- published: 19 Jan 2014
- views: 588704
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Edward "Sonny" Stitt (born Edward Boatner, Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. He was one of the best-documented saxophonists of his generation, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, in reference to his relentless touring and devotion to jazz.
Edward Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.
Sonny was given up for adoption in 1924 by his father. No one seems to know why Boatner gave his son away, but the child was adopted by the Stitts family, who raised him in Saginaw, Michigan. He later began calling himself "Sonny". While in high school in Saginaw, Stitt played in the Len Francke Band, a local popular swing band.
Sonny Stitt is an eponymous album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
The Allmusic review stated "Stitt, doubling on alto and tenor, plays some songs with unfamiliar titles, but all of the chord changes of the originals (half of them blues) are fairly basic. He is in above-average form, making this CD reissue of interest to bebop collectors".
All compositions by Sonny Stitt except as indicated
On the Sunny Side may refer to:
On the Sunny Side was an LP album by The Four Lads released by Columbia Records as catalog number CL 912 in 1956, containing mostly popular standard songs.
The album, combined with the Four Lads' 1958 album Breezin' Along, was reissued in compact disc form by Collectables Records on January 16, 2001.
On the Sunny Side is a 1942 drama film, directed by Harold D. Schuster, starring Roddy McDowall, Jane Darwell and Stanley Clements.
Hugh Aylesworth (Roddy McDowall), is a well-bred English youth who is evacuated to America during the London Blitz. Hugh moves into the home of Mr. and Mrs. Andrews (Don Douglas and Katherine Alexander). The couple's own son Don (Freddie Mercer), feels neglected and considers Hugh a royal pain in the posterior.
Cue sports techniques (usually more specific, e.g., billiards techniques, snooker techniques) are a vital important aspect of game play in the various cue sports such as carom billiards, pool, snooker and other games. Such techniques are used on each shot in an attempt to achieve an immediate aim such as scoring or playing a safety, while at the same time exercising control over the positioning of the cue ball and often the object balls for the next shot or inning.
In carom games, an advanced player's aim on most shots is to leave the cue ball and the object balls in position such that the next shot is of a less difficult variety to make the requisite carom, and so that the next shot is in position to be manipulated in turn for yet another shot; ad infinitum.
Similarly, in many pocket billiards games, an advanced player's aim is to manipulate the cue ball so that it is in position to pocket (pot) a chosen next object ball and so that that next shot can also be manipulated for the next shot, and so on. Whereas in the carom games, manipulation of the object ball's position is crucial as well on every shot, in some pool games this is not as large a factor because on a successful shot the object ball is pocketed. However, many shots in one-pocket, for example, have this same added object ball control factor for most shots.
The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.
Jazz Giants - Tivoli Copenhagen - 1971 Thelonius Monk, piano - Dizzy Gillespie, trumpet - Kai Winding, trombone - Sonny Stitt, sax - Al McKibbon, bass - Art Blakey, drums DR tilrettelæggelse: Per Møller Hansen
Sonny Stitt performs the all time jazz classic tune "Body & Soul" (written in 1930 by Edward Heyman), included in his album "New York Jazz" Original: 1956 Remastered audio CD: June 10, 2003 Label: Verve Personnel: Sonny Stitt (alto saxophone, tenor saxophone) Jimmy Jones (piano) Ray Brown (bass) Jo Jones (drums)
"Lover Man" writtten by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. Sonny Stitt Alto Sax, Walter Bishop Piano. Tommy Potter Bass, Kenny Clarke Drums. This clip was uploaded in accordance with the fair use clause for educational purposes only.
Track 2 of the album Only The Blues -Recorded October 11, 1957 --------------------------------------------------- ~Sonny Stitt - alto ~Roy Eldridge - trumpet ~Oscar Peterson – piano ~Ray Brown – double bass ~Herb Ellis - guitar ~Stan Levey - drums
Just Friends, Sonny Stitt. Album: Verve Jazz Masters 50
Tracks: 1 Stardust 00:00 2 Cherokee 03:52 3 Autumn In New York 08:07 4 The Gypsy 13:00 5 Lover Man 16:34 6 Matter Horns 21:55 7 Hello 32:48 8 NIght Work 39:50 Credits Alto Saxophone – Sonny Stitt Bass – Tommy Potter (tracks: 5 to 8) Design [Sleeve] – Malcolm Walker Drums – Kenny Clarke (tracks: 5 to 8), Photography By [Cover] – Michael Wilderman Piano – Walter Bishop (tracks: 5 to 8) Producer – Alan Bates Recorded By – Helmuth Kolbe (tracks: 5 to 8) Trumpet – Howard McGhee (tracks: 6 to 8) Tracks 5 to 8 recorded in Turicop Studios, Zurich, on October 18, 1967. Tracks 1 to 4 are previously unreleased, recorded at Birdland, New York City, circa 1962.
Sonny Stitt - alto sax Howard McGhee - trumpet JJ Johnson - trombone Walter Bishop - piano Tommy Potter - bass Kenny Clarke - drums
Sonny Stitt & Dizzy Gillespie - On the Sunny Side Of The Street ........................................... Edward Hammond Boatner Jr. (February 2, 1924 – July 22, 1982), known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than.... ........................................... Read more : https://en.wikipedia.org/wiki/Sonny_Stitt ........................................... Dizzy Gillespie - Trumpet, Vocal.... Sonny Stitt - Tenor Saxophone, Vocal.... Lou Levy - Piano.... Ray Brown - Bass.... Gus Johnson - Drums.... ............................................ Recorded - Belgium 1958 ............................................ Why search for ...
from "Sonny Stitt • Mr. Bojangles" (1973) Sonny Stitt - alto saxophone, tenor saxophone Roland Hanna - electric piano Cornell Dupree - guitar Richard Davis - electric bass Jimmy Johnson - drums George Marge - alto flute, oboe Jimmy Buffington - French Horn Gloria Agostini - harp Phil Kraus - vibraphone, xylophone, percussion Warren Smith - percussion David Nadien, Harold Kobain, Emmanuel Green, Gene Orloff, Paul Gershman, Harry Lookofsky, Joseph Malia - violin Charles McCracken, George Ricci - cello Don Sebesky - arranger, conductor "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright stat...
Edward "Sonny" Stitt (born Edward Boatner, Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. He was one of the best-documented saxophonists of his generation, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, in reference to his relentless touring and devotion to jazz.
Edward Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.
Sonny was given up for adoption in 1924 by his father. No one seems to know why Boatner gave his son away, but the child was adopted by the Stitts family, who raised him in Saginaw, Michigan. He later began calling himself "Sonny". While in high school in Saginaw, Stitt played in the Len Francke Band, a local popular swing band.
I saw you walking down the street with him
You know I almost could've died
I didn't know you had a second friend
I never thought you woulda lied
I guess somebody else has knocked upon your door
See somebody else's socks lying on your floor
And I saw you on street with him
You know I almost coulda died
I never said that I was all that choice
I never said I was a dream
I didn't think you'd pull that second voice
It seems a little too cheap
I see somebody else's smile cut across your face
I see somebody else has taken you some other place
Yeah, I saw you on the street with him
You know I really coulda died
I didn't know you had another man
I didn't know, I thought I was in
I didn't know you had another plan
I didn't know
I thought I was in on the action
I thought I was ace in the hole
But I guess I was wrong
I see somebody else's smile cut across your face
I see somebody else has taken you some other place
Yeah, I saw you on the street with him
You know I really coulda died
I didn't know you had another man
I didn't know, I thought I was in
I didn't know you had another plan
I didn't know
I thought I was in on the action
I thought I was ace in the hole
But I guess I was wrong