- published: 19 Mar 2018
- views: 56595
-
remove the playlistSymphony No. 10 (beethoven Cooper)
- remove the playlistSymphony No. 10 (beethoven Cooper)
Symphony No. 10 (Beethoven/Cooper)
Ludwig van Beethoven's Symphony No. 10 in E-flat major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony.
Background
After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece for his friend Karl Holz, whose description of what he heard matches the material assembled by Cooper. Cooper claimed that he found over fifty separate fragments, which he wove together to form the symphonic movement. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._10_(Beethoven_Cooper)
Symphony No. 10 (Henze)
Symphony No. 10 by Hans Werner Henze was written between 1997 and 2000.
Unlike his Ninth Symphony, the Tenth has a more traditional four-movement symphonic structure. The first movement, entitled Ein Sturm (A Storm) is suitably tempestuous; the second, Ein Hymnus (A hymn) is for strings alone. The third movement scherzo, Ein Tanz (A dance), is dominated by percussion. The finale, Ein Traum, (A dream) dispenses with form, and builds to a climax involving the whole orchestra.
The titles themselves are generic, that is they evoke motifs associated with them rather than any specific references.
The work was jointly commissioned by Paul Sacher and Simon Rattle. Rattle premiered the first movement only with the City of Birmingham Symphony Orchestra in March 2000 in Birmingham. The premiere of the full work was given at Lucerne on 17 August 2002 with the same forces. Henze dedicated the work to Sacher, who died before the premiere.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._10_(Henze)
Symphony No. 10
Symphony No. 10 may refer to:
- Ludwig van Beethoven's Symphony No. 10, a hypothetical work assembled by Barry Cooper from fragmentary sketches in the 20th century
- Johannes Brahms's Symphony No. 1, nicknamed "Beethoven's Tenth"
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._10
Symphony No. 10 (Myaskovsky)
The Symphony No. 10 in F minor, Op. 30 by Nikolai Myaskovsky is among the more remarkable of the Russian composer's large output of 27 symphonies.
Composed in Moscow in 1926–27, it was inspired by Alexander Pushkin's poem The Bronze Horseman, which tells of a young man whose fiancée is drowned by the disastrous flooding of Saint Petersburg by the River Neva in 1824 and who curses the prominent equestrian statue of Peter the Great, only to be pursued through the city by the statue until he too is drowned.
The basic events of the poem may be discerned in Miaskovsky’s music, notably the flood in the opening passage (marked Tumultuoso), plus themes for the principal characters (the sole lyrical element, played Patetico on solo woodwind or violin, symbolizes the drowned fiancée) and the pursuit by the statue, a Presto Tempestoso fugue on a subject using ten of the twelve pitches of the chromatic scale. In fact Miaskovsky was not so much inspired by the poem as by Alexander Benois's illustrations to it.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._10_(Myaskovsky)
Podcasts:
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Beethoven - Symphony No 10 (arr Cooper) Morris, LSO (1988) plus Lecture by Cooper
Ludwig van Beethoven - Symphony No. 10 in E flat Beethoven: Realised & completed by Dr. Barry Cooper 1st movement: Andante-Allegro-Andante London Symphony Orchestra conducted by Wyn Morris Recorded at Walthamstow Town Hall, London, on 8 September 1988 The Story of Beethoven's Tenth Symphony - An Illustrated lecture by Dr. Barry Cooper Recorded at CTS Studios, Wembley, 13 September 1988
published: 19 Mar 2018 -
Beethoven/Cooper - Symphony No. 10 - CBSO
- 00:00 - About the completion of Beethoven's 10th Symphony on 1988 05:25 - Symphony No. 10 in E-Flat Major (I. Andante - Allegro - Andante) City of Birmingham Symphony Orchestra Walter Weller (conductor) Recorded on 1988 by Chandos BEETHOVEN'S SYMPHONY NO. 10 in E-Flat Major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose another symphony. BARRY COOPER (born 1949) is an English musicologist, composer, organist, Beethoven scholar, and editor of the Beethoven Compendium. Born in Westcliff-on-Sea ...
published: 12 Oct 2021 -
Ludwig van Beethoven - Symphony no. 10
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proved that all the sketches assembled were meant for the same piece. There is consensus, however, that Beethoven did intend another symphony. cond. Walter Weller
published: 20 Feb 2012 -
Beethoven/Barry Cooper - Symphony No.10, 1. Andante
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony reconstructed by musicologist Barry Cooper (1949-present). Performer(s): https://www.youtube.com/watch?v=cKoE1f7evDA&ab_channel=MrWippler
published: 27 May 2023 -
Symphony No.10 in E flat major - Ludwig van Beethoven / Barry Cooper
London Symphony Orchestra conducted by Wyn Morris I - Andante - Allegro - Andante: 0:00 Before Beethoven had completed his Ninth Symphony in 1824, he had already started jotting down ideas for a Tenth (a similar overlap had occurred in his Fifth and Sixth symphonies). He worked on this new symphony sporadically from 1822 onwards, with the latest known sketches dating from October 1825; but at the time of his death in March 1827 only the first movement had been worked on in any detail. His friend Karl Holz later reported having heard him play it on the piano and gave a brief description: a gentle introduction in E-flat major followed by a powerful Allegro in C minor. But even this movement was evidently far from being completely written down and there are no clear indications of what was ...
