- published: 29 Nov 2009
- views: 109173
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.Gabriel (pronounced "dot Gabriel") is an opera in two acts (to be performed continuously) written by American composer Robert J. Bradshaw. The libretto, also by Bradshaw, was inspired by the composer's online experiences with social networking websites, instant messaging, chat rooms and email correspondence. The opera was commissioned by the Australian Trumpet Guild for performance at the 35th Annual Conference of the International Trumpet Guild, 2010, Sydney, Australia. Also in 2010, the composition was awarded an American Music Center Composer Assistance Program Grant and was named winner of a 2009 Boston Metro Opera Mainstage Award.
Program notes (included in the published score) state:
.Gabriel is a composition where the trumpet performs as one of the main characters, interacting on stage with the vocalists. The three vocal roles represent different aspects of social interaction. "Principal represents society's dependency on the Internet, computers and electronic communication." She lives alone and is consumed by her need to be "connected". There are also two minor male roles that act as Principal's memories. One is the positive spirit of social relationships and the other is the actual situations where social interaction is required.
In the Abrahamic religions, Gabriel (Hebrew: גַּבְרִיאֵל, Modern Gavri'el, Tiberian Gaḇrîʼēl "God is my strength"; Biblical Greek: Γαβριήλ, Gabriēl) is an angel who typically serves as a messenger sent from God to certain people.
Gabriel is mentioned in both the Old and New Testaments of the Bible. In the Old Testament, he appears to the prophet Daniel, delivering explanations of Daniel's visions (Daniel 8:15–26, 9:21–27). In the Gospel of Luke, Gabriel appeared to Zechariah and the Virgin Mary, foretelling the births of John the Baptist and Jesus, respectively (Luke 1:11–38). In the Book of Daniel, he is referred to as "the man Gabriel", while in the Gospel of Luke, Gabriel is referred to as "an angel of the Lord" (Luke 1:11). Gabriel is not called an archangel in the Bible, but is so called in Intertestamental period sources like the Book of Enoch. In the Roman Catholic, Anglican, and Eastern and Oriental Orthodox churches, the archangels Michael, Raphael, and Gabriel are also referred to as saints. In Islam, Gabriel is considered an archangel whom God is believed to have sent with revelation to various prophets, including Muhammad. The 96th chapter of the Quran, al-Alaq, is believed by Muslims to have been the first chapter (surah) revealed by Gabriel to Muhammad.
This is an index of characters from the Guilty Gear fighting game series.
Daisuke Ishiwatari has cited Kazushi Hagiwara's manga Bastard‼, and the fighting game Street Fighter II as influence to the Guilty Gear series. However, he noted that the majority of other fighting games were just recycling the character's same skins or style, and so he wanted every character "to be unique in their own way."Kazuhiko Shimamoto's characters was also noted as an inspiration for the men characters, with Ishiwatari saying they needed to be "chivalrous person-like characters", and citing Anji Mito "the most closest to this type". The female ones, on the other hand, have not followed a standard, with he only saying that they needed look like real women.
There are many musical references in the Guilty Gear series, including various characters' names and moves, which were inspired by rock and heavy metal bands like Queen, Guns N' Roses, and Metallica. For instance, the main character, Sol Badguy, was named after Queen's lead vocalist, Freddie Mercury. Both his real name, Frederick, and his last name were influenced by the singer, whose nickname was "Mr. Badguy".
La tricotea suele ser atribuida a un tal Alonso. (Franco Alonso, ¿1490?-1520). Para algunos, el texto es una mezcla de idiomas que, de alguna manera, es un remedo de lo que sucedía en los puertos y tabernas cercanas a estos, donde lo que se oía era una babel de lenguas y dialectos, todos mezclados entre sí. Para otros, el texto de la Tricotea estaría conformado por una suma de palabras en donde lo que prima es su sonido y/o acentuación, sin importar su sentido (algo parecido a lo que sucede cuando un compositor, antes de utilizar el texto definitivo, empieza a componer utilizando palabras aisladas, sin coherencia sintáctica, al solo efecto de determinar, por ejemplo, de cuantas sílabas dispondrá el letrista en cada verso). Según José Romeu Figueras en la "Introducción y Estudio de l...
Provided to YouTube by Warner Classics La tricotea Sanmartin la vea · The King's Singers Madrigal History Tour ℗ 1984 R.M Associates Gmbh under exclusive licence to Parlophone Records Limited. Remastered (p) 1989 R.M Associates Gmbh under exclusive licence to Parlophone Records Limited, a Warner Music Group Company Conductor: Anthony Rooley Ensemble: The Consort of Musicke Vocal Ensemble: The King's Singers Composer: Anonymous Auto-generated by YouTube.
