I'm very pleased to welcome Jo Sparkes who's blogging on her new book Feedback: How To Give It How to Get It.
Jo will be giving away a $50 Amazon GC to one randomly drawn commenter during the tour.
Feedback … a kinder word for criticism, is an organic
component to life.
When a toddler learns to walk, he falls. He screams, cries – and persists. What
would happen to the human race if he gave up after a few bumps?
Before we could read self-help books, before we could understand a language and
sit in a classroom, we learned by trial and error. “Feedback” is the natural
teaching process. It’s how the creator set it up. It’s how the world actually
works.
Here, at last, is a simple process for getting the most from all the feedback
the world offers us.
Blog question for Jo: What's the best feed back you ever rcv'd, and
why. What's the worst and why.
Do you know, I had
to really think about these!
The worst feedback is probably an incident when I was a junior in
high school. I were taking a piano class with 30 others. I loved 'playing' at
playing, and I was very good at memorizing songs. I had Beethoven's Moonlight
Sonata memorized.
Learning to read music,
however, was at a rough stage. I could slowly translate it, but not fast enough
to play from sheet music.
The day came when we
were going to have a recital, and the teacher listened to each student, and
gave them feedback on the first six weeks. She complimented my playing, and
urged me to be in the recital. I had a few reservations – I knew I couldn't
read music, and was performing from memory. She didn't realize that, and I
didn't tell her.
Besides, there was a
really cool, popular girl in the class, who had all the cute guys hanging
around her. She spoke to me – to coordinate what we'd play. I felt like I was
one of the in crowd. How could I not play Moonlight Sonata?
As we prepared, my
teacher listened and gave a few pointers. So did the popular girl, who was very
good, I must say. That little voice in my head whispered I should be careful.
But I was enjoying all the attention too much.
The day of the recital
had an audience of forty parents, all dressed up and sitting quietly. The
popular girl got such applause when she was done, and I wanted to hear that
same applause.
I sat down, opened the
music, put my fingers on the keys, and played the opening bars. And then my
mind went blank. In my nervousness I had forgotten the song. And I certainly
couldn't read the sheet in front of me.
I thought, I'll hit this
next note – and if that's not it …
I struck the keys. That
wasn't it.
I can still hear the
dead silence in the room when I stood and faced that audience. “That's all I
remember.”
You could hear a pin
drop as I walked to the exit. Then there was polite applause – until the
closing door cut it off.
Even as I write this now
my cheeks are burning red.
The funny thing is, I
would have loved to blame that on the feedback, or the teacher, or anyone else
but myself. There is no one else to blame, however. And, well, I lived and
learned.
The best feedback was when I started a karate class. I was out of
college and working by then.
We began as white belts,
and most tested for their next belt – an orange belt – within the first 4
weeks. I was not exactly a prodigy, however, and eight weeks later I was very
discouraged.
The Master of the Dojo
talked to me. He gave me feedback on improving my moves, on getting out of a
wristlock, and how to practice a little more effectively. I bit my lip and
nodded – feeling very much like that girl who couldn't play at the piano
recital.
I think he saw where my
emotions were. He took me to a class where the black belts were working hard. I
watched them throwing each other around, moving at lightning speed, and looking
like all the things I was not.
“You know what a black
belt is?” the Master asked me.
“Perfection,” I sighed.
“All the things I am not.”
He looked me in the eye.
“A black belt is just a white belt who never quit.”
That one thought has
prevailed through a lot challenges. Whenever I'm not sure I'll make it, when I
fear I am back at that recital – I look at the great writers, the great
teachers, all the people I admire. They only got where they are because they
never quit.
And then I push on.
Sandra, thank you so
much for having me today!
- Jo
Excerpt:
For some reason it's easy to cling to
criticism. To walk through the world telling yourself, “I can't act my way out
of a paper bag,” or “my work is sloppy no matter what I do.”
If you think about it,
you probably can recall criticism you heard as a child. When I was
eight-years-old, I overheard my father tell my mother I was lazy. To this day,
if I'm not getting everything done as fast as I wish, if things are piling up
on my desk, I can hear him saying, “she's lazy!”
Clinging to criticism,
to all the negative comments or snide remarks we've heard over the years,
creates a very heavy burden. If you walk through the world so weighted down,
you will inevitably slow and finally stop altogether from the sheer pressure.
All you can humanly do
is what we just did. Take in the information, analyze it, and decide what to
do. There is nothing more to be done.
It – the criticism – has
served you. Now send it on its merry way.
AUTHOR Bio and Links:
A well-known Century
City Producer once said that Jo Sparkes "writes some of the best dialogue
I’ve read." Not only are those words a compliment to Jo’s skills as a
writer,but a true reflection of her commitment to her work.
She graduated Magna Cum
Laude from Washington
College, a small liberal
arts college famous for its creative writing program. Years later, Jo renounced
life in the corporate world to pursue her passion for writing.
Taking every class she
could find, she had the good fortune to study with Robert Powell; a student of
renowned writers and teachers Lew Hunter, and Richard Walter, head and heart of
UCLA’s Screenwriting Program.
The culmination of those
years was the short-film "The Image", which she wrote and produced
single-handedly. And in so doing, she became fascinated with the dynamics of
collaboration on a project.
Since then, Jo
hasn’t looked back. Her body of work
includes scripts for Children’s live-action and animated television programs, a
direct to video Children’s DVD, television commercials and corporate videos.
She's been a feature writer on ReZoom.com and a contributing writer for the
Arizona Sports Fans Network; where she was called their most popular writer,
known for her humorous articles, player interviews and game coverage. Jo was
unofficially the first to interview Emmitt Smith when he arrived in Arizona to play for the
Cardinals.
She has adjunct taught
at the Film School at Scottsdale Community College, has teamed with a Producer
on a low budget thriller, and a Director on a New Dramady.” She went in front
of the camera for a video, “Stepping Above Criticism”, capturing a popular talk
with her students.
Her new book,
FEEDBACK HOW TO GIVE IT HOW TO GET IT, shares her lessons learned
with writers, and indeed everyone dealing with life's criticism.
When not diligently
perfecting her craft, Jo can be found exploring her new home of Portland, Oregon,
along with her husband Ian, and their dog Oscar.
I usually sit out on the porch, and under the guise of working, watch the birds. When I got home Friday night, the view was up close and personal. A little Carolina Wren had found a hole in our screen and had decided to stop by and say hello.Unfortunately, once in he had no earthly idea how to get out. For forms sake, I'll call him a he, going on the assumption a she would have figured out how to get back outside;) For any guys reading this, I'm just pickin' with ya. But back to the story.
