he did transcribe the piece in 1967 for eight-part choir, as a setting of the Agnus Dei ("Lamb of God"). Adagio for Strings (the string version of this piece) can be heard on many film, TV, and video game soundtracks, including Oliver Stone's Oscar-winning film "Platoon", David Lynch's 1980 Oscar-nominated film "The Elephant Man", Michael Moore's documentary "Sicko", "Swimming Upstream", "Lorenzo's Oil",...
Samuel Barbers Konzert für Violine und Orchester op. 14 führten Solist Augustin Hadelich und das WDR Sinfonieorchester unter der Leitung von Krzysztof Urbański am 06.11.2020 bei einem Konzert ohne Publikum in der Kölner Philharmonie auf. 00:00:00 I. Allegro moderato 00:11:34 II. Andante 00:20:53 III. Presto in moto perpetuo Augustin Hadelich, Violine WDR Sinfonieorchester Krzysztof Urbański, Leitung ► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://www.wdr-sinfonieorchester.de ► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester ○ Werkeinführung: Samuel Barber, 1910 im US-Bundesstaat Pennsylvania geboren, komponierte mit zehn Jahren seine erste Oper, begann im Alter von vierzehn sein Studium und ließ sich in den ...
Info: https://gr.afit.pl See other recordings of this orchestra https://www.youtube.com/playlist?list=PLR7kJugEJ7kui4ZNxQAX0Q4KZk4NSCs5b 0:00 Intro 0:31 Barber's Adagio 8:22 Credits 3rd Polish Nationwide Music Schools' Symphonic Orchestras Competition Andrzej Kucybała - conductor, Stanisław Moniuszko School of Music Symphony Orchestra in Bielsko Biała, Poland recorded at Stanisław Moniuszko School of Music Concert Hall, June 01, 2015 #AndrzejKucybała #Barber #Platoon
VOCES8 performs Samuel Barber's setting of the 'Agnus Dei' at the VOCES8 Centre in London. TEXT Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, miserere nobis. Agnus Dei, qui tollis peccata mundi, dona nobis pacem. TRANSLATION Lamb of God, who takes away the sins of the world, have mercy on us. Lamb of God, who takes away the sins of the world, have mercy on us. Lamb of God, who takes away the sins of the world, grant us peace. Film made by VOCES8 Studios https://voces8.com/voces8-studios Creative Directors: Andrew Staples and Barnaby Smith Director: Andrew Staples Sound Producer: Barnaby Smith Executive Producer: Paul Smith Assistants: Poppy Savage and Silas Sanders Camera: Sony FX6 Microphones: Neumann kk133s Lighting: Godox 600x & 300x, Apu...
Samuel Barber - Violin Concerto, Op.14 1. Allegro 00:00 2. Andante 10:26 3. Presto in moto perpetuo 19:12 Gil Shaham, violin David Robertson, conductor BBC Symphony Orchestra filmed at the BBC Proms in the Royal Albert Hall in London, England.
Albert Spalding plays 'Rondo Capriccioso,' with piano by Andre Benoist. The recording was made in New York. The date is not entirely clear. Several takes were recorded on 1 May 1915. Further takes (up to take G) were recorded on 6 September 1915. This, however, is take J, and there appears to be no documentation as to the recording date. From Wikipedia: Albert Spalding (August 15, 1888 – May 26, 1953) was an internationally recognized American violinist and composer. Spalding was born in Chicago, Illinois on August 15, 1888. His mother, Marie Boardman, was a contralto and pianist. His father, James Walter Spalding, and uncle, Hall-of-Fame baseball pitcher Albert Goodwin 'Al' Spalding, created the A.G. Spalding sporting goods company. Spalding studied the violin privately in Ma...
Here we have from Samuel Barber (1910-1981) a thrilling orchestral work, one that almost didn't survive for our listening pleasure today. The composer sought to have his second symphony destroyed for reasons not completely known to us. However, a few years after Barber's death, the orchestra parts turned up in a warehouse in England. I'm glad they did. The three-movement symphony was composed while Barber was serving in the Army Air Force in 1942. He visited an air force base in Texas and spent time talking with the pilots to get a sense of their experiences in the air. His symphony, therefore, draws at least some of its inspiration from these accounts of soaring in the clouds. Performed by Detroit Symphony Orchestra Conducted by Neeme Järvi Purchase Symphony No. 2 along with othe...
Here we have from Samuel Barber (1910-1981) a thrilling orchestral work, one that almost didn't survive for our listening pleasure today. The composer sought to have his second symphony destroyed for reasons not completely known to us. However, a few years after Barber's death, the orchestra parts turned up in a warehouse in England. I'm glad they did. The three-movement symphony was composed while Barber was serving in the Army Air Force in 1942. He visited an air force base in Texas and spent time talking with the pilots to get a sense of their experiences in the air. His symphony, therefore, draws at least some of its inspiration from these accounts of soaring in the clouds. Performed by Detroit Symphony Orchestra Conducted by Neeme Järvi Purchase Symphony No. 2 along with othe...
