- published: 09 Aug 2018
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Edward "Sonny" Stitt (born Edward Boatner, Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. He was one of the best-documented saxophonists of his generation, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, in reference to his relentless touring and devotion to jazz.
Edward Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.
Sonny was given up for adoption in 1924 by his father. No one seems to know why Boatner gave his son away, but the child was adopted by the Stitts family, who raised him in Saginaw, Michigan. He later began calling himself "Sonny". While in high school in Saginaw, Stitt played in the Len Francke Band, a local popular swing band.
Sonny Stitt is an eponymous album by saxophonist Sonny Stitt recorded in Chicago in 1958 and originally released on the Argo label.
The Allmusic review stated "Stitt, doubling on alto and tenor, plays some songs with unfamiliar titles, but all of the chord changes of the originals (half of them blues) are fairly basic. He is in above-average form, making this CD reissue of interest to bebop collectors".
All compositions by Sonny Stitt except as indicated
Ain't Misbehavin' is a 1929 stride jazz/early swing composition with 32 bars in AABA measure with a slow-to-moderate pace. With lyrics by Andy Razaf and score by Thomas "Fats" Waller and Harry Brooks, the number was created specifically as a theme song for the Razaf/Waller/Brooks off-Broadway musical comedy Connie's Hot Chocolates. In a 1941 interview with Eddie "Rochester" Anderson, Fats claimed the song was written while "lodging" in alimony prison, and that is why he was not "misbehaving".
The song was first performed at the premiere of Connie's Hot Chocolates at Connie's Inn in Harlem as an opening number by Margaret Simms and Paul Bass, and repeated later in the musical by Russell Wooding's Hallelujah Singers. Connie's Hot Chocolates transferred to the Hudson Theatre on Broadway in June 1929, where it was renamed to Hot Chocolates and where Louis Armstrong took over as orchestra director. The script also required Armstrong to play Ain't Misbehavin' in a trumpet solo, and although this was initially slated to only be a reprise of the opening song, Armstrong's performance was so well received that the trumpeter was asked to climb out of the orchestra pit and play the piece on stage.
Ain't Misbehavin' is a 1955 musical film released by Universal-International and starring Rory Calhoun, Piper Laurie, Jack Carson and Mamie Van Doren.
Ain't Misbehavin' is a musical revue with a book by Murray Horwitz and Richard Maltby, Jr., and music by various composers and lyricists as arranged and orchestrated by Luther Henderson. It is named after the song by Fats Waller (with Harry Brooks and Andy Razaf), "Ain't Misbehavin'".
The musical is a tribute to the black musicians of the 1920s and '30s who were part of the Harlem Renaissance, an era of growing creativity, cultural awareness, and ethnic pride, and takes its title from the 1929 Waller song "Ain't Misbehavin'". It was a time when Manhattan nightclubs like the Cotton Club and the Savoy Ballroom were the playgrounds of high society and Lenox Avenue dives were filled with piano players banging out the new beat known as swing. Five performers present an evening of rowdy, raunchy, and humorous songs that encapsulate the various moods of the era and reflect Waller's view of life as a journey meant for pleasure and play.
Ain't Misbehavin' opened in the Manhattan Theatre Club's East 73rd Street cabaret on February 8, 1978. The cast included Irene Cara, Nell Carter, André DeShields, Armelia McQueen, and Ken Page and was staged by Maltby. The New York Times reviewer wrote: "The show moves with the zing and sparkle of a Waller recording-filled with bright melodies and asides." Its reception was such that it was decided to develop it into a full-scale production.
Ayin or Ayn is the sixteenth letter of the Semitic abjads, including Phoenician ʿAyin , Hebrew ʿAyin ע, Aramaic ʿĒ , Syriac ʿĒ ܥ, and Arabic ʿAyn ع (where it is sixteenth in abjadi order only). ﻉ comes twenty‐first in the New Persian alphabet and eighteenth in Arabic hijaʾi order.
The ʿayin glyph in these various languages represents, or has represented, a voiced pharyngeal fricative (/ʕ/), or a similarly articulated consonant, which has no equivalent or approximate substitute in the sound‐system of English. There are many possible transliterations.
The letter name is derived from Proto-Semitic *ʿayn- "eye", and the Phoenician letter had an eye-shape, ultimately derived from the ı͗r hieroglyph
To this day, ʿayin in Hebrew, Arabic, Amharic, and Maltese means "eye" and "spring" (ʿayno in Neo-Aramaic).
The Phoenician letter gave rise to the Greek Ο, Latin O, and Cyrillic О, all representing vowels.
The sound represented by ayin is common to much of the Afrasiatic language family, such as the Egyptian, Cushitic, and Semitic languages. Some scholars believe that the sound in Proto-Indo-European transcribed h3 was similar, though this is debatable. (See Laryngeal theory.)
An ain is a spring in North Africa, which reaches the surface as a result of an artesian basin and is of particular importance in arid regions. It can produce a flow of water directly or result in evaporitic saline crusts. Known examples are found in the oases of the Tunisian region of Bled el Djerid and in the entire area around the depressions of Chott el Djerid and Chott el Gharsa. Here, there are water-bearing strata, usually of sand or sandstone, that act as aquifers in their function.
