Axel Stordahl (August 8, 1913– August 30, 1963) was an arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age.
Early years
Stordahl was born in Staten Island, New York to Norwegian immigrant parents. He began his career as a trumpeter in jazz bands which played in several dance bands around Long Island and the Catskills during the late 1920s and early 1930s. He also began arranging around this time, and in 1933 he joined Bert Bloch's orchestra in both capacities. Over the next couple of years, Stordahl sang on the side in a vocal trio dubbed the Three Esquires.
Big bands
In 1935, he joined Tommy Dorsey's new orchestra and soon became the band's main arranger. In January 1940, Sinatra joined the group as vocalist, and it became apparent that Stordahl's arrangements were particularly well suited to the singer's voice.
Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore "The Beaver" Cleaver (portrayed by Jerry Mathers) and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver's parents, June and Ward Cleaver, and Tony Dow as Beaver's brother Wally. The show has attained an iconic status in the United States, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.
The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show's characters, plots and dialogue in the lives, experiences and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child's point of view. Like several television dramas and sitcoms of the late 1950s and early 1960s (Lassie and My Three Sons), Leave It to Beaver is a glimpse at middle-class, American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.
The third season of the American television situation comedy Leave It to Beaver premiered on October 3, 1959 and concluded on June 25, 1960. It consisted of 39 episodes shot in black-and-white, each running approximately 25 minutes in length.
Production
The third season of Leave It to Beaver debuted on ABC October 3, 1959, with "Blind Date Committee" and concluded its run June 25, 1960, with "Beaver's Team". The show moved from its Thursday time-slot to Saturday at 8:30 P.M., where it remained until September 1962, when it moved yet again for the final season. Like the first two seasons, the third consists of 39 black-and-white, full-screen, half-hour episodes (with ads) recorded on 35mm film.
Opening and closing sequences
The opening sequence shows Ward and June entering the boys' bedroom to wake them for a new day. Ward wakes Wally, while June wakes Beaver. The camera zooms in for a close-up of Beaver as he rubs the sleep from his eyes and smiles at Ward. Like the second season, the closing sequence shows Beaver and Wally walking down the street. The boys are seen in the distance approaching the viewer. Beaver walks along the curbstone carrying a baseball glove rather than schoolbooks until a passing vehicle forces him onto the sidewalk. The boys walk along, approach the house and go to the door. The third season closing sequence features the new house and is used for both the fourth and fifth seasons.
"Leave It to Beaver" is the twenty-second and final episode of the first season of the American television series Veronica Mars. Series creator Rob Thomas wrote the story, and collaborated with Diane Ruggiero to write the teleplay. The season finale was directed by Michael Fields, and was first aired on May 10, 2005 in the United States on UPN.
The finale concludes the storyline of Lilly Kane's murder, as Veronica Mars (Kristen Bell) finally discovers the identity of the murderer after investigating the mystery with her father Keith Mars (Enrico Colantoni) throughout the season. Thomas said that the finale was more ambitious than the average episode, requiring a larger budget and more filming than usual. "Leave It to Beaver" was watched by 2.99 million American viewers on its original airing. Critical reaction to the episode was generally positive, and several critics praised Thomas' use of red herrings.
Background
The first season revolves around Veronica's investigation of her best friend Lilly's murder. Prior to the murder, Veronica was dumped by her boyfriend, Duncan Kane (Teddy Dunn), who was also Lilly's brother. After Lilly was killed, Veronica's father, County Sheriff Keith Mars, accused Lilly's father, popular software billionaire Jake Kane (Kyle Secor), of being involved in the murder. This provoked Neptune's wrath and Keith's ousting as sheriff in a recall election. Veronica's mother, Lianne Mars (Corinne Bohrer), developed a drinking problem and left town. Veronica's "09er" friends—wealthy students from the fictional 90909 ZIP code—forced her to choose between them and her father; Veronica chose her father.