published: 13 Feb 2020 -
Barry Cooper - Beethoven: The 10th Symphony
published: 12 Apr 2021 -
Ludwig van Beethoven. Symphony No.10 in E flat major (full)
A compilation of the first two parts created by man and the two parts created by artificial intelligence. It turned out to be a full-fledged piece of music. All rights reserved: https://youtu.be/HxmyRlGS-Z0 https://youtu.be/Rvj3Oblscqw
published: 17 May 2022 -
Beethoven symphony no. 10 in E flat major "Unfinished" (Part 1 of 2)
Ludwig Van Beethoven (1770-1827) Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work. Barry Cooper assembled it from Beethoven's fragmentary sketches and two recordings were released in 1988, one conducted by Wyn Morris and the other by Walter Weller. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version. Beethoven never completed a Symphony No. 10. After completing the Ninth Symphony, he devoted his energies largely to composing string quartets, although there are contemporary references to some work on an orchestral piece; allegedly he played some of his idea...
published: 03 Nov 2009 -
Ludwig van Beethoven (1770-1827) - Symphony No.10 (1825)
★ Follow music ► https://www.instagram.com/reciclassicat/ Autor: Ludwig van Beethoven (1770-1827) Obra: Symphony No.10 in E flat-major (1825) Intèrprets: London Symphony Orchestra; Wyn Morris (conductor) Pintura: Barend Cornelis Koekoek (1803-1862) - Winter Landscape (c.1835-1838) Comprar/Purchase: https://www.amazon.com/Beethoven-Symphony-No-World-Premier/dp/B00008FDDF --- Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper (b.1949) from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony. After completing the Ninth Symphony in 1824, Beethoven devoted his en...
published: 06 Mar 2017 -
Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) - Beethoven
Composer: Ludwig van Beethoven Title: Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) Ludwig van Beethoven
published: 25 Jun 2017
developed with YouTube
48:27
Beethoven - Symphony No 10 (arr Cooper) Morris, LSO (1988) plus Lecture by Cooper
- Order: Reorder
- Duration: 48:27
- Uploaded Date: 19 Mar 2018
- views: 56595
Ludwig van Beethoven - Symphony No. 10 in E flat
Beethoven: Realised & completed by Dr. Barry Cooper
1st movement: Andante-Allegro-Andante
London Symphony Orche...
Ludwig van Beethoven - Symphony No. 10 in E flat
Beethoven: Realised & completed by Dr. Barry Cooper
1st movement: Andante-Allegro-Andante
London Symphony Orchestra conducted by Wyn Morris
Recorded at Walthamstow Town Hall, London, on 8 September 1988
The Story of Beethoven's Tenth Symphony - An Illustrated lecture by Dr. Barry Cooper
Recorded at CTS Studios, Wembley, 13 September 1988
https://wn.com/Beethoven_Symphony_No_10_(Arr_Cooper)_Morris,_Lso_(1988)_Plus_Lecture_By_Cooper
Ludwig van Beethoven - Symphony No. 10 in E flat
Beethoven: Realised & completed by Dr. Barry Cooper
1st movement: Andante-Allegro-Andante
London Symphony Orchestra conducted by Wyn Morris
Recorded at Walthamstow Town Hall, London, on 8 September 1988
The Story of Beethoven's Tenth Symphony - An Illustrated lecture by Dr. Barry Cooper
Recorded at CTS Studios, Wembley, 13 September 1988
21:20
Beethoven/Cooper - Symphony No. 10 - CBSO
- Order: Reorder
- Duration: 21:20
- Uploaded Date: 12 Oct 2021
- views: 5153
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00:00 - About the completion of Beethoven's 10th Symphony on 1988
05:25 - Symphony No. 10 in E-Flat Major (I. Andante - Allegro - Andante)
City of Birmingham...
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00:00 - About the completion of Beethoven's 10th Symphony on 1988
05:25 - Symphony No. 10 in E-Flat Major (I. Andante - Allegro - Andante)
City of Birmingham Symphony Orchestra
Walter Weller (conductor)
Recorded on 1988 by Chandos
BEETHOVEN'S SYMPHONY NO. 10 in E-Flat Major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose another symphony.
BARRY COOPER (born 1949) is an English musicologist, composer, organist, Beethoven scholar, and editor of the Beethoven Compendium. Born in Westcliff-on-Sea in Essex, Cooper studied piano and composition in his childhood, leading to scholarships to Gordonstoun School and later to University College, Oxford, where he studied organ with John Webster and earned an MA in 1973 and a DPhil in 1974. His musical compositions include an oratorio, The Ascension.
But Cooper is best known for his books on Beethoven, as well as a completion and realization of Beethoven's fragmentary Symphony No. 10. Having extensively studied Beethoven's sketchbooks and written a book about them, Beethoven and the Creative Process, Cooper felt confident enough to identify the sketches for the individual movements of the Symphony and put together those for the first movement into a musically satisfactory whole. It was then revised and received its public premiere in 1988 by the Royal Liverpool Philharmonic Orchestra, conducted by Walter Weller. In a way, this fulfilled Beethoven's promise of his Symphony No. 10 to the Royal Philharmonic Society, since the premiere was at a concert given by this society.
From 1974 to 1990, Cooper taught at the University of Aberdeen, where he became interested in early printed music in that city, as well as music theory in 18th-century England. He has also discovered rare 17th-century French harpsichord music as well as one of the oldest canons now known. Since 1990, he teaches courses in music history, harmony and counterpoint at the University of Manchester .
Sources:
Celebration TV Series
City of Birmingham Symphony Orchestra
https://www.youtube.com/channel/UCZSj2AvdHhGzXpwqOXyWtNA
Wikipedia
https://en.wikipedia.org
Buy CD/MP3:
https://www.amazon.co.uk/gp/product/B000000A7Y
sty1
https://wn.com/Beethoven_Cooper_Symphony_No._10_Cbso
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00:00 - About the completion of Beethoven's 10th Symphony on 1988
05:25 - Symphony No. 10 in E-Flat Major (I. Andante - Allegro - Andante)
City of Birmingham Symphony Orchestra
Walter Weller (conductor)
Recorded on 1988 by Chandos
BEETHOVEN'S SYMPHONY NO. 10 in E-Flat Major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose another symphony.