Provided to YouTube by The Orchard Enterprises Villancico: Aquella mora garrida - Gabriel, Cancionero de Palacio (CMP 254) · Jordi Savall · Traditional · Hespèrion XXI · La Capella Reial de Catalunya Granada Eterna ℗ 2016 Alia Vox Released on: 2016-05-20 Auto-generated by YouTube.
LA BELLA MALMARIDADA - Gabriel Mena (S. XV/XVI). ("Cancionero Musical de Palacio", S. XV/XVI). Intérpretes: Hespérion XX - Director: Jordi Savall. (http://www.alia-vox.com/) Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage Imágenes: Pintura Renacentista Europea. LETRA: La bella malmaridada, de las más lindas que yo vi, miémbresete quán amada, señora, fuiste de mi. Mira cómo por quererte tienes al cabo mi vida, y, si tú fueras servida, dichosa fuera mi suerte. Mas pues no te pena nada quanto yo peno por ti, miémbresete quán amada, señora, fuiste de mi. Mirarás qu'en tu serviçio es ya pasada mi vida. Siendo tú d'ello servida, fuere ninguno con beneficio. Mas pues no se te dió...
Pues que jamás olvidaros (CMP 30) - Juan del Encina (1468 - 1529 ). ("Cancionero Musical de Palacio" - S. XV/XVI). Intérpretes: Ensemble Accentus - Director: Thomas Wimmer. Imágenes: Catalunya y Aragón (Fotografías de José Luis Mieza - España). LETRA: Pues que jamás olvidaros no puede mi coraçon, si me falta galardón, ¡Ay, que mal hize en miraros! Será tal vista cobrar, gran dolor y gran tristura. Será tal vista penar, si me fallece ventura. Mas si vos, por bien amaros queréis darme galardón, no dirá mi coraçon: ¡Ay, que mal hize en miraros! Juan del Encina (Encina de San Silvestre, Salamanca 1468 - León 1529), fue un poeta, músico y autor teatral español, de la época de los Reyes Católicos. Perteneció, junto con Juan de Anchieta entre otros, a la primera época de la llamada escu...
FALALALANLERA - Bartomeu Cárceres (fl. 1546). ("Cancionero de Gandía" - S. XVI). Intérpretes: La Capella Reial de Catalunya - Director: Jordi Savall. (http://www.alia-vox.com/) Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage Imágenes: Pintura Renacentista Española (El Greco). LETRA: Falalalanlera, de la guarda riera. La natura humana queda trihunfante, pues esta mañana nasció tal infante, y la gran errada atán lastimera, será reparada por nuestra partera. Falalalanlera, de la guarda riera. Esta noche santa, ya por la mañana, parió la infanta, hija de Sant'Ana, sin corrompimiento y queda entera, según que yo siento, Dios y hombre era. Falalalanlera, de la guarda riera. Es a...
EL CERVEL MI FA (Anónimo) - Cancionero de Palacio (S. XV/XVI). Intérprete: Capella de Ministrers - Director: Carles Magraner. Imágenes: Pintura Surrealista Española (Salvador Dalí). Letra: El cervel mi fa nocte i die e sera: fararirunfera, fararirunfafa, fararirinfera, fararirunfá. Alé-vos, bon ami, che lo roy non vie pas; andai vos por alí et nos por aliá. Ha, ha, ha, ha, ha, ha, Tomas donna piera. Io som l'ocello che fa "Cucú, cucucú". Tarlará, tarlará, turlurú, turlurú, ba, be, bi, bo, bu, io lo sen massera. Fora, fora scaramela, fora su tininató. ¡O la mala novella! Cinque e tre e quatre et do, ho, ho, ho, ho, la borsa é ligera. Io non curo piú honor ne piú roba al mondo; basta sol alegro el core al viver jocondo: que'l piú race al fond...
.Gabriel (pronounced "dot Gabriel") is an opera in two acts (to be performed continuously) written by American composer Robert J. Bradshaw. The libretto, also by Bradshaw, was inspired by the composer's online experiences with social networking websites, instant messaging, chat rooms and email correspondence. The opera was commissioned by the Australian Trumpet Guild for performance at the 35th Annual Conference of the International Trumpet Guild, 2010, Sydney, Australia. Also in 2010, the composition was awarded an American Music Center Composer Assistance Program Grant and was named winner of a 2009 Boston Metro Opera Mainstage Award.
Program notes (included in the published score) state:
.Gabriel is a composition where the trumpet performs as one of the main characters, interacting on stage with the vocalists. The three vocal roles represent different aspects of social interaction. "Principal represents society's dependency on the Internet, computers and electronic communication." She lives alone and is consumed by her need to be "connected". There are also two minor male roles that act as Principal's memories. One is the positive spirit of social relationships and the other is the actual situations where social interaction is required.