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"There is one way out. Right now, the building is ours."
―Kino Loy[3]

"One Way Out" is the tenth episode of the first season of Andor. The episode is directed by Toby Haynes and written by Beau Willimon.[1]

Official description[]

A rare opportunity opens and the time for Cassian and his fellow inmates to act is now.

Expanded description[]

A rare opportunity opens and the time for Cassian and his allies to act is now. Meanwhile, to ensure the future of the rebellion, Mon Mothma brokers a new deal with a very high cost.

Plot summary[]

Kino's choices[]

At Narkina 5 Imperial Prison Complex, the medic removes the corpse of Ulaf under the supervision of an armed guard. The other prisoners watch with their hands raised. Later, Cassian Jeron Andor tells Kino Loy that they have to escape tomorrow. He says that the guards know that they are outnumbered and killed a hundred men. Andor points out that the 5,000 men are doomed never to leave. He reasons that whatever they are working on is important to the Galactic Empire.

Loy is unwilling to commit since he is skeptical of Andor's lack of a plan. The two get into a physical tussle. Andor tells Loy that his plan is predicated on the new man coming to replace Ulaf the following day. He urges Loy to grab the opportunity before it is too late. Andor tells Loy he is ready to die in the escape attempt. As they walk through the corridor leading to their cells, the other men ask what happened to Ulaf and what happened on Level Two.

Andor confirms that the prison guards fried the entire Level Two after mistakenly sending back a man who had been released. Loy confirms Andor's story and tells the other prisoners that they are not releasing anyone. He tells them to return to their cells and start figuring it out.

Plans in motion[]

Elsewhere, Imperial Security Bureau Supervisor Dedra Meero and her colleagues receives news that Anto Kreegyr's group have taken the bait and retrieved the dead pilot and are asking for a landing bay. Kafrene authorities claim that the pilot died as a result of a hydraulic failure after exiting hyperspace. Supervisor Lonni Jung convinces Major Lio Partagaz that Imperial forces should not wait but should make their presence felt. Meero exits the command room.

On Ferrix, Jezzi informs Doctor Mullmoy that Maarva Andor has not been taking her medicines. They are being watched by Cinta Kaz, who is in turn being watched by Corv. At the Chandrilan Embassy, Senator Mon Mothma and Tay Kolma meet with the Chandrilan banker Davo Sculdun, who talks about his taste for architecture. Sculdun is acquainted with Mothma's husband Perrin Fertha. After exchanging pleasantries, they discuss Mothma's efforts to secure alternative funding arrangements for her foundation.

Sculdun offers to help Mothma bundle her transactions in ways that can make it hard for outsiders to detect. He agrees that the Empire's new financial regulations have made it harder for certain transactions. Sculdun views the situation as a game they can play. Mothma says that this is charitable foundation and asks how much he is charging. Sculdun offers to do it without a price but Mothma insists. He replies that a drop of discomfort is the price of doing business with him.

Sculdun sets his price, which is a return invitation. Mothma is amenable until Sculdun reveals that he wants to introduce his 14 year old son to Mothma's 13 year old daughter Leida Mothma. Mothma expresses her disapproval of the Chandrilan tradition of child betrothals. Sculdun replies that their social positions sometimes makes decisions for them and that they lead lives that encourage conformity. When Mothma asks if this is his only offer, Sculdun gives an affirmative. Mothma tells Kolma to usher Sculdun out and claims she won't consider his offer. Sculdun replies that is the first untrue thing she has said before leaving.

Elsewhere, Kleya Marki informs Luthen Rael about a mark found on the fountain. She believes this was a message that "he" wants a meeting since the rail downstairs is gone. Marki dislikes the timing and advises Rael to go to Fondor while she takes care of business on Coruscant. Rael says if has been a year since their contact has reached out to them. He is willing to take risks even if it is a trap.

