- published: 14 Jun 2010
- views: 72746
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.Gabriel (pronounced "dot Gabriel") is an opera in two acts (to be performed continuously) written by American composer Robert J. Bradshaw. The libretto, also by Bradshaw, was inspired by the composer's online experiences with social networking websites, instant messaging, chat rooms and email correspondence. The opera was commissioned by the Australian Trumpet Guild for performance at the 35th Annual Conference of the International Trumpet Guild, 2010, Sydney, Australia. Also in 2010, the composition was awarded an American Music Center Composer Assistance Program Grant and was named winner of a 2009 Boston Metro Opera Mainstage Award.
Program notes (included in the published score) state:
.Gabriel is a composition where the trumpet performs as one of the main characters, interacting on stage with the vocalists. The three vocal roles represent different aspects of social interaction. "Principal represents society's dependency on the Internet, computers and electronic communication." She lives alone and is consumed by her need to be "connected". There are also two minor male roles that act as Principal's memories. One is the positive spirit of social relationships and the other is the actual situations where social interaction is required.
In the Abrahamic religions, Gabriel (Hebrew: גַּבְרִיאֵל, Modern Gavri'el, Tiberian Gaḇrîʼēl "God is my strength"; Biblical Greek: Γαβριήλ, Gabriēl) is an angel who typically serves as a messenger sent from God to certain people.
Gabriel is mentioned in both the Old and New Testaments of the Bible. In the Old Testament, he appears to the prophet Daniel, delivering explanations of Daniel's visions (Daniel 8:15–26, 9:21–27). In the Gospel of Luke, Gabriel appeared to Zechariah and the Virgin Mary, foretelling the births of John the Baptist and Jesus, respectively (Luke 1:11–38). In the Book of Daniel, he is referred to as "the man Gabriel", while in the Gospel of Luke, Gabriel is referred to as "an angel of the Lord" (Luke 1:11). Gabriel is not called an archangel in the Bible, but is so called in Intertestamental period sources like the Book of Enoch. In the Roman Catholic, Anglican, and Eastern and Oriental Orthodox churches, the archangels Michael, Raphael, and Gabriel are also referred to as saints. In Islam, Gabriel is considered an archangel whom God is believed to have sent with revelation to various prophets, including Muhammad. The 96th chapter of the Quran, al-Alaq, is believed by Muslims to have been the first chapter (surah) revealed by Gabriel to Muhammad.
This is an index of characters from the Guilty Gear fighting game series.
Daisuke Ishiwatari has cited Kazushi Hagiwara's manga Bastard‼, and the fighting game Street Fighter II as influence to the Guilty Gear series. However, he noted that the majority of other fighting games were just recycling the character's same skins or style, and so he wanted every character "to be unique in their own way."Kazuhiko Shimamoto's characters was also noted as an inspiration for the men characters, with Ishiwatari saying they needed to be "chivalrous person-like characters", and citing Anji Mito "the most closest to this type". The female ones, on the other hand, have not followed a standard, with he only saying that they needed look like real women.
There are many musical references in the Guilty Gear series, including various characters' names and moves, which were inspired by rock and heavy metal bands like Queen, Guns N' Roses, and Metallica. For instance, the main character, Sol Badguy, was named after Queen's lead vocalist, Freddie Mercury. Both his real name, Frederick, and his last name were influenced by the singer, whose nickname was "Mr. Badguy".
Pues que jamás olvidaros (CMP 30) - Juan del Encina (1468 - 1529 ). ("Cancionero Musical de Palacio" - S. XV/XVI). Intérpretes: Ensemble Accentus - Director: Thomas Wimmer. Imágenes: Catalunya y Aragón (Fotografías de José Luis Mieza - España). LETRA: Pues que jamás olvidaros no puede mi coraçon, si me falta galardón, ¡Ay, que mal hize en miraros! Será tal vista cobrar, gran dolor y gran tristura. Será tal vista penar, si me fallece ventura. Mas si vos, por bien amaros queréis darme galardón, no dirá mi coraçon: ¡Ay, que mal hize en miraros! Juan del Encina (Encina de San Silvestre, Salamanca 1468 - León 1529), fue un poeta, músico y autor teatral español, de la época de los Reyes Católicos. Perteneció, junto con Juan de Anchieta entre otros, a la primera época de la llamada escu...
