- published: 19 Nov 2019
- views: 54260
'+pages+''); $('.stream > div:odd').addClass('bgr_color'); updateHeight('#history'); }); window.activateTabArea = ensure(function(tab, areas){ var parsed = false; var parts = (areas || '').split('/'); window.fsonload = $.inArray('fs', parts) >= 0; if(fsonload){ parts.splice(parts.indexOf('fs'), 1); } var replayMode = false; if($.inArray('replay', parts)>=0){ replayMode = 'replay'; } var noSoundMode = false; if($.inArray('nosound', parts)>=0){ noSoundMode = 'nosound'; } if($.inArray('ns', parts)>=0){ noSoundMode = 'ns'; } var previewMode = null; if($.inArray('p', parts)>=0){ previewMode = 'p'; } if($.inArray('preview', parts)>=0){ previewMode = 'preview'; } if($.inArray('repeat', parts)>=0){ replayMode = 'repeat'; } if($.inArray('r', parts)>=0 || $.inArray('ro', parts)>=0){ replayMode = 'r'; } if(replayMode){ parts.splice(parts.indexOf(replayMode), 1); } if(noSoundMode){ parts.splice(parts.indexOf(noSoundMode), 1); } if(previewMode){ parts.splice(parts.indexOf(previewMode), 1); } if(previewMode){ if(!parts.length){ parts = ['1-14', '999:59']; } } var area = parts[0]; if(tab == 'history' && false){ var page = parseInt(area || '1') || 1; $.ajax({ url: 'https://login.wn.com/recent/json/?pp='+history_pp+'&skip='+history_pp*(page-1), dataType: 'jsonp', success: function(response){ $ensure(function(){ renderHistory(response, page); }); } }); return true; } if(tab == 'global_history' && false){ var page = parseInt(area || '1') || 1; globalHistory.fetchStream(page, '', function(){ updateHeight('#global_history'); }); return true; } if(tab == 'my_playlists' && false){ var page = parseInt(area || '1') || 1; myPlaylists.fetchStream(page, '', function(){ updateHeight('#my_playlists'); }); return true; } if(tab == 'my_videos' && false){ var page = parseInt(area || '1') || 1; myVideos.fetchStream(page, '', function(){ updateHeight('#my_videos'); }); return true; } if(tab == 'related_sites' && areas && matchPosition(areas)){ var seconds = parsePosition(areas); scrollRelated(seconds); return false; } if(matchPosition(area) || matchAction(area)){ parts.unshift('1'); area = parts[0]; } if(tab == 'expand' && area && area.match(/\d+/)) { var num = parseInt(area); if(num < 100){ //FIX ME. Load news page with ajax here } else if(num > 1900){ //FIX ME. 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Keep on Dancing or Keep on Dancin' may refer to:
Keep On Dancing was a various artists "hits" collection album released in Australia in 1983 on the EMI record Label (Cat No. GIVE 2008). The album spent 3 weeks at the top of the Australian album charts in 1983.
Side 1:
Side 2:
"Keep on Dancing" is a rock song written by Allen A. Jones and Willie David Young, originally performed by the Avantis on Argo Records in 1963, and covered by The Gentrys in 1965. The song was also covered by The Bay City Rollers in 1971.
The Gentrys' version was first released on Youngstown 601 in 1965, but soon nationally distributed by MGM Records. "Keep on Dancing" reached #4 in 1965 on the Billboard Hot 100 chart for two weeks. It reached #5 on Cashbox for two weeks. It stayed on the Hot 100 for 13 weeks and Cashbox for 14 weeks. It surpassed a million copies in sales after leaving the charts.
"Keep on Dancing" is notable for the fact that it is actually one short recording repeated in order to stretch the record out to the length of the typical pop single of its day. The second half of the song, after the false fade, beginning with Gentrys drummer Larry Wall's drum fill, is the same as the first. Although the Gentrys usually had Jimmy Hart and Bruce Bowles as singers, the band's guitarist, Larry Raspberry, sang lead vocals on the song.
The Commodores are an American funk/soul band, which was at its peak in the late 1970s through the mid 1980s. The members of the group met as mostly freshmen at Tuskegee Institute (now Tuskegee University) in 1968, and signed with Motown in November 1972, having first caught the public eye opening for The Jackson 5 while on tour.
The group's most successful period was in the late 1970s and early 1980s when Lionel Richie was co-lead singer. The band's biggest hit singles are ballads such as "Easy", "Three Times a Lady", and "Nightshift"; and funky dance hits which include "Brick House", "Fancy Dancer", "Lady (You Bring Me Up)", and "Too Hot ta Trot". However it was in 1986 that the Commodores won their first Grammy for the song "Nightshift".
The Commodores originally came together from two former groups, the Mystics and the Jays. There was even a Jazz aspect to one of the groups. They wanted to change the name. Together, a six-man band was created from which the notable individuals were Lionel Richie, Thomas McClary, and William King from the Mystics; Andre Callahan, Michael Gilbert, and Milan Williams were from the Jays. To choose a new name, William "WAK" King opened a dictionary and randomly picked a word. "We lucked out", he remarked with a laugh when telling this story to People magazine. "We almost became 'The Commodes!
