- published: 02 Jan 2015
- views: 2922
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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if(window.history && history.replaceState && document.location.hostname.match(/^(youtube\.)?(\w{2,3}\.)?wn\.com$/)){ if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = basepath; } else if( path.match('^'+main_tab+'/') ){ path = basepath + '/' + path.replace(main_tab+'/', '').replace('--','/'); } else { path = basepath + '/' + path.replace('--','/'); } if(document.location.search){ path += document.location.search; } if(window.lastHistory) { history.pushState(null, null, path); } else if(window.lastHistory != path){ history.replaceState(null, null, path); window.lastHistory = path; } } else{ path = path.replace('--','/'); if(path == main_tab || path == main_tab+'/' || path == '' || path == '/') { path = ''; } if(window.lastHistory != '/'+path){ window.location.hash = path? '/'+path : ''; window.lastHistory = '/'+path; } } }); $('.tabtrigger li a').live('click', ensure(function() { var tab = $(this).attr('id'); if(tab.substring(0,1) == '#'){ var name = tab.substring(1); if(name in menu_names){ name = menu_names[name][0]; } realTab = rev_names[name]; $('#'+realTab).show(); if(window.console && console.log) console.log("Triggering tab: "+name+(window.activeArea?" activeArea="+window.activeArea:'')); var path = name; if(window.activeArea){ path = path + '/' + window.activeArea; } if(tab.match(/#playlist\d+/) || tab.match(/#details\d+/)){ $('.multiple-playlists').show(); $('.related_playlist').show(); $('.longest_videos_playlist').show(); }else { $('.multiple-playlists').hide(); $('.related_playlist').hide(); $('.longest_videos_playlist').hide(); } // start the related script only when the tab is on screen showing if (tab.match(/related_sites/)) { if (mc) { mc.startCredits(); } } window.activeTab = realTab; addHistory(path); setTimeout(ensure(function(){ if(tab.match(/language--/)){ $('.tabtrigger').offscreentabs('activateTab', 'language'); } if(tab.match(/weather/)) { $('.tabtrigger').offscreentabs('activateTab', 'weather'); loadContinent(); } updateMenus(tab); updateHeight(); }), 10); } return false; })); }); -->
No Tricks is the fourteenth album by the Commodores, released on March 29, 1993. At this point, the band had been reduced to the threesome of Walter "Clyde" Orange, William King and J.D. Nicholas. The album did not chart.
The Commodores are an American funk/soul band, which was at its peak in the late 1970s through the mid 1980s. The members of the group met as mostly freshmen at Tuskegee Institute (now Tuskegee University) in 1968, and signed with Motown in November 1972, having first caught the public eye opening for The Jackson 5 while on tour.
The group's most successful period was in the late 1970s and early 1980s when Lionel Richie was co-lead singer. The band's biggest hit singles are ballads such as "Easy", "Three Times a Lady", and "Nightshift"; and funky dance hits which include "Brick House", "Fancy Dancer", "Lady (You Bring Me Up)", and "Too Hot ta Trot". However it was in 1986 that the Commodores won their first Grammy for the song "Nightshift".
The Commodores originally came together from two former groups, the Mystics and the Jays. There was even a Jazz aspect to one of the groups. They wanted to change the name. Together, a six-man band was created from which the notable individuals were Lionel Richie, Thomas McClary, and William King from the Mystics; Andre Callahan, Michael Gilbert, and Milan Williams were from the Jays. To choose a new name, William "WAK" King opened a dictionary and randomly picked a word. "We lucked out", he remarked with a laugh when telling this story to People magazine. "We almost became 'The Commodes!
Commodores is the self-titled fifth studio album by the Commodores, released in 1977. The album spent eight weeks at the top of the R&B/soul albums chart, the second of their albums to do so, and was their first Top 5 pop album.
There is also a previously released extended version.
The band employed a variety of musical styles for the album, highlighted by the popular anthem "Brick House". With Walter Orange's squeaking/growling voice on the lead, and Ronald LaPread's roundtone bassline, this track peaked on the U.S. Hot 100 at #5, and the U.S. R&B Chart at #4. As their second single, "Brick House" helped to propel the Commodores into the spotlight as a leading R&B act.
In contrast to "Brick House", "Easy" is a pop-soul ballad with mellow vocals by Lionel Richie with a Southern country twist.
"Zoom" is one of the Commodores' best known tunes, despite not being released as a single in the US. It reached #38 on the UK singles chart.Fergie sampled "Zoom" in her song "All That I Got (The Make-Up Song)" on the album The Dutchess.