Axel Stordahl and His Orchestra ''Dreamtime The Strings of Stordahl'' 1953
Pistas
A1 As Time Goes By
A2 A Blues Serenade
A3 It's Easy To Remember
A4 That Old Feeling
B1 Imagination
B2 What Is There To Say
B3 Love Letters
B4 I'm Getting Sentimental Over You
published: 05 Dec 2019
"Night and Day" (1942) Frank Sinatra with Axel Stordahl
"Night and Day" (1942) Frank Sinatra with Axel Stordahl
published: 06 Aug 2021
DREAM TIME-The Strings of Stordahl(1953)/Orchestra conducted by AXEL STORDAHL
as time goes by
a blues serenade
it's easy to remember
that old feeling
imagination
what is there to say?
love letters
i’m getting sentimental ouer you
published: 21 Dec 2021
Axel Stordahl - Neiani
Axel Stordahl
Neiani
Jasmine & Jade (1960)
Dot Records (DLP 25282)
published: 18 Feb 2013
Axel Stordahl - The Moon of Manakoora (1960)
The Moon of Manakoora
Composer: Alfred Newman
Performer: Axel Stordahl & Orchestra
Label: Dot DLP 25282 - Track A3
Recorded: 1960
published: 08 May 2011
Axel Stordahl - Imagination (1953)
Imagination from the LP 'Dreamtime'
Composer: Jimmy Van Heusen
Performer: The Strings Of Axel Stordahl
Label: Capitol H445 - Track B1
Recorded: 1953
published: 31 Oct 2011
Frank Sinatra - The Coffee Song 1946 Axel Stordahl orchestra
Frank Sinatra - The Coffee Song 1946 - Axel Stordahl orchestra
published: 07 Oct 2012
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo...
Provided to YouTube by Universe Remasterings
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo Winterhalter and His Orchestra) · Frank Sinatra · Axel Stordahl and His Orchestra · the George Siravo Orchestra · Hugo Winterhalter and His Orchestra · Edgar Yip Harburg · Harold Arlen · Edgar Yip Harburg · Harold Arlen
The Voice: Songs by Sinatra / Swing and Dance with Frank Sinatra (1942 - 1951 Columbia Years)
℗ Universe Remasterings
Released on: 2013-01-01
Auto-generated by YouTube.
published: 07 Jun 2018
Rick Stephenson - As Vintage As It Gets - Volume 3 - These Foolish Things
Written by Eric Maschwitz and Jack Strachey in 1935, recorded by Frank Sinatra on Columbia Records in 1946. As always, a real joy to add my voice to this Axel Stordahl arrangement.
Pistas
A1 As Time Goes By
A2 A Blues Serenade
A3 It's Easy To Remember
A4 That Old Feeling
B1 Imagination
B2 What Is There To Say
B3 Love Letters
B4 I'm ...
Pistas
A1 As Time Goes By
A2 A Blues Serenade
A3 It's Easy To Remember
A4 That Old Feeling
B1 Imagination
B2 What Is There To Say
B3 Love Letters
B4 I'm Getting Sentimental Over You
Pistas
A1 As Time Goes By
A2 A Blues Serenade
A3 It's Easy To Remember
A4 That Old Feeling
B1 Imagination
B2 What Is There To Say
B3 Love Letters
B4 I'm Getting Sentimental Over You
as time goes by
a blues serenade
it's easy to remember
that old feeling
imagination
what is there to say?
love letters
i’m getting sentimental ouer you
as time goes by
a blues serenade
it's easy to remember
that old feeling
imagination
what is there to say?
love letters
i’m getting sentimental ouer you
as time goes by
a blues serenade
it's easy to remember
that old feeling
imagination
what is there to say?
love letters
i’m getting sentimental ouer you
Provided to YouTube by Universe Remasterings
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo Winterhalter and His Or...
Provided to YouTube by Universe Remasterings
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo Winterhalter and His Orchestra) · Frank Sinatra · Axel Stordahl and His Orchestra · the George Siravo Orchestra · Hugo Winterhalter and His Orchestra · Edgar Yip Harburg · Harold Arlen · Edgar Yip Harburg · Harold Arlen
The Voice: Songs by Sinatra / Swing and Dance with Frank Sinatra (1942 - 1951 Columbia Years)
℗ Universe Remasterings
Released on: 2013-01-01
Auto-generated by YouTube.