Personnel: Sonny Stitt (as), Hank Jones (p), Freddie Green (g) (tracks 1-4 & 9), Wendell Marshall (b), and Shadow Wilson (d). Recorded in NYC, December 15 & 16, 1955. 00:00 - 01 There Will Never Be Another You 04:37 - 02 The Nearness of You 09:47 - 03 Biscuit Mix 13:04 - 04 Yesterdays 18:05 - 05 Afterwards 21:22 - 06 If I Should Lose You 25:40 - 07 Blues for Bobby 30:29 - 08 My Melancholy Baby
Jazz Giants - Tivoli Copenhagen - 1971 Thelonius Monk, piano - Dizzy Gillespie, trumpet - Kai Winding, trombone - Sonny Stitt, sax - Al McKibbon, bass - Art Blakey, drums DR tilrettelæggelse: Per Møller Hansen
Sonny Stitt performs the all time jazz classic tune "Body & Soul" (written in 1930 by Edward Heyman), included in his album "New York Jazz" Original: 1956 Remastered audio CD: June 10, 2003 Label: Verve Personnel: Sonny Stitt (alto saxophone, tenor saxophone) Jimmy Jones (piano) Ray Brown (bass) Jo Jones (drums)
Sonny Stitt - alto saxophone.... Hank Jones - piano.... Wendell Marshall - bass.... Shadow Wilson - drums.... ..................................................................... "The Best Things in Life Are Free" - 5:00 "Engos, the Bloos" - 3:40 "It Might As Well Be Spring" - 5:40 "Cherokee" - 4:05 "I Didn't Know What Time It Was" - 4:30 "Body and Soul" – 3:52 "People Will Say We're In Love" - 4:50 "Bloosey" - 3:45 "Birds' Eye" - 4:15 .................................................................... Recorded - August 30, 1957 - Nola's Penthouse Sound, New York City .................................................................... Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ..................
"Lover Man" writtten by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. Sonny Stitt Alto Sax, Walter Bishop Piano. Tommy Potter Bass, Kenny Clarke Drums. This clip was uploaded in accordance with the fair use clause for educational purposes only.
Sonny Stitt - Body and Soul (Full Album) Subscribe to Lounge Sensation TV: http://bit.ly/2rjga9v -------------------------------------------------------------------------------------------------------- Tip: click on the time and listen your favorite song Track list: 1 | 00:00 | Sonny Stitt - Confessin' (Ellis Reynolds) 2 | 02:38 | Sonny Stitt - Jaws (Eddie Davis) 3 | 12:45 | Sonny Stitt - Later (Sonny Stitt) 4 | 15:47 | Sonny Stitt - Twelfth Street Rag (Euday L. Bowman) 5 | 19:20 | Sonny Stitt - Blue Smile (Sonny Stitt) 6 | 23:22 | Sonny Stitt - Down Home Blues (George Jackson) 7 | 28:36 | Sonny Stitt - There'll Never Be Another You (Harry Warren) 8 | 31:10 | Sonny Stitt - Body and Soul (Edward Heyman) 9 | 35:41 | Sonny Stitt - Cherokee (Ray Noble) 10 | 38:15 | Sonny Stitt - Liza...
PDF Available for Purchase : ($6) Alto sax version - https://gum.co/PfFVI 6 Best Alto sax solo ever - https://vadimmagsax.gumroad.com/l/pfglu (30$) Vincent Herring - https://youtu.be/fkUhLwl_RQA Sonny Stitt - https://youtu.be/lTUJ1pt1F7s Kenny Garrett - https://youtu.be/LQgajemXv4Y Rosario Giuliani - https://youtu.be/WAGjbTTJkHM 5 Best 12 bars Blues Saxophone solos - https://vadimmagsax.gumroad.com/l/jnbtl (20$) Subscribe, comment, like and share🙏 Сontact me if you need versions for other instruments [email protected] More transcriptions: https://gumroad.com/vadimmagsax Write in comments which solo you'd like me to transcribe⬇⬇⬇ Thanks for watching! Watch other videos on my channel https://www.instagram.com/vadim.magazov Subscribe on my channel. https://www.facebook.com/v.magazov v...
Personnel: Sonny Stitt (alto and tenor saxophone), Jimmy Jones (piano), Charlie Persip (drums), and an unknown musician (bass). Recorded at Nola's Penthouse Sound, NYC on April 2, 1958. 00:00 - 01 Happy Faces 03:44 - 02 Am I Blue? 06:44 - 03 I'll Be Seeing You 08:52 - 04 When You're Smiling 12:29 - 05 In a Little Spanish Town 16:33 - 06 Them There Eyes 20:18 - 07 Back in Your Own Back Yard 23:47 - 08 Foot Tapper 26:55 - 09 Sometimes I Feel Like a Motherless Child 29:42 - 10 Shadow Waltz 31:54 - 11 Wind-Up
Dizzy Gillespie - trumpet, vocal (# 1).... Sonny Stitt - tenor saxophone.... Sonny Rollins - tenor saxophone.... Ray Bryant - piano.... Tommy Bryant - double bass.... Charlie Persip - drums.... .................................................................. "On the Sunny Side of the Street" - 5:43 "The Eternal Triangle" - 14:10 "After Hours" - 12:21 "I Know That You Know" - 5:28 .................................................................. Recorded - December 19, 1957 - Nola Recording Studio, New York City .................................................................. Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! ............................................................ Please let me k...
Just Friends, Sonny Stitt. Album: Verve Jazz Masters 50
Edward "Sonny" Stitt (born Edward Boatner, Jr.; February 2, 1924 – July 22, 1982) was an American jazz saxophonist of the bebop/hard bop idiom. He was one of the best-documented saxophonists of his generation, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, in reference to his relentless touring and devotion to jazz.
Edward Boatner, Jr. was born in Boston, Massachusetts, and grew up in Saginaw, Michigan. He had a musical background; his father, Edward Boatner, was a baritone singer, composer and college music professor, his brother was a classically trained pianist, and his mother was a piano teacher.
Sonny was given up for adoption in 1924 by his father. No one seems to know why Boatner gave his son away, but the child was adopted by the Stitts family, who raised him in Saginaw, Michigan. He later began calling himself "Sonny". While in high school in Saginaw, Stitt played in the Len Francke Band, a local popular swing band.