- published: 24 Nov 2012
- views: 8818368
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Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
The Burwells (known as the Burls among Virginians ) were among the First Families of Virginia in the Colony of Virginia.John Quincy Adams once described the Burwells as typical Virginia aristocrats of their period: forthright, bland, somewhat imperious and politically simplistic by Adams' standards. In 1713, so many Burwells had intermarried with the Virginia political elite that Governor Spotswood complained that " the greater part of the present Council are related to the Family of Burwells...there will be no less than seven so near related that they will go off the Bench whenever a Cause of the Burwells come to be tried." The Family was closely associated with the Fairfield Plantation, Gloucester County, Virginia, but several Burwells also built other famous Virginia plantations. Lewis Burwell III built the Kingsmill Plantation's manor house beginning in the 1730s. A few years later, Carter Burwell built Carter's Grove immediately to the east in what became the modern day Grove Community. Several place names such as Burwell's Bay in Isle of Wight County, Virginia are named after the Burwells. Lewis Burwell "Chesty" Puller, (aka Chesty Puller) is a war hero (from West Point, Virginia) takes his name from three generations of Lewis Burwells who had a large influence on early Virginia. The Burwell family of Virginia originally came from England – Bedfordshire. Their early history is not completely known but by 1607, they were living in Harlington, Bedfordshire, at Harlington House – now known as Harlington Manor.
Stronger with Each Tear (stylized as STRONGER withEach Tear) is the ninth studio album from American R&B and soul singer Mary J. Blige. The album was released in the US on December 21, 2009, under Blige's own imprint, Matriarch Records.
Internationally it was released December 18, 2009, in Australia and Germany, December 21 in France, December 23 in Japan, and on February 2, 2010, in Korea with further international releases (in some cases re-releases) in March, April and May 2010. With this album, Blige achieved a record of nine albums to have debuted at the top of the US R&B/Hip-Hop Albums chart.
Blige started working on her ninth album while she toured with Robin Thicke in 2008. In an interview with Rap-Up magazine she said:
The album was initially titled Stronger after the song, "Stronger" which Blige recorded and released as the lead single from the soundtrack Music Inspired by More Than a Game from the LeBron James' documentary More Than a Game. However Rap-Up later revealed that the album had been re-titled Stronger with Each Tear.
I Am may refer to:
Hitomi Furuya (古谷 仁美, Furuya Hitomi, born January 26, 1976), known mononymously as hitomi, is a Japanese singer-songwriter. She began her career as model, but after meeting Tetsuya Komuro he began managing her career as a pop singer. In 1998 she left the "Komuro Family" and started working with other musicians and producers, oriented to other musical genres such as pop rock, and more recently to electropop.
Born Hitomi Furuya (古谷 仁美, Furuya Hitomi) in Tochigi, Japan, Hitomi's family relocated to Kawasaki, Kanagawa Prefecture when she was a child. Consequently, Hitomi always identified herself as a girl from Kanagawa. hitomi was an enthusiastic athlete throughout her childhood, playing baseball, soccer, and basketball, as well as an avid reader of manga. When hitomi was 16 years old, she was spotted and approached by a scout from a modelling agency. Hitomi signed a short modelling contract and began appearing in magazines while she was still in high school.
In 1993, then 17 years old, Furuya was spotted by eminent Avex music producer Tetsuya Komuro at an audition. Komuro signed Furuya to Avex, put Furuya through vocal training, and decided that she should use an all-lowercase 'hitomi' as her stage name. The following year, in November 1994, hitomi released her debut single, "Let's Play Winter", through Avex Trax, to which she wrote the lyrics. Since then, Hitomi has been the lyricist for almost all of her songs.
I don't own anything!!! Carter Burwell - Twilight Overture Breaking Dawn Part 2 - Score
I DON'T OWN ANYTHING! Carter Burwell - A Novia Vida from Breaking Dawn Part 1 Soundtrack
Hope you enjoy this one. Renesmee's Lullaby by Carter Burwell is also known as "Plus que ma propre vie". The original Renesmee's Lullaby is part of the music from The Twilight Saga.
a soundtrack from Twilight ------------------------------------------------- DOWNLOAD THIS SONG WITH NO PROBLEM!: http://www.mediafire.com/download.php?kbmmmbnghxz9oni
"The score for Searchlight Pictures’ The Banshees of Inisherin from Academy Award®-nominated composer, Carter Burwell, stands out as a separate character in this much buzzed about film. Tune in to hear Carter personally detail the behind-the-scenes creation of the music, recorded at the legendary Abbey Road Studios, which included incorporating Balinese gamelan instrumentation to create the light and dark sounds mirroring the story. Burwell previously worked with Banshees director Martin McDonagh on In Bruges, Seven Psychopaths, as well as his Oscar-nominated score for Three Billboards Outside Ebbing, Missouri. Welcome to The Big Score, a Hollywood Records original series, where you’re invited on an exclusive, behind the scenes journey inside the minds of some of culture's most innovativ...
Provided to YouTube by Universal Music Group Lovers · Carter Burwell Carol ℗ 2015 Starr Score Holdings, LLC, under exclusive license to Varese Sarabande Records Released on: 2015-11-06 Associated Performer, Violin: Simon James Associated Performer, Violin: Gennady Filimonov Associated Performer, Viola: Mara Gearman Associated Performer, Cello: Wendy Sutter Associated Performer, Bass Viol: Jonathan Burnstein Associated Performer, Violin: Brittany Boulding Associated Performer, Violin: Misha Shmidt Associated Performer, Viola: Joseph Gottesman Associated Performer, Cello: Eric Han Associated Performer, Piano: Cristina Valdes Associated Performer, Harp: John Carrington Associated Performer, Flute: Erin James Associated Performer, Clarinet: Frank Kowalsky Associated Perform...
Bellas Lullaby - Carter Burwell Soundtrack from Twilight Movie
A movie score usually goes unnoticed, unless it’s very bad -- or very good. Composer Carter Burwell has written music for more than 80 films over a 30-year career, but his soundtrack for “Carol” is his first to be nominated for an Oscar. Jeffrey Brown sits down with Burwell to discuss his composing process and the proper use of music in films.
Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
And so the lion fell in love with the lamb.
What a stupid lamb.
What a sick masochistic lion.
About three things I was absolutely positive.
First, Edward was a vampire.
Second, there was a part of him -
and I didn't know how dominant that part might be -
that thirsted for my blood.
And third, I was unconditionally and irrevocably in love
with him.