The prison revolution[]

The following day, Loy speaks to the prisoners and convinces them that they should escape. While walking through the sky bridge, the announcer announces over the intercom that all skybridge transfers will be on program and silent until further notice. The prisoners report to their shifts as usual.

Later, Andor and his fellow prisoners including Jemboc put their escape plans into action. Andor grabs a wrench and proceeds to cut a water pipe while Loy barks orders. The prison guards prepare another prisoner to be let down onto the factory floor. While waiting for Andor, the other prisoners arm themselves with tools. The prisoners raise their hands while the new prisoner is escorted down the lift. Alarms begin ringing due to the burst pipe.

As the floors flood due to the burst pipes, two prisoners stage a fight which soon engulfs the floor. Andor jams the lift carrying the new prisoner and his guard. The prisoners climb on the lift and take out the guard. Other prisoners hurl objects at the other guards while Andor climbs the disabled lift. A guard issues orders to spark the floor, prompting Loy to tell the prisoners to climb onto the tables. The water causes the metallic floors to short-circuit.

With the electric field disabled, Loy leads the prisoners on 5-2-D in revolt. The guards attempt to use their higher ground to hold back the prisoners but are overwhelmed. Some prisoners are killed but they succeed in storming the control room and taking out the guard posted there. The prisoners in 5-2-D begin climbing the disabled lift. The flooding spreads to other floors while Andor, Loy and the other prisoners help themselves to weapons.

The great escape[]

Other guards receive news about the flooding and riot in 5-2-D. The revolt soon spreads to other floors with prisoners from 5-2-D encouraging the other prisoners to fight for their freedom. They fight and kill the guards they encounter. The announcer issues orders to activate the sonic countdown and to isolate Level 5. Kino Loy forces his way into the Level Eight command center and demands the announcer stop the countdown. When he refuses, he shoots a correction officer, prompting a third to say he will comply.

Andor also tells the guard to deactivate the hydro generators. The guard claims the announcer has access to the hydro generators. Loy forces the announcer at gunpoint to deactivate the hydro generators, shutting down power across the prison. When the backup power supply activates, Andor forces the two guards out of the console at gunpoint.

Andor tells a reluctant Loy to address the other prisoners. Loy tells the prisoners that they have deactivated every floor on the facility and urges them to escape. He says that the guards are outnumbered and to take their chance to escape even if it means death. Loys tells the prisoners that they fried a hundred men on Level 2 and reveals that the prisoners are not being released after serving their sentences but are being transferred to other prisons. He tells the prisoners to run, climb, and kill in order to escape the prison. Andor and Loy then leave the Level Eight command center, sparing the two surviving guards.

The prisoners charge through the sky bridges and stairs. The remaining guards hide in a bunker in fear. Reaching the top of the prison complex, the prisoners jump into the sea. Loy reveals that he cannot swim while Andor and the other prisoners take the plunge. Hours later Andor and Melshi sprint across the beaches of Narkina 5 under the cover of a night illuminated by three moons, the two men pursued by Imperial patrols.

The spymaster and the double agent[]

Elsewhere, a disguised Lonni Jung walks through a crowd on Coruscant. He walks through a series of tunnel and enters a turbolift where he retrieves an earpiece. Rael instructs him to press the buttons for 215 in the event of a trap. As the lift descends, Rael congratulates him that his daughter is healthy and beautiful, and that he must be pleased. Jung is uncomfortable that Rael has been spying on him and his family.

Jung warns Rael of a new rising supervisor named Dedra Meero, who is investigating a rebel figure called "Axis" whom she believes is building a rebel network. Meero is looking at stolen Imperial naval equipment in order to find a link to Aldhani. He tells Rael that Meero is interested in the Ferrix Incident and has been tearing the place apart. He adds that they are searching for the thief and the "middle man."