BARRY COOPER (born 1949) is an English musicologist, composer, organist, Beethoven scholar, and editor of the Beethoven Compendium. Born in Westcliff-on-Sea in Essex, Cooper studied piano and composition in his childhood, leading to scholarships to Gordonstoun School and later to University College, Oxford, where he studied organ with John Webster and earned an MA in 1973 and a DPhil in 1974. His musical compositions include an oratorio, The Ascension.
But Cooper is best known for his books on Beethoven, as well as a completion and realization of Beethoven's fragmentary Symphony No. 10. Having extensively studied Beethoven's sketchbooks and written a book about them, Beethoven and the Creative Process, Cooper felt confident enough to identify the sketches for the individual movements of the Symphony and put together those for the first movement into a musically satisfactory whole. It was then revised and received its public premiere in 1988 by the Royal Liverpool Philharmonic Orchestra, conducted by Walter Weller. In a way, this fulfilled Beethoven's promise of his Symphony No. 10 to the Royal Philharmonic Society, since the premiere was at a concert given by this society.
From 1974 to 1990, Cooper taught at the University of Aberdeen, where he became interested in early printed music in that city, as well as music theory in 18th-century England. He has also discovered rare 17th-century French harpsichord music as well as one of the oldest canons now known. Since 1990, he teaches courses in music history, harmony and counterpoint at the University of Manchester .
Sources:
Celebration TV Series
City of Birmingham Symphony Orchestra
https://www.youtube.com/channel/UCZSj2AvdHhGzXpwqOXyWtNA
Wikipedia
https://en.wikipedia.org
Buy CD/MP3:
https://www.amazon.co.uk/gp/product/B000000A7Y
sty1
- published: 12 Oct 2021
- views: 5153
15:33
Ludwig van Beethoven - Symphony no. 10
- Order: Reorder
- Duration: 15:33
- Uploaded Date: 20 Feb 2012
- views: 858489
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled by Barry Cooper from Beethoven's fragmentary sketches. This title is co...
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proved that all the sketches assembled were meant for the same piece. There is consensus, however, that Beethoven did intend another symphony.
cond. Walter Weller
https://wn.com/Ludwig_Van_Beethoven_Symphony_No._10
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proved that all the sketches assembled were meant for the same piece. There is consensus, however, that Beethoven did intend another symphony.
cond. Walter Weller
- published: 20 Feb 2012
- views: 858489
5:11
Beethoven/Barry Cooper - Symphony No.10, 1. Andante
- Order: Reorder
- Duration: 5:11
- Uploaded Date: 27 May 2023
- views: 2572
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony reconstructed by musicologist Barry Cooper (1949-present).
Performer...
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony reconstructed by musicologist Barry Cooper (1949-present).
Performer(s): https://www.youtube.com/watch?v=cKoE1f7evDA&ab_channel=MrWippler
https://wn.com/Beethoven_Barry_Cooper_Symphony_No.10,_1._Andante
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony reconstructed by musicologist Barry Cooper (1949-present).
Performer(s): https://www.youtube.com/watch?v=cKoE1f7evDA&ab_channel=MrWippler
- published: 27 May 2023
- views: 2572
19:45
Symphony No.10 in E flat major - Ludwig van Beethoven / Barry Cooper
- Order: Reorder
- Duration: 19:45
- Uploaded Date: 13 Feb 2020
- views: 17420
London Symphony Orchestra conducted by Wyn Morris
I - Andante - Allegro - Andante: 0:00
Before Beethoven had completed his Ninth Symphony in 1824, he had alre...
London Symphony Orchestra conducted by Wyn Morris
I - Andante - Allegro - Andante: 0:00
Before Beethoven had completed his Ninth Symphony in 1824, he had already started jotting down ideas for a Tenth (a similar overlap had occurred in his Fifth and Sixth symphonies). He worked on this new symphony sporadically from 1822 onwards, with the latest known sketches dating from October 1825; but at the time of his death in March 1827 only the first movement had been worked on in any detail. His friend Karl Holz later reported having heard him play it on the piano and gave a brief description: a gentle introduction in E-flat major followed by a powerful Allegro in C minor. But even this movement was evidently far from being completely written down and there are no clear indications of what was to follow in later movements.
Like most of Beethoven't sketches for other works, those for the Tenth symphony are scattered in several different sketch manuscripts (four main ones plus a number of subsidiary ones have so far been identified). As usual, they are unlabelled and almost illegible to anyone not well acquainted with Beethoven's idiosyncratic handwriting. Consequently, it was not until the 1980s that any of them were identified with any certainty. In the meantime, rumours about the Tenth Symphony, started mainly by Holz and Anton Schindler, had fuelled speculation that there might be a complete manuscript hidden away somewhere or alternatively that the symphony had never been begun and that the rumours were without foundation.
Now, however, we are a little clearer and more than 50 sketches are known, although many questions remain unanswered and it is possible that more sketches may yet be discovered. All the sketches are very fragmentary, with none containing more than about 30 bars of continuous music; but to someone familiar with Beethoven's normal sketching methods they do give a clear idea of the sort of movement he had in mind. Moreover, they contain some very good material. It therefore seems very well worthwhile to try and make them available for performances by filling them out into a performing version, rather than leaving them in archives where they can be of use only to a few specialists. After all, the sketches represent sound rather than shapes on paper, and they cannot be fully assessed until they have been heard, and preferably heard in an appropriate orchestral setting.