Pues que jamas olvidaros 0:06 original song (acapella) 2:18 instrumental arrangement 1: flute, lute, dulcimer, vielle 4:31 instrumental arrangement 2: 2 vielles, tenor sackbut, viol 6:43 instrumental arrangement 3: cornetto, vielle, sackbut, viol ++++++++++ Not surprisingly, Juan dell Enzina (a.k.a. del Encina) is one of the most well-represented composers in the grand collection of late Medieval Spanish music known as "El Cancionero Musical de Palacio" (or "the Palace Songbook"). His masterpiece "Pues que jamas olvidaros" was typical of a late 15th century villancico: a courtly love theme, a melody line in the cantus, an ABBA sequence and an overall homophonic structure - similar to the frottole in Italy from the same period. This soundtrack was created using the Vocaloi...
Juan del Enzina (1496) "Pues que jamás olvidaros" by/por Rómulo Vega-González Source/fuente: Cancionero (1496) Información: http://es.wikipedia.org/wiki/Juan_del_Encina Information: http://en.wikipedia.org/wiki/Juan_del_Encina Juan del Encina (Encina de San Silvestre, Salamanca 1468 - León 1529), fue un poeta, músico y autor teatral español, de la época de los Reyes Católicos. Perteneció, junto con Juan de Anchieta entre otros, a la primera época de la llamada escuela polifónica castellana, una de las más importantes de España. El Cancionero de Palacio (Madrid, Biblioteca Real, MS II - 1335), llamado a veces Cancionero Musical de Palacio (CMP) y también conocido como Cancionero de Barbieri, es un manuscrito español que contiene música del Renacimiento. Las obras que posee...
Provided to YouTube by The Orchard Enterprises Pavana (Pues que jamás olvidaros) (Juan del Enzina) · La Capella Reial De Catalunya · Hespèrion XXI · Jordi Savall Isabel I, Reina De Castilla ℗ 2004 Alia Vox Released on: 2004-01-01 Auto-generated by YouTube.
Dale manita arriba 👍 y guarda el video para cantar cuando quieras. ↓ Letras en la descripción ↓ Suscríbete al canal, activa la campanita 🔔, y disfruta de toda la música de El Divo de Juárez. ¡Escucha «Mi Fracaso» del álbum «Espectacular» en tu plataforma favorita! → https://smarturl.it/JuanGaEspectacularM Escucha a Juan Gabriel en YouTube Music y suscríbete a su canal: → https://smarturl.it/YTMCJuanGabriel Mira en YouTube la playlist de éxitos de Juan Gabriel con sus mejores videos: → Playlist: https://www.youtube.com/playlist?list=PLyUrByHiYET88f4ZG_2tiGvDCNEon7N1J → Hasta Que Te Conocí (En Vivo en Bellas Artes): https://www.youtube.com/watch?v=ga5Bo4YdgH4&list=PLyUrByHiYET88f4ZG_2tiGvDCNEon7N1J → Yo No Nací Para Amar (En Vivo en Bellas Artes): https://www.youtube.com/watch?v=eF41Pz61...
Muchas gracias, te agradesco los momentos de felicidad, te deseo buena suerte, porque no me veras ya jamas...
Es mejor decir adios sin dolor ni rencor a un amor que nunca fue nuestro ,que vivir sufriendo por alguien que nunca te amo ......
En mi mano izquierda tome tu retrato Y en mi otra mano una copa de vino Y brinde contigo sin estar presente Y brinde contigo por tu amor ausente Y metí la foto dentro de mi copa Y en ella tu imagen se fue disolviendo Y poquito a poco y muy lentamente Todo tu recuerdo, me lo fui bebiendo Y me bebí tu recuerdo Para que jamás vuelva a lastimarme Yo quiero que sepas que aunque adolorido Hoy ni de tu nombre yo quiero acordarme
.Gabriel (pronounced "dot Gabriel") is an opera in two acts (to be performed continuously) written by American composer Robert J. Bradshaw. The libretto, also by Bradshaw, was inspired by the composer's online experiences with social networking websites, instant messaging, chat rooms and email correspondence. The opera was commissioned by the Australian Trumpet Guild for performance at the 35th Annual Conference of the International Trumpet Guild, 2010, Sydney, Australia. Also in 2010, the composition was awarded an American Music Center Composer Assistance Program Grant and was named winner of a 2009 Boston Metro Opera Mainstage Award.
Program notes (included in the published score) state:
.Gabriel is a composition where the trumpet performs as one of the main characters, interacting on stage with the vocalists. The three vocal roles represent different aspects of social interaction. "Principal represents society's dependency on the Internet, computers and electronic communication." She lives alone and is consumed by her need to be "connected". There are also two minor male roles that act as Principal's memories. One is the positive spirit of social relationships and the other is the actual situations where social interaction is required.