- published: 24 Nov 2012
- views: 8818368
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Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
The Burwells (known as the Burls among Virginians ) were among the First Families of Virginia in the Colony of Virginia.John Quincy Adams once described the Burwells as typical Virginia aristocrats of their period: forthright, bland, somewhat imperious and politically simplistic by Adams' standards. In 1713, so many Burwells had intermarried with the Virginia political elite that Governor Spotswood complained that " the greater part of the present Council are related to the Family of Burwells...there will be no less than seven so near related that they will go off the Bench whenever a Cause of the Burwells come to be tried." The Family was closely associated with the Fairfield Plantation, Gloucester County, Virginia, but several Burwells also built other famous Virginia plantations. Lewis Burwell III built the Kingsmill Plantation's manor house beginning in the 1730s. A few years later, Carter Burwell built Carter's Grove immediately to the east in what became the modern day Grove Community. Several place names such as Burwell's Bay in Isle of Wight County, Virginia are named after the Burwells. Lewis Burwell "Chesty" Puller, (aka Chesty Puller) is a war hero (from West Point, Virginia) takes his name from three generations of Lewis Burwells who had a large influence on early Virginia. The Burwell family of Virginia originally came from England – Bedfordshire. Their early history is not completely known but by 1607, they were living in Harlington, Bedfordshire, at Harlington House – now known as Harlington Manor.
A Serious Man is a 2009 black comedy-drama film written, produced, edited and directed by Joel and Ethan Coen. The film stars Michael Stuhlbarg as a Minnesota Jewish man whose life crumbles both professionally and personally, leading him to questions about his faith.
The film attracted a positive critical response, including a Golden Globe nomination for Stuhlbarg, a place on both the American Film Institute's and National Board of Review's Top 10 Film Lists of 2009, and a nomination for the Academy Award for Best Picture.
In a prologue, a Jewish man in an unnamed Eastern European shtetl tells his wife that he was helped on his way home by Reb Groshkover, whom he has invited in for soup. She says Groshkover is dead and must be a dybbuk. Groshkover (Fyvush Finkel) arrives and laughs off the accusation, but she plunges an icepick into his chest. Bleeding, he exits into the snowy night.
In Minnesota in the late 1960s, Larry Gopnik (Michael Stuhlbarg) is a professor of physics. His wife, Judith (Sari Lennick), tells him that she needs a get (a Jewish divorce document) so she can marry widower Sy Ableman (Fred Melamed). Their son Danny (Aaron Wolff) owes twenty dollars for marijuana to an intimidating Hebrew school classmate. He has the money, but it is hidden in a transistor radio that was confiscated by his teacher. Daughter Sarah is always washing her hair and going out. Larry's brother, Arthur (Richard Kind), sleeps on the couch and spends his free time filling a notebook with what he calls a "probability map of the universe".
I don't own anything!!! Carter Burwell - Twilight Overture Breaking Dawn Part 2 - Score
I DON'T OWN ANYTHING! Carter Burwell - A Novia Vida from Breaking Dawn Part 1 Soundtrack
Hope you enjoy this one. Renesmee's Lullaby by Carter Burwell is also known as "Plus que ma propre vie". The original Renesmee's Lullaby is part of the music from The Twilight Saga.
a soundtrack from Twilight ------------------------------------------------- DOWNLOAD THIS SONG WITH NO PROBLEM!: http://www.mediafire.com/download.php?kbmmmbnghxz9oni
"The score for Searchlight Pictures’ The Banshees of Inisherin from Academy Award®-nominated composer, Carter Burwell, stands out as a separate character in this much buzzed about film. Tune in to hear Carter personally detail the behind-the-scenes creation of the music, recorded at the legendary Abbey Road Studios, which included incorporating Balinese gamelan instrumentation to create the light and dark sounds mirroring the story. Burwell previously worked with Banshees director Martin McDonagh on In Bruges, Seven Psychopaths, as well as his Oscar-nominated score for Three Billboards Outside Ebbing, Missouri. Welcome to The Big Score, a Hollywood Records original series, where you’re invited on an exclusive, behind the scenes journey inside the minds of some of culture's most innovativ...