Barry Cooper had already studied Beethoven's sketches for numerous other works, in connection with a book he was writing (Beethoven and the Creative Process), and therefore felt he was in a better position than most scholars to attempt a completion of the first movement, even though the task at first seemed impossibly daunting. Altogether there are around 250 bars of sketches for the first movement. Some duplicate or contradict each other, leaving less than 200 usable; but many of these can be used more than once, by means of repetitions and reprises such as occur in all of Beethoven's symphonies (for example, a theme sketched for the exposition will recur in the recapitulation). The sketches thereby provide us with well over 300 bars, while the remaining 200 bars or so (out of 531) have had to be adapted from the same basic themes by various means (e.g. by transposition and sequence) and developed in the way Beethoven normally did. Thus, all the basic thematic material is Beethoven's; but appropriate harmony has had to be added in places where it is missing, the movement has had to be orchestrated in Beethoven's style (with the aid of only a few clues in the sketches), and linking passages based on Beethoven's themes have been inserted where necessary.
The result is obviously not exactly what Beethoven would have written, and in certain places in particular he would probably have been more imaginative. It also sounds more typical of middle period than late Beethoven, although this may be due to the close connections with the early piano sonatas. Nevertheless, it does provide at least a rough impression of the movement he had in mind at the time of the sketches and is certainly far closer to Beethoven's Tenth symphony than anything previously heard. It is therefore likely to be found extremely interesting by anyone wanting to know what he planned for the symphony that was to have followed the Ninth; moreover it can also be appreciated as a piece of music, in a way that the fragmentary sketches on their own could never be.
Picture: [To the left] "Portrait of Ludwig van Beethoven when composing the Missa Solemnis" (1820) by the German painter Joseph Karl Stieler. [To the right] "Beethoven" (1987) by the American artist Andy Warhol.
Source: https://web.archive.org/web/20090203234337/http://lucare.com/immortal/cooper.html
https://wn.com/Symphony_No.10_In_E_Flat_Major_Ludwig_Van_Beethoven_Barry_Cooper
London Symphony Orchestra conducted by Wyn Morris
I - Andante - Allegro - Andante: 0:00
Before Beethoven had completed his Ninth Symphony in 1824, he had already started jotting down ideas for a Tenth (a similar overlap had occurred in his Fifth and Sixth symphonies). He worked on this new symphony sporadically from 1822 onwards, with the latest known sketches dating from October 1825; but at the time of his death in March 1827 only the first movement had been worked on in any detail. His friend Karl Holz later reported having heard him play it on the piano and gave a brief description: a gentle introduction in E-flat major followed by a powerful Allegro in C minor. But even this movement was evidently far from being completely written down and there are no clear indications of what was to follow in later movements.
Like most of Beethoven't sketches for other works, those for the Tenth symphony are scattered in several different sketch manuscripts (four main ones plus a number of subsidiary ones have so far been identified). As usual, they are unlabelled and almost illegible to anyone not well acquainted with Beethoven's idiosyncratic handwriting. Consequently, it was not until the 1980s that any of them were identified with any certainty. In the meantime, rumours about the Tenth Symphony, started mainly by Holz and Anton Schindler, had fuelled speculation that there might be a complete manuscript hidden away somewhere or alternatively that the symphony had never been begun and that the rumours were without foundation.
Now, however, we are a little clearer and more than 50 sketches are known, although many questions remain unanswered and it is possible that more sketches may yet be discovered. All the sketches are very fragmentary, with none containing more than about 30 bars of continuous music; but to someone familiar with Beethoven's normal sketching methods they do give a clear idea of the sort of movement he had in mind. Moreover, they contain some very good material. It therefore seems very well worthwhile to try and make them available for performances by filling them out into a performing version, rather than leaving them in archives where they can be of use only to a few specialists. After all, the sketches represent sound rather than shapes on paper, and they cannot be fully assessed until they have been heard, and preferably heard in an appropriate orchestral setting.
Barry Cooper had already studied Beethoven's sketches for numerous other works, in connection with a book he was writing (Beethoven and the Creative Process), and therefore felt he was in a better position than most scholars to attempt a completion of the first movement, even though the task at first seemed impossibly daunting. Altogether there are around 250 bars of sketches for the first movement. Some duplicate or contradict each other, leaving less than 200 usable; but many of these can be used more than once, by means of repetitions and reprises such as occur in all of Beethoven's symphonies (for example, a theme sketched for the exposition will recur in the recapitulation). The sketches thereby provide us with well over 300 bars, while the remaining 200 bars or so (out of 531) have had to be adapted from the same basic themes by various means (e.g. by transposition and sequence) and developed in the way Beethoven normally did. Thus, all the basic thematic material is Beethoven's; but appropriate harmony has had to be added in places where it is missing, the movement has had to be orchestrated in Beethoven's style (with the aid of only a few clues in the sketches), and linking passages based on Beethoven's themes have been inserted where necessary.
The result is obviously not exactly what Beethoven would have written, and in certain places in particular he would probably have been more imaginative. It also sounds more typical of middle period than late Beethoven, although this may be due to the close connections with the early piano sonatas. Nevertheless, it does provide at least a rough impression of the movement he had in mind at the time of the sketches and is certainly far closer to Beethoven's Tenth symphony than anything previously heard. It is therefore likely to be found extremely interesting by anyone wanting to know what he planned for the symphony that was to have followed the Ninth; moreover it can also be appreciated as a piece of music, in a way that the fragmentary sketches on their own could never be.
Picture: [To the left] "Portrait of Ludwig van Beethoven when composing the Missa Solemnis" (1820) by the German painter Joseph Karl Stieler. [To the right] "Beethoven" (1987) by the American artist Andy Warhol.
