- published: 26 Jul 2018
- views: 42367
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. 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Hold On may refer to:
What a Wonderful Time is the second Holiday album by Grammy Award winning, and Platinum-selling superstar Yolanda Adams. This heart-warming project features five eclectically arranged holiday standards, and five original pieces. Highlights include her rapturous take on “My Favorite Things” produced by Michael J. Powell, “With God,” a song that Yolanda co-wrote with producer Gregory Curtis, and the acoustic guitar driven single “Hold On” (produced by Stan Jones) which affirms the message of strength, hope, and determination.
Hold On is the third single from the Jamaican recording artist Sean Paul's fifth studio album Tomahawk Technique. It was written by Pierre "The Maven" Medor, Rico Love and Sean Paul Henriques and was produced by Pierre "The Maven" Medor, Rico Love. The song has charted in France.
Hold On is widely associated with Usain Bolt in his endeavour to victory in the London 2012 Olympic Games in the 100m and 200m races.
A Lyric music video to accompany the release of "Hold On" was first released onto YouTube on 21 February 2012 at a total length of four minutes and nine seconds.
The Commodores are an American funk/soul band, which was at its peak in the late 1970s through the mid 1980s. The members of the group met as mostly freshmen at Tuskegee Institute (now Tuskegee University) in 1968, and signed with Motown in November 1972, having first caught the public eye opening for The Jackson 5 while on tour.
The group's most successful period was in the late 1970s and early 1980s when Lionel Richie was co-lead singer. The band's biggest hit singles are ballads such as "Easy", "Three Times a Lady", and "Nightshift"; and funky dance hits which include "Brick House", "Fancy Dancer", "Lady (You Bring Me Up)", and "Too Hot ta Trot". However it was in 1986 that the Commodores won their first Grammy for the song "Nightshift".
The Commodores originally came together from two former groups, the Mystics and the Jays. There was even a Jazz aspect to one of the groups. They wanted to change the name. Together, a six-man band was created from which the notable individuals were Lionel Richie, Thomas McClary, and William King from the Mystics; Andre Callahan, Michael Gilbert, and Milan Williams were from the Jays. To choose a new name, William "WAK" King opened a dictionary and randomly picked a word. "We lucked out", he remarked with a laugh when telling this story to People magazine. "We almost became 'The Commodes!
Commodores is the self-titled fifth studio album by the Commodores, released in 1977. The album spent eight weeks at the top of the R&B/soul albums chart, the second of their albums to do so, and was their first Top 5 pop album.
There is also a previously released extended version.
The band employed a variety of musical styles for the album, highlighted by the popular anthem "Brick House". With Walter Orange's squeaking/growling voice on the lead, and Ronald LaPread's roundtone bassline, this track peaked on the U.S. Hot 100 at #5, and the U.S. R&B Chart at #4. As their second single, "Brick House" helped to propel the Commodores into the spotlight as a leading R&B act.
In contrast to "Brick House", "Easy" is a pop-soul ballad with mellow vocals by Lionel Richie with a Southern country twist.
"Zoom" is one of the Commodores' best known tunes, despite not being released as a single in the US. It reached #38 on the UK singles chart.Fergie sampled "Zoom" in her song "All That I Got (The Make-Up Song)" on the album The Dutchess.
Commodores 13 is the tenth studio album by the Commodores, released in 1983. It is their first album after Lionel Richie left the group, and their last album with guitarist Thomas McClary before his departure from the band (McClary recorded a solo album for Motown Records in 1984, and then retired from the music industry). The song "Turn Off the Lights" was written as a sequel to 1981's "Lady (You Bring Me Up)".
Provided to YouTube by Universal Music Group Hold On · Commodores Movin' On ℗ 1975 Motown Records, a Division of UMG Recordings, Inc. Released on: 1975-01-01 Producer, Associated Performer, Recording Arranger: James Anthony Carmichael Producer, Associated Performer, Recording Arranger: Commodores Composer Lyricist: Lionel Richie Composer Lyricist: Thomas McClary Auto-generated by YouTube.
Album: Movin'On
"Hold On" is from the Commodores 1975, Movin' On LP. No copyright infringement intended. All copyrights belong to their original owners. Musical Videos and accompanying photos posted on this Channel are for entertainment purposes only. Reproduced solely for the listening pleasure of true music lovers.
Commodores – Movin' On Label: Tamla Motown – STMS 5003 Format: Vinyl, LP, Album, Reissue Country: UK Released: 1981 Genre: Funk / Soul Style: Disco Growing up with the best music. Enjoy the old school era. All records on my channel are purchased and owned by me. If any producer, label or copyright owner are unhappy about any upload, please contact me and the content will be removed immediately.
The Commodores third album, titled, Movin' On, was released in early 1976 and it was the first Commodores album I bought at that time. Sweet Love, was the ballad on that album that was all over the radio and that was the song that really introduced me to the Commodores. I remember placing the record on my record player and playing side one for the first time and wow...I was blown away with the killer bassline and horns from the first two songs on side one, Hold On and Free. To this day, those two songs are to me, the essence of the Commodores, at least the Commodores early funk period from the mid-1970's. It doesn't get any better than this!
http://www.youtube.com/watch?v=zg-ivWxy5KE&fmt=18 to watch with better quality 1979 Motown single, featuring Lionel Richie on lead vocal.
Commodores (Lionel Richie) Hope you'll enjoy!!! ---------------------------------------- Oh No... I want you to want me I'm goin' crazy knowin' he will be your lover tonight And when he comes I'll let you go I'll just pretend as you walk out of the door Oh no... I can't sleep Oh no... I'm goin' crazy with love, over you I need you to need me I wanna hold ya but you're holdin' someone else in your arms When I close my eyes, I see your face I'm just not sure how much my heart can erase Oh no... I can't think Oh no... I'm goin' crazy with love over you Oh honey... Oh sugar... Oh no... I can't sleep anymore baby Oh no... I can't think anymore baby Oh no... I'm goin' crazy with love Over you...
Hold On may refer to:
Lying in my bed today
Listening to my records play
Nothing seems to go my way
It's out of my hands they say
It's hard
I know
It's how it goes
Hold on
Hold on
Be strong
Yeah
Rainy summer days in May
Wishing for a sunny day
But nothing seems to go my way
It's all in my head they say
It's hard
I know
It's how it goes
Hold on
Hold on
Be strong
So listen to what I say
I don't mean to sound cliche
But nothing seems to go my way
It's hard
I know
It's how it goes
Hold on
Hold on
Be strong
It's hard
I know
It's how it goes
Hold on
Hold on
Be strong