Rael tells Jung to encourage Meero since she is "wasting" time. Jung asks if Rael had anything to do with the events on Aldhani but he is evasive. Rael asks Jung why he is here. Jung explains that Meero captured a rebel pilot running supplies for Kreegyr. He explains that they turned him immediately and staged an accident. The Empire is also aware of Kreegyr's plans to raid the power station on Spellhaus. Rael is willing to sacrifice the lives of Kreegyr and his 50 men to mislead the ISB into thinking that there is no leak in security. Rael emphasizes that he is doing Jung a favor.

The lift door opens and Jung is greeted by Rael in person, who asks why they are really here. Jung tells Rael that he can't continue being a double agent since he is a father now. Rael reminds him that they took a vow. Jung offers to trade Meero, Spellhaus, and Ferrix to Rael. He says he has been working his way up the ranks of the ISB for six years but can't do it anymore. Rael asks Jung how he would justify leaving to the ISB. Jung mentions his health and his wife's import business, but Rael is unconvinced. Rael is unwilling to let Jung go since the rebels have invested a lot in him. He tells Jung that he is trapped.

When Jung asks if his sacrificed means nothing to Rael, Rael responds that his investment in the Rebellion is epic due to having to lead a double life. He describes Jung as a hero that the Rebellion needs. Jung asks Rael what he sacrifices. Rael replies calm, kindness, kinship, and love. Having given up peace, Rael says that he is condemned to use the tools of his enemy to defeat them. Rael tells Jung he has sacrificed everything and implores Jung to continue his work.

Credits[]

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Cast Uncredited cast Crew Uncredited crew Special thanks