Source: https://web.archive.org/web/20090203234337/http://lucare.com/immortal/cooper.html
- published: 13 Feb 2020
- views: 17420
32:05
Barry Cooper - Beethoven: The 10th Symphony
- Order: Reorder
- Duration: 32:05
- Uploaded Date: 12 Apr 2021
- views: 1695
- published: 12 Apr 2021
- views: 1695
41:10
Ludwig van Beethoven. Symphony No.10 in E flat major (full)
- Order: Reorder
- Duration: 41:10
- Uploaded Date: 17 May 2022
- views: 15145
A compilation of the first two parts created by man and the two parts created by artificial intelligence. It turned out to be a full-fledged piece of music.
A...
A compilation of the first two parts created by man and the two parts created by artificial intelligence. It turned out to be a full-fledged piece of music.
All rights reserved:
https://youtu.be/HxmyRlGS-Z0
https://youtu.be/Rvj3Oblscqw
https://wn.com/Ludwig_Van_Beethoven._Symphony_No.10_In_E_Flat_Major_(Full)
A compilation of the first two parts created by man and the two parts created by artificial intelligence. It turned out to be a full-fledged piece of music.
All rights reserved:
https://youtu.be/HxmyRlGS-Z0
https://youtu.be/Rvj3Oblscqw
- published: 17 May 2022
- views: 15145
10:55
Beethoven symphony no. 10 in E flat major "Unfinished" (Part 1 of 2)
- Order: Reorder
- Duration: 10:55
- Uploaded Date: 03 Nov 2009
- views: 123191
Ludwig Van Beethoven (1770-1827)
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work. Barry Cooper assembled it from Beethoven's ...
Ludwig Van Beethoven (1770-1827)
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work. Barry Cooper assembled it from Beethoven's fragmentary sketches and two recordings were released in 1988, one conducted by Wyn Morris and the other by Walter Weller. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
Beethoven never completed a Symphony No. 10. After completing the Ninth Symphony, he devoted his energies largely to composing string quartets, although there are contemporary references to some work on an orchestral piece; allegedly he played some of his ideas for this piece for his friend Karl Holz. During this time, Beethoven also began sketches for a 6th piano concerto in D major.
Calling Barry Cooper's work the "Symphony No. 10" has proven to be rather controversial, since it cannot be proven that all the sketches assembled were even intended to be part of the same piece. Cooper claimed that he found over fifty separate fragments which he wove together to form the symphonic movement.
Though this work remains controversial, there is a consensus that Beethoven did intend to complete another symphony. There are numerous references to it in his correspondence (originally, he had planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work).
Johannes Brahms's First Symphony is sometimes referred to as "Beethoven's Tenth Symphony", after a remark by Hans von Bülow.[2][3] Both the Brahms work and Cooper's realisation of Beethoven's sketches feature C-minor 6/8 Allegros.
Thanks Barry Cooper for your hard work for providing this marvelous piece to us!
Hope you'll enjoy it!
From: http://en.wikipedia.org/wiki/Symphony_No._10_(Beethoven/Cooper)
https://wn.com/Beethoven_Symphony_No._10_In_E_Flat_Major_Unfinished_(Part_1_Of_2)
Ludwig Van Beethoven (1770-1827)
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work. Barry Cooper assembled it from Beethoven's fragmentary sketches and two recordings were released in 1988, one conducted by Wyn Morris and the other by Walter Weller. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
Beethoven never completed a Symphony No. 10. After completing the Ninth Symphony, he devoted his energies largely to composing string quartets, although there are contemporary references to some work on an orchestral piece; allegedly he played some of his ideas for this piece for his friend Karl Holz. During this time, Beethoven also began sketches for a 6th piano concerto in D major.
Calling Barry Cooper's work the "Symphony No. 10" has proven to be rather controversial, since it cannot be proven that all the sketches assembled were even intended to be part of the same piece. Cooper claimed that he found over fifty separate fragments which he wove together to form the symphonic movement.
Though this work remains controversial, there is a consensus that Beethoven did intend to complete another symphony. There are numerous references to it in his correspondence (originally, he had planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work).
Johannes Brahms's First Symphony is sometimes referred to as "Beethoven's Tenth Symphony", after a remark by Hans von Bülow.[2][3] Both the Brahms work and Cooper's realisation of Beethoven's sketches feature C-minor 6/8 Allegros.
Thanks Barry Cooper for your hard work for providing this marvelous piece to us!
Hope you'll enjoy it!
From: http://en.wikipedia.org/wiki/Symphony_No._10_(Beethoven/Cooper)
- published: 03 Nov 2009
- views: 123191
20:01
Ludwig van Beethoven (1770-1827) - Symphony No.10 (1825)
- Order: Reorder
- Duration: 20:01
- Uploaded Date: 06 Mar 2017
- views: 41286
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Autor: Ludwig van Beethoven (1770-1827)
Obra: Symphony No.10 in E flat-major (1825)
Intèrprets: Londo...
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Autor: Ludwig van Beethoven (1770-1827)
Obra: Symphony No.10 in E flat-major (1825)
Intèrprets: London Symphony Orchestra; Wyn Morris (conductor)
Pintura: Barend Cornelis Koekoek (1803-1862) - Winter Landscape (c.1835-1838)
Comprar/Purchase: https://www.amazon.com/Beethoven-Symphony-No-World-Premier/dp/B00008FDDF
---
Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper (b.1949) from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony.
After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece for his friend Karl Holz, whose description of what he heard matches the material assembled by Cooper. Cooper claimed that he found over fifty separate fragments, which he wove together to form the symphonic movement. Cooper assembled material for a first movement consisting of an Andante in E♭ major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
There are numerous references to this work in Beethoven's correspondence. (He had originally planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work.)
