- published: 17 Oct 2014
- views: 199
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Archie Shepp (born May 24, 1937) is an American jazz saxophonist. Shepp is best known for his passionately Afrocentric music of the late 1960s, which focused on highlighting the injustices faced by African Americans, as well as for his work with the New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane.
Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone (he occasionally plays soprano saxophone and piano). Shepp studied drama at Goddard College from 1955 to 1959, but he eventually turned to music professionally. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, Archie Shepp - Bill Dixon Quartet, was released on Savoy Records in 1962, and featured a composition by Ornette Coleman. Further links to Coleman came with the establishment of the New York Contemporary Five, which included Don Cherry. John Coltrane's admiration led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by his long-time friend, trombonist Roswell Rudd, bassist Reggie Workman and alto player John Tchicai.
My man may refer to:
My Man (1928) is a black and white part-talkie American comedy-drama musical film from Warner Brothers Pictures starring Fannie Brice and Guinn 'Big Boy' Williams The tagline was "FANNIE BRICE (The Female Al Jolson) in the SINGING-TALKING VITAPHONE PICTURE "MY MAN"".
This was Fannie Brice's feature film debut at the age of 37. She was a star in the Ziegfeld Follies before she started acting in motion pictures. At the time this movie was made there were still some silent movies in production and being released. It would not be until 1929 for talking movies to completely take over, but Warner Brothers had completely stopped making silent movies and switched to sound pictures by the end of that year, either part talking or full talking. Warner Brothers would also start making movies in color as well as sound movies.
Fannie Brand, an industrious girl who supports her brother and sister by working in a theatrical costume house, falls in love with Joe Halsey, a young fellow who earns a precarious living demonstrating an elastic exerciser in a drugstore window. Fannie and Joe set a date to be married, but the wedding is called off when Fannie finds Joe making love to her unprincipled sister, Edna. Fannie auditions for Landau, a theatrical producer, and goes on the Broadway stage. Fannie is a great success, and she and Joe soon find their way back into each other's arms.
"Mon Homme" is a popular song known by its English translation, "My Man". The song was originally composed by Jacques Charles, Channing Pollock, Albert Willemetz, and Maurice Yvain.
Although the song originated in France – where it was a hit for Mistinguett in 1916 – it was popularized in the English speaking world in the 1920s with the 1921 recording by Ziegfeld Follies singer Fanny Brice. The song was a hit, and the record eventually earned a Grammy Hall of Fame Award for Brice in 1999.
The ballad version recorded by Brice was modified by Billie Holiday, who introduced a jazz/blues recording of "My Man". Holiday's version was also successful, although the song continued to be associated with Brice. Over the years, other artists from both the United States and abroad covered the song, though none of the artists achieved as much success as Brice and Holiday. One notable version was a 1940s recording by Edith Piaf, the most notable recording of "Mon Homme" in its original language.
Onze onweermuziek Created with http://tovid.io
Original Album available on all digital platforms, CD, Vinyl : https://futuramarge.bandcamp.com/ More infos about the project and the featured artists on the official page : http://urlz.fr/7Dl4
Archie Shepp & Dollar Brand, "Ubu-Suku", album Duet, 1978 Archie Shepp, tenor saxophone, soprano saxophone Dollar Brand, piano Track Listing: 1 Fortunato 7:37 2 Barefoot Boy From Queens Town 7:45 3 Left Alone 7:51 4 Theme From "Proof Of The Man" 8:12 5 Ubu-Suku 4:30 6 Monebah 8:18 Recording date: June 5, 1978
http://www.archieball.com From The Hang: Archie Shepp, the veteran saxophonist, educator and activist discusses Albert Ayler and the impact of his music.
Tracklist: 01 Goin' Home 0:00 02 Nobody Knows The Troubles I've Seen 6:11 03 Go Down Moses 10:54 04 Steal Away To Jesus 15:15 05 Deep River 21:29 06 My Lord What A Morning 26:20 07 Amazing Grace 31:01 08 Sometimes I Feel Like A Motherless Child 35:23 09 Swing Low, Sweet Chariot 40:44 10 Come Sunday 43:27
Provided to YouTube by Universal Music Group Rest Enough (Song To Mother) · Archie Shepp The Cry Of My People ℗ 1972 UMG Recordings, Inc. Released on: 1972-01-01 Producer: Ed Michel Composer: Archie Shepp Auto-generated by YouTube.
Archie Shepp - U-Jamaa ........................................... Wilbur Little (March 5, 1928 – Parmele, North Carolina – May 4, 1987 - Amsterdam) was an American jazz bassist known for Hard bop and Post-bop. Little originally played.... ........................................... Read more : https://en.wikipedia.org/wiki/Wilbur_Little ........................................... Archie Shepp - Tenor Saxophone.... Siegfried Kessler - Piano.... Wilbur Little - Bass.... Clifford Jarvis - Drums.... ........................................... Recorded - Jazz Jamboree Warsaw 1978 ........................................... Why search for your favorite music in my channel? Because i'm always trying to name the musicians, place and date of the recordings! .........................................
From the album: Live in San Francisco (Impulse, 1967). Roswell Rudd, trombone; Archie Shepp, tenor sax, piano (here, recitation); Donald Garrett, Lewis Worrell, bass; Beaver Harris, drums. Recorded at the Both/And Club, San Francisco, CA, February 19, 1966. Text of the poem (my transcription): The Wedding We sat ten abreast on logs that stretched the entire length of the room. I knelt and kissed the ring on the baptist’s hand. ‘Thankyou Jesus!’ Sister Beatrice said. ‘Praise Him’. This from the steely black men whose corned haunches ached from the cold. Pearly Mae got down on her knees so that the weight of the baby was shifted to her thighs, while outside Black Junior advanced on Panamanian Red and Hector stuck a spike straight into the ball of his eye. The buttered knifes, cold of L...
Archie Shepp (born May 24, 1937) is an American jazz saxophonist. Shepp is best known for his passionately Afrocentric music of the late 1960s, which focused on highlighting the injustices faced by African Americans, as well as for his work with the New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane.
Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone (he occasionally plays soprano saxophone and piano). Shepp studied drama at Goddard College from 1955 to 1959, but he eventually turned to music professionally. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, Archie Shepp - Bill Dixon Quartet, was released on Savoy Records in 1962, and featured a composition by Ornette Coleman. Further links to Coleman came with the establishment of the New York Contemporary Five, which included Don Cherry. John Coltrane's admiration led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by his long-time friend, trombonist Roswell Rudd, bassist Reggie Workman and alto player John Tchicai.
They say into your early life romance came
And in this heart of yours burnt a flame
A flame that flickered one day and died away
Then, with disillusion deep in your eyes
You learned that fools in love soon grow wise
The years have changed you somehow, I see now
SmokingDrinkingNever thinking of tomorrow
Non-chalant Diamonds shining Dancing Dining
With some man in a restaurant
Is that all you really want
No. Sophisticated Lady, I know You miss the love you had long ago
And when nobody is neigh You cry
No. Sophisticated Lady, I know
You miss the love you had long ago