Commodores is the self-titled fifth studio album by the Commodores, released in 1977. The album spent eight weeks at the top of the R&B/soul albums chart, the second of their albums to do so, and was their first Top 5 pop album.
There is also a previously released extended version.
The band employed a variety of musical styles for the album, highlighted by the popular anthem "Brick House". With Walter Orange's squeaking/growling voice on the lead, and Ronald LaPread's roundtone bassline, this track peaked on the U.S. Hot 100 at #5, and the U.S. R&B Chart at #4. As their second single, "Brick House" helped to propel the Commodores into the spotlight as a leading R&B act.
In contrast to "Brick House", "Easy" is a pop-soul ballad with mellow vocals by Lionel Richie with a Southern country twist.
"Zoom" is one of the Commodores' best known tunes, despite not being released as a single in the US. It reached #38 on the UK singles chart.Fergie sampled "Zoom" in her song "All That I Got (The Make-Up Song)" on the album The Dutchess.
Commodores 13 is the tenth studio album by the Commodores, released in 1983. It is their first album after Lionel Richie left the group, and their last album with guitarist Thomas McClary before his departure from the band (McClary recorded a solo album for Motown Records in 1984, and then retired from the music industry). The song "Turn Off the Lights" was written as a sequel to 1981's "Lady (You Bring Me Up)".
Greg Womack, a respected DJ asked me to remix this one for a TGIF Soundtrack Remix project several years ago and I swear I was soooo on it...and then I found out he had passed away shortly after that. He never let on that he was seriously ill for a few years before that, I never knew as he was always on the move getting projects together for collaborations and collections of dance and disco music. His Womack Reworks were always excellent, and he included many of my remixes on his compilations. It broke me in as a dj remixer jobs. I will always remember his respect and my inclusion into his world. He really kept up, right unto the end. I found this unfinished project in my files last week and realized that I had been avoiding this one. On hearing it for the first time since 2015, that funky...
Officially, the first version was released in 1976 as "I Gotta Keep Dancin'" by Carrie. This is the 1979 re-recording which is much more disco friendly while the original 1976 was more in the Philadelphia International direction. I'm glad the label went with a remix to get the song out there again, it's the version I heard first back then and my friend Carole liked it too, the happy energetic music with lyrics like "keep dancin, keep smilin', to cover up my broken heart" are the stuff that made disco dramatic and bittersweet. For the record, the 1976 version peaked at #2 disco in 1977 and at #64 on the Hot100 a pretty amazing feat! The 1979 remix peaked at #10 disco in early 1980 and the new sound of it reflected the direction disco was going in. I love the break and that hypnotizing bass ...
Download: http://v.blnk.fr/Azn7bP7h Soundway Records Click here to subscribe to Soundway Records - http://www.bit.ly/sub2soundway MUSIC FROM PLANET EARTH: PAST, PRESENT & FUTURE Soundway Records was conceived in 2002 by label owner Miles Cleret whilst returning from Ghana with a hoard of dusty old 45s and LPs that had mostly not been heard outside the former Gold Coast since their original release. Planned on a whim the trip was not one of the carefully planned research expeditions that Miles would later embark on to any number of far-flung tropical destinations. On the contrary he left England with no idea of what he might find or that it might be the start of a career in the record business. Although the label has it's roots in West Africa the scope has grown to include many other ...
Keep on Dancing or Keep on Dancin' may refer to:
Hook:
You can get rich out the corner
man all this made on the corner
nigga feed the kids out the corner
nigga I'm bout Bentley out the corner
and some real street niggas on the corner
the young niggas acting a fool on the corner
everybody got money issues on the corner
you know you can't be slipping on the corner.
The calling I'm bout the everything
these.took me a long way
slug young nigga like the R Jay
the Joshy on the block every day
the maestro nigga we bust up,
don't talk your label talk bust all
on the corner they get their hus long
on the corner you might lose everything
soon.might bear everything
on the corner get it back then next day
my corner got the trial like the wrong way
yo got only one way pleasure for my hundred play,
drive through, drive away
salute my nigga look brick up
get fuck out nigga got bother
just corner forget you one year
don't wanna get caught with trafficant
that dough gonna hope gonna .
so watch you .
don't let that corner.
I never need a block nigga
the corner.
Hook:
You can get rich out the corner
man all this made on the corner
nigga feed the kids out the corner
nigga I'm bout Bentley out the corner
and some real street niggas on the corner
the young niggas acting a fool on the corner
everybody got money issues on the corner
you know you can't be slipping on the corner.
Yeah I got a million dollar cash on the corner
hundred thousands pounds of swags on the corner
and babies on vacation jet park on the corner
with a future on the road I left a bridge back on the corner
acted back dough the nigga, brick house on the corner
number money issues, ain't no rules on the corner
you got me buy your issue if you say you're from the corner
and smoke upon the gas got me 65 Hummer
school a lot of flix, fernessin nigga as well,
my corner like a pharmacy got everything for sale,
remix lean the swag stupid fright sack,
free benz driggin it she throw it in the back
Yeah