Earlier, in 1814–15, Beethoven also began sketches for a 6th piano concerto in D major, Hess 15. (Unlike the fragmentary symphony, the first movement of this concerto was partly written out in full score and a reconstruction by Nicholas Cook has been performed and recorded.)
https://wn.com/Ludwig_Van_Beethoven_(1770_1827)_Symphony_No.10_(1825)
★ Follow music ► https://www.instagram.com/reciclassicat/
Autor: Ludwig van Beethoven (1770-1827)
Obra: Symphony No.10 in E flat-major (1825)
Intèrprets: London Symphony Orchestra; Wyn Morris (conductor)
Pintura: Barend Cornelis Koekoek (1803-1862) - Winter Landscape (c.1835-1838)
Comprar/Purchase: https://www.amazon.com/Beethoven-Symphony-No-World-Premier/dp/B00008FDDF
---
Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper (b.1949) from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony.
After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece for his friend Karl Holz, whose description of what he heard matches the material assembled by Cooper. Cooper claimed that he found over fifty separate fragments, which he wove together to form the symphonic movement. Cooper assembled material for a first movement consisting of an Andante in E♭ major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
There are numerous references to this work in Beethoven's correspondence. (He had originally planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work.)
Earlier, in 1814–15, Beethoven also began sketches for a 6th piano concerto in D major, Hess 15. (Unlike the fragmentary symphony, the first movement of this concerto was partly written out in full score and a reconstruction by Nicholas Cook has been performed and recorded.)
- published: 06 Mar 2017
- views: 41286
48:51
Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) - Beethoven
- Order: Reorder
- Duration: 48:51
- Uploaded Date: 25 Jun 2017
- views: 269
Composer: Ludwig van Beethoven
Title: Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts)
Ludwig van Beethoven
Composer: Ludwig van Beethoven
Title: Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts)
Ludwig van Beethoven
https://wn.com/Symphony_In_E_Flat_Major_(_10)_(Unfinished,_Reconstruction_Barry_Cooper_On_Drafts)_Beethoven
Composer: Ludwig van Beethoven
Title: Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts)
Ludwig van Beethoven
- published: 25 Jun 2017
- views: 269
48:27
Beethoven - Symphony No 10 (arr Cooper) Morris, LSO (1988) plus Lecture by Cooper
Ludwig van Beethoven - Symphony No. 10 in E flat
Beethoven: Realised & completed by Dr. Ba...
published: 19 Mar 2018
Beethoven - Symphony No 10 (arr Cooper) Morris, LSO (1988) plus Lecture by Cooper
Beethoven - Symphony No 10 (arr Cooper) Morris, LSO (1988) plus Lecture by Cooper
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- published: 19 Mar 2018
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Ludwig van Beethoven - Symphony No. 10 in E flat
Beethoven: Realised & completed by Dr. Barry Cooper
1st movement: Andante-Allegro-Andante
London Symphony Orchestra conducted by Wyn Morris
Recorded at Walthamstow Town Hall, London, on 8 September 1988
The Story of Beethoven's Tenth Symphony - An Illustrated lecture by Dr. Barry Cooper
Recorded at CTS Studios, Wembley, 13 September 1988
21:20
Beethoven/Cooper - Symphony No. 10 - CBSO
-
00:00 - About the completion of Beethoven's 10th Symphony on 1988
05:25 - Symphony No. 1...
published: 12 Oct 2021
Beethoven/Cooper - Symphony No. 10 - CBSO
Beethoven/Cooper - Symphony No. 10 - CBSO
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- published: 12 Oct 2021
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-
00:00 - About the completion of Beethoven's 10th Symphony on 1988
05:25 - Symphony No. 10 in E-Flat Major (I. Andante - Allegro - Andante)
City of Birmingham Symphony Orchestra
Walter Weller (conductor)
Recorded on 1988 by Chandos
BEETHOVEN'S SYMPHONY NO. 10 in E-Flat Major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches for the first movement. All the sketches assembled were clearly intended for the same symphony, which would have followed the Ninth, since they appear together in several small groups, and there is consensus that Beethoven did intend to compose another symphony.
BARRY COOPER (born 1949) is an English musicologist, composer, organist, Beethoven scholar, and editor of the Beethoven Compendium. Born in Westcliff-on-Sea in Essex, Cooper studied piano and composition in his childhood, leading to scholarships to Gordonstoun School and later to University College, Oxford, where he studied organ with John Webster and earned an MA in 1973 and a DPhil in 1974. His musical compositions include an oratorio, The Ascension.
But Cooper is best known for his books on Beethoven, as well as a completion and realization of Beethoven's fragmentary Symphony No. 10. Having extensively studied Beethoven's sketchbooks and written a book about them, Beethoven and the Creative Process, Cooper felt confident enough to identify the sketches for the individual movements of the Symphony and put together those for the first movement into a musically satisfactory whole. It was then revised and received its public premiere in 1988 by the Royal Liverpool Philharmonic Orchestra, conducted by Walter Weller. In a way, this fulfilled Beethoven's promise of his Symphony No. 10 to the Royal Philharmonic Society, since the premiere was at a concert given by this society.
From 1974 to 1990, Cooper taught at the University of Aberdeen, where he became interested in early printed music in that city, as well as music theory in 18th-century England. He has also discovered rare 17th-century French harpsichord music as well as one of the oldest canons now known. Since 1990, he teaches courses in music history, harmony and counterpoint at the University of Manchester .