Cast

Crew

  • Directed by – Toby Haynes[3]
  • Written by – Beau Willimon[3]
  • Created by – Tony Gilroy[3]
  • Based on Star Wars by – George Lucas[3]
  • Executive Producers – Sanne Wohlenberg, Tony Gilroy, Kathleen Kennedy, Diego Luna, Toby Haynes, Michelle Rejwan[3]
  • Director of Photography – Adriano Goldman, (ASC), (BSC), (ABC)[3]
  • Production Designer – Luke Hull[3]
  • Editor – Simon Smith[3]
  • Music by – Nicholas Britell[3]
  • Casting by – Nina Gold, Martin Ware[3]
  • Producers – Kate Hazell, David Meanti[3]
  • Co-Producers – John Gilroy, Michael Garcia, John Hampian[3]
  • Visual Effects Supervisor – Mohen Leo[3]
  • Visual Effects Producer – TJ Falls[3]
  • First Assistant Director – Barrie McCulloch[3]
  • Costume Designer – Michael Wilkinson[3]
  • Hair & Makeup Designer – Emma Scott[3]
  • Associate Producer – Ally O'Leary[3]
  • Consulting Producer – Stephen Schiff[3]
  • Stunt Coordinator – Marc Mailley[3]
  • Assistant Stunt Coordinator – Tolga Kenan[3]
  • Stunt Performers – Peter Alberti, Ashley Beck, Rob Bowen, Scott Brady, Andrew Burford, Yusuf Chaudhri, Nick Chopping, Andrius Davidenas, Sam Durrani, Andy Eadie, Bradley Farmer, Doren Farmer, Danny Freitas, Ryan Green, Elliot Hawkes, Stefan Healy, Matt Hermiston, Paul Joseph, Mathew Kaye, Jamie Karitzis, Michael Lagin, Felix Leech, Richard Leggett, Victor Leon, Lukaz Leong, Benos Noble, Jake Osborn, Ryan Palmer, Tomas Paredes de Dios, Oleg Podobin, Ace Ruele, Tim Sanders, Jake Shallcross, Jon Slayer, Peter Syckelmoore, Harvey Taylor, Richard Townsend[3]
  • Stunt Department Coordinator – Emma Ennis[3]
  • Head Stunt Rigger – Kevin Lyons[3]
  • Stunt Riggers – Mark Godleman[3]
  • CFX Movement Coordinator – Derek Arnold[3]
  • Puppeteers – Derek Arnold, Barbara Fadden, Charlotte Louise, Stephanie Silva, Latesha White[3]
  • Unit Production Manager – Lulu Morgan[3]
  • Production Supervisor – Laura Hunter[3]
  • Production Coordinator – Caroline Houghton[3]
  • Assistant Production Coordinator – James Hunter[3]
  • Travel Coordinator – Josephina van Leeuwen[3]
  • Production Secretary – Katie Cruci[3]
  • Production Assistants – Ben Sharp, Shefali Parmar, Reece Broughton[3]
  • Executive Assistant to Tony Gilroy & Sanne Wohlenberg – Suzi Wilson[3]
  • Assistants to Kathleen Kennedy – Kimiko Fox, Athena Sammy[3]
  • Assistant to Ben Caron – George Graham[3]
  • Tandem Unit Production Supervisor – Lorraine Edwards[3]
  • Tandem Unit Production Coordinator – Victorine Tamafo[3]
  • Tandem Unit Production Secretary – Victoria Griffin[3]
  • Production Accountant – Ben Rackley[3]
  • Second Unit Accountant – Joan Lambe[3]
  • First Assistant Accountant – Harmeek Singh Saandal[3]
  • Assistant Accountant/Lead AP – Kerry Heanue[3]
  • Accounts Assistants – Ronveer Hayer, Chris Heanue, Nathaniel McCarthy[3]
  • Payroll Accountants – Amber Aitken, Kamilla Billing[3]
  • Assistant Payroll Accountant – Chiren Aujla[3]
  • Payroll Assistant – Kirsten Bickers[3]
  • P-Card Cashier – Kieran Crichlow[3]
  • Second Assistant AP – Jacqueline Crockett[3]
  • Accounts Trainees – Devina Aujla, Isabel McGovern[3][3]
  • Post Production Accounting – Reel Figures LTD.[3]
  • Post Production Accountant – Dougal Cadiou[3]
  • First Assistant Accountant – Tracy Parsons[3]
  • Assistant Post Accountant – Sian Stephenson[3]
  • Second Assistant Director – James Andrew Haven[3]
  • Floor Second Assistant Director – Claire Frayn[3]
  • Crowd Second Assistant Director – Dan Cox[3]
  • Crowd Third Assistant Director – Simon White[3]
  • Set Production Assistants – Alice Arbuthnot, Euan Ross, Ella Stephenson[3]
  • Base Production Assistant – Ella Wood[3]
  • Cast Production Assistants – Daniela de Osma, Paula Kunstler, Grace McInnes[3]
