- published: 04 Jan 2009
- views: 179623
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Antonio Salieri (pronounced [anˈtɔːnjo saˈljɛːri]; 18 August 1750 – 7 May 1825) was an Italianclassical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, who spent his adult life and career as a subject of the Habsburg Monarchy.
Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann's, and a protégé of Gluck's, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.
Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774–92, Salieri dominated Italian language opera in Vienna. During his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, and Ludwig van Beethoven were among the most famous of his pupils.
The Concerto for Piano and Orchestra in G minor, Op. 33, was the first of three concertos that Antonín Dvořák completed—it was followed by a violin concerto and then a cello concerto—and the piano concerto is probably the least known and least performed.
As the eminent music critic Harold C. Schonberg put it, Dvořák wrote "an attractive Piano Concerto in G minor with a rather ineffective piano part, a beautiful Violin Concerto in A minor, and a supreme Cello Concerto in B minor".
Dvořák composed his piano concerto from late August through 14 September 1876. Its autograph version contains many corrections, erasures, cuts and additions, the bulk of which were made in the piano part. The work was premiered in Prague on 24 March 1878, with the orchestra of the Prague Provisional Theatre conducted by Adolf Čech with the pianist Karel Slavkovsky.
While working on the concerto, Dvořák himself realized that he had not created a virtuosic piece in which the piano does battle with the orchestra. Dvořák wrote: "I see I am unable to write a Concerto for a virtuoso; I must think of other things." What Dvořák composed instead was a symphonic concerto in which the piano plays a leading part in the orchestra, rather than opposed to it.
Maurice Ravel's Piano Concerto in G major was composed between 1929 and 1931. The concerto is in three movements and is heavily influenced by jazz, which Ravel had encountered on a concert tour of the United States in 1928.
The concerto was deeply infused with jazz idioms and harmonies, which, at the time, were highly popular in Paris as well as the United States, where Ravel was traveling on a piano tour. Ravel remarked that "The most captivating part of jazz is its rich and diverting rhythm. ...Jazz is a very rich and vital source of inspiration for modern composers and I am astonished that so few Americans are influenced by it." After his well-received tour, Ravel wanted to give the first public performance of this new work himself. However, health issues precluded this possibility, with his preparatory practice of Liszt's and Chopin's etudes leading to fatigue. He then planned a premiere for March 9, 1931, in Amsterdam, but these plans also were canceled due to his work on the Concerto for the Left Hand, his many public appearances, and his performances of his other works.
The Concerto for Piano and Wind Instruments was written by Igor Stravinsky in Paris in 1923–24. This work was revised in 1950.
It was composed four years after the Symphonies of Wind Instruments, which he wrote upon his arrival in Paris after his stay in Switzerland. These two compositions are from Stravinsky's neoclassical period, and represent a departure from the composer's previous Russian style of The Rite of Spring.
This concerto numbers among many works for piano written about the same time to be played by the composer himself. This is also true of Capriccio for Piano and Orchestra (1929), his Sonata of 1924 and his Serenade in A (1925). He kept the performance rights to himself for a number of years, wanting the engagements for playing this work for himself, as well as urgently desiring to keep "incompetent or Romantic hands" from "interpreting" the piece before undiscriminating audiences.
The orchestra is scored for two flutes, piccolo, two oboes, cor anglais, two clarinets, two bassoons (second bassoon doubling contrabassoon), four horns, four trumpets, three trombones and tuba and accompanied by timpani, cymbals. Although combining winds and piano was unusual at the time, the form had been explored earlier in the twentieth century and would be explored later.
Antonio Salieri composed three French operas for France. Les Danaïdes, the first one, became one of the most famous operas in Paris during the late 18th and early 19th centuries. It was praised by numerous individuals, including Hector Berlioz, who mentioned that this was one of the musical works that made him abandon medicine in favour of music. This French tragédie lyirique premiered at the Académie Royale de Musique (Paris Opéra) in 1784 to instant success. Its violent libretto, based on the Greek myth of Danaus and his daughters (Les Danaides), tells the story of Hypermnestre, the only Danaid who refuses to murder her husband after her father orders his daughters to do so to avenge himself on his brother, whose sons are the doomed grooms of the Danaids. The opera explores the emotio...