Sources:
Celebration TV Series
City of Birmingham Symphony Orchestra
https://www.youtube.com/channel/UCZSj2AvdHhGzXpwqOXyWtNA
Wikipedia
https://en.wikipedia.org
Buy CD/MP3:
https://www.amazon.co.uk/gp/product/B000000A7Y
sty1
15:33
Ludwig van Beethoven - Symphony no. 10
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled b...
published: 20 Feb 2012
Ludwig van Beethoven - Symphony no. 10
Ludwig van Beethoven - Symphony no. 10
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- published: 20 Feb 2012
- views: 858489
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work, assembled by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proved that all the sketches assembled were meant for the same piece. There is consensus, however, that Beethoven did intend another symphony.
cond. Walter Weller
5:11
Beethoven/Barry Cooper - Symphony No.10, 1. Andante
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony...
published: 27 May 2023
Beethoven/Barry Cooper - Symphony No.10, 1. Andante
Beethoven/Barry Cooper - Symphony No.10, 1. Andante
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- published: 27 May 2023
- views: 2572
Score / sheet music of the introductory andante movement of the hypothetical 10th symphony reconstructed by musicologist Barry Cooper (1949-present).
Performer(s): https://www.youtube.com/watch?v=cKoE1f7evDA&ab_channel=MrWippler
19:45
Symphony No.10 in E flat major - Ludwig van Beethoven / Barry Cooper
London Symphony Orchestra conducted by Wyn Morris
I - Andante - Allegro - Andante: 0:00
...
published: 13 Feb 2020
Symphony No.10 in E flat major - Ludwig van Beethoven / Barry Cooper
Symphony No.10 in E flat major - Ludwig van Beethoven / Barry Cooper
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- published: 13 Feb 2020
- views: 17420
London Symphony Orchestra conducted by Wyn Morris
I - Andante - Allegro - Andante: 0:00
Before Beethoven had completed his Ninth Symphony in 1824, he had already started jotting down ideas for a Tenth (a similar overlap had occurred in his Fifth and Sixth symphonies). He worked on this new symphony sporadically from 1822 onwards, with the latest known sketches dating from October 1825; but at the time of his death in March 1827 only the first movement had been worked on in any detail. His friend Karl Holz later reported having heard him play it on the piano and gave a brief description: a gentle introduction in E-flat major followed by a powerful Allegro in C minor. But even this movement was evidently far from being completely written down and there are no clear indications of what was to follow in later movements.
Like most of Beethoven't sketches for other works, those for the Tenth symphony are scattered in several different sketch manuscripts (four main ones plus a number of subsidiary ones have so far been identified). As usual, they are unlabelled and almost illegible to anyone not well acquainted with Beethoven's idiosyncratic handwriting. Consequently, it was not until the 1980s that any of them were identified with any certainty. In the meantime, rumours about the Tenth Symphony, started mainly by Holz and Anton Schindler, had fuelled speculation that there might be a complete manuscript hidden away somewhere or alternatively that the symphony had never been begun and that the rumours were without foundation.
Now, however, we are a little clearer and more than 50 sketches are known, although many questions remain unanswered and it is possible that more sketches may yet be discovered. All the sketches are very fragmentary, with none containing more than about 30 bars of continuous music; but to someone familiar with Beethoven's normal sketching methods they do give a clear idea of the sort of movement he had in mind. Moreover, they contain some very good material. It therefore seems very well worthwhile to try and make them available for performances by filling them out into a performing version, rather than leaving them in archives where they can be of use only to a few specialists. After all, the sketches represent sound rather than shapes on paper, and they cannot be fully assessed until they have been heard, and preferably heard in an appropriate orchestral setting.
Barry Cooper had already studied Beethoven's sketches for numerous other works, in connection with a book he was writing (Beethoven and the Creative Process), and therefore felt he was in a better position than most scholars to attempt a completion of the first movement, even though the task at first seemed impossibly daunting. Altogether there are around 250 bars of sketches for the first movement. Some duplicate or contradict each other, leaving less than 200 usable; but many of these can be used more than once, by means of repetitions and reprises such as occur in all of Beethoven's symphonies (for example, a theme sketched for the exposition will recur in the recapitulation). The sketches thereby provide us with well over 300 bars, while the remaining 200 bars or so (out of 531) have had to be adapted from the same basic themes by various means (e.g. by transposition and sequence) and developed in the way Beethoven normally did. Thus, all the basic thematic material is Beethoven's; but appropriate harmony has had to be added in places where it is missing, the movement has had to be orchestrated in Beethoven's style (with the aid of only a few clues in the sketches), and linking passages based on Beethoven's themes have been inserted where necessary.
The result is obviously not exactly what Beethoven would have written, and in certain places in particular he would probably have been more imaginative. It also sounds more typical of middle period than late Beethoven, although this may be due to the close connections with the early piano sonatas. Nevertheless, it does provide at least a rough impression of the movement he had in mind at the time of the sketches and is certainly far closer to Beethoven's Tenth symphony than anything previously heard. It is therefore likely to be found extremely interesting by anyone wanting to know what he planned for the symphony that was to have followed the Ninth; moreover it can also be appreciated as a piece of music, in a way that the fragmentary sketches on their own could never be.
Picture: [To the left] "Portrait of Ludwig van Beethoven when composing the Missa Solemnis" (1820) by the German painter Joseph Karl Stieler. [To the right] "Beethoven" (1987) by the American artist Andy Warhol.
Source: https://web.archive.org/web/20090203234337/http://lucare.com/immortal/cooper.html
32:05
Barry Cooper - Beethoven: The 10th Symphony
published: 12 Apr 2021
Barry Cooper - Beethoven: The 10th Symphony
Barry Cooper - Beethoven: The 10th Symphony
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- published: 12 Apr 2021
- views: 1695
41:10
Ludwig van Beethoven. Symphony No.10 in E flat major (full)
A compilation of the first two parts created by man and the two parts created by artificia...
published: 17 May 2022
Ludwig van Beethoven. Symphony No.10 in E flat major (full)
Ludwig van Beethoven. Symphony No.10 in E flat major (full)
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- published: 17 May 2022
- views: 15145
A compilation of the first two parts created by man and the two parts created by artificial intelligence. It turned out to be a full-fledged piece of music.