Provided to YouTube by Universal Music Group Lovers · Carter Burwell Carol ℗ 2015 Starr Score Holdings, LLC, under exclusive license to Varese Sarabande Records Released on: 2015-11-06 Associated Performer, Violin: Simon James Associated Performer, Violin: Gennady Filimonov Associated Performer, Viola: Mara Gearman Associated Performer, Cello: Wendy Sutter Associated Performer, Bass Viol: Jonathan Burnstein Associated Performer, Violin: Brittany Boulding Associated Performer, Violin: Misha Shmidt Associated Performer, Viola: Joseph Gottesman Associated Performer, Cello: Eric Han Associated Performer, Piano: Cristina Valdes Associated Performer, Harp: John Carrington Associated Performer, Flute: Erin James Associated Performer, Clarinet: Frank Kowalsky Associated Perform...
Bellas Lullaby - Carter Burwell Soundtrack from Twilight Movie
A movie score usually goes unnoticed, unless it’s very bad -- or very good. Composer Carter Burwell has written music for more than 80 films over a 30-year career, but his soundtrack for “Carol” is his first to be nominated for an Oscar. Jeffrey Brown sits down with Burwell to discuss his composing process and the proper use of music in films.
Carter Benedict Burwell (born November 18, 1955) is an American composer of film scores. He is best known as a regular collaborator of the Coen brothers, having scored 17 of their films, among them Raising Arizona (1987), Barton Fink (1991), Fargo (1996), The Big Lebowski (1998), No Country for Old Men (2007), Burn After Reading (2008), and True Grit (2010). Other notable works include the Spike Jonze films Being John Malkovich (1999), Adaptation (2002) and Where the Wild Things Are (2009), David O. Russell's Three Kings (1999), the miniseries Olive Kitteridge (2014), Anomalisa (2015), and Todd Haynes' Velvet Goldmine (1998), Mildred Pierce miniseries, and Carol (2015).
Burwell was born in New York City, the son of Natalie (née Benedict), a math teacher, and Charles Burwell, who founded Thaibok Fabrics, Ltd. He graduated from King School in Stamford, Connecticut, and Harvard College, where he was a cartoonist for The Harvard Lampoon.
As a film composer, Burwell has had a long-working relationship with the Coen brothers, providing music for every film they have made (except for O Brother, Where Art Thou? and Inside Llewyn Davis, which had folk music soundtracks produced by T-Bone Burnett). He enjoys working with left-field directors, such as Spike Jonze. Among his best known film scores are Miller's Crossing (1990), And the Band Played On (1993), Conspiracy Theory (1997), Hamlet (2000), The Spanish Prisoner (1997), Before the Devil Knows You're Dead (2007), In Bruges (2008), Twilight (2008), Where The Wild Things Are (2009), The Blind Side (2009), and Breaking Dawn Part 1 (2011). Burwell wrote and recorded the original score for the film The Bourne Identity, but his version was replaced by director Doug Liman for one by John Powell.
I am a man as a man I've been told
Bacon is brought to the house in this mold
Born of your bellies I yearn for the cord
Years I have groveled, repentance ignored
And I have been blamed and I have repented
I'm working my way toward our union mended
I am man who has grown from a son
Been crucified by enraged women
I am son who was raised by such men
I'm often reminded of the fools I'm among
And I have been shamed and I have relented
I'm working my way toward our union mended
And I have been shamed and I have repented
I'm working my way toward our union mended
We don't fare well with endless reprimands
We don't do well with a life served as a sentence
And this won't work well if you're hell bent on your offense
'Cause I am a man who understands your resistance
I am a man who still does what he can
To dispel our archaic reputation
I am a man who has heard all he can
'Cuz I don't fare well with endless punishment
'Cuz I have been blamed and I have repented
I'm working my way toward our union mended
And we have been blamed and we have repented
I'm working my way toward our union mended
We don't fare well with endless reprimands
And we don't do well with a life served as a sentence
And this won't work well if you're hell bent on your offense