  • BFI Set Production Assistant – Elisha McNally[3]
  • Key Crowd Production Assistant – Sean Seymour[3]
  • Crowd Production Assistants – Riccardo Melis, Joe Willis[3]
  • Tandem Unit Third Assistant Director – Nathan Foote[3]
  • Tandem Unit Base Production Assistant – Ruby Victor[3]
  • Tandem Unit Set Production Assistants – Duncan Bradley, James Hood[3]
  • Stand Ins – Steven Morphew, Kya Garwood[3]
  • UK Casting Assistant – Sacha Garrett[3]
  • Script Supervisor – Helene Oosthuizen[3]
  • Vocal Coach – Marina Tyndall[3]
  • BFI Continuity Trainee – Brioni Farren[3]
  • Tandem Unit Continuity Trainee – Andreea Grigoras[3]
  • Continuity Trainee – Nora Dahle Borchgrevink[3]
  • Script Editor – David Girvan[3]
  • Sides Production Assistant – Avgerinos Karadimas[3]
  • Tandem Unit Sides Production Assistant – Tom Duthie[3]
  • Unit Publicist – Claudia Kalindjian[3]
  • Unit Stills Photographer – Des Willie[3]
  • BTS Camera Operator – Hannah Mitchell[3]
  • Star Wars Lore Advisor – Pablo Hidalgo[3]
  • Supervising Art Director – Toby Britton[3]
  • Senior Art Director – Su Whitaker[3]
  • Art Directors – Andrea Borland, Claire Fleming, Max Klaentschi[3]
  • Action Vehicles Art Director – Richard Campling[3]
  • Assistant Art Directors – John Adkins, Charlie King, Triin Valvas[3]
  • Model Maker – Alex Hutchings[3]
  • Draughtspersons – Luke Dass, Andy Young[3]
  • Junior Draughtspersons – Jimmy Davies, Lara Humphreys, Rebecca Lewis[3]
  • Concept Artists – Chester Carr, Giorgio Grecu[3]
  • Standby Art Director – Jo Ridler[3]
  • Lead Graphics Designer – Dom Sikking[3]
  • Graphics Designers – Barry Gingell, Matthew Hindle[3]
  • Graphics Artist – Elle McKee[3]
  • Finishing Painters – Will Bianchi, Tommy Miles[3]
  • Art Coordinator – Hannah Meredith-Smith[3]
  • Art Department Assistants – Tim Adams, Aruna Kerek[3]
  • Art Department Production Assistant – Joy Blumenthal[3]
  • Supervising Digital Asset Manager – Kyle Wetton[3]
  • Digital Asset Manager – Toby Wheeler[3]
  • Computer Graphics Design & Animation by – Blind LTD.[3]
  • Computer Graphics Supervisor – Andrew Booth[3]
  • Computer Graphics Producer – Helen Baker[3]
  • Lead Screen Graphics Designer – Shaun Yue[3]
  • Screen Graphics Designers – Charlie Middleton, Mungo Horey[3]
  • Set Decorator – Rebecca Alleway[3]
  • Senior Production Buyer – Corina Floyd[3]
  • Senior Assistant Set Decorators – Netty Chapman, Prue Howard[3]
  • Assistant Set Decorators – Samantha Redwood, Ellie Shanks[3]
  • Junior Assistant Set Decorator – Chloe Taylor[3]
  • Buyer – Helen Player[3]
  • Assistant Buyer – Helen McCarthy[3]
  • Petty Cash Buyer – Monica Casey[3]
  • Department Coordinator – Eleanor Bailey[3]
  • Junior Concept Artist – Laura McDonald[3]
  • Set Dec Runner – Alex Floyd[3]
  • Set Dec Art Director – Darren Tubby[3]
  • Art Director – Richard Hardy[3]
  • Assistant Art Director – Solomon Honey[3]
  • Senior Draughtsperson – Kate Pickthall[3]
  • Junior Draughtspersons – Ben Andrews, Chris Straessle[3]
  • Concept Artists – Peter Day, Keith Seymour[3]
  • Researcher – Nicola Barnes[3]
  • Drapesmaster – Chris Lewry[3]
  • Drapesmen – Daniel Lewry, Alex Lewry[3]
  • Supervising Set Dec Carpenter – Tom O'Neill[3]
  • Set Dec Chargehand Carpenter – Josh O'Neill[3]
  • Set Dec Carpenters – Joey Alley, Nick Billam Smith, Joe Cox, Luke Sargent[3]
  • Supervising Set Dec Painter – Craig Hawtree[3]
  • Set Dec Chargehand Painter – Robert West[3]
  • Set Dec Location Chargehand Painter – Dean Lancaster[3]
  • Set Dec Painters – Alice Bolt, Christabelle Cant, Bobby Dean, Richard Derbyshire, Jamie Hall, Kallum Hall, Megan Harrison, Richard Lancaster, Elizabeth Poppy West[3]