Commodores 13 is the tenth studio album by the Commodores, released in 1983. It is their first album after Lionel Richie left the group, and their last album with guitarist Thomas McClary before his departure from the band (McClary recorded a solo album for Motown Records in 1984, and then retired from the music industry). The song "Turn Off the Lights" was written as a sequel to 1981's "Lady (You Bring Me Up)".
Provided to YouTube by ROBA MUSIC VERLAG GMBH No Tricks · Commodores Brick House ℗ 2008, Baierle Records Released on: 2008-05-10 Composer: J.D. Nichols, Howie Rice Music Publisher: Copyright Control Auto-generated by YouTube.
Descrição
Provided to YouTube by ROBA MUSIC VERLAG GMBH Medley Let's Get Busy-Living On the Edge-No Tricks · Commodores Brick House ℗ 2008, Baierle Records Released on: 2008-05-10 Composer: Copyright Control Music Publisher: Copyright Control Auto-generated by YouTube.
Provided to YouTube by ROBA MUSIC VERLAG GMBH Let's Get Busy, Living on the Edge, No Tricks (Medley) · Commodores Brick House ℗ ACD Released on: 2009-12-17 Composer: J.D. Nicholas, W.Hitch, T. Shanton-Betty Reynolds, Sheldon Reynolds-J.D. Nicholas Music Publisher: Copyright Control Auto-generated by YouTube.
no tricks - A slight bass was added, you guys let me know if you like that or not, plus if any song is too slow or too fast just let me know and I'll post a second version. - Original Audio: https://www.youtube.com/watch?v=rUITrQRThWM Socials: IG: Website: Spotify: https://open.spotify.com/artist/6twIAGnYuIT1pncMAsXnEm Twitter: https://mobile.twitter.com/the__commodores Facebook: https://www.facebook.com/TheCommodores Youtube: https://www.youtube.com/user/commodoresLIVE ~ Please go support the creators of these wonderful songs, after all, they are the reason this is all possible! - Request songs in the comments. You can also request on my IG or you can just say hi. @marshall.k.lui Copyright: All credit goes to the artists of the music and gifs used in the videos. For entertainment...
From the album XX No Tricks 1993
Provided to YouTube by Universal Music Group Oh No · Commodores Gold ℗ 1981 Motown Records, a Division of UMG Recordings, Inc. Released on: 2008-01-01 Producer, Associated Performer, Recording Arranger, String Arranger: James Anthony Carmichael Producer, Associated Performer, Recording Arranger: Commodores Associated Performer, Rhythm Arranger: Gene Page Studio Personnel, Recording Engineer, Mixer: Calvin Harris Studio Personnel, Recording Engineer, Mixer: Jane Clark Composer Lyricist: Lionel Richie Auto-generated by YouTube.
From the album XX No Tricks 1993
No Tricks is the fourteenth album by the Commodores, released on March 29, 1993. At this point, the band had been reduced to the threesome of Walter "Clyde" Orange, William King and J.D. Nicholas. The album did not chart.
No tricks up my sleeve
I kicked the downs and now I'm clean
No shakes up my spine
I beat the speed and I dumped the wine
No tracks that was yesterday
I changed my style, the way I play
Don't you believe it
No blues, no depression
No more panic or obsession
Don't you believe anything he said
All them junkies talk that way
It's just as bad as it was before
I see the man knockin' at his back door
Oh, this kid's straight and put on ice
The street corner deals at any price
Come on and check my veins
And check my eyes
No tracks that was yesterday
I changed my style, the way I play
Don't you believe it
No blues, no depression
No more panic or obsession
Some tricks just go away
And other tricks, they're here to stay
Oh don't you know me?
Sometimes my spirit's willin'
The flesh is weak and that's what's killin'
Don't you believe anything he said
All them junkies talk that way
It's just as bad as it was before
I see the man knockin' at his back door
Hey, now this kid's straight, put on ice
The street corner deals at any price
Come on and check my veins
And check my eyes
I tried so hard but I'm hurting for another fix
It's just this habit I, I can always kick
What do you say there friend?
Don't you call me
It's just a game
And I can beat it any day
No matter what this lovely lady say
Hey, wanna be my friend?
Some tricks they go away
And other tricks, they're here to stay
Oh don't you know me?
Sometimes my spirit's willin'
The flesh is weak and that's what's killin'
Oh, don't you believe anything he said
All them junkies, talk that way
It's just as bad as it was before
I see the man knockin' at his back door
I said, This kid's straight and put on ice
The street corner deals at any price
Come on and check my veins