Stanford Symphony Orchestra Paul Phillips, conductor 15 November 2019 Bing Concert Hall Stanford University
Detroit Symphony conducted by/Sinfónica de Detrioit dirigida por Neeme Järvi. I. Allegro ma non troppo (0:00) II. Andante, un poco mosso (12:18) III. Presto, Senza battuto – Allegro risoluto (20:05) Samuel Barber wrote his Symphony No. 2 during four months across 1942 and 1943 and dedicated it to the American Air Force. However, he withdrew the score and destroyed almost all its traces during the 1960’s. Nonetheless, some of it was rescued and restored as it presently exists. Samuel Barber compuso su Sinfonía No. 2 durante 4 meses entre 1942 y 1943 y la dedicó a la Fuerza Aérea Estadounidense. No obstante, retiró la partitura de circulación y destruyó casi todas las copias en los años 60. Sin embargo, algunas partes fueron rescatadas y restauradas a como existe hoy. More info/más infor...
Das NDR Elbphilharmonie Orchester spielt Essay for Orchestra Nr. 2 op. 17 von Samuel Barber unter Leitung von Marin Alsop. Ein Ausschnitt aus dem Konzert im Rahmen des Festivals "Age of Anxiety" am 18. Februar 2022, Elbphilharmonie Hamburg SAMUEL BARBER Second Essay for Orchestra op. 17 Marin Alsop, Dirigentin NDR Elbphilharmonie Orchester Website: www.ndr.de/eo Facebook: www.facebook.com/ndrelbphilharmonieorchester Instagram: www.instagram.com/ndr.eo/ #ndrelbphilharmonieorchester #ageofanxiety #samuelbarber
Provided to YouTube by NAXOS of America Symphony No. 2, Op. 19: I. Allegro ma non troppo · Royal Scottish National Orchestra Barber: Orchestral Works, Vol. 1 - Symphonies Nos. 1 & 2 ℗ 2001 Naxos Released on: 2001-03-03 Conductor: Marin Alsop Orchestra: Royal Scottish National Orchestra Composer: Samuel Barber Auto-generated by YouTube.
Samuel Barber: 1. Sinfonie op. 9 (Sinfonie in einem Satz) ∙ Allegro ma non troppo – Allegro molto – Andante tranquillo – Con moto ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Marin Alsop, Dirigentin ∙ hr-Sinfoniekonzert ∙ Alte Oper Frankfurt, 14. Oktober 2021 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester ∙ ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙ © 2021 Hessischer Rundfunk (hr)
Provided to YouTube by NAXOS of America Symphony No. 2, Op. 19 (revised Version) · Boston Symphony Orchestra Samuel Barber Historical Recordings (1935-1960) ℗ 2011 West Hill Radio Archives Released on: 2011-10-04 Conductor: Samuel Barber Orchestra: Boston Symphony Orchestra Composer: Samuel Barber Auto-generated by YouTube.
Orchestre national de Lyon. Auditorium de Lyon (Lyon, France)
Sony Classical is proud to release Samuel Barber’s Adagio for Strings, Op. 11 from the Summer Night Concert 2019. The Vienna Philharmonic is conducted by Gustavo Dudamel with pianist Yuja Wang as soloist. Listen & purchase the album here: https://SonyClassical.lnk.to/SNC_2019LY The Summer Night Concert was performed on June 20th, 2019. It is an annual open-air event, which has been held since 2008. The park of Schönbrunn Palace in Vienna/Austria is the magical setting for the concert, which is free of charge for all residents and visitors of the city. Central to the programme of the Vienna Philharmonic’s 2019 Summer Night Concert was a musical history of the United States of America: the works that were heard in the 2019 set are composed in or for the USA, while also constituting links ...
Provided to YouTube by Believe SAS Barber: Symphony No. 2 ("Flight Symphony") , Op. 19 (Original Version) / II. Andante, Un Poco Mosso · Samuel Barber · Samuel Barber · Samuel Barber · Samuel Barber Historical Recordings, Vol. 4 ℗ 2018 Revolver Records Released on: 1950-01-01 Auto-generated by YouTube.
Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century: music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim."
His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was awarded the Pulitzer Prize for Music twice: for his opera Vanessa (1956–57) and for the Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a setting for soprano and orchestra of a prose text by James Agee. At the time of his death, nearly all of his compositions had been recorded.
Barber was born in West Chester, Pennsylvania, the son of Marguerite McLeod (née Beatty) and Samuel Le Roy Barber. He was born into a comfortable, educated, social, and distinguished American family. His father was a physician; his mother, called Daisy, was a pianist of English-Scottish-Irish descent whose family had lived in the United States since the time of the Revolutionary War. His aunt, Louise Homer, was a leading contralto at the Metropolitan Opera; his uncle, Sidney Homer, was a composer of American art songs. Louise Homer is known to have influenced Barber's interest in voice. Through his aunt, Barber had access to many great singers and songs.