Visual Effects Crew

  • VFX Associate Producer – James Yeoman[3]
  • VFX Coordinators – Cecy Falls, Ali Pak, Zoë Medcraft[3]
  • VFX Assistant Coordinator – Ashley Wild[3]
  • VFX Lead Data Wrangler – Ed Price[3]
  • VFX Data Wrangler – Simon Chiu[3]
  • VFX Assistant Data Wrangler – Louis Martin[3]
  • VFX Production Assistants – Katie Watling, Alex Payne, Zofia Halaczek, Tehreem Faisal, Tosin Ogunleye[3]
  • In-House VFX Supervisor – Marc Hutchings[3]
  • In-House VFX Coordinator – Hannah Starkins[3]
  • VFX Supervisor - Tandem Unit – Felix Pomeranz[3]
  • VFX Lead Data Wrangler - Tandem Unit – Jack George[3]
  • VFX Compositors – Andrey Polezhayev, Paolo D'Arco, Matt Foster, Luke Butler, Will Jones, David Ross, Karolina Jeromin, Christopher Fernandes[3]
  • Visual Effects by – Industrial Light & Magic a Lucasfilm Ltd. Company[3]
  • ILM Visual Effects Supervisor – Scott Pritchard[3]
  • ILM Visual Effects Producer – Duncan Ramsay[3]
  • ILM Executive VFX Producers – Stefan Drury, Adele Jones-Venables[3]
  • ILM Associate Producer – Siobhan Condon[3]
  • ILM Compositing Supervisors – Charmaine Chan, Ryan B. Clarke[3]
  • ILM Associate Production Managers – Kat Turner, Luigi Pisciotta, Yegor Tesler[3]
  • ILM Additional Visual Effects Supervisor – David Seager[3]
  • ILM Associate Visual Effects Supervisor – Gavin Harrison[3]
  • ILM CG Supervisors – Laurent Hugueniot, Patrik Marek[3]
  • ILM Environments Supervisors – Guy Williams, Pedro Santos[3]
  • Prop Master – Martyn Doust[3]
  • Assistant Prop Master – Martin Christopher[3]
  • Storeman – Colin Merchant[3]
  • Handprops/Weapons Supervisor – Jon Wallace[3]
  • Props Coordinator/Buyer – Jeff Clarke[3]
  • Props Concept Artist – James Weeldon[3]
  • Props Junior Buyer – Rachael Carvill[3]
  • Supervising Standby Props – Tom Shrim[3]
  • Second Standby Props – Xavier Swinton-Byrne[3]
  • Supervising Standby Weapons – Jonathan Evans[3]
  • Second Standby Weapons – Jack Christopher[3]
  • Assistant Storewoman – Abigail Dilbey[3]
  • Stores Yardman – John Dempster[3]
  • Prop Trainees – Robert Hainsworth, Harry Newman[3]
  • Assistant Hand Props Storeman – Joe Reaney[3]
  • Workshop Trainee Props – Rachel Cash[3]
  • Workshop Dressing Props – Kat Lee[3]
  • Tandem Unit Supervising Standby Props – Jonathan Evans[3]
  • Tandem Unit Second Standby Props – Paul Briggs[3]
  • Tandem Unit Supervising Standby Weapons – Caterina Vanzi[3]
  • Tandem Unit Second Standby Weapons – Katie Jo Watson[3]
  • Chargehand Dressing Props – Rory Armstrong, Phil Cane, Ben Green, David Hynes, Colin Le Gendre, Wes Peppiatt, Steve Westley[3]
  • Dressing Props – Ben Bagley, Clea Beccucci, Louis Boon, Kai Burnett, Matt Chisholm, John Cole, Sam Farr, Tom Gibbs, Elliot Haime, Stefano Mariconda, Danny Morris, Alex Norfolk, David O'Brien, Greg Oddoye, Alan Paige, Mark Papworth, Richard Pugh, Nina Starr, Jason Williams, Gabriel Wilkinson, Andrew Paul Wilson[3]
  • Junior Dressing Props – Fergus O'Hare, Alex Monro Pruett[3]
  • Trainee Dressing Props – Nicole Birley, Sam Glen, Joe le Gendre[3]
  • HOD Props & Set Dec Manufacturing – Tim Wildgoose[3]
  • Props Manufacturing Coordinator – Mark Lobatto[3]
  • Props Manufacturing Assistant Coordinator – Camille Raoult[3]
  • Digital Modellers – Nayda Venizelos, Tara Barzetovic[3]
  • Supervising Modeller – Martin Campbell[3]
  • Senior Prop Modeller – Graham Bowen[3]
  • Advanced Prop Modellers – James Aubrey Britton, David Farrow, Thomas Hughes, Helen Lake, Jayne O'Hanlan, Miguel Quina, Hannah Treharne, Paula Vine, James Woodcock[3]
  • Props Modellers – Jason Larcombe, Caspar Phillips, Tim Pratt[3]
  • Props Painters – Clemency Bunn, Bobbie Dutton, Gabriella Franchetti, Kyli Johnson[3]
  • Junior Modellers – Joe Browning, Tanya Irons, Claudia Sawyer[3]
  • Set Dec Supervising Modellers – Faye Ruddick, Will Sumpter[3]
  • Set Dec Supervising Mouldmaker – Greg Davey[3]
  • Set Dec Workshop Storeman – David Sillery[3]
  • Set Dec Senior Modellers – Billy Noonan, Matt Street[3]
  • Set Dec Advanced Prop Modellers – Wasili Angelopoulos, Colin Armitage, Pete Fielding, Holly Martin, Mark Yeo[3]
  • Set Dec Prop Modellers – Mitchell Chamberlain, Alex Lloyd, Sophie Dyer Bartlett, Justine Marshall, Jessica Martin, Adam McGee-Abe, Victoria Pearce, Luisa Toledo, Ian Tsang[3]
  • Set Dec Mouldmakers – Adrian Brady, Ben Butcher[3]
  • Set Dec Junior Modellers – Anais Bansal, Margot Brosnan, Beth Harris, Fen Lundberg, Ben Saunders[3]
  • Drivers – Alex Francis, Steve Wildgoose[3]

