- published: 07 Jul 2020
- views: 6740
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Giovanni "Nino" Rota (3 December 1911 – 10 April 1979) was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy, receiving the Academy Award for Best Original Score for The Godfather Part II (1974).
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46-year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body of film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo De Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
Delle is a commune in the Territoire de Belfort department in Franche-Comté in northeastern France.
Delle is the last French town on the railway line from Belfort to Berne, in Switzerland. Visitors to Delle can travel there by bus from Belfort, (hourly) timetables can be found at: www.optymo.fr
There is a Swiss Federal Railways station in Delle for trains to Delemont.
Provided to YouTube by Universal Music Group Il Giardino Delle Fate · Nino Rota Giulietta Degli Spiriti ℗ 2003 Creazioni Artistiche Musicali C.A.M. Srl (Una società del Gruppo Sugar) Released on: 2012-05-21 Composer: Nino Rota Auto-generated by YouTube.
Nino Rota's soundtrack for Federico Fellini's Giulietta Degli Spiriti is full of circus music, a move apropos to the director's own, oftentimes surreal use of big top motifs in many of his films; think of the end of 8 1/2 or the flow of "circus freaks" peopling the film in question, one of Fellini's most dreamlike. Set adrift in pump organ gaiety, the main theme "Amore Per Tutti" particularly oozes of cotton candy and carnival grounds; indeed, three-ring madness is made explicit with marching band extravaganzas like "La Ballerina Del Circo Snap." Of course, Rota personalizes all this with abrupt stylistic changes, plenty of sinister organ runs, and ethereal vocal passages. He even gives the main theme a few dark, expressionistic spins on watery gems like "Il Giardino Delle Fate," while cre...
Try the interactive tutorial, or download the Sheet music here: https://musescore.com/user/19211481/scores/14893870?from=youtube_share A transcription of the first of eighteen musical numbers from a published edition of Nino Rota’s soundtrack for the film “Giulietta Degli Spiriti” (“Juliet of the Spirits”) directed by Federico Fellini, which premiered in 1965.
ღ♥ Ascolta, la nostra Magia... ♥ღ ♥ Sito web: http://www.giardinodellefate.cloud/ ♥ Facebook: https://www.facebook.com/giardinodellefate.original
Nino Rota's soundtrack for Federico Fellini's Giulietta Degli Spiriti is full of circus music, a move apropos to the director's own, oftentimes surreal use of big top motifs in many of his films; think of the end of 8 1/2 or the flow of "circus freaks" peopling the film in question, one of Fellini's most dreamlike. Set adrift in pump organ gaiety, the main theme "Amore Per Tutti" particularly oozes of cotton candy and carnival grounds; indeed, three-ring madness is made explicit with marching band extravaganzas like "La Ballerina Del Circo Snap." Of course, Rota personalizes all this with abrupt stylistic changes, plenty of sinister organ runs, and ethereal vocal passages. He even gives the main theme a few dark, expressionistic spins on watery gems like "Il Giardino Delle Fate," while cre...
Nino Rota's soundtrack for Federico Fellini's Giulietta Degli Spiriti is full of circus music, a move apropos to the director's own, oftentimes surreal use of big top motifs in many of his films; think of the end of 8 1/2 or the flow of "circus freaks" peopling the film in question, one of Fellini's most dreamlike. Set adrift in pump organ gaiety, the main theme "Amore Per Tutti" particularly oozes of cotton candy and carnival grounds; indeed, three-ring madness is made explicit with marching band extravaganzas like "La Ballerina Del Circo Snap." Of course, Rota personalizes all this with abrupt stylistic changes, plenty of sinister organ runs, and ethereal vocal passages. He even gives the main theme a few dark, expressionistic spins on watery gems like "Il Giardino Delle Fate," while cre...
Nino Rota's soundtrack for Federico Fellini's Giulietta Degli Spiriti is full of circus music, a move apropos to the director's own, oftentimes surreal use of big top motifs in many of his films; think of the end of 8 1/2 or the flow of "circus freaks" peopling the film in question, one of Fellini's most dreamlike. Set adrift in pump organ gaiety, the main theme "Amore Per Tutti" particularly oozes of cotton candy and carnival grounds; indeed, three-ring madness is made explicit with marching band extravaganzas like "La Ballerina Del Circo Snap." Of course, Rota personalizes all this with abrupt stylistic changes, plenty of sinister organ runs, and ethereal vocal passages. He even gives the main theme a few dark, expressionistic spins on watery gems like "Il Giardino Delle Fate," while cre...
Provided to YouTube by Believe SAS Il giardino delle fate · Maria Augusta Bruni Avant-garde Piano ℗ Opensound Music Released on: 2013-12-03 Composer: Maria Augusta Bruni Music Publisher: Opensound Music Music Publisher: Minstrel Auto-generated by YouTube.
A film that played with the line between fantasy and reality, was unanimously praised by fans and critics as Fellini's magnum opus. One of the greatest films of all time, along with La Dolce Vita and Amarcord, its essence is captured in the soundtrack of Nino Rota, one of Italy's most prolific and acclaimed composers. Rota is perhaps most widely known, however, for his soundtrack to Francis Ford Coppola's first two Godfather films.
Giovanni "Nino" Rota (3 December 1911 – 10 April 1979) was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy, receiving the Academy Award for Best Original Score for The Godfather Part II (1974).
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46-year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body of film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo De Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
What is a youth?
Impetuous fire.
What is a maid?
Ice and desire.
The world wags on
A rose will bloom,
it then will fade
So does a youth.
So does the fairest maid.
Comes a time when one sweet smile
Has its season for awhile
Then Love's in love with me
Some may think only to marry.
Others will tease and tarry.
Mine is the very best parry,
Cupid he rules us all.
Caper the caper; sing me the song
Death will come soon to hush us along
Sweeter than honey and bitter as gall,
Love is a task and it never will pall.
Sweeter than honey and bitter as gall,
Cupid he rules us all.
A rose will bloom, it then will fade.
So does a youth.