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Antonio Salieri (18 August 1750 – 7 May 1825) was an Italian composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, and spent his adult life and career as a subject of the Habsburg Monarchy. Please support my channel: https://ko-fi.com/bartjebartmans Piano Concerto in B flat Major (1773) Edited by Pietro Spada 1. Allegro moderato 2. Adagio 3. Tempo di Menuetto Pietro Spada and the Philharmonia Orchestra
Antonio Salieri - Sinfonia Veneziana
"26 Variationen über 'La Folia di Spagna'" von Antonio Salieri spielt das WDR Sinfonieorchester zusamen mit seinem Konzertmeister Slava Chestiglazov an der Solo-Violine. Die Leitung hatte Reinhard Goebel. Eine Aufzeichnung vom 14. Juni 2019, Funkhaus Wallrafplatz, Köln. Slava Chestiglazov, Violine WDR Sinfonieorchester Reinhard Goebel, Leitung ► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei https://www.wdr-sinfonieorchester.de ► Das WDR Sinfonieorchester bei Facebook https://www.facebook.com/wdrsinfonieorchester ○ Werkeinführung Antonio Salieri, verdienter Hofkapellmeister und kaiserlicher Kammerkomponist, Lehrer von Hummel und Schubert, nimmt 1815 in seinen 26 Variationen über "La Folia di Spagna" ein traditionsreiches Bassmodell zur Grundlage für eine ...
Head to https://squarespace.com/thevileeye to save 10% off your first purchase of a website or domain using code thevileeye! Welcome everyone and welcome to the sixty-third episode of Analyzing Evil! Our feature villain for this video is Antonio Salieri from Amadeus. I hope you enjoy, and thanks for watching. If you have any feedback or questions feel free to let me know below! Merch Store: https://thevilestore.com Patreon: https://www.patreon.com/thevileeye Reddit: https://www.reddit.com/r/TheVileEye/ Discord: https://discord.gg/SYVcXcStmD Twitter: https://twitter.com/thevileeye Instagram: https://www.instagram.com/thevileeye Video Edited by Stujthevamp. Check him out here: https://www.instagram.com/stujthevamp/ Merchandise by Christian Kohn. Check him out here: https://www.instagra...
This was sent me by a friend, it is arguably the best rendition of Salieri's "De Profundis" that I have ever heard!
Download the score here: https://musescore.com/user/3793401/scores/5487976
Рубрика "Жизнь небезынтересных людей"/Rubric "The lives of interesting people" 🔍μiφ_0024 "Антонио Сальери"/"Antonio Salieri" 📚 Литература: - Штейнпресс Б.С. Очерки и этюды/Советский композитор, 1980. - Шагинян М.С. И.Мысливечек/Молодая гвардия, 1983. - Корти М. Сальери и Моцарт/Композитор, 2005. - Кириллина Л.В. Глюк/Молодая гвардия, 2018. - Нечаев С.Ю. А.Сальери. Интригант? Завистник? Убийца?/Аргументы недели, 2021. - Википедия.ru #history #music #musica #salieri #Gluck #intrestingfacts #classicalmusic #news #composer #рекомендации #классика #live #shorts #историиуспеха
From the Stockholm Concert Hall, The Nobel Prize Concert with the Crown Princess, Victoria Martha Argerich - piano The Royal Stockholm Philharmonic Orchestra Yuri Temirkanov - conductor Maurice Ravel - Piano Concerto in G Major 0:00 I. Allegramente 8:40 II. Adagio assai 18:44 III. Presto Click here to watch the full Nobel Prize Concert: https://goo.gl/7thmTX Click here to compare Martha Argerich's interpretation with David Fray's: https://youtu.be/cJOW5mlhH_Y Subscribe to EuroArts: https://goo.gl/jrui3M As part of the official Nobel Week, the world’s most renowned artists are gathering each year to pay tribute to the Nobel Laureates. The 2009 concert offered a special highlight in the series with Martha Argerich performing Ravel’s Piano Concerto in G Major by Maurice Ravel under Yuri...
Berliner Philharmoniker conducted by Sir Simon Rattle November 4, 2017 Berliner Philharmonie 00:00 I. Allegrament 09:05 II. Adagio assai 18:25 III. Presto
- Composer: Joseph-Maurice Ravel (7 March 1875 -- 28 December 1937) - Orchestra: Philharmonia Orchestra - Conductor: Ettore Gracis - Soloist: Arturo Benedetti Michelangeli - Year of recording: 1957 Piano Concerto in G major, written in 1929-1931. 00:00 - I. Allegramente 08:37 - II. Adagio assai 18:02 - III. Presto The piano was Ravel's favorite instrument, and of his two extraordinary concertos, the Piano Concerto in G major was, in his opinion, "more Ravelian." Indeed, the two works are profoundly different, but without being, as Vladimir Jankélévitch observed in his book about the composer, more (or less) Ravelian than the other. Nevertheless, Ravel's opinion should not be dismissed, for it reflects his personal predilection, and, as any listener can tell, the work literally ...
