- published: 08 Aug 2010
- views: 2528184
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Archie Shepp (born May 24, 1937) is an American jazz saxophonist. Shepp is best known for his passionately Afrocentric music of the late 1960s, which focused on highlighting the injustices faced by African Americans, as well as for his work with the New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane.
Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone (he occasionally plays soprano saxophone and piano). Shepp studied drama at Goddard College from 1955 to 1959, but he eventually turned to music professionally. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, Archie Shepp - Bill Dixon Quartet, was released on Savoy Records in 1962, and featured a composition by Ornette Coleman. Further links to Coleman came with the establishment of the New York Contemporary Five, which included Don Cherry. John Coltrane's admiration led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by his long-time friend, trombonist Roswell Rudd, bassist Reggie Workman and alto player John Tchicai.
"Billie's Bounce" (also known as "Bill's Bounce") is a jazz composition written in 1945 by Charlie Parker in the form of a 12 bar F blues. It was dedicated to Billy Shaw by the Yardbird. The original recording by Charlie Parker and His Re-Boppers was inducted into the Grammy Hall of Fame in 2002. Copyright 1945 by Atlantic Music Corp. Copyright renewed and assigned 1973 to Atlantic Music Corp.
Originally an instrumental, lyrics were added later by Jon Hendricks.
The original 1945 recording had the following lineup:
Charlie Parker Reboppers Miles Davis (tp) Charlie Parker (as) Dizzy Gillespie (p) Curly Russell (b) Max Roach (ds) 26.Nov.1945.WOR Studios, Broadway, NYC,
Classic Mood Experience The best masterpieces ever recorded in the music history. Join our Youtube: https://goo.gl/8AOGaN Join our Facebook: http://goo.gl/5oL723 Charles "Charlie" Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career. This, an...
Provided to YouTube by Universal Music Group Billie's Bounce (Bonus Track) · George Benson Giblet Gravy ℗ A Verve Label Group Release; ℗ 1976 UMG Recordings, Inc. Released on: 1968-01-01 Producer: Esmond Edwards Associated Performer, Recording Arranger: Tom McIntosh Associated Performer, Piano: Herbie Hancock Associated Performer, Bass Guitar: Ron Carter Associated Performer, Conga: Johnny Pacheco Associated Performer, Drums: Billy Cobham Composer Lyricist: Charlie Parker Auto-generated by YouTube.
To purchase print edition or for more info: https://bit.ly/3DCAhXR To purchase, download and print instantly: https://bit.ly/3Y5Gip9 Jazz Ensemble Library - Grade 4 Here's an energetic big band treatment of one of jazz legend Charlie Parker's best-known tunes. John Wasson's wonderfully crafted medium up-tempo swing chart features an interplay between the sax and brass sections, along with solos for alto sax and trumpet. Much of ensemble writing is adapted from Bird's famous recorded solo. HL07013536 HL07013537
Get our FREE guide to discover the proven process for learning and improvising over jazz standards like a pro ➡️ https://members.learnjazzstandards.com/op/learn-jazz-standards-the-smart-way-opt-in-youtube/ Hope you have a great practice session! 💥Important Links and Resources💥 1️⃣ View chord charts for this jazz standard and others: https://www.learnjazzstandards.com/index-of-jazz-standards/ 2️⃣ Learn how to improve your jazz playing in just 30 days while practicing less in the Learn Jazz Standards Inner Circle: https://members.learnjazzstandards.com/sp/inner-circle-sales-page-youtube/ 📥 We use Band-In-A-Box to make these backing tracks. If you already have it, download all 226 jazz standards files so you can easily upload and change them in the software: https://members.learnjazzsta...
George Benson's version of Billie's Bounce by Charlie Parker.
Provided to YouTube by The Orchard Enterprises Billie's Bounce · Niels-Henning Ørsted Pedersen · Tete Montoliu · Billy Higgins · Dexter Gordon Bouncin' with Dex ℗ 1991 SteepleChase Productions ApS Released on: 2016-01-01 Auto-generated by YouTube.
Jazz à la Villette 2012
Click here for the full lesson, guitar tabs, backing track, and jazz guitar patterns 🡆 https://www.jazzguitar.be/blog/billies-bounce/ In this lesson, you will learn the melody of Billie’s Bounce in two octaves. Practicing the melody will help you get a better jazz phrasing and feeling for syncopation. The melody is characterized by syncopated rhythms, the major blues scale, chromatic approach notes, and enclosures. You will learn more about them in the melodic analysis later in this lesson. The harmonic form of Billie’s Bounce is a bebop blues in F. Download your chord dictionary 🡆 https://www.jazzguitar.be/blog/chord-dictionary-ebook-f/ Follow us on Instagram 🡆 https://www.instagram.com/jazzguitaronline/ Follow us on Facebook 🡆 https://www.facebook.com/jazzguitargazette/
The Jazz Gym is now open - 5 daily live coaching sessions! Book a session: https://www.jazzlessonvideos.com/thejazzgym Sign up for the waitlist to study with Chad through the Chad LB Text Lessons Studio! https://www.jazzlessonvideos.com/text-lessons Use $5 coupon code “CLB5” for $5 off practice materials at https://www.jazzlessonvideos.com/pdf-packages Chad LB plays Nexus Saxophones, Mouthpieces and Reeds. For more information upon release, visit https://www.nexussax.com Chad LB Trio Live in Denver Billie's Bounce by Charlie Parker Chad LB - Tenor Saxophone Mike Facey - Bass Julian Archer - Drums Tour dates: https://www.chadlb.com/shows Video by Austin Kruczek Mixed and Mastered by Noah Flaharty Chad LB is an international recording artist who has toured globally as a bandleader, a...
Archie Shepp (born May 24, 1937) is an American jazz saxophonist. Shepp is best known for his passionately Afrocentric music of the late 1960s, which focused on highlighting the injustices faced by African Americans, as well as for his work with the New York Contemporary Five, Horace Parlan, and his collaborations with his "New Thing" contemporaries, most notably Cecil Taylor and John Coltrane.
Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone (he occasionally plays soprano saxophone and piano). Shepp studied drama at Goddard College from 1955 to 1959, but he eventually turned to music professionally. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, Archie Shepp - Bill Dixon Quartet, was released on Savoy Records in 1962, and featured a composition by Ornette Coleman. Further links to Coleman came with the establishment of the New York Contemporary Five, which included Don Cherry. John Coltrane's admiration led to recordings for Impulse! Records, the first of which was Four for Trane in 1964, an album of mainly Coltrane compositions on which he was joined by his long-time friend, trombonist Roswell Rudd, bassist Reggie Workman and alto player John Tchicai.
They say into your early life romance came
And in this heart of yours burnt a flame
A flame that flickered one day and died away
Then, with disillusion deep in your eyes
You learned that fools in love soon grow wise
The years have changed you somehow, I see now
SmokingDrinkingNever thinking of tomorrow
Non-chalant Diamonds shining Dancing Dining
With some man in a restaurant
Is that all you really want
No. Sophisticated Lady, I know You miss the love you had long ago
And when nobody is neigh You cry
No. Sophisticated Lady, I know
You miss the love you had long ago