Construction Services provided by – Palace Scenery Ltd.[3]

  • Construction Manager – Stephen Bohan[3]
  • Assistant Construction Manager – Seamus O'Sullivan[3]
  • Construction Coordinator – Debbie Morgan[3]
  • Assistant Construction Coordinator – Nicola Jones[3]
  • HOD Carpenter – Paul Duff[3]
  • Supervising Carpenters – Chris Brown, Graham Cole, Toby Cowley, Mike Green, Alan Kavanagh, Adam Shepherdley[3]
  • Chargehand Carpenter – Jeff McNamara[3]
  • HOD Painter – Dave Haberfield[3]
  • Supervising Painters – Peter O'Donnell, Steve Sibley[3]
  • Painter – Jack Lockett[3]
  • Chargehand Painter's Labourer – Adam Lewis[3]
  • HOD Rigger – Alan Williams[3]
  • Supervising Riggers – Joe King, Steve Warwick[3]
  • Chargehand Riggers – Peter Graham, Billy Peet[3]
  • Production Health & Safety Coordinator – Lucy Wall[3]
  • Payroll – Catherine Haugh[3]
  • Construction Health & Safety – Lee Bartholomew[3]
  • HOD Plasterer – Richard McCarthy[3]
  • Supervising Plasterers – Bob Byron, Dean Coldham[3]
  • Chargehand Plasterer – Tristan Smith[3]
  • Supervising Foam Sprayer – Gary Saddington[3]
  • Supervising Plasterer Labourer – James Pearce[3]
  • Supervising Metal Worker – Rob Shaw[3]
  • Chargehand Metal Worker – Harlon Hypolite[3]
  • HOD Stagehand – Richard Stachini[3]
  • Chargehand Stagehands – Lewis Pelling, Alan Wilson[3]
  • Practical Electrician – James O'Sullivan[3]
  • Action Vehicles HOD – Warren Stickley[3]
  • Action Vehicles Supervisor – Graham Dale[3]
  • Buyer & Department Coordinator – Ben Vokes[3]
  • Lead Model Maker – Ray Widdowson[3]
  • Model Makers – Martin Cook, Martin Dallinger, Mark Edgington, Paul Hitchinson, Alex Hughes, Jack Jephson, Caspar Phillips[3]
  • Fabricators – Nicko Cummins, Dec Hardy, Alex Raine, Steve Thompson[3]
  • Fiberglass Fabricators – Sean Kenrick, Graeme McCracken[3]
  • Assistant Fabricators – Steve Cooksley, Rhys Stickley[3]
  • Trainees – Sam Bentley, Tom Whitby[3]