All rights reserved:
https://youtu.be/HxmyRlGS-Z0
https://youtu.be/Rvj3Oblscqw
10:55
Beethoven symphony no. 10 in E flat major "Unfinished" (Part 1 of 2)
Ludwig Van Beethoven (1770-1827)
Ludwig van Beethoven's Symphony No. 10 in E flat maj...
published: 03 Nov 2009
Beethoven symphony no. 10 in E flat major "Unfinished" (Part 1 of 2)
Beethoven symphony no. 10 in E flat major "Unfinished" (Part 1 of 2)
- Report rights infringement
- published: 03 Nov 2009
- views: 123191
Ludwig Van Beethoven (1770-1827)
Ludwig van Beethoven's Symphony No. 10 in E flat major is a hypothetical work. Barry Cooper assembled it from Beethoven's fragmentary sketches and two recordings were released in 1988, one conducted by Wyn Morris and the other by Walter Weller. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
Beethoven never completed a Symphony No. 10. After completing the Ninth Symphony, he devoted his energies largely to composing string quartets, although there are contemporary references to some work on an orchestral piece; allegedly he played some of his ideas for this piece for his friend Karl Holz. During this time, Beethoven also began sketches for a 6th piano concerto in D major.
Calling Barry Cooper's work the "Symphony No. 10" has proven to be rather controversial, since it cannot be proven that all the sketches assembled were even intended to be part of the same piece. Cooper claimed that he found over fifty separate fragments which he wove together to form the symphonic movement.
Though this work remains controversial, there is a consensus that Beethoven did intend to complete another symphony. There are numerous references to it in his correspondence (originally, he had planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work).
Johannes Brahms's First Symphony is sometimes referred to as "Beethoven's Tenth Symphony", after a remark by Hans von Bülow.[2][3] Both the Brahms work and Cooper's realisation of Beethoven's sketches feature C-minor 6/8 Allegros.
Thanks Barry Cooper for your hard work for providing this marvelous piece to us!
Hope you'll enjoy it!
From: http://en.wikipedia.org/wiki/Symphony_No._10_(Beethoven/Cooper)
20:01
Ludwig van Beethoven (1770-1827) - Symphony No.10 (1825)
★ Follow music ► https://www.instagram.com/reciclassicat/
Autor: Ludwig van Beethoven (17...
published: 06 Mar 2017
Ludwig van Beethoven (1770-1827) - Symphony No.10 (1825)
Ludwig van Beethoven (1770-1827) - Symphony No.10 (1825)
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- published: 06 Mar 2017
- views: 41286
★ Follow music ► https://www.instagram.com/reciclassicat/
Autor: Ludwig van Beethoven (1770-1827)
Obra: Symphony No.10 in E flat-major (1825)
Intèrprets: London Symphony Orchestra; Wyn Morris (conductor)
Pintura: Barend Cornelis Koekoek (1803-1862) - Winter Landscape (c.1835-1838)
Comprar/Purchase: https://www.amazon.com/Beethoven-Symphony-No-World-Premier/dp/B00008FDDF
---
Ludwig van Beethoven's Symphony No. 10 in E♭ major is a hypothetical work, assembled in 1988 by Barry Cooper (b.1949) from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony.
After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece for his friend Karl Holz, whose description of what he heard matches the material assembled by Cooper. Cooper claimed that he found over fifty separate fragments, which he wove together to form the symphonic movement. Cooper assembled material for a first movement consisting of an Andante in E♭ major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
There are numerous references to this work in Beethoven's correspondence. (He had originally planned the Ninth Symphony to be entirely instrumental, the Ode to Joy to be a separate cantata, and the Tenth Symphony to conclude with a different vocal work.)
Earlier, in 1814–15, Beethoven also began sketches for a 6th piano concerto in D major, Hess 15. (Unlike the fragmentary symphony, the first movement of this concerto was partly written out in full score and a reconstruction by Nicholas Cook has been performed and recorded.)
48:51
Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) - Beethoven
Composer: Ludwig van Beethoven
Title: Symphony in E-flat major ( 10) (unfinished, reconstr...
published: 25 Jun 2017
Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) - Beethoven
Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts) - Beethoven
- Report rights infringement
- published: 25 Jun 2017
- views: 269
Composer: Ludwig van Beethoven
Title: Symphony in E-flat major ( 10) (unfinished, reconstruction Barry Cooper on drafts)
Ludwig van Beethoven
Symphony No. 10 (Beethoven/Cooper)
Ludwig van Beethoven's Symphony No. 10 in E-flat major is a hypothetical work, assembled in 1988 by Barry Cooper from Beethoven's fragmentary sketches. This title is controversial since it cannot be proven that all the sketches assembled were meant for the same piece. There is, however, consensus that Beethoven did intend another symphony.
Background
After completing the Ninth Symphony in 1824, Beethoven devoted his energies largely to composing string quartets, although there are contemporary references to some work on a symphony (e.g. in his letter of 18 March 1827); allegedly he played a movement of this piece for his friend Karl Holz, whose description of what he heard matches the material assembled by Cooper. Cooper claimed that he found over fifty separate fragments, which he wove together to form the symphonic movement. Cooper assembled material for a first movement consisting of an Andante in E-flat major enclosing a central Allegro in C minor. Cooper claims to have also found sketches for a Scherzo which are not developed enough to assemble into a performing version.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._10_(Beethoven_Cooper)
Beethoven - Symphony No 10 (arr Cooper) Morris, LS...
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Symphony No.10 in E flat major - Ludwig van Beetho...
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Ludwig van Beethoven. Symphony No.10 in E flat maj...
Beethoven symphony no. 10 in E flat major "Unfinis...
Ludwig van Beethoven (1770-1827) - Symphony No.10 ...