Provided to YouTube by Universe Remasterings
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo Winterhalter and His Orchestra) · Frank Sinatra · Axel Stordahl and His Orchestra · the George Siravo Orchestra · Hugo Winterhalter and His Orchestra · Edgar Yip Harburg · Harold Arlen · Edgar Yip Harburg · Harold Arlen
The Voice: Songs by Sinatra / Swing and Dance with Frank Sinatra (1942 - 1951 Columbia Years)
℗ Universe Remasterings
Released on: 2013-01-01
Auto-generated by YouTube.
Written by Eric Maschwitz and Jack Strachey in 1935, recorded by Frank Sinatra on Columbia Records in 1946. As always, a real joy to add my voice to this Axel S...
Written by Eric Maschwitz and Jack Strachey in 1935, recorded by Frank Sinatra on Columbia Records in 1946. As always, a real joy to add my voice to this Axel Stordahl arrangement.
Written by Eric Maschwitz and Jack Strachey in 1935, recorded by Frank Sinatra on Columbia Records in 1946. As always, a real joy to add my voice to this Axel Stordahl arrangement.
Pistas
A1 As Time Goes By
A2 A Blues Serenade
A3 It's Easy To Remember
A4 That Old Feeling
B1 Imagination
B2 What Is There To Say
B3 Love Letters
B4 I'm Getting Sentimental Over You
as time goes by
a blues serenade
it's easy to remember
that old feeling
imagination
what is there to say?
love letters
i’m getting sentimental ouer you
Provided to YouTube by Universe Remasterings
Over the Rainbow (feat. Axel Stordahl and His Orchestra, the George Siravo Orchestra, Hugo Winterhalter and His Orchestra) · Frank Sinatra · Axel Stordahl and His Orchestra · the George Siravo Orchestra · Hugo Winterhalter and His Orchestra · Edgar Yip Harburg · Harold Arlen · Edgar Yip Harburg · Harold Arlen
The Voice: Songs by Sinatra / Swing and Dance with Frank Sinatra (1942 - 1951 Columbia Years)
℗ Universe Remasterings
Released on: 2013-01-01
Auto-generated by YouTube.
Written by Eric Maschwitz and Jack Strachey in 1935, recorded by Frank Sinatra on Columbia Records in 1946. As always, a real joy to add my voice to this Axel Stordahl arrangement.
Axel Stordahl (August 8, 1913– August 30, 1963) was an arranger who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age.
Early years
Stordahl was born in Staten Island, New York to Norwegian immigrant parents. He began his career as a trumpeter in jazz bands which played in several dance bands around Long Island and the Catskills during the late 1920s and early 1930s. He also began arranging around this time, and in 1933 he joined Bert Bloch's orchestra in both capacities. Over the next couple of years, Stordahl sang on the side in a vocal trio dubbed the Three Esquires.
Big bands
In 1935, he joined Tommy Dorsey's new orchestra and soon became the band's main arranger. In January 1940, Sinatra joined the group as vocalist, and it became apparent that Stordahl's arrangements were particularly well suited to the singer's voice.
Finally made contact She touched my soul and I Felt the full impact And the night stood still Then I kissed her eyes with mine As she knelt before me Poured the wine And told me her story We lit a fire and watched it grow higher Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, won't you stay with me every night It's so perfect Magic all around, like I never felt before And the only sound was the cracklin' fire Then all at once the day was melting the night-time Shades of dawn burst into sunshine I took her hand and ran through the mornin' Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, won't you stay with me every night It's so perfect We watched the day melting the night-time Shades of dawn burst into sunshine I took her hand and ran through the morning Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, won't you stay with me (Sunshine girl, won't you stay with me) Sunshine girl, Sunshine girl, Sunshine girl, Sunshine girl Sunshine girl, Sunshine girl, Sunshine girl, Sunshine girl Sunshine girl, Sunshine girl