- published: 13 Aug 2018
- views: 16772018
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Franz Liszt (German: [fʁant͡s lɪst]; Hungarian Liszt Ferencz, in modern usage Liszt Ferenc (Hungarian pronunciation: [ˈlist ˈfɛrɛnt͡s]); (October 22, 1811 – July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, philanthropist and Franciscan tertiary.
Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist of all time, although Liszt stated that Charles-Valentin Alkan had superior technique to his own. Liszt was also a well-known and influential composer, piano teacher and conductor. He was a benefactor to other composers, including Frederic Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, Ole Bull and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the New German School (Neudeutsche Schule). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony. He also played an important role in popularizing a wide array of music by transcribing it for piano.
Rachmaninoff - Prelude in C Sharp Minor (Op. 3 No. 2) Click the 🔔bell to always be notified on new uploads! ♫ Listen on Apple Music Classical: http://apple.co/Rousseau ♫ MIDI: https://patreon.com/rousseau ♫ Facebook: http://bit.ly/rousseaufb ♫ Instagram: http://bit.ly/rousseauig ♫ Twitter: http://bit.ly/rousseautw ♫ Buy me a coffee: http://buymeacoff.ee/rousseau Hope you enjoy my performance of Rachmaninoff's Prelude in C# Minor. Sheet music: https://www.patreon.com/posts/sheet-music-in-c-20731243 Outro: Rachmaninoff - Etude Tableau Op. 39 No. 6 Hello, I'm Rousseau, I make piano covers of classical and pop songs with a reactive visualizer. New videos every Monday! #Rousseau #Piano #PianoCover
Salle Pleyel, Paris 19.09.2014 encore after Rachmaninoff's 2nd piano concerto
Frédéric François Chopin : Waltz in C-sharp minor, Opus 64 No. 2 Yuja Wang : piano
Listen to Chopin’s “Fantaisie Impromptu” played by Daniil Trifonov. Daniil Trifonov's new album contains Chopin's two beautiful piano concertos in fascinating new orchestrations by pianist-conductor-composer Mikhail Pletnev. Alongside the concerts Trifonov presents Chopin's solo works and pieces by Mompou, Schumann, Tchaikovsky, Grieg, and Barber paying homage to the genius who, in Trifonov's words, "revolutionized the expressive horizons of the piano." Daniil Trifonov – Chopin: Fantaisie-Impromptu In C-Sharp Minor, Op. 66 Discover ´Chopin Evocations´ : https://DG.lnk.to/trifonov-chopin Subscribe here - The Best Of Classical Music: http://bit.ly/Subscribe_DG _______________ Find Deutsche Grammophon Online Homepage: http://deutschegrammophon.com Facebook: http://fb.com/deutschegramm...
Frédéric Chopin Fantaisie Impromptu in C♯ minor Op. posth. 66 was composed in 1834 as were the Four Mazurkas (Op. 17) and the Grande valse brillante in E♭ major (Op. 18), and published posthumously in 1855 even though Chopin had instructed that none of his unpublished manuscripts be published. The Fantaisie-Impromptu is one of Chopin's most frequently performed and popular compositions. Chronologically the first of Chopin’s impromptus, the Fantasy-Impromptu was not intended by the composer for publication. The assumption arose that it was withheld on account of a stated similarity – unintentional, no doubt – to the Impromptu in E flat major by Ignaz Moscheles. However, Arthur Rubinstein, who came into the possession of one of its manuscripts, assumes that this work was sold to a grande dam...
Now available on itunes! https://music.apple.com/ca/album/chopin-recital/1495167562
At Sala São Paulo Brazil July 2012
Chopin - valsa nº 2 op 70 em Fá m Intérprete: André Castro
Franz Liszt (German: [fʁant͡s lɪst]; Hungarian Liszt Ferencz, in modern usage Liszt Ferenc (Hungarian pronunciation: [ˈlist ˈfɛrɛnt͡s]); (October 22, 1811 – July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, philanthropist and Franciscan tertiary.
Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist of all time, although Liszt stated that Charles-Valentin Alkan had superior technique to his own. Liszt was also a well-known and influential composer, piano teacher and conductor. He was a benefactor to other composers, including Frederic Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, Ole Bull and Alexander Borodin.
As a composer, Liszt was one of the most prominent representatives of the New German School (Neudeutsche Schule). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony. He also played an important role in popularizing a wide array of music by transcribing it for piano.
Honte à toi qui la première m'a appris la trahison,
Et d'horreur et de colère m'a fait perdre la raison,
Et d'horreur et de colère m'a fait perdre la raison.
Honte à toi femme à l'oeil sombre, dont les funestes amours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours,
Ont enseveli dans l'ombre mon printemps et mes beaux jours.
C'est ta voix, c'est ton sourire, c'est ton regard corrupteur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur,
Qui m'ont appris à maudire jusqu'au semblant du bonheur.
C'est ta jeunesse, c'est tes charmes qui m'ont fait desespérer,
Et si je doute des larmes c'est que je t'ai vu pleurer,
Et si je doute des larmes c'est que je t'ai vu pleurer.
Honte à toi, j'étais encore, aussi simple qu'un enfant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant,
Comme une fleur à l'aurore mon coeur s'ouvrait en t'aimant.
Certes ce coeur sans défense, pu sans peine être abusé,
Mais lui laisser l'innocence etait encore plus aisé,
Mais lui laisser l'innocence etait encore plus aisé.
Honte à toi, qui fut la mer de mes premieres douleurs,
Et tu fis de ma paupiere jaillir la source des pleurs,
Et tu fis de ma paupiere jaillir la source des pleurs.
Elle coule sois en sûr et rien ne la tarira,
Elle sort d'une blessure qui jamais ne guerira,
Elle sort d'une blessure qui jamais ne guerira.
Mais dans cette source amere, du moins je me laverais,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré,
Et j'y laisserai j'espere ton souvenir aborré.