Appearances[]

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Notes and references[]

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Disney Andor Media Kit on Disney.com (backup link)
  2. TwitterLogo Star Wars (@starwars) on Twitter (August 10, 2022): "This is what revolution looks like. Watch #Andor, a Star Wars Original Series, streaming only on @DisneyPlus September 21." (backup link)
  3. 3.000 3.001 3.002 3.003 3.004 3.005 3.006 3.007 3.008 3.009 3.010 3.011 3.012 3.013 3.014 3.015 3.016 3.017 3.018 3.019 3.020 3.021 3.022 3.023 3.024 3.025 3.026 3.027 3.028 3.029 3.030 3.031 3.032 3.033 3.034 3.035 3.036 3.037 3.038 3.039 3.040 3.041 3.042 3.043 3.044 3.045 3.046 3.047 3.048 3.049 3.050 3.051 3.052 3.053 3.054 3.055 3.056 3.057 3.058 3.059 3.060 3.061 3.062 3.063 3.064 3.065 3.066 3.067 3.068 3.069 3.070 3.071 3.072 3.073 3.074 3.075 3.076 3.077 3.078 3.079 3.080 3.081 3.082 3.083 3.084 3.085 3.086 3.087 3.088 3.089 3.090 3.091 3.092 3.093 3.094 3.095 3.096 3.097 3.098 3.099 3.100 3.101 3.102 3.103 3.104 3.105 3.106 3.107 3.108 3.109 3.110 3.111 3.112 3.113 3.114 3.115 3.116 3.117 3.118 3.119 3.120 3.121 3.122 3.123 3.124 3.125 3.126 3.127 3.128 3.129 3.130 3.131 3.132 3.133 3.134 3.135 3.136 3.137 3.138 3.139 3.140 3.141 3.142 3.143 3.144 3.145 3.146 3.147 3.148 3.149 3.150 3.151 3.152 3.153 3.154 3.155 3.156 3.157 3.158 3.159 3.160 3.161 3.162 3.163 3.164 3.165 3.166 3.167 3.168 3.169 3.170 3.171 3.172 3.173 3.174 3.175 3.176 3.177 3.178 3.179 3.180 3.181 3.182 3.183 3.184 3.185 3.186 3.187 3.188 3.189 3.190 3.191 3.192 3.193 3.194 3.195 3.196 3.197 3.198 3.199 3.200 3.201 3.202 3.203 3.204 3.205 3.206 3.207 3.208 3.209 3.210 3.211 3.212 3.213 3.214 3.215 3.216 3.217 3.218 3.219 3.220 3.221 3.222 3.223 3.224 3.225 3.226 3.227 3.228 3.229 3.230 3.231 3.232 3.233 3.234 3.235 3.236 3.237 3.238 3.239 3.240 3.241 3.242 3.243 3.244 3.245 3.246 3.247 3.248 3.249 3.250 3.251 3.252 3.253 3.254 3.255 3.256 3.257 3.258 3.259 3.260 3.261 3.262 3.263 3.264 3.265 3.266 3.267 3.268 3.269 3.270 3.271 3.272 3.273 3.274 3.275 3.276 3.277 3.278 3.279 3.280 3.281 3.282 3.283 3.284 3.285 3.286 3.287 Andor logo new Andor — "One Way Out"
  4. "One Way Out" takes place four days after "Narkina 5," which StarWars Andor | Season 1, Episode 8 - Trivia Gallery on StarWars.com (backup link) (Slide 6) dates to 5 BBY.

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