Support us on Patreon and get more content: https://www.patreon.com/classicalvault --- Maurice Ravel Piano Concerto in G major 1 Allegramente 2 Adagio assai 3 Presto Jean-Yves Thibaudet, piano Gustav Mahler Jugendorchester Philippe Jordan. conductor Live recording. London, Proms 2013
Yuja Wang plays Ravel's piano concerto in G minor with Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome in June 2016. Lionel Bringuier conducting. Encores: Carmen Variations (Horowitz), Melody (Guck/Sgambati)
Provided to YouTube by Universal Music Group Ravel: Piano Concerto in G Major, M. 83 - II. Adagio assai · Krystian Zimerman · The Cleveland Orchestra · Pierre Boulez · Maurice Ravel Ravel: Piano Concertos; Valses nobles et sentimentales ℗ 1998 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Roger Wright Producer: Dr. Marion Thiem Producer, Recording Producer: Helmut Burk Studio Personnel, Balance Engineer: Rainer Maillard Studio Personnel, Recording Engineer: Klaus Behrens Studio Personnel, Recording Engineer: Stephan Flock Studio Personnel, Recording Engineer: Reinhard Lagemann Editor: Jürgen Bulgrin Composer: Maurice Ravel Auto-generated by YouTube.
Ravel: Concerto in Sol per pianoforte e orchestra Arturo Benedetti Michelangeli London Symphony Orchestra - Sergiu Celibidache 1982 sobriofestival.com
Martha Argerich interprète le Concerto pour piano et orchestre en sol majeur de Maurice Ravel aux côtés de l’Orchestre National de France, dirigé par Emmanuel Krivine. Enregistré le 5 octobre 2017 à l’Auditorium de la Maison de la Radio (Paris). #MauriceRavel #argerich #OrchestreNationalDeFrance #piano 00:00 - Début du concert 01:11 - 1er mouvement : Allegramente 09:30 - 2ème mouvement : Adagio assai 18:46 - 3ème mouvement : Presto 25:37 - Encore 1: Kreisler - Schon Rosmarin 28:47 - Encore 2: Scarlatti - Sonata K141 in D minor La composition du Concerto pour piano en sol majeur de Ravel est contemporaine de celle de son Concerto pour la main gauche, en 1929. Le premier est « solaire et turbulent », le second « sombre et désespéré », note le musicologue Nicolas Southon. A la fois po...
Maurice Ravel M. 83, Piano Concerto in G major Performer : Seong-Jin Cho 00:00 I. Allegramente 06:00 Cadenza 06:56 I. Allegramente 08:37 II. Adagio assai 18:27 III. Presto Original Video : https://youtu.be/qJFLrGQMJZ4?si=AOcWWJi9aDABu8li
From Alte Oper Frankfurt, 1990 Pianist Martha Argerich and the Orchestre National de France under the baton of Charles Dutoit Are you a Martha Argerich fan? Don't miss this intimate documentary on Martha Argerich, recorded by her daughter Stéphanie Argerich on @Euroarts: https://youtu.be/WV2jPWyQOqE You may also find it with Spanish subtitles: https://youtu.be/22PvxFcMFxA Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC Follow us on Facebook: http://www.facebook.com/wocomo Maurice Ravel - Concerto for Piano and Orchestra in G Major 0:00 Intro 0:44 I. Allegramente 9:00 II. Adagio assai 17:55 III. Presto © Licensed by Digital Classics Distribution
Antonio Salieri (pronounced [anˈtɔːnjo saˈljɛːri]; 18 August 1750 – 7 May 1825) was an Italianclassical composer, conductor, and teacher. He was born in Legnago, south of Verona, in the Republic of Venice, who spent his adult life and career as a subject of the Habsburg Monarchy.
Salieri was a pivotal figure in the development of late 18th-century opera. As a student of Florian Leopold Gassmann's, and a protégé of Gluck's, Salieri was a cosmopolitan composer who wrote operas in three languages. Salieri helped to develop and shape many of the features of operatic compositional vocabulary, and his music was a powerful influence on contemporary composers.
Appointed the director of the Italian opera by the Habsburg court, a post he held from 1774–92, Salieri dominated Italian language opera in Vienna. During his career he also spent time writing works for opera houses in Paris, Rome, and Venice, and his dramatic works were widely performed throughout Europe during his lifetime. As the Austrian imperial Kapellmeister from 1788 to 1824, he was responsible for music at the court chapel and attached school. Even as his works dropped from performance, and he wrote no new operas after 1804, he still remained one of the most important and sought-after teachers of his generation, and his influence was felt in every aspect of Vienna's musical life. Franz Liszt, Franz Schubert, and Ludwig van Beethoven were among the most famous of his pupils.
I want to know the place
Where you come from
I like to see your face when I wake up
I offer me just for yourself
Wrapped up for you and no one else
And no one else
Could be appreciative
Be as appreciative of your charm
When you walk you take you take your time
Take the tiniest steps
When I'm at your side if you feel
You're left behind
I'll slow down to your pace
And we'll be like a tree
And we'll grow on
And if the world should end
With fires and bombs
I'd like to be there holding hands
With you I'll view the end of the lands
And no one else could steal a piece
Like you could steal a piece that big
Of my heart
I want to be with you
